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71:, beginning in 1843. His modest early success as a portrait painter was stifled by the development of photography (a problem shared by other artists of the time). In 1851 Smetham took a teaching position at the Wesleyan Normal College in
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Smetham worked in a range of genres, including religious and literary themes as well as portraiture; but he is perhaps best known as a landscape painter. His "landscapes have a visionary quality" reminiscent of the work of
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a very ambitious subject for him to undertake but one which worked out magnificently. His choice of subject was sometimes somewhat bizarre; one of his best paintings is
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which depicts the dying earl, dressed in full armour, standing up and being supported by his servants as 'He did not wish to die lying down like a cow'.
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were "Religious Art in
England" (1861), "The Life and Times of Sir Joshua Reynolds" (1866), and "Alexander Smith" (1868). He also wrote some poetry.
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type of writing that he called "ventilating," as a method of religious self-analysis. These writings delineate the
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A Converted
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https://artuk.org/discover/artworks/view_as/grid/search/makers:james-smetham-18211889/page/2
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He was also an essayist and art critic; an article on Blake (in the form of a review of
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Smetham's letters, posthumously published by his widow, throw light upon
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35:(9 September 1821 – 5 February 1889) was an English
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The
Letters of James Smetham: With an Introductory Memoir
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before deciding on an artistic career. He studied at the
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James
Smetham: Artist, Author, Pre-Raphaelite Associate
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is perhaps his best-known work but his signal work is
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I Am Half-Sick of
Shadows, Said the Lady of Shalott
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198:(1861) - Tate Britain
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781:Roman Widow
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741:April Love
421:John Brett
291:Smetham's
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