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Douglas has written over two dozen articles, short stories, and a book about the development, structure, and uses of hypertext. In a 1991 article—quite early in the development of hypertext as a new literary medium—she argued for hypertext as offering an alternative to an "either/or" view of reality
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In "What
Hypertexts Can Do That Print Narratives Cannot", Douglas goes into more detail about how hypertext fiction works as a literary form. Critics have noted acerbity as a characteristic of Douglas's writing as she "makes plain her frustration that hyperfiction works and their writers are still
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that had no inbound links. In discussions about the novel, the node became known as "Jane's space" because she was the first to remark on its orphan status. She became implicated in revisions to this node, which originally (1987 edition) featured only a single phrase from Jung, "Man... never
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is book-ended by two car crashes and the resulting deaths. Douglas's goal was to use the fragmentations of hypertext to explore both causality and the enormous gulfs that separate people from one another. Designed in
213:, she examines how interactive fiction works and discusses the current state of hypertext criticism, arguing that hyptertext authors are the natural heirs of early 20th century experimental modernists like
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and
Samantha Miller, “Syntactic Complexity of Reading Content Directly Impacts Complexity of Mature Students’ Writing,” International Journal Business Administration 7 (3) (May 2016): 62-71. (essay)
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Her Ph.D. dissertation, "Print pathways and interactive labyrinths: How hypertext narratives affect the act of reading," was supervised by Gordon M. Pradl. She spent a year as a research fellow at
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and
Samantha Miller, “Availability Bias Can Improve Women’s Propensity to Negotiate,” International Journal of Business Administration 6(2) 2015: 86-95. (essay)
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496:. Eds. Sebastian Henn, Harald Bathelt, Patrick Cohendet, and Laurent Simon. London, UK: Elgar Publishing, Ltd., 2017. (book chapter)
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perceives anything", but later (1990 edition) included a second line: "and only Jane
Yellowlees Douglas has read this line".
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on March 8, 2013. In interviews and forum postings about this experience, Douglas revealed that her godmother is the actress
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in 1982, where she went on to get an M.A in cinema and literary theory. She received her Ph.D. in
English and education from
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In academia, Douglas has been the director of the program in professional writing and an assistant professor of
English at
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Joyce, Michael. "Notes Toward an
Unwritten Non-Linear Electronic Text, "The Ends of Print Culture" (a work in progress)".
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and Andrew
Hargadon, “From Domestication to Differentiation and Back Again: How Design Spurs and also Limits Innovation,”
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311:“Dipping into Possible, Plausible Worlds: the Experience of Interactivity from Virtual Reality to Interactive Fiction,”
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125:. She began writing about hypermedia in the late 1980s, very early in the development of the medium. Her 1993 fiction
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and
Samantha Miller, “Syntactic and Lexical Complexity of Reading Correlates with Complexity of Writing in Adults,”
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565:
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Eds. Bill
Corcoran, Mike Hayhoe and Gordon M. Pradl. Portsmouth, NH: Boynton/Cook, 1994: 179-192. (book chapter)
421:“How Plain Language Fails to Improve Organizational Communication: A Neuro-cognitive Basis for Readability,”
465:“Top-Down Research, Generalists, and Google Scholar: Does Google Scholar Facilitate Breakthrough Research?”
411:. Eds. Michael J. Hoffman and Patrick D. Murphy. Durham, NC: Duke University Press, 2005: 443-471. (essay)
263:. Noah Wardrip-Fruin and Pat Harrigan, eds. Cambridge, MA: MIT Press, 2004. (essay; with Andrew Hargadon)
400:, and Timothy Davis, “Model Representation with Aesthetic Computing: Method and Empirical Study.”
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in London examining the ways in which hypertext affects the construction of digital technologies.
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482:“The Power of Paradox: How Oppositional Schemas Enhance Recall in Organizational Communication,”
346:“Abandoning the Either/Or for the And/And/And: Hypertext and the Art of Argumentative Writing,”
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357:. Ed. Ilana Snyder. Sydney: Allen & Unwin and New York: Routledge, 1997: 144-162. (essay)
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458:“The Real Malady of Marcel Proust and What It Reveals about Diagnostic Errors in Medicine,”
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353:“Will the Most Reflexive Relativist Please Stand Up? Hypertext, Argument, and Relativism,”
272:“The Three Paradoxes of Hypertext: How Theories of Textuality Shape Interface Design.” In
259:“The Pleasures of Immersion and Engagement: Schemas, Scripts, and the Fifth Business.” In
8:
287:. Paula Geyh, Fred G. Lebron, and Andrew Levy, eds. New York: Norton, 1997. (short story)
247:, links in the text, a default narrative line, and a navigation menu of available paths.
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439:“Producing Something from Nothing: The First Conversation of Innovation—with Yourself,”
276:. Stephanie B. Gibson and Ollie Oviedo, eds. Cresskill, NJ: Hampton Press, 2000. (essay)
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The Elgar Companion to Innovation and Knowledge Creation: A Multi-Disciplinary Approach
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Douglas is recognized for having discovered a node in Michael Joyce's hypertext novel
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Writing As A Survival Skill: How Neuroscience Can Improve Writing In Organizations,”
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Douglas has founded and directed four writing programs at the University of Florida.
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325:“Plucked from the Labyrinth: Intention, Interpretation and Interactive Narratives,”
339:“Virtual Intimacy and the Male Gaze Cubed: Interacting with Narratives on CD-ROM.”
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She completed her undergraduate studies in English language and literature at the
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375:, “When Innovations Meet Institutions: Edison and the Design of Electric Light.”
304:“Social Impacts of Computing: The Framing of Hypertext—Revolutionary for Whom?”
290:“'But When Do I Stop?'" Closure and Indeterminacy in Interactive Narratives.” In
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The Readers Brain. How Neuroscience can make you a Better Writer, Cambridge 2015.
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368:. New York: Association for Computing Machinery (ACM), January, 2001. (essay)
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Hypertext ’01: Proceedings of the 12th Conference on Hypertext and Hypermedia
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University of Michigan College of Literature, Science, and the Arts alumni
173:. She is presently Associate Professor of Management Communication in the
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506:. Cambridge, UK and New York: Cambridge University Press, 2018. (book)
318:“Making the Audience Real: Using Hypertext in the Writing Classroom,”
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Lewisburg, PA: Bucknell University Press, 2003: 58-76. (book chapter)
382:“Here Even When You’re Not: Teaching in an Internet Degree Program.”
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29:
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The Biomedical Writer: What You Need to Succeed in Academic Medicine
243:, the work offers readers a variety of strategies for navigation: a
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407:“What Interactive Narratives Do That Print Narratives Cannot,” in
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389:“Doing What Comes Generatively: Three Eras of Representation.”
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Knowledge in the Making: Challenging the Text in the Classroom.
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332:“Technology, Pedagogy, or Context? A Tale of Two Classrooms,”
297:"The Act of Reading: the WOE Beginners' Guide to Dissection".
386:. Ed. Ilana Snyder. New York: Routledge, 2002. (book chapter)
131:, was one of the first published works of hypertext fiction.
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ACM TOMACS: Transactions on Modeling and Computer Simulation
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The Emerging CyberCulture: Literacy, Paradigm, and Paradox
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TDR, The Drama Review: The Journal of Performance Studies
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Jane Y. Douglas Contact Information at Readersbrain.com
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Page to Screen: Taking Literacy into the Electronic Age
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First Person: New Media as Story, Performance, and Game
690:"Are We Reading Yet? A few suggestions for navigation"
121:; June 25, 1962) is a pioneer author and scholar of
676:Mechanisms: New Media and the Forensic Imagination
543:"Friday, March 8, 2013 Game Recap & Discussion
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443:, Vol. 10 (1), April 2014: 107-120. (essay)
604:, trAce Online Writing Center, August 16, 2002.
418:5 (6), September/October 2012: 597-608. (essay)
285:Postmodern American Fiction: A Norton Anthology
729:"I Have Said Nothing" by J. Yellowlees Douglas
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484:International Journal Business Administration
477:International Journal Business Administration
175:Warrington College of Business Administration
654:"The End of Books by J. Yellowlees Douglas"
566:"UF professor to be 'Jeopardy!' contestant"
423:Journal of International Management Studies
348:Australian Journal of Language and Literacy
269:. University of Michigan Press, 2000 (book)
206:in the form of an "and/and/and" structure.
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794:21st-century American non-fiction writers
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441:The Journal of Global Business Management
436:81 (3) (September 2013): 443-447. (essay)
545:, jboard.tv; accessed December 14, 2017.
379:46 (3), September 2001: 476-502. (essay)
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643:2.1 (1991); accessed December 14, 2017.
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416:American Journal of Business Education
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486:8 (3) (May) 2017: 45-55. (essay)
479:7 (4) (June 2016): 1-10. (essay)
377:Administrative Science Quarterly
719:J. Yellowlees Douglas Biography
564:Mescon, Jenna (March 5, 2013).
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306:Social Science Computer Review
301:, vol. 2, no. 2, 1991. (essay)
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814:Electronic literature critics
759:University of Florida faculty
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404:15 (3) 2005: 254-279. (essay)
350:19.4 (1997): 305-316. (essay)
343:29.3 (1996): 207-213. (essay)
336:: 11 (1994): 275-282. (essay)
322:(Winter 1994): 17-23. (essay)
308:11.4 (Winter 1993): 417-429.
425:7(2), October, 2012. (essay)
320:Educators’ Tech Exchange 1.3
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467:Open Access Library Journal
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615:"Yellowlees Douglas, PhD"
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135:Early life and education
90:Management Communication
362:Jane Yellowlees Douglas
279:"I Have Said Nothing".
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391:Theorizing the Matrix.
148:University of Michigan
70:University of Michigan
619:Holy Names University
600:July 6, 2013, at the
570:University of Florida
517:Electronic literature
251:Selected publications
179:University of Florida
119:J. Yellowlees Douglas
103:Holy Names University
99:University of Florida
22:J. Yellowlees Douglas
595:"The End of Books 1"
502:and Maria B. Grant,
462:90 (16) 2016: 14-18.
371:Andrew Hargadon and
694:I Have Said Nothing
299:Writing on the Edge
236:I Have Said Nothing
152:New York University
128:I Have Said Nothing
74:New York University
678:, MIT Press, 2012.
641:Postmodern Culture
500:Yellowlees Douglas
490:Yellowlees Douglas
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460:Medical Hypotheses
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430:Yellowlees Douglas
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398:Yellowlees Douglas
384:Silicon Literacies
373:Yellowlees Douglas
227:Afternoon: a story
209:In her 2000 book,
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159:Brunel University
141:Detroit, Michigan
123:hypertext fiction
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43:1962-06-25
187:Jeopardy!
154:in 1992.
696:. Norton
660:March 8,
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511:See also
341:Leonardo
201:Writings
58:Michigan
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54:Detroit
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