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is an
English-language general survey of music history used at colleges and universities around the world. Burkholder thoroughly revised the narrative to emphasize the people who made and heard the music and what they valued in it and to include more music from the Americas, more by women and African
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revised the earlier view of the composer as
American iconoclast, showing his knowledge of European traditions and his gradual evolution from shared conventions to radical modernism. Burkholder’s works on musical borrowing in Ives, in
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493:"Changing the Stories We Tell: Repertoires, Narratives, Materials, Goals, and Strategies in Teaching Music History - College Music Symposium"
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Award for excellence of a musicological article by the
American Musicological Society. Additional honors include two
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that stresses not only its innovations but also its engagement with the past. Five books and numerous articles on
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Burkholder has contributed to four main areas. Several articles argue for a view of
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and author. He is
Distinguished Professor Emeritus of Musicology at the
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All Made of Tunes: Charles Ives and the Uses of
Musical Borrowing
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WABE – City Lights: Patti Austin; Horror Film
Festival; And More
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250:"The Uses of Existing Music: Musical Borrowing as a Field,"
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27 (Winter 2009): 399–423 (ASCAP-Deems Taylor winner, 2010)
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Musical
Borrowing and Reworking Annotated Bibliography
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Listening to
Charles Ives: Variations on His America
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230:"Brahms and Twentieth-Century Classical Music,"
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114:in 1983. He began his teaching career at the
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218:Selected bibliography
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