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hope to find in that place a strong connection, that it doesn't fall; as if the suction cup becomes part of the skin. Something that lasts, that's what my music wants to be. About the album, it is a free album, in which the
Portuguese guitar and the piano intercept each other, and with the double bass and the drums try to make the most of this new place that they discover together, strolling around. Whether it's Fado or Jazz, I don't know, maybe it's both, but I really don't know, because those who know don't usually move forward. He who already knows is stopped in that knowledge. I prefer not to know, just to go, free. Like the sound".
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272:, Algarve region, Portugal. He started to play the piano at the age of 4. Resende considers the piano as "his favorite toy" in the childhood way of being. He studied at the Conservatório de Faro where, after studying classical piano, his taste for improvisation led him to Jazz, as he needed "a musical language which demands freedom. Jazz is not a style, it's a way of thinking. I found in Improvisation and Jazz a musical language that thinks like this, in freedom, and demands this of its musicians."
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313:, a project featuring Manuela Azevedo, vocalist of the band Clã. The album was described by All Music Guide as "an excellent example of how European jazz musicians have taken inspiration from their North American counterparts and raised the bar to the point where they are now the ones making refreshing and original music, while the Americans stubbornly stick to tradition." This was followed by another album ahead of his trio,
279:, he became involved in the musical activities of the Hot Clube de Portugal. He later left for Paris to study Jazz at the Université de St. Denis - Paris VIII. During this period he participated in workshops which led him to work with musicians from Hot Clube, the New School for Jazz and Contemporary Music, Berklee College of Music, and the Bill Evans Academy.
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musical memories is the voice of Amália singing "A Casa
Portuguesa!" or the overwhelming "Estranha Forma de Vida" and she serves as a symbol for this musical journey." The album includes the theme "Medo", a virtual and posthumous duet with Amália Rodrigues, using a recording of the singer's voice with unpublished permission from Valentim de Carvalho.
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project was "to bring Fado to the piano (...) All pianists have the dream of making a solo record. I wanted to make the most personal solo record possible. I understand the word "solo" as something that has to do with earth, with roots, with the ground you walk on, that you inhabit. Among my earliest
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on the
Valentim de Carvalho label, a work in which the pianist revisits with his instrument some of the most remarkable fados interpreted by the singer Amália Rodrigues. With this first incursion into the Fado genre, Júlio Resende brings to the scene his innovative proposal of Fado-Jazz: the union of
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with a completely innovative aesthetic in the world of Fado and Jazz music, combines original themes played by a
Portuguese Guitar that blends with Piano, Double Bass and Drums. In the pianist's words: "It's an arrow with a suction cup at the tip, shot at the target called 'chest'. You hit it, you
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Based on the
English poetry of Fernando Pessoa, Resende forms a pop-rock band with influences of indie and electronic music to which he gives the name Alexander Search, one of Pessoa's most important heteronyms and who wrote almost exclusively in the English language. The album, released in June
306:. This album was his recording debut in Jazz, and the artist came to be considered as "the youngest Portuguese musician to record a first album as a leader for the Clean Feed label, considered by AllAboutJazz one of the 5 best Jazz labels in the World."
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in Lisbon, featuring the singers, Moreno Veloso, Sílvia Pérez Cruz and Gisela João. The album was portrayed by the
Portuguese press as another example of "a natural integration of Portuguese popular music into his pianistic discourse".
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Between 2014 and 2016 he undertakes a series of international concerts to present his Amália work. With this album, Resende will visit France, Spain, jumping to Mexico, the United States, until reaching Canada and even Japan.
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2017, entered directly to the third position of the national top sales. It featured the participation of
Salvador Sobral, André Nascimento, Joel Silva and Daniel Neto, as well as the presence of Júlio Resende himself.
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Cinderella Cyborg is an album released in 2018. A musical adventure, an assumed flirtation between man and machine. Between the acoustic of piano, drums and double bass, and the electronic sounds of pads and chips.
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in a project that unites the worlds of classical music and improvisation, which the pianists have called: "Maria João Pires & Júlio
Resende - Dialogues". He is also the leader of
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146:. He is a pioneer of a unique and new genre called "Fado-Jazz". His improvisation techniques are transversal to his aesthetics, and articulate different musical genres, from
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launched in 2013. Over the years, Resende has published more records where he develops and explores the possibilities of Fado-Jazz. In 2020 he released the album
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where he includes the
Portuguese guitar to interact musically with a jazz trio. Since 2019, Júlio Resende has undertaken an artistic partnership with pianist
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564:"BLITZ – O pensamento de Júlio Resende, o filósofo que desde os quatro anos não larga o piano. "As pessoas que digam coisas, mas tentem pensá-las""
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Also in 2007 to 2017 he was a key figure in the Jazz and World Music Club in Lisbon, called Fábrica de Braço de Prata.
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In 2001, Resende moved to Lisbon where, while studying
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Poesia Homónima Por Júlio Resende e Júlio Machado Vaz: Poemas de Eugénio de Andrade e Gonçalo M. Tavares
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from the same director. Resende also has a degree in Philosophy, having studied at the
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After having recorded his first three albums, Resende released, in October 2013,
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In 2015, Júlio Resende continued his exploration of Fado with the album
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he played the piano on one of the grand final interval acts along with
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His first venture into the Fado-Jazz genre was the album tribute to
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http://www.culturgest.pt/arquivo/2014/docs/JulioResende_FSlite.pdf
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http://www.culturgest.pt/arquivo/2014/docs/JulioResende_FSlite.pdf
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Júlio Resende has also worked as a soundtrack composer for the
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two musical imaginaries which results in a unique creation.
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region, Portugal, but spent his childhood in neighboring
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793:"Salvador Sobral e Júlio Resende - os Alexander Search"
649:"Júlio Resende - Contentor 13 - Artes e Cultura - RTP"
635:"Festival da Canção 2018: Meet the Portuguese artists"
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169:, the "Diva" of portuguese Fado. The album is called
765:"A atitude e as vísceras do fado tocadas ao piano"
751:"A atitude e as vísceras do fado tocadas ao piano"
663:"Júlio Resende – O pianista que deu asas ao fado"
472:"Diálogos - Maria João Pires & Júlio Resende"
368:Resende's latest album released in October 2020,
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344:According to Resende, the challenge taken on by
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302:In 2008, Resende released his first album,
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492:(in European Portuguese). Archived from
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360:debuting the album with a show at the
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588:Group, Global Media (2018-05-11).
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324:Fado-Jazz: 2013 to the present day
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38:Background information
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395:Discography
246:Foodie Love
215:Cuca Roseta
818:Categories
677:2021-06-08
600:2018-05-22
549:2018-07-29
524:2017-05-26
500:2017-05-26
459:References
205:(singer),
203:Maria João
93:Instrument
44:Birth name
609:cite news
256:Biography
219:Ana Moura
158:and even
144:composer
65:Portugal
736:YouTube
401:Da Alma
304:Da Alma
266:Algarve
244:series
234:Netflix
193:winner
140:pianist
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101:Labels
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61:Origin
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236:film
96:Piano
621:help
290:and
262:Faro
225:and
187:Rock
185:, a
152:Fado
148:Jazz
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120:.com
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