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1240:(1634, approximately). The building has a U-shaped plan, but compared to previous one shows greater permeability between the inside and the yard; in fact, using the conformation of the very steep terrain, Bianco created a unique urban scenery, with a porch as wide as the yard and a series of overlapping arches and stairways.
767:. Fontana's academic approach, though lacking in the dazzling inventiveness of his Roman predecessors, exerted substantial influence on Baroque architecture both through his prolific writings and through a number of architects whom he trained and who disseminated the Baroque idioms throughout 18th-century Europe.
1128:), where he aimed at an integration between the interior and exterior through a concave prospectus. This interesting solution, possibly the first curved façade of the Baroque period, predates certain themes later expressed by Borromini, and confirms Richini as one of the greatest architects of the early Baroque.
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native architecture rather than being derived from the great
Baroque architects of Rome. After the earthquake, local architects, many of them trained in Rome, were given plentiful opportunities to recreate the more sophisticated Baroque architecture that had become popular in mainland Italy; the work
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even more dramatically. Acclaimed by later generations as a revolutionary in architecture, Borromini condemned the anthropomorphic approach of the 16th century, choosing to base his designs on complicated geometric figures (modules). Borromini's architectural space seems to expand and contract when
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that they pioneered – inspired more local architects to follow their lead. Around 1730, Sicilian architects had developed a confidence in their use of the
Baroque style. Their particular interpretation led to further evolution to a personalised and highly localised art form on the island. From the
1170:; this solution strengthens the longitudinal axis of the temple, which in fact became the central body in the proper nave. The Baroque style of the church is evident in the conformation of the external mass, located along the
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since the end of the 16th century, Baroque architecture saw the construction of a series of large buildings that critics have deemed among the most important of the
Italian landscape. Among these was the
519:
907:, off the southern coast of Italy, in the seventeenth and eighteenth centuries. The style is recognizable not only by its typical Baroque curves and flourishes, but also by its grinning
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854:, reputedly the largest building erected in Europe in the 18th century. Indebted to contemporary French and Spanish models, the palace is skillfully related to the landscape. In
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in Rome, was meant to practice the excess over the
Mannerist academic vogue until then. Richini introduced a combined plan, consisting of two central areas derived from
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in front of it. Other Roman ensembles of the period are likewise suffused with theatricality, dominating the surrounding cityscape as a sort of theatrical environment.
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1406:
703:(1658), which, with its lofty altar and soaring dome, provides a concentrated sampling of the new architecture. His idea of the Baroque townhouse is typified by the
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951:, who controlled the primarily agricultural economy. Its Baroque architecture gives the island an architectural character used well into the 21st century.
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presents a seemingly conventional plan, but the play of light and shadows that are set on the richly ornate façade leads to a typically
Baroque style.
1013:) to create irregular structures remarkable for their oval columns and unconventional façades. Building upon the findings of contemporary geometry and
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in plan and delicate in detailing. His sophisticated designs often feature multiple vaults, structures within structures and domes within domes.
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778:, which flourished in Rome from the 1720s onward, was profoundly influenced by Borromini's ideas. The most talented architects active in Rome –
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on an unprecedented colossal scale to suit the space and evoke awe. Bernini's own favourite design was the polychromatic oval church of
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661:, central massing, and the protrusion and condensed central decoration add complexity to the structure. Most Baroque buildings present
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1025:(1679) may have been the most flamboyant application of the Baroque style to the design of a private house in the 17th century.
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Among the many who were profoundly influenced by the brilliance and diversity of
Juvarra and Guarini, the most prominent was
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emerged as the most influential architect working in Rome. His early style is exemplified by the slightly concave façade of
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1158:, using a central plan. In the octagonal body of the basilica, Longhena added a sanctuary bordered on either side by two
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756:, displays the same antipathy to the flat surface and playful inventiveness, epitomized by a corkscrew lantern dome.
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of the island at a time when, nominally ruled by Spain, it was in fact governed by a wealthy and often extravagant
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1225:, combined with the highest indoor garden through a wide staircase, declares the presence of a movement in depth.
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1052:(1729). Juvarra finished his short but eventful career in Madrid, where he worked on the royal palaces at
680:(1656). Santa Maria della Pace, with its concave wings devised to simulate a theatrical set, fills a tiny
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1154:(1598–1682) as its principal exponent. After the pestilence of 1630, he began the construction of the
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1032:. Although his practice ranged well beyond Turin, Juvarra's most impressive designs were created for
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The highly decorative
Sicilian Baroque period lasted barely fifty years, and perfectly reflected the
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Fluid forms, weightless details and airy prospects of
Juvarra's architecture anticipated the art of
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The
Sicilian Baroque style came to fruition during a major surge of rebuilding following a massive
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and masterful placement on a hill above Turin. Rustic ambience encouraged a freer articulation of
801:, 1727) – had little influence outside their native country, as did numerous practitioners of the
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that states a
Knowledge editor's personal feelings or presents an original argument about a topic.
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665:. There is an emerging playfulness with the rules of classic design, still maintaining rigour.
1021:, which approximated Borromini's style in both theoretical and structural audacity. Guarini's
1174:: the octagonal body, covered by a large dome, is flanked by the crown of the shrine and two
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were particularly receptive to the new style. They employed a brilliant triad of architects—
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The same emphasis on plasticity, continuity and dramatic effects is evident in the work of
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The 18th century saw the capital of Europe's architectural world transferred from Rome to
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If you are confident enough in your fluency of English and Italian, please proofread it.
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and a particular flamboyance that has given Sicily a unique architectural identity.
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1232:(1590–1657) in what may be considered his masterpiece: the college of the
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1780s onwards, the style was gradually replaced by the newly-fashionable
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1067:. This Piedmontese architect is remembered for an outcrop of flamboyant
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Probably the best known example of such an approach is trapezoidal
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The Baroque architecture period began in the Italian period of the
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The last phase of Baroque architecture in Italy is exemplified by
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of these local architects – and the new genre of architectural
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and engineering, a style that would make an easy transition to
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Subsequently, in 1627 he devoted himself to the façade of the
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personal reflection, personal essay, or argumentative essay
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The Venetian Baroque, according to local practice, saw
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monk who combined many traditions (including that of
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needed, showing some affinity with the late style of
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Longhena also worked within civic architecture; its
193:. Unsourced material may be challenged and removed.
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695:. The square is divided in two parts, designed by
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735:Bernini's chief rival in the papal capital was
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1236:, which later became the headquarters of the
1105:Between 1607 and 1630 he built the Church of
691:, which has been praised as a masterpiece of
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1188:In any case, the exasperation of Loghena's
50:Learn how and when to remove these messages
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748:. His iconic masterpiece is the church of
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271:Learn how and when to remove this message
253:Learn how and when to remove this message
151:Learn how and when to remove this message
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759:Following the death of Bernini in 1680,
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653:in 1596. The dynamic organisation of
1141:Basilica di Santa Maria della Salute
1115:Church of Sant'Alessandro in Zebedia
1017:, Guarini elaborated the concept of
888:The Baroque Duomo of San Giorgio in
191:adding citations to reliable sources
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104:
56:
15:
1357:N. Pevsner, J. Fleming, H. Honour,
1340:N. Pevsner, J. Fleming, H. Honour,
1297:N. Pevsner, J. Fleming, H. Honour,
1098:(1584–1658) was the most important
641:conventions (as exemplified in the
13:
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1156:Church of Santa Maria della Salute
1048:at the royal hunting lodge of the
520:North-Eastern Italian architecture
515:North-Western Italian architecture
14:
1615:
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31:This article has multiple issues.
1276:Timeline of Italian architecture
1250:
1040:(1717) derives from its soaring
903:that took hold on the island of
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547:Timeline of architectural trends
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167:
109:
61:
20:
1584:Baroque architecture by country
1271:Italian Baroque interior design
982:In the north of Italy, notably
178:needs additional citations for
39:or discuss these issues on the
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1351:
1334:
1321:
1308:
1228:This solution was taken up by
1200:, giant heads and lion masks.
954:
750:San Carlo alle Quattro Fontane
202:"Italian Baroque architecture"
82:in the Italian Knowledge, and
1:
1579:Baroque architecture in Italy
1281:
1162:, similar to that adopted by
1034:Victor Amadeus II of Sardinia
530:Southern Italian architecture
1589:Baroque architectural styles
926:manner, having evolved from
602:Italian Baroque architecture
562:Venetian Gothic architecture
525:Central Italian architecture
7:
1243:
1036:. The visual impact of his
899:is the distinctive form of
815:Giuseppe Venanzio Marvuglia
807:Giovanni Battista Vaccarini
10:
1620:
1359:Dizionario di architettura
1342:Dizionario di architettura
1299:Dizionario di architettura
892:, on the island of Sicily.
877:
499:List of Italian architects
373:Italian Renaissance garden
1423:
1194:Santa Maria dei Derelitti
1131:
873:
825:
326:Renaissance and Mannerist
1438:Czech (Bohemia, Moravia)
1303:Richini, Francesco Maria
1203:
1192:peaked in the façade of
1078:
986:, the monarchs from the
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709:Palazzo Chigi-Odescalchi
701:Sant'Andrea al Quirinale
368:List of palaces in Italy
1096:Francesco Maria Richini
647:Church of Saint Susanna
620:
351:Modern and contemporary
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1092:
1050:Palazzina di Stupinigi
979:
893:
843:
754:Sant'Ivo alla Sapienza
732:
726:Sant'Ivo alla Sapienza
718:(1664), both in Rome.
678:Santa Maria della Pace
131:by rewriting it in an
70:This article has been
1594:Architectural history
1374:C. Norberg - Schulz,
1346:Longhena, Baldassarre
1327:C. Norberg - Schulz,
1314:C. Norberg - Schulz,
1221:configuration of the
1139:
1086:
967:
887:
833:
765:San Marcello al Corso
724:
431:Leon Battista Alberti
399:Santa Maria del Fiore
378:Giardino all'italiana
287:Architecture of Italy
84:requires proofreading
1599:Architectural styles
1416:Baroque architecture
1376:Architettura Barocca
1329:Architettura Barocca
1316:Architettura Barocca
1152:Baldassarre Longhena
1019:architectura obliqua
901:Baroque architecture
780:Francesco de Sanctis
697:Gian Lorenzo Bernini
693:Baroque architecture
689:Saint Peter's Square
674:Santi Luca e Martina
645:) was the church of
606:Baroque architecture
441:Filippo Brunelleschi
394:St. Peter's Basilica
187:improve this article
79:Architettura Barocca
1258:Architecture portal
1238:University of Genoa
1215:Palazzo Doria Tursi
1190:plastic art details
1038:Basilica of Superga
1011:Gothic architecture
969:Basilica of Superga
792:Piazza Sant'Ignazio
737:Francesco Borromini
730:Francesco Borromini
456:Francesco Borromini
436:Giacomo della Porta
360:Palaces and gardens
1148:
1111:Church of the Gesù
1093:
1046:architectural form
980:
920:earthquake in 1693
894:
844:
733:
643:Church of the Gesù
451:Michele Sanmicheli
407:Notable architects
302:Periods and styles
133:encyclopedic style
120:is written like a
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1565:
1230:Bartolomeo Bianco
1126:Archivio di Stato
1124:(now the seat of
1122:Collegio Elvetico
1023:Palazzo Carignano
836:Palace of Caserta
788:Filippo Raguzzini
705:Palazzo Barberini
672:, illustrated by
670:Pietro da Cortona
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426:Pietro da Cortona
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1000:Bernardo Vittone
897:Sicilian Baroque
880:Sicilian Baroque
848:Luigi Vanvitelli
803:Sicilian Baroque
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992:Guarino Guarini
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1573:Categories
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933:engravings
864:aesthetics
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