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233:. As artists, even more than as painters in the strict sense of the word, they both saw in the life of the poor and humble a motive for expressing with peculiar intensity their wide human sympathy; but Millet was the poet of placid rural life, while in almost all Israëls' pictures there is some piercing note of woe. Edmond Duranty said that they were painted with gloom and suffering.
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note of his youth. As a watercolour painter and etcher he produced a vast number of works, which, like his oil paintings, are full of deep feeling. They are generally treated in broad masses of light and shade, which give prominence to the principal subject without any neglect of detail.
209:. He returned to Amsterdam in September 1845, where he resumed his studies at the Academy until May 1847. Israëls remained in Amsterdam until 1870, when he moved to The Hague and became a leading member of the
255:, and there he was struck by the daily tragedy of life. Henceforth, he was possessed by a new vein of artistic expression, sincerely realistic, full of emotion and pity.
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He began with historical and dramatic subjects in the romantic style of the day. After an illness, he went to recuperate his strength at the fishing town of
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In his native land, Israëls was late in life viewed as the "reincarnation of
Rembrandt. In 1893, the painter and art critic Jan Veth wrote:
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Dieuwertje
Dekkers and Anna Wagner. "Israëls." Grove Art Online. Oxford Art Online. Oxford University Press. Web. 24 February 2016.
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and attended the drawing class at the academy. From
September 1845 until May 1847 he was in Paris, working in the history painter
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and intended for Jozef to be a businessman. His mother was
Mathilda Salomon née Polack, and she hoped that Jozef would become a
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He married Aleida née Schaap and together the couple had two children: a daughter, Mathilde Anna Israëls, and a son,
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and was, during his lifetime, "the most respected Dutch artist of the second half of the nineteenth century."
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one of his later works, seems to hint at a return on the part of the venerable artist to the
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Israëls probably influenced many other painters; one them was the
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magazine described as the most touching pictures of the exhibition.
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This article incorporates text from a publication now in the
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Rembrandt's great pathos seems to be resurrected in Jozef Israëls
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A portrait of Jozef Israëls was painted by the
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646:(11th ed.). Cambridge University Press. p. 885.
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In 1862, he achieved great success in London with his
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166:parents. His father, Hartog Abraham Israëls, was a
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142:; 27 January 1824 – 12 August 1911) was a Dutch
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749:Biographical notes and dates of Jozef Isräels
225:Israëls on the beach at Scheveningen (1911)
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229:Israëls has often been compared to
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658:Mannen of Betekenis: Jozef Israëls
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280:The Shipwrecked Mariner
260:The Zandvoort Fisherman
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900:Jozef Israëls Monument
812:Passing Mother's Grave
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359:The Bric-a-brac Seller
288:two pictures that the
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119:François-Édouard Picot
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421:. Jozef Israëls, 1881
404:. Jozef Israëls, 1878
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299:George Paul Chalmers
231:Jean-François Millet
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402:We Grow Old
382: [
342:An Interior
326:The Widower
286:The Cradle,
217:Sensibility
984:Dutch Jews
968:Categories
662:Chesneau,
656:Jan Veth,
543:(in Dutch)
484:References
320:Later work
154:Early life
70:1824-01-27
804:Paintings
517:. Haaretz
478:The Hague
291:Athenaeum
249:Zandvoort
179:Amsterdam
160:Groningen
110:Patron(s)
78:Groningen
730:Archived
521:16 April
57:Jan Veth
888:Related
715:at the
693:(1900).
675:Dumas,
631::
538:at the
305:Honours
253:Haarlem
144:painter
18:Israels
871:Family
863:(1903)
855:(1883)
847:(1881)
839:(1872)
836:Dreams
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389:, 1856
205:, and
197:under
164:Jewish
880:(son)
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251:near
191:Picot
172:rabbi
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310:1886
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