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central protagonists were designers and also illustrators and would experiment with animation or filmmaking if they chose to). It was crucial to have this type of venue available at this pivotal moment when Iran is transitioning into modernity in terms of its visual culture. The output of Kanoon during this era defined the aura of childhood in Iran for an entire generation. These were the books that everybody read, and the music that everyone heard and this legacy is still quite potent today.
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147:) is an Iranian institution with a wide range of cultural and artistic activities in the field of mental and cultural development for children and young adults. The organization was at the center of the vanguard of cultural production in the late 60s and early 1970s and is the platform through which many of Iran's most regarded artists and filmmakers launched their careers.
164:. Its initial ambitions were educational and social in nature; the program, led by one of Farah's close friends Lili Amir-Arjomand, involved building a network of both permanent and traveling libraries across the country in order to promote culture and literacy. During this period, Kanoon's publishing consisted only of translating and importing western classics such as
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Within the walls of Kanoon, there was an unprecedented amount of freedom and support provided to the artists involved. Under these circumstances, Kanoon became a quasi-utopian hub, or incubator or laboratory for an incredible group of artists, many of whom worked across several media (most of the
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At the center of this leg of the initiative was Firooz
Shirvanloo, who acted as both co-director and as an informal Art Director for the organization. Through Shirvanloo, Kanoon attracted many of the famous names that are associated with the project today:
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Although no longer at the center of an artistic vanguard, Kanoon continues to operate as an important public institution to this day; continuing with its program of libraries, publishing, animation, and most significantly, film.
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168:. Eventually, Kanoon began producing and publishing its own books and soon after grew to be not just a social organization, but also a prolific producer of many kinds of materials for children.
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Currently, Mehdi Ali
Akbarzadeh is appointed as the General Director of Institute for the Intellectual Development of Children and Young Adults by order of the Minister of Education.
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and more. Shirvanloo's strong political leanings also attracted an equally significant group of left-wing writers and researchers. (He was fired in 1972 for this very reason.)
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Founded in 1965, Kanoon was originally one of the many cultural initiatives that fell under the broad purview of
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Institute for the
Intellectual Development of Children and Young Adults
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Center for the
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Center for the
Intellectual Development of Child and Adolescent
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137:Kānoon-e Parvaresh-e Fekri-e Koodakān va Nojavānān
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833:Amir Hamza the Lover and the Dancing Zebra
246:) and honored in many festivals globally.
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973:(16). 2009.
773:Look Again
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443:Short films
342:Written by
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303:Amir Naderi
186:Amir Naderi
156:Early years
34:Established
1072:Categories
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614:Animations
542:Harmonica
334:(The Key)
315:The Runner
162:Farah Diba
46:Farah Diba
743:Boasting
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585:So Can I
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370:Homework
271:Director
228:In 1999,
557:Hassani
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