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created lo-fi bedroom dramas that romanticized the misty bewilderment of college kids on the cusp of entering the adult straight world. Their free-associating lyrics over melodies that seemed embedded in the staticky fuzz of a transistor radio were a cryptic denial of alt rock's ambition. Malkmus had a gift (like Kurt Cobain) for inside-joke aphorisms that felt like generational broadsides. On the 1992 album
Slanted and Enchanted, he mused with a stricken hauteur: "I've got a lot of things I want to sell / But not here, babe," and "All the things we had before / You sold us out and took it all." Guided by Voices, a revolving-door group led by thirtysomething Dayton, Ohio schoolteacher Robert Pollard, had been churning out blearily melodic, cruddy-sounding recordings for years, but their literate, elliptical bursts of British Invasion-tinged rock never caught much attention. However, with the release of 1994's breathtakingly composed Bee Thousand, Pollard was suddenly a mini cause célèbre, a symbol of the uncompromising, self-reliant indie artist who eventually gets the recognition he deserves.
3773:
drug taking of Happy
Mondays and the ravers of Manchester's club culture were part of the fuel that sparked nationwide moral panics and the subsequent regulation of 'rave' lifestyles (culminating in the 1994 Criminal Justice Act). Sarah Champion, Manchester-based music journalist during the Madchester era, summarised Madchester in the following way, 'White scallies put down guitars, picked up the groove. Indie bands released 12 inchers; clubs spun rock tunes. Happy Mondays' "Hallelujah", The Stone Roses' "Fools Gold"....' (1992: 41), and acknowledges ecstasy, which induces euphoria, empathy and heightened sensations, as being a centrally important driving force behind the Madchester scene, and highlights the fusion of 'indie' rock music with dance music.
2979:
1980s indie was not only, as
Bannister notes, self-positioned away from mainstream music industry values, but often had an anti-government orientation... This oppositional element was largely missing from Britpop. Although some Britpop acts were on independent labels (for example, Oasis were signed to Creation), most were signed to mainstream labels, be they offshoots of majors (such as Blur on Food/EMI) or medium-sized companies (Pulp on Island). In some ways Britpop was indie's nemesis. It began as an offshoot of the independent British music scene but arguably ended up killing it, as a convergence took place between indie and mainstream, removing the distinctive 'protest' element of British-based independent music.
3195:
affiliated with the Flying Nun label during the 1980s, whose legacy is celebrated among indie rock circles internationally' (Wilson and
Holland 2018: 69). The Dunedin Sound produced bands such as the Chills and the Clean and many others emerged due to 'much intermingling of artists, with group members often moving from one group to another or playing for several groups at one time' (McLeay 1994: 38). While the Dunedin Sound was predominately associated with indie rock, Aotearoa has since produced diverse bands, such as the Datsuns, Suburban Reptiles and Die! Die! Die! that encompass a mix of genres, such as rock, punk and post-punk respectively.
2324:
2953:
general sensibility, a preferencing of earlier aesthetics of pop rooted in the folksier, less improvisational genres of garage and psychedelic rock. As in the United States, it was a largely white, middle-class phenomenon, rooted in a nostalgia for an imagined, pre-corporate past (Hesmondhalgh 1999; Fonarow 2006), when there was still some aspect of everyday life as of yet outside the commodity system. In the UK, it could have been The Smiths or The Stone Roses who deserve to be called the first genuine indie rock bands, groups with a throwback 1960s sound and a fey, bookish disposition.
1524:
688:
2132:
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most successful exponents are financially backed by the multinationals. Of the US$ 32 billion global music fiscal cake in 1996, 16 per cent of ownership rested with Sony whose umbrella sheltered Oasis (in its 49 per cent ownership of Oasis' one-time 'independent' base
Creation Records); a 14 per cent share was held by Polygram whose subsidiary Island is home to Pulp; and 13 per cent was owned by EMI, whose artists include Blur (on offshoot Food Records). This seemingly confirms Adorno's fear (1991 : 87) that the
2050:
1171:
1391:
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1440:, media academic Roy Shuker states that "Grunge represented the mainstreaming of the North American indie rock ethic and style of the 1980s", going on to explain that a band's status as independent became "As much a marketing device as identifiable 'sound'". In the wake of this increased attention, indie rock experienced a split: accessible bands who catered to the now-popular alternative rock radio; and bands who continued to experiment, advancing in the underground. According to
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abstract pop squall in the U.K. Both were led by male-female duos-Sonic Youth's
Thurston Moore and Kim Gordon, Pixies' Black Francis and Kim Deal-and their music could feel like an ongoing 3 A.M. heart-to-heart, flipping from eerie whispers to alien croons to gnomic shouts. So when they signed to major labels-Pixies to Elektra in 1988 and Sonic Youth to Geffen in 1989-it was an acknowledgment that indie's reinvigorated version of rock might finally be market ready.
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Minneapolis' the
Replacements, signed to Sire and released their major-label debut, Tim, a perfectly ragged collection of anthemic pleas written by singer/guitarist Paul Westerberg... Former hardcore punks Hüsker Dü (Minneapolis natives like the Replacements) recorded their major-label debut, Candy Apple Grey, for Warner Bros., a ten-song stunner of punk-pop head trips, but it never earned a nod from commercial radio. The moment's hopeful ambition faded...
495:, two movements influenced by indie rock, brought increased attention to the genre and saw record labels use their independent status as a marketing tactic. This led to a split within indie rock: one side conforming to mainstream radio; the other becoming increasingly experimental. By this point, "indie rock" referred to the musical style rather than ties to the independent music scene. In the 2000s, indie rock reentered the mainstream through the
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tended towards a slower, more hypnotic feel, increased use of the 'wall of guitars, more distortion, more aggression and a generally 'darker", gloomier, more 'rock' sound, contemporaneous with the increasing influence of groups like The Jesus and Mary Chain and Sonic Youth. The Jean-Paul Sartre
Experience typify this progression, initially experimenting with pop and soul styles before settling into the classic indie mould.
1638:, the bands in the movement were advertised as being underground artists, as a means to compete commercially with the United States' grunge scene. While Britpop was stylistically indebted to indie rock and began as an offshoot of it, Britpop bands abandoned the genre's earlier anti-establishment politics and instead brought it into the mainstream, with bands like Blur and Pulp even signing to major labels.
642:, a key element of indie is the dichotomy between a "puritan ethos" and a "romantic one", with the former using austere ethics, and the latter being eccentric. This is best seen in the contrast between the indie music of United States and the United Kingdom in the 1990s, with British acts being flamboyant performers, while American acts used their lack of virtuosity as a mark of authenticity.
1662:" were released around the same time in the spring of 1992. He stated, "f Britpop started anywhere, it was the deluge of acclaim that greeted Suede's first records: all of them audacious, successful and very, very British." Suede were the first of the new crop of guitar-orientated bands to be embraced by the UK music media as Britain's answer to Seattle's grunge sound. Their debut album
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to prominence in the latter half of the decade. One of the best early transmissions from the
Elephant 6 collective of indie-psych-pop bands, On Avery Island is a collection of songs written by bandleader Jeff Mangum, recorded on a four-track reel-to-reel, and accompanied by a different backing band than the one that would fill out the legendary lineup heard on NMH's second release.
3956:
Nirvana's success, and even Sonic Youth's safe major-label passage, a case of "we won," or just a pathetic grab for validation? Did former indie kids-now referred to as "alternative rockers"-really believe that major labels would bestow them with expense accounts and not ask for serious concessions? Nirvana had cited the R.E.M. Model
2375:, as the "one man who defined, embodied and lived Landfill Indie" due his forming of a "spectacularly middle-of-the-road" band despite his close proximity to the Libertines' "desperate kinetic energy, mythologised love-hate dynamic and vision of a dilapidated Britain animated by romance and narcotics". In a 2009 article for
986:. By this time, the term "indie rock" had begun to be used to describe the bands who produced music on independent record labels, rather than simply the record labels themselves. This made it the only genre at the time which was defined by the methods by which the music was distributed rather than the sound of said music.
1362:. Grebo bands were distinct from prior indie rock groups not only because of their broad influences, but their subversion of the twee or unhappy moods of most other bands in the genre, and their pursuit of a heavier sound and aesthetic. The scene came to include the stylistically similar bands of nearby Leicester:
2499:. The album also peaked at number one in Australia, Belgium (Flanders), Croatia, Slovenia, Denmark, Ireland, the Netherlands, New Zealand, and Portugal, and reached top ten positions in several other countries. In the United States, the album sold 42,000 copies in its first week, and debuted at number six on the
4034:, p. 640: "Opposition and fluidity reside at the core of the genre's aesthetic. For example, as US rock band Nirvana succeeded commercially, indie fans grew more interested in post-rock and slow-core, both minimalist genres antithetical to Nirvana despite that band's origins within indie."
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As major labels moved on to hump the L.A. hair-metal ass party, underground rockers began to lose their craving for mainstream validation. The new role models became uncompromising label owners like Greg Ginn of
Southern California's SST, and Ian MacKaye of Washington, D.C.'s Dischord. SST, which had
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Though overshadowed by Neutral Milk Hotel's 1998 breakthrough album, In the Aeroplane Over the Sea, the band's debut from a couple of years earlier is no small feat of mid-'90s indie rock, and it helped keep the genre artistically relevant while other bands defected and other underground styles rose
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In the early 90's, two new bands, Sunny Day Real Estate and Jawbreaker, started the new wave of emo music. SDRE started the "post indie emo" genre. Bands that can be categorized under this genre could be Texas Is The Reason, Taking Back Sunday, Mineral and other music following those lines, that are
3466:
There was nothing going on in the British music scene in 1984. Even the new romantic scene was dying a slow and painful death. Howard Jones, Eurythmics and Nik Kershaw were the bright new pop things and as far as the indie scene was concerned, it started and ended with the Smiths. American bands led
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As Wendy Fonarow argues, a tension between a puritan ethos (representing an austere aesthetics and ethics) and a romantic one (flamboyant and eccentric) has come to define indie music as a genre (Fonarow, 2006). This is mirrored in the genre's identity tug-of-war between a communal and individualist
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as of April 2021, the most out of any song, and As of 2017, it had charted on the UK Singles Chart in 11 of the last 13 years, including a 35-week run peaking at number 49 in 2016–2017. Furthermore, it was the UK's most streamed pre-2010 song, until it was surpassed in late 2018, and continued to be
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c.1991: Name for alternative rock bands, some of whom basically represented younger end of 'Grebo' genre, reputedly coined by band-booker at indie venue Harlow Square in recognition of similarity between scruffily attired groups/fans and characters from Muppets spin-off TV show Fraggle Rock. Bands:
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Grunge represented the mainstreaming of the North American indie rock ethic and style of the 1980s (Azerrad, 2001). As much a marketing device as an identifiable 'sound' (cf. alternative rock, which it is often conflated into), grunge initially developed in the Seattle area (USA) in the late 1980s,
3639:
R.E.M., in their way, made the country seem less foreboding and more inclusive, replacing hardcore's iconoclasm with a warm invitation to less-hip kids who didn't live in California or the Northeast. "When I was 15 years old in Richmond, Virginia, they were a very important part of my life, as they
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If we take the definition of indie proposed by Bannister of 'small groups of white men playing guitars, influenced by punks and 1960s white pop/rock, within a broader discourse and practice of (degrees of) independence from mainstream musical values', much of its content applies to Britpop... Early
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In the UK, on the other hand, indie was used as a descriptive moniker from the mid- 1980s onwards, largely among industry insiders and journalists (Wendy Fonarow, personal communication, 2011). It referred, ostensibly, to the independent status of a band's record label, but also to something of its
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post-punk revival, but the constellation of stylistic influences which span this musical world are diverse indeed. The fresh face of this music, which began to appear around the turn of the millennium, remains a fairly significant commercial force (Harris 2003). It was likely the best known face of
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The British music industry seized on Britpop as the impetus to revive sagging fortunes following the early 1990s grunge-led American chart-sales hegemony. Britpop's indie identification signifies autonomy from the negatively viewed major record labels, conveniently hiding the fact that many of its
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Dunedin, the second-largest city in the South Island after Christchurch, known for its geographical isolation, Scottish heritage and Gothic architecture, 'in a very good way' (Chapman 2016: 13), would become famous for the 'Dunedin Sound'. The term 'refers loosely to the output of a number of acts
601:
identifies indie rock as including a number of "varying musical approaches compatible with mainstream tastes". Linked by an ethos more than a musical approach, the indie rock movement encompassed a wide range of styles, from hard-edged, grunge-influenced bands, through do-it-yourself experimental
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But none would have the cultural impact of Nirvana, and few would see any financial windfall. While Cobain became deeply conflicted about the media notoriety that came with Nevermind's popularity (he was constantly referred to as the voice of a generation), indie artists also grew ambivalent. Was
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The 'Madchester' scene was defined by what Redhead describes as 'hedonism in hard times' (1993). The emphasis was on partying in the post-industrial, 'no future' city. At the centre of this partying was the newly arrived drug, ecstasy (3,4-methylenedioxymethamphetamine or MDMA). The 'spectacular'
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Bookending this period were two bands: Sonic Youth spent the pre-indie era as a cooler-than-you, downtown New York art-noise clique before developing into a R.E.M.-like presence through the mid-to late '80s; and Boston's Pixies, who bypassed the U.S. indie circuit, first finding success for their
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If early indie's biggest bands were jangle pop groups like R.E.M. and The Smiths, then their relative success made them and similar groups no longer indie - in order to go on being different, the style had to go on remaining different from the mainstream. As the 1980s progressed, Flying Nun bands
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debuted at number four in the US, remaining on the Billboard charts for nearly one year and achieving platinum status and a Grammy nomination). This new commercial breakthrough and the widespread use of the term indie to other forms of popular culture, led a number of commentators to suggest that
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attitude of the bands and artists involved. Although distribution deals are often struck with major corporate companies, these labels and the bands they host have attempted to retain their autonomy, leaving them free to explore sounds, emotions and subjects of limited appeal to large, mainstream
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The styles performed by post-Britpop bands are often condensed down to the single label 'indie rock', which contains a myriad of young British artists with varying influences from punk, grunge, folk and electronic dance music. Critics are keen to characterise its key players as taking part in a
4222:
But the two bands that came to exemplify indie rock in this period, and still define the term in many people's minds, were Pavement and Guided by Voices. A furtive collective from Northern California led by singer/guitarists "SM" (Stephen Malkmus) and "Spiral Stairs" (Scott Kannberg), Pavement
1806:
Indie electronic or indietronica covers rock-based artists who share an affinity for electronic music, using samplers, synthesizers, drum machines, and computer programs. Less a style and more a categorization, it describes an early 1990s trend of acts who followed in the traditions of early
3642:
By the mid-'80s, the raw sprawl of post-hardcore "underground rock" was coalescing, and after R.E.M.'s success, a number of bands started to think they could also buy in. Major-label reps were showing more interest... Still, in 1985, the most incorrigibly ill-behaved rock band in America,
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ethos. There is perhaps also a distinction to be made between an American brand of lo-fi indie bands for whom anti-virtuosity and non-style are badges of sincerity and authenticity, on the one hand, and the flamboyant performativity of Britpop indie bands like Pulp and Blur, on the other.
2078:, the band's intention musically was to sound like "a band from the past that took a time trip into the future to make their record." The album peaked at number thirty-three in the United States, staying in the charts for two additional years and debuted at number two on the
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called it "the beginning of indie music". C86 became a descriptor in its own right, describing not only the bands on the tape but also bands who it influenced, often used alongside terms like "anorak pop" and "shambling". Some C86 bands found significant commercial success:
1649:
states that Britpop "began as an offshoot of the independent British music scene but arguably ended up killing it, as a convergence took place between indie and mainstream, removing the distinctive 'protest' element of British-based independent music" Music journalist
455:
began. By this time, "indie" had evolved to refer to bands whose music was released on independent record labels, in addition to the record labels themselves. As the decade progressed many individual local scenes developed their own distinct takes on the genre:
4107:, p. 124: "Like many bands featured in this book, Galaxie 500 was a big influence on a successive subgenre of band within indie rock. In the case of this seminal Boston trio, they are seen as progenitors of what the music press came to call 'slowcore'".
1432:
magazine writer Carl Swanson argued that even the term "sellout" lost its meaning as grunge made it possible for a niche movement, no matter how radical, to be co-opted by the mainstream, cementing the formation of an individualist, fragmented culture.
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associated with the influential indie label, Sub Pop. Pearl Jam and Nirvana were the two most influential bands, credited as leading the commercial break through of grunge/alternative rock into a relatively moribund music scene in the early 1990s.
637:
defined indie rock as "small groups of white men playing guitars, influenced by punks and 1960s white pop/rock, within a broader discourse and practice of (degrees of) independence from mainstream musical values." According to anthropologist
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releasing albums on majors in the middle of the decade. While these albums did not see the same success as R.E.M., and major labels soon lost interest in the scene, they did have a large impact on younger bands. In the following years,
3646:
started in the late '70s with Ginn's pioneering Black Flag, was a relentless force, signing up the most significant underground bands of the early to mid-'80s, including Minutemen, Hüsker Dü, Meat Puppets, Sonic Youth, Dinosaur Jr....
1422:, broke into the mainstream. The monumental success of these bands, particularly Nirvana, brought increased attention to the indie rock scene, which initiated a shift in which the indie rock descriptor became displaced by the term
3648:
As this shift took place in the underground scene, a new tag for the music began to crop up: "indie rock"... Unrest mixed winsome, strummy love songs with a brash, pop-culture irony that would later become a defining indie-rock
2439:(2017), which reached number one on the Billboard charts in the United States and the official chart in the United Kingdom, with Arcade Fire's album winning a Grammy for Album of The Year in 2011. Other indie rock acts like
1900:
and Britpop as a movement began to dissolve, emerging bands began to avoid the Britpop label while still producing music derived from it. After the decline of Britpop they began to gain more critical and popular attention.
2148:
The success of the Strokes revitalised the then-dying underground post-Britpop scene in the United Kingdom with groups who took the band's influence and experimented with their sound. This first wave of UK acts included
1491:
A younger subset of grebo bands emerged around 1991, who were in turn labelled "fraggle" bands. During this movement, the dominant sound was a style of indie rock that was heavily indebted to punk and Nirvana's album
1446:, it was during this split that "indie rock" solidified itself as a term for the style of music played by these underground artists, while the mainstream indie rock-influenced bands became termed alternative rock.
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2334:
The impact of the Strokes, the Libertines and Bloc Party led to significant major label interest in indie rock artists, which was then exacerbated by the success of the Arctic Monkeys. In the years following
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were for all the members of our band," said Bob Nastanovich, of '90s indie-rock doyens Pavement... "They were the first band that the frat guys looked at and didn't say, 'Oh, let's beat up some fags.""...
993:
scene as early indie groups. However, this jangly style became increasingly mainstream as the decade progressed leading subsequent indie rock bands to abandon this style. Instead, in the following years
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1312:" both entered the UK Top 40 and Stourbridge briefly became a tourist attraction for young indie rock fans. The seminal albums from the scene were released between 1989 and 1993: the Wonder Stuff's
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developed in the United States as a direct counterpoint to the rapid growth of grunge. Although loosely defined, slowcore generally includes slow tempos, minimalist instrumentals and sad lyrics.
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over of a million units in the United States. As of the 14th of April 2023 every track from the album was certified silver or higher by the BPI with "Mad Sounds" being the last to be certified.
5557:
1426:. As a result, the term "alternative" lost its original counter-cultural meaning and began to refer to the new, commercially lighter form of music that was now achieving mainstream success.
3508:
1304:, "grebo" was broadly defined, and was used more as a name for the Stourbridge scene than as a genre label. However, the bands quickly gained attention: Pop Will Eat Itself's 1989 singles "
2351:, who created a more formulaic derivative of the earlier acts. By the end of the decade, critics had taken to referring to this wave of acts as "landfill indie", a description coined by
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Indie rock is noted for having a relatively high proportion of female artists compared with preceding rock genres, a tendency exemplified by the development of the feminist-informed
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concert headlined by the Stone Roses. With an attendance of around 28,000 and lasting twelve hours, it was the first event of its size and kind to be hosted by an independent act.
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accrediting the 1975 as the band to "usher indie into the mainstream", writer Mark Beaumont compared vocalist Matty Healy's influence on the genre to that of Libertines vocalist
6032:
5505:
2526:'s merger of indie rock and mainstream pop began gaining commercial attraction in the early 2010s, it was controversial; they received the award for "Worst Band" at the 2014
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that originated in the United Kingdom, United States and New Zealand in the early to mid-1980s. Although the term was originally used to describe rock music released through
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on the chart, Arctic Monkeys also broke a record, becoming the first independent-label band to debut at number one in the UK with their first five albums. As of June 2019,
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began to release music on independent labels indebted to these bands, and soon too picked up the categorisation of indie rock. As the 1980s closed, both Sonic Youth and
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followed suit in pressing and distributing their own records. Distribution was further improved with the establishment of 'The Cartel', an association of companies like
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purchased for download hundreds of times a week by 2017. In March 2018, the song reached the milestone of staying in the Top 100 of the UK Singles Chart for 200 weeks.
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emerged, as a continuation of the wall of sound production being used by groups like the Jesus and Mary Chain. The genre merged this with influences from
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and his government, which prompted satire or outright criticism. The scene saw bands take influence from punk rock, but strip away its aggression for a
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Additionally, a second wave of bands emerged in the United States that managed to gain international recognition as a result of the movement included
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923:, its guitars were often jangly and droning and vocals indistinct. The following years, the Dunedin sound spread to other New Zealand cities such as
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that "It's impossible to truly state just how important Wolf Alice are. They are the catalyst for almost all the amazing bands you've read about in
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5240:
1508:
writer Steven Kline described the style as "filthy guitars, filthier hair and t-shirts only a mother would wash". Prominent fraggle acts included
1006:'s lobbying against noncommercial station during the 1980s. In turn, the name "college rock" fell into disfavour, soon being replaced by "indie".
1002:
morphed the genre into a slower, darker and more hypnotic style. The number of college radio stations in the US decreased significantly following
1084:'s aggression to become a part of the underground music scene. This empowered an array of musicians, particularly those in what would become the
1052:. Intended to showcase the UK's current independent music scene, the album was made up of groups combining elements of jangle pop, post-punk and
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as "the two bands that came to exemplify indie rock in this period, and still define the term in many people's minds". Both bands made use of a
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in 1992; the Wedding Present charted eighteen times in the Top 40; however many bands in its twenty-two track runtime also fell into obscurity.
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writer Tyler Clark stating that in 2019 it was still "an indie rock standard bearer in the wider world of music". Arctic Monkeys' fifth album
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writer Yasmine Summan stated that "If you could summarize 2013 and 2014 in one album for indie and alternative fans, it would be the 1975's
857:. Although the group was only around for a short time, their shows impressed the teenage musicians that came to see them, including a young
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stating that "the Libertines wanted to be an important band, but they could not have predicted the impact they would have". Influenced by
1208:. For the first few years of its life, the club played predominantly club-oriented pop music and hosted performances by artists including
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The DC emo scene exploded and became excessively popular amongst the underground. However, it fizzled out almost as fast as it had begun.
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2403:, those three sent the whole donkey's arse of radio-friendly mainstream guitar band monotony flying high into the air, legs flailing."
1593:. describing a growing scene of indie-rock bands who were influenced by hardcore punk and post-punk. At the time, publications such as
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as a stark contrast to the mainstream. The band's immediate influence allowed fellow classic rock influenced New York bands like the
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genre, by incorporating elements of it into their indie rock sound. Sunny Day Real Estate and other second wave emo bands, including
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1803:(1996), "helped keep the genre artistically relevant while other bands defected and other underground styles rose to prominence".
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1967:, who were initially more influenced by American post-grunge, producing a hard rock sound that led to their breakthrough single "
1488:. The genre originated from around the United States, with no geographic focus, and very little interaction between its artists.
669:. However, Cortney Harding pointed out that this sense of equality is not reflected in the number of women running indie labels.
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Harding, Cortney (13 October 2007). "UpFront: The Indies – Where the Girls Aren't: Why Aren't More Women Running Indie Labels".
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2122:. These groups were christened by parts of the media as the "The" bands, and dubbed "the saviours of rock 'n' roll", prompting
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2306:, the band scrapped the majority of their prior material to rewrite it under the Strokes' influence. The band's debut single "
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were three such acts to gain significant commercial success, although the most prominent post-Libertines band was Sheffield's
1132:, to create a dark and droning style so cacophonous that instruments were often indistinguishable. The genre was pioneered by
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writer Robert Rubsam, calling them the "fountainhead for all that would come". The first wave of bands in the genre included
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5341:"The Killers' Mr Brightside claims record-breaking 260th week – exactly five years – on the Official Singles Chart Top 100"
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2007:
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distanced emo from its hardcore roots and allowed the genre to develop a much more realised scene than its first wave.
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bands of the latter half of the decade, who incorporated the jangly guitar tones of earlier indie rock and elements of
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Independent record labels would also be integral to the early years of punk rock musical distribution, as seen with
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1957:
1242:, which became the most influential work in the scene. In the following years, addition high profile acts included
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states were the earliest indie rock groups. These bands' influence was showcased quickly seen in the formation of
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6005:"Kasabian on track for sixth UK Number 1 album with The Alchemist's Euphoria, out-selling rest of Top 5 combined"
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listed them as one of the most influential artists in music since 1995. In the 1975's wake, a number of other
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1243:
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6033:"The accolades for U.K. rock band Wolf Alice are rolling in — but they're not letting it get to their heads"
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2487:, having sold 157,329 copies, thus becoming the second fastest-selling album of the year. With the debut of
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958:" by fans, another term which lacked any stylistic implication. The most prominent college rock bands were
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634:
5947:
4184:"Nine NME-invented scenes that shook the world (or didn't) from C86 to shroomadelica, fraggle and the NAM"
2242:
In this success, legacy indie bands soon entered the mainstream, including Modest Mouse (whose 2004 album
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stations, primarily in the United States, who would play independent artists of various genres, including
7322:
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S. T. Erlewine, "American Alternative Rock / Post Punk", in V. Bogdanov, C. Woodstra and S. T. Erlewine,
2465:
2429:
2382:
2209:, the band's style of tinny, high register, sometimes acoustic, guitar parts topped by lyrics of British
2002:
1996:
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took hold within the UK's indie rock scene. From about 1997, as dissatisfaction grew with the concept of
1882:
1704:
This style of emo broke into mainstream culture in the early 2000s, with the platinum-selling success of
1600:
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was another style and scene that originated in the late 1980s. Defined by its merger of C86 indie rock,
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1987:(2002), their most commercially successful album to that point, which spawned a series of hit singles.
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in 1995 – achieved near-universal critical acclaim with their experimental third album
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17:
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3970:"Every 'Big 4' (Alice in Chains, Nirvana, Pearl Jam, Soundgarden) Grunge Album, Ranked Worst to Best"
3480:
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2479:
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1951:
1784:
1764:
790:
358:
6700:
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4942:
4886:
4337:"Chapel Hill NC music scene, indie rock once called Next Seattle | Raleigh News & Observer"
3467:
by REM and the Paisley Underground scene were clearing up on the gig circuit and in the music press.
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7327:
6142:
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artist gained popularity. Some critics termed this phenomenon "Healywave", which notably included:
2440:
2082:. When the Strokes made their commercial debut, the public perception of "rock music" was based in
1808:
1733:
995:
814:
763:
741:
711:
532:
531:
The term indie rock, which comes from "independent", describes the small and relatively low-budget
2010:, establishing them as one of the most popular acts in the world by the time of their third album
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rave culture, particularly its emphasis on the use of psychedelic drugs, the scene was centred in
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6009:
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2670:"Tall Dwarfs announce 'Unravelled: 1981–2002' box set; full discography streaming for first time"
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1213:
1097:
839:, which would be particularly influential on the development of indie rock's sound. According to
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to gain mainstream attention. The Strokes were accompanied in this commercial breakthrough by
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6255:
6094:"'You've got to go to gigs to get gigs': Indie musicians, eclecticism and the Brisbane scene"
5198:
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3096:
2947:
2582:. Of this group, Pale Waves were particularly commercially prominent, with their debut album
2516:
2483:(2013) was one of the biggest indie rock albums of the decade, charting at number one on the
2344:
1844:
1736:. The popularity of emo, also allowed a number of "not-quite-indie-not-quite-emo" bands like
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called the album "the quintessential indie rock album", placing it on the magazine's list of
1554:
1164:
1070:
229:
224:
4970:"The Strokes' world-changing 'Is This It' at 20: "They had a 'last gang in town' mentality""
2503:
200 chart, becoming the band's highest-charting album in the United States. In August 2017,
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audiences. The influences and styles of the artists have been extremely diverse, including
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8:
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1911:(1997) was a worldwide hit and their commercial peak before they broke up in 1999, while
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1147:
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775:
728:
496:
234:
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5224:
3694:
3097:"The Quietus | Features | A Quietus Interview | Organised Chaos: Swell Maps Interviewed"
2181:, who formed in 1997, stood as the UK's counterpoint to the Strokes, being described by
1257:
The Madchester scene's distinct combination of indie rock and dance music became termed
6836:
6177:
6116:
5046:
4645:
4050:
3607:
3589:
Our Band Could Be Your Life : Scenes from the American Indie Underground 1981-1991
2508:
2460:
2390:
2253:
1968:
1776:
1604:
1469:
1352:, sold millions of albums and were frequently featured on the covers of magazines like
832:
244:
191:
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7928:
7858:
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7765:
7633:
7488:
7483:
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6688:
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6235:
6120:
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5158:
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4741:
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3714:
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3151:
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2753:
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2423:
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2174:
2111:
2040:
1978:
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1320:
1225:
1138:
920:
870:
802:
786:
666:
588:
500:
181:
143:
6172:
5461:"Why The Killers' Mr Brightside refuses to leave the Official Singles Chart Top 100"
3369:
361:, by the 1990s it became more widely associated with the music such bands produced.
7758:
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7342:
7317:
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7065:
6550:
6489:
6398:
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2229:. One of the earliest groups to owe their initial commercial success to the use of
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1983:
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1935:
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1509:
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concert was the highest attendance performance by an independent artist of its time
1089:
1066:
979:
939:
866:
619:
614:, Brent Luvaas described the genre as rooted in nostalgia, citing the influence of
545:
325:
282:
4155:
Hail! Hail! Rock'n'Roll The Ultimate Guide to the Music, the Myths and the Madness
3762:
Lashua, Brett; Spracklen, Karl; Yavuz, M. Selim; Wagg, Stephen (24 October 2018).
1523:
687:
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7753:
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7119:
6800:
6785:
6479:
6333:
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6065:
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5127:
4943:"Indie Anthology: The Strokes release their influential debut album 'Is This It'"
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1235:
1205:
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623:
603:
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373:
5779:
5532:"From Britpop to 'landfill indie', lockdown forces us to face our musical pasts"
3442:
3188:
Gordon, Alastair; Dines, Mike; Guerra, Paula; Bestley, Russ (15 February 2021).
3167:
1201:
7953:
7906:
7626:
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7452:
7417:
7195:
7185:
7168:
7151:
6795:
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6753:
6748:
6710:
6484:
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6318:
6283:
6197:
3858:"A cold night of chemical hair: the reality of the Stone Roses at Spike Island"
3736:"Spike Island at 30: the Stone Roses gig was scary, shambolic – and pure bliss"
2749:
2726:
2575:
2368:
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and the Smiths. The Madchester movement burgeoned by 1989, with the success of
1221:
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1093:
943:
886:
751:
516:
508:
350:
6112:
5409:"Mr Brightside by The Killers has been in the UK charts every year since 2004"
2213:
pleasures in the vocalists' authentic English accents became widely imitated.
2158:
1797:
author Andrew Earles stated that the collective, namely Neutral Milk Hotel on
1552:
production style which romanticised their D.I.Y. ethos. Pavement's 1992 album
1348:. In this period, the scene's bands became fixtures, sometimes headliners, at
1014:
885:. The punk-inspired aspects of the scene were often inspired by opposition to
726:
pinpoints the coining of the term "indie" to the 1977 self-publication of the
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7692:
7565:
7560:
7457:
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7386:
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1964:
1940:
1874:
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1698:
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1622:, many of Britain's earlier indie rock bands fell into obscurity. Fronted by
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123:
56:
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in the United States. During the decade, indie rock bands like Sonic Youth,
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7277:
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6851:
6775:
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6715:
6605:
6328:
5925:
3890:
3862:
3834:
3740:
3564:
3123:"The story of UK DIY: 131 experimental underground classics from 1977-1985"
2612:
2549:
2544:
2377:
2287:
2210:
2060:
The mainstream attention which indie rock garnered in the 2000s began with
2017:
1943:, used elements of a post-grunge and hardcore on their breakthrough albums
1893:
1741:
1659:
1635:
1627:
1559:
1358:
1217:
1160:
1158:. This scene was collectively termed "the Scene That Celebrates Itself" by
1151:
1125:
1106:
1053:
955:
935:
924:
841:
747:
678:
658:
607:
592:
448:
424:
389:
148:
100:
5977:"Get to know Healywave – the scene indebted to The 1975's signature sound"
4836:
4820:
1080:
In the United States, the popularity of R.E.M. allowed those disliking of
7943:
7702:
7685:
7650:
7597:
7287:
7262:
7146:
7102:
6656:
6646:
6565:
6388:
6373:
6353:
6323:
6313:
6308:
6293:
6192:
6037:
4852:
4599:
Gimme Indie Rock 500 Essential American Underground Rock Albums 1981-1996
4410:"Pulp are getting back together for gigs in 2023, Jarvis Cocker confirms"
3918:
2616:(2021) being nominated. Writer Martin Young stated in a 2021 article for
2571:
2412:
2386:
2299:
2283:
2095:
2083:
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1907:
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1623:
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1314:
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1102:
1092:. Furthermore, major labels began to pursue underground bands, with both
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695:
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469:
444:
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377:
330:
176:
133:
90:
5831:
4912:"And the most-played song on UK radio is... Chasing Cars by Snow Patrol"
3830:"Twisting my melon, man! The baggy, brilliant indie-rave summer of 1990"
2239:(2006) became the fastest-selling debut album in British chart history.
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7826:
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7714:
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6459:
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6433:
6428:
6413:
6408:
6383:
6303:
6298:
6267:
6262:
6240:
6158:
3886:"Wise up suckers! How grebo rivalled Britpop as the sound of 90s indie"
3212:"These Dunedin students want to revitalise the city's live music scene"
2601:
2563:
2528:
2463:
gaining platinum selling records. Vampire Weekend's third studio album
2451:
gained number one singles in the United States during the decade, with
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1886:
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and incorporated them into an indie rock context. The style began with
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201:
46:
5622:"53 Annual Grammy Awards: Awards and Nominees 2010 (Official Webpage)"
4619:"Interstellar Pop Underground: A History of the Elephant 6 Collective"
2746:
Music and Manipulation: on the Social Uses and Social Control of Music
1915: – although having achieved moderate recognition with
1831:. Most musicians in the genre can be found on independent labels like
778:
who would take the releases from these small labels and get them into
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6651:
6641:
6636:
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6555:
6524:
6514:
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6494:
6469:
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6403:
6378:
6358:
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580:
572:
568:
549:
541:
536:
473:
436:
381:
320:
315:
138:
128:
105:
80:
51:
4801:
All Music Guide to Rock: the Definitive Guide to Rock, Pop, and Soul
4780:
All Music Guide to Rock: the Definitive Guide to Rock, Pop, and Soul
2922:
All Music Guide to Rock: the Definitive Guide to Rock, Pop, and Soul
2298:. The most commercially successful band of this wave was Las Vegas'
1073:; Primal Scream were critically acclaimed, receiving the first ever
1040:
compilation cassette, which consisted of tracks by groups including
7876:
7797:
7746:
7741:
7670:
7500:
6875:
6600:
6590:
6368:
6288:
6245:
6202:
6061:"MARTYN YOUNG'S TOP 10S: THE BEST BRITISH BANDS OF THE LAST DECADE"
5272:
5091:
4916:
4738:
Britpop!: Cool Britannia and the Spectacular Demise of English Rock
4476:
4414:
4126:
3974:
3536:
2773:
2523:
2456:
2183:
2154:
2140:
2091:
2087:
1991:
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1646:
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1442:
1193:
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1022:
928:
881:, who were an integral influence on the emergence of home-recorded
874:
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440:
206:
158:
153:
3403:
White Boys, White Noise: Masculinities and 1980s Indie Guitar Rock
3072:"Music for Misfits: The Story of Indie – Episode guide – BBC Four"
2256:(who in 2004 had two singles at the top of the Billboard magazine
2026:) is the most widely played song of the 21st century on UK radio.
1265:. Madchester and baggy's most infamous moment was the 27 May 1990
877:, and after it broke up, he went on to start the influential band
853:, which emerged as a post-punk group, whose members also included
7807:
7638:
7412:
7221:
7095:
6846:
6626:
5629:
4946:
4438:
Beyond Subculture Pop, Youth and Identity in a Postcolonial World
2579:
2206:
2128:
magazine to declare on its September 2002 cover, "Rock is Back!"
1840:
1619:
1612:
1577:, an indie rock scene was being spearheaded by groups enfranched
1504:
828:
492:
196:
85:
69:
Early to mid-1980s, United Kingdom, United States and New Zealand
5506:"How landfill indie swallowed guitar music in the mid-Noughties"
3345:"Dunedin Sound - the sound of honesty? - Article | AudioCulture"
2532:, but by 2017 received "Best Live Band" at the same award show.
2056:
are one of the most influential bands to indie rock in the 2000s
1724:(2001). One particularly notable scene during this wave was the
1142:. The band's style influenced a wave of bands in London and the
7697:
6575:
5921:"The 1975 review – rock rebels usher indie into the mainstream"
5770:"Arctic Monkeys return to US top ten for first time since 2007"
4772:
2904:"Indie Rock – Significant Albums, Artists and Songs – AllMusic"
2604:
became a prominent force in the scene, with their second album
2249:
2012:
1403:
1230:
963:
890:
488:
401:
95:
5948:"The 200 Most Important Artists of Pitchfork's First 25 Years"
5481:
Akinfenwa, Jumi; Joshi, Tara; Garland, Emma (27 August 2020).
3240:"New Zealand Indie: Beyond Flying Nun and the "Dunedin Sound""
2187:
as "one of the U.K.'s most influential 21st century acts" and
523:
and indie rock proliferated into the landfill indie movement.
511:. This success was exacerbated in the middle of the decade by
419:
cassette in the United Kingdom and the underground success of
7775:
6127:
4459:
The Last Party: Britpop, Blair and the Demise of English Rock
4210:
Aaron, Charles (October 2005). "Notes from the Underground".
3943:
Aaron, Charles (October 2005). "Notes from the Underground".
3661:
Aaron, Charles (October 2005). "Notes from the Underground".
3627:
Aaron, Charles (October 2005). "Notes from the Underground".
3560:"Reel lives: how I tracked down the class of NME's C86 album"
2970:
Labouring the Point? The Politics of Britain in "New Britain"
2856:"Joy Division: The Pioneers Of Indie Rock – CloudKickerMusic"
1990:
The most commercially successful band in the millennium were
1929:
1643:
Labouring the Point? The Politics of Britain in "New Britain"
1590:
1262:
989:
Journalist Steve Taylor also cited the bands involved in the
817:," on their own "Fatal Records" label. This was followed by
560:
457:
185:
5677:"How Did Arctic Monkeys Become the Biggest Band in Britain?"
5123:"After The Libertines: What today's bands owe Carl and Pete"
3190:
Trans-Global Punk Scenes The Punk Reader Volume 2 · Volume 2
3011:
Gender in the Music Industry: Rock, Discourse and Girl Power
2330:
are one of the most commercially successful indie rock bands
2233:, the Arctic Monkeys had two No. 1 singles, and their album
1981:, they moved to a more reflective and introspective mode on
1654:
has suggested that Britpop began when Blur's fourth single "
7337:
5710:"Arctic Monkeys make Official Albums Chart history with AM"
5364:"The Killers set new UK chart record with 'Mr. Brightside'"
5065:"The term 'landfill indie' is nothing but musical snobbery"
3039:
2739:
2737:
2512:
630:, in addition to a lyrical preoccupation with literature.
364:
The sound of indie rock has its origins in the New Zealand
4998:"Is This It' at 20: How The Strokes changed music forever"
4671:"Indie Electronic – Significant Albums, Artists and Songs"
1615:" stereotype, and as a defining anthem of 90s indie rock.
7917:
7675:
6631:
5981:
5774:
5317:
4974:
4793:
4554:
Turn on your Mind: Four Decades of Great Psychedelic Rock
4188:
4046:"Slowcore isn't making a comeback, it's always been here"
3592:(First Back Bay paperback ed.). Boston. p. 94.
3046:
2914:
2782:
2610:(2017) winning the Mercury Prize in 2018 and third album
2310:" spent 260 non-consecutive weeks, or five years, on the
2144:
as "one of the U.K.'s most influential 21st century acts"
1686:
1036:
1030:
1003:
873:. Knox later formed another short-lived punk band called
719:
415:
406:
4363:"Merge Records and the Explosion of American Indie Rock"
3914:""A Burst Of Dirty Thunder": The Rise And Fall Of Grebo"
3761:
3267:"Tall Dwarfs – Music Biography, Credits and Discography"
3187:
2778:"The Velvet Underground: As influential as The Beatles?"
2734:
2411:
There continued to be commercial successes in the 2010s
1204:
nightclub, which opened in May 1982 as an initiative of
404:. The genre solidified itself during the mid–1980s with
5893:"10 incredible alternative albums that turn 10 in 2023"
5313:"The Strokes talk about their rivalry with The Killers"
1955:(1999), before moving into more melodic territory with
439:
all released albums on major labels and subgenres like
5852:
in the "Search BPI Awards" field and then press Enter.
5483:"The Top 50 Greatest Landfill Indie Songs of All Time"
5435:(What's The Story) Morning Glory? [Remastered]
4713:
Rock: The Primary Text Developing a Musicology of Rock
4548:
4546:
4167:
Ned's Atomic Dustbin, Senseless Things, Mega City Four
3315:"Anything Could Happen - Flying Nun History 1980-1995"
1385:
954:. The bands broadcast on these station became dubbed "
5604:"Peter Robinson on the death of landfill indie music"
5480:
4814:
3234:
3232:
612:
DIY Style: Fashion, Music and Global Digital Cultures
5080:
5078:
4751:
4115:
4113:
3938:
3936:
2944:
DIY Style Fashion, Music and Global Digital Cultures
2879:"Wire Looks Back on Its Pioneering Art Punk Trilogy"
2805:"The Ugly Truths of Loving the Fall's Mark E. Smith"
2034:
5113:
5111:
5109:
4543:
4262:
2406:
2385:cited the landfill indie movement as dead, blaming
6092:
4884:
4711:Moore, Allan F; Martin, Remy (28 September 2018).
3711:The Guinness Who's Who of Indie and New Wave Music
3229:
2831:"Did Joy Division Create Indie Rock? | Ben Vaughn"
2070:. Playing a style indebted to '60s-70s bands like
1339:This Is the Day...This Is the Hour...This Is This!
5390:"'Mr. Brightside' Will Never Die, And Here's Why"
5117:
5075:
4782:(Milwaukee, WI: Backbeat Books, 3rd edn., 2002),
4110:
3933:
3396:
3370:"Dunedin Sound genre | Artists, music and albums"
3289:"Popular music in New Zealand from 1900 to today"
2924:(Milwaukee, WI: Backbeat Books, 3rd edn., 2002),
2397:by stating "If landfill indie had been a game of
1462:(1989), were heavy influences on the genre, with
1276:, a scene of indie bands who took influence from
7986:
7857:
5106:
4862:
4556:(Milwaukee, WI: Hal Leonard Corporation, 2003),
4464:
4177:
4175:
4037:
3429:
3427:
2588:peaking at number eight on the UK albums chart,
1892:As Britpop waned towards the end of the decade,
4761:(Edinburgh: Edinburgh University Press, 2004),
2713:
2711:
2600:(2022) at number four. At around the same time
2267:indie rock had ceased to be a meaningful term.
1732:to create the distinctive style of groups like
1668:for the fastest-selling debut album in the UK.
5642:
5640:
5523:
4524:"The beginner's guide to the evolution of emo"
4487:
4480:. Retrieved on 21 January 2011. Archived from
3877:
3146:Lazell, Barry (1997). "Indie Hits 1980–1989",
2248:reached the US top 40 and was nominated for a
1819:. Progenitors of the genre were English bands
1261:by critics, or more specifically the subgenre
934:The decade then saw the growing popularity of
813:had their first punk release outside the US, "
7516:
6143:
5649:"Did Vampire Weekend Win the Indie Rock Age?"
4799:V. Bogdanov, C. Woodstra and S. T. Erlewine,
4778:V. Bogdanov, C. Woodstra and S. T. Erlewine,
4732:
4730:
4172:
3424:
2743:
2471:Grammy Award for Best Alternative Music Album
2337:Whatever People Say I Am, That's What I'm Not
2236:Whatever People Say I Am, That's What I'm Not
1498:album, while also occasionally making use of
845:, one of the earliest Dunedin Sound band was
5832:"British certifications – Arctic Monkeys"
5732:
5476:
5474:
5454:
5452:
4098:
3727:
3392:
3390:
3205:
3203:
2708:
2455:, Florence and the Machine, Arctic Monkeys,
2260:) and Death Cab for Cutie (whose 2005 album
2029:
487:During the 1990s, the mainstream success of
5674:
5637:
5579:
5262:
4989:
4710:
4382:"Ten Early 90s Indie Songs That Say It All"
4025:
2963:
2961:
2339:there was a proliferation of bands such as
1120:In the late 1980s, the indie rock subgenre
7523:
7509:
6150:
6136:
5802:"American certifications – Arctic Monkeys"
5549:
5191:
5032:
4937:
4935:
4727:
4517:
4515:
3679:
3612:: CS1 maint: location missing publisher (
3509:"How an NME cassette launched indie music"
2495:has spent 300 weeks in the top 100 of the
1873:in the 1980s, with later groups including
5806:Recording Industry Association of America
5762:
5558:"Does the world need another indie band?"
5471:
5449:
5406:
5400:
5286:
5155:Career Building Through Social Networking
5038:
5021:(Oxford: Oxford University Press, 2009),
5011:
4576:"The Van Pelt – Artisans & Merchants"
4493:
4065:
3506:
3478:
3387:
3209:
3200:
3064:
1977:(2001). After the death of their drummer
1721:The Places You Have Come to Fear the Most
1603:the "next Seattle". Superchunk's single "
1009:
901:1981 debut single "Tally-Ho!" and 1982's
392:radio stations who would frequently play
5918:
5529:
5387:
5214:
5205:, vol. 26, no. 4, ISSN 0886-3032, p. 95.
4379:
4181:
3967:
3258:
2958:
2322:
2130:
2048:
1558:, was one of the defining albums of the
1522:
1389:
1169:
1013:
705:
686:
5974:
5332:
5310:
5174:
4932:
4665:
4663:
4661:
4659:
4521:
4512:
3989:
3855:
3764:Sounds and the City Volume 2 · Volume 2
3733:
3585:
3557:
3406:. Ashgate Publishing, Ltd. p. 87.
3030:
2744:Brown, Steven; Volgsten, Ulrik (2006).
797:who released the first UK punk single "
14:
7987:
6090:
5890:
5812:from the original on 24 September 2022
5493:from the original on 11 November 2022.
5458:
5355:
5338:
4995:
4595:
4461:; John Harris; Harper Perennial; 2003.
4300:
4256:
4152:
4119:
4104:
4071:
4031:
4008:
3708:
3702:
3455:
3264:
3140:
2990:
2941:
2667:
2245:Good News for People Who Love Bad News
998:and Flying Nun Records bands like the
831:produced the independent record label
7504:
6131:
6058:
6030:
6002:
5646:
5503:
5361:
5238:
5059:
5057:
5019:101 Albums That Changed Popular Music
4759:Popular Music Genres: an Introduction
4319:"Chapel Hill, N.C.: The new Seattle?"
4209:
3942:
3883:
3827:
3660:
3626:
3312:
3210:McConnell, Glenn (15 February 2023).
724:Music for Misfits: The Story of Indie
672:
563:, experimental and art rock sound of
7530:
7375:Rock music and the fall of communism
5824:
5794:
5707:
5701:
5311:Britton, Luke Morgan (15 May 2017).
4967:
4656:
4616:
4596:Earles, Andrew (15 September 2014).
4573:
4043:
3120:
2876:
1599:took to calling the college town of
5778:. 19 September 2013. Archived from
5407:Westbrook, Caroline (20 May 2017).
5199:"The 'New Rock Revolution' fizzles"
5177:"Arctic Monkeys make chart history"
4435:
4407:
4074:"The Beginner's Guide To: Slowcore"
3481:"The Rise and Fall of College Rock"
3456:Taylor, Steve (27 September 2006).
2967:
2772:
2695:"The Clean | NZ Music Hall of Fame"
2094:, putting their throwback style of
1807:electronic music (composers of the
1568:the 500 greatest albums of all time
1398:to breakthrough into the mainstream
1386:1990s: Mainstream–underground split
1136:on their early EPs and debut album
595:would be influential to the genre.
24:
6059:Young, Martin (14 February 2021).
5975:Connick, Tom (21 September 2018).
5891:Summan, Yasmine (6 January 2023).
5708:Lane, Daniel (15 September 2013).
5628:, 23 November 2004, archived from
5555:
5084:
5054:
4885:Stephen M. Deusner (1 June 2009),
4803:(Backbeat Books, 3rd edn., 2002),
4380:Thornton, Tim (24 November 2015).
4072:Rosean, Samuel (31 January 2019).
3788:, Aurum Press, London, 2009, p 233
3479:Svenonius, Ian (23 October 2015).
3265:Ankeny, Jason (11 February 1997).
2991:Barker, Nicola (20 October 2020).
1671:
1518:Carter the Unstoppable Sex Machine
1456:, particularly their second album
1406:scene, and its most visible acts,
1021:pioneered the indie rock subgenre
526:
25:
8021:
5750:from the original on 19 June 2019
5388:Thompson, Stephen (4 June 2017).
4887:"Coldplay LeftRightLeftRightLeft"
4268:"500 Greatest Albums of All Time"
4086:from the original on 14 June 2023
3968:Childers, Chad (7 October 2022).
3911:
2395:Joe Lean & the Jing Jang Jong
2035:Post-punk and garage rock revival
7967:
7966:
7482:
7471:
7470:
6052:
6024:
5996:
5968:
5940:
5912:
5884:
5856:
5689:from the original on 15 May 2018
5668:
5614:
5596:
5582:"Clearing up the indie landfill"
5573:
5497:
5426:
5381:
5304:
5280:
5256:
5241:"Death Cab for Cutie: Biography"
5232:
5208:
5168:
5147:
4301:Fidler, Daniel (November 1992).
4236:"A Rough Guide To: Slacker Rock"
4134:from the original on 24 May 2023
4120:Rubsam, Robert (27 April 2017).
3586:Azerrad, Michael (2 July 2002).
3293:my.christchurchcitylibraries.com
2407:2010s–present: Continued success
2318:
2302:. Formed in 2001, after hearing
1958:Just Enough Education to Perform
1685:(1994), began a new wave of the
1611:magazine with popularizing the "
1402:In the early 1990s, the Seattle
714:performing in California in 2007
535:on which it is released and the
7293:Progressive rock (radio format)
5919:Beaumont, Mark (6 March 2016).
5042:New bands race for rock stardom
4961:
4904:
4878:
4846:
4830:
4704:
4681:
4638:
4610:
4602:. Voyageur Press. p. 219.
4589:
4567:
4452:
4429:
4401:
4373:
4355:
4329:
4311:
4294:
4228:
4203:
4182:Beaumont, Mark (27 July 2018).
4153:Harris, John (7 January 2010).
4146:
4011:Popular Music: The Key Concepts
4002:
3961:
3905:
3849:
3821:
3791:
3778:
3755:
3654:
3620:
3579:
3558:Tassell, Nige (8 August 2022).
3551:
3524:
3500:
3472:
3458:The A to X of Alternative Music
3449:
3362:
3337:
3306:
3281:
3181:
3160:
3114:
3089:
3024:
3003:
2984:
2935:
2896:
1748:to gain significant attention.
1540:writer Charles Aaron described
1438:Popular Music: The Key Concepts
606:, to punk-folk singers such as
6157:
5675:O'Neill, Lauren (9 May 2018).
5580:S. Reynolds (4 January 2010).
5556:T., Walker (21 January 2010),
5039:I. Youngs (October 22, 2002),
4996:Golsen, Tyler (30 July 2021).
4522:Connick, Tom (30 April 2018).
3997:"Are We Still Living in 1993?"
3884:Sword, Harry (29 March 2018).
3734:Barnett, David (27 May 2020).
2870:
2848:
2823:
2797:
2766:
2687:
2661:
1961:(2001) and subsequent albums.
1394:The success of grunge allowed
13:
1:
5836:British Phonographic Industry
5530:Beaumont, Mark (4 May 2020).
5459:Copsey, Rob (16 March 2018).
5287:R. Maddux (26 January 2010),
5215:J. Arndt (23 November 2004),
4436:Huq, Rupa (24 January 2007).
4009:Shuker, Roy (27 March 2017).
3999:, retrieved 26 February 2013.
3507:N. Hasted (27 October 2006),
3168:"The Go-Betweens – The Vogue"
3047:"A definition of indie music"
2993:Nicola Barker Critical Essays
2654:
1200:. The scene was based around
897:–influenced sound. Marked by
5740:"Weekly Rock Chart Round-Up"
5339:Copsey, Rob (1 April 2021).
5263:K. Korducki (17 July 2007),
4968:Daly, Rhian (30 July 2021).
4875:, retrieved 3 December 2010.
4859:, retrieved 3 December 2010.
4843:, retrieved 3 December 2010.
4122:"Slowcore: A Brief Timeline"
4044:Kahn, Jamie (13 June 2022).
3856:Stanley, Bob (27 May 2015).
3799:"Chapter Three – Madchester"
3121:Dale, Jon (1 October 2014).
3013:(Aldershot: Ashgate, 2007),
2668:Pearis, Bill (8 June 2022).
2644:List of indie rock musicians
1755:collective – which included
1607:" has also been credited by
1336:; and Pop Will Eat Itself's
835:, whose artists defined the
622:of the 1960s in progenitors
7:
7323:List of years in rock music
5647:Clark, Tyler (8 May 2019).
5362:Moore, Sam (1 April 2021).
5175:A. Kumi (30 January 2006),
5087:"Biography: the Libertines"
4827:, retrieved 3 January 2010.
4574:Mair, Rob (15 March 2023).
2968:Huq, Rupa (15 April 2016).
2627:
2594:(2021) at number three and
2466:Modern Vampires of the City
2064:and their 2001 debut album
2003:A Rush of Blood to the Head
1927:(1997), and its follow-ups
1883:Godspeed You! Black Emperor
1345:The Looks or the Lifestyle?
1000:Jean-Paul Sartre Experience
10:
8026:
7656:Christian alternative rock
7428:Rock and Roll Hall of Fame
6084:
5504:Power, Ed (28 July 2019).
5045:, BBC News, archived from
4853:"Feeder: Comfort in Sound"
4472:"British Alternative Rock"
4470:Erlewine, Stephen Thomas.
4278:- Pavement. Archived from
3828:Muggs, Joe (7 July 2020).
2877:Hart, Ron (21 June 2018).
2231:Internet social networking
2038:
1645:, politician and academic
754:movement where bands like
676:
7962:
7894:
7610:
7538:
7466:
7395:
7350:Electronics in rock music
7301:
7255:
7230:
7204:
7053:
7016:Hard rock and heavy metal
6809:
6741:
6676:
6669:
6619:
6543:
6510:Pub rock (United Kingdom)
6442:
6276:
6228:
6213:
6165:
6113:10.1080/10304310802311618
5343:. Official Charts Company
5217:"Bright Eyes Sees Double"
4757:S. Borthwick and R. Moy,
4159:Little, Brown and Company
3786:The North Will Rise Again
2421:(2010), the Black Keys's
2030:2000s: Mainstream success
2020:" (from their 2006 album
1994:, whose first two albums
1952:Performance and Cocktails
1787:– merged indie rock with
1785:the Olivia Tremor Control
1324:; Ned's Atomic Dustbin's
359:independent record labels
311:
306:
268:
263:
220:
215:
172:
167:
119:
114:
73:
65:
39:
34:
7939:Independent record label
7328:Origins of rock and roll
5131:. London. Archived from
4494:Cateforis, Theo (2013).
2624:over the last 5 years."
2441:Florence and the Machine
2427:(2014), Kings of Leon's
1809:BBC Radiophonic Workshop
1117:signed to major labels.
996:the Jesus and Mary Chain
764:Television Personalities
712:The Jesus and Mary Chain
7268:Adult album alternative
5714:Official Charts Company
5465:Official Charts Company
4740:(Da Capo Press, 2004),
4507:often confused for emo.
4496:The Rock History Reader
3713:. Guinness Publishing.
2515:for combined sales and
2016:(2005). Snow Patrol's "
1292:by critics. Fronted by
1028:In the United Kingdom,
825:' a few months later.
789:in the US, who put out
7360:Rock Against Communism
6759:Brazilian thrash metal
3709:Larkin, Colin (1992).
3349:www.audioculture.co.nz
2942:Luvaas, Brent (2012).
2517:album-equivalent units
2433:(2016), the Killers's
2331:
2145:
2072:the Velvet Underground
2057:
1716:Dashboard Confessional
1573:In the North Carolina
1534:
1399:
1182:
1025:
1010:1986–1990: Development
861:, who went on to form
715:
703:
565:the Velvet Underground
8000:2000s fads and trends
7382:Rockism and poptimism
6842:British rock and roll
5265:"Is indie rock dead?"
4276:Slanted and Enchanted
4266:Staff (31 May 2012).
2948:Bloomsbury Publishing
2542:". In an article for
2345:the Pigeon Detectives
2326:
2134:
2052:
1845:Ghostly International
1677:Sunny Day Real Estate
1658:" and Suede's debut "
1555:Slanted and Enchanted
1526:
1393:
1173:
1071:Madison Square Garden
1017:
745:ependent record label
709:
690:
567:as well as late '70s
503:and the influence of
7817:New wave of new wave
7217:Sahara desert region
6505:Pub rock (Australia)
6091:Rogers, Ian (2008).
6031:Wolgamott, L. Kent.
5720:on 29 September 2013
5592:on 17 November 2011.
5275:on 16 September 2011
4717:Taylor & Francis
4442:Taylor & Francis
4015:Taylor & Francis
3313:Bannister, Matthew.
2974:Taylor & Francis
2585:My Mind Makes Noises
2469:(2013) received the
2258:Hot 100 Single Sales
1879:Flying Saucer Attack
1757:the Apples in Stereo
1751:The loosely defined
1596:Entertainment Weekly
1302:Ned's Atomic Dustbin
1069:went on to sell out
7902:Alternative Airplay
7872:Neue Deutsche Härte
7730:Paisley Underground
7622:Alternative country
7408:List of rock genres
7370:Rock Against Sexism
7365:Rock Against Racism
7273:Album-oriented rock
6003:Griffiths, George.
5221:Soul Shine Magazine
5071:. 1 September 2020.
4949:. 19 September 2022
4790:, pp. 911 and 1192.
4699:on 13 February 2020
4484:on 9 December 2010.
4343:on 28 February 2021
3768:Springer Publishing
3697:on 24 February 2011
3462:Bloomsbury Academic
3445:on 29 December 2010
2858:. 14 September 2022
2776:(21 October 2014).
2540:self-titled release
2436:Wonderful Wonderful
2045:Garage rock revival
1738:Death Cab For Cutie
1368:Gaye Bykers on Acid
1294:Pop Will Eat Itself
1134:My Bloody Valentine
1050:the Wedding Present
1019:My Bloody Valentine
991:Paisley Underground
970:, from the UK, who
966:, from the US, and
776:Rough Trade Records
649:music of acts like
633:In this same vein,
192:alternative R&B
27:Genre of rock music
5782:on 1 February 2014
5610:. 17 January 2009.
5293:Paste Magazine.com
5049:on January 4, 2009
4646:"Indie Electronic"
4408:Minelle, Bethany.
4304:Robbing the cradle
3325:on 28 October 2017
2461:the Postal Service
2459:, the Killers and
2391:Scouting For Girls
2332:
2146:
2138:were described by
2058:
1777:Neutral Milk Hotel
1765:Circulatory System
1605:Slack Motherfucker
1535:
1470:Red House Painters
1400:
1183:
1026:
833:Flying Nun Records
768:Desperate Bicycles
750:. This inspired a
716:
704:
673:1977–1985: Origins
480:in London and the
388:, and early 1980s
7982:
7981:
7929:Independent music
7890:
7889:
7859:Alternative metal
7832:Post-punk revival
7766:Latin alternative
7634:Alternative dance
7498:
7497:
7423:Progressive music
7251:
7250:
6689:Palm Desert Scene
6665:
6664:
6339:Experimental rock
6236:Instrumental rock
5898:Alternative Press
5864:"Music: The 1975"
5510:Independent.co.uk
5187:on 23 August 2011
5119:Thornton, Anthony
5085:Phares, Heather.
4650:WeAreTheGuard.com
4617:Shook Jr, Lee M.
4529:Alternative Press
4367:Columbia Magazine
4307:. SPIN Media LLC.
3513:Independent.co.uk
3413:978-1-4094-9374-7
3398:Matthew Bannister
2835:www.benvaughn.com
2811:. 26 January 2018
2748:. New York City:
2729:on 5 January 2011
2649:Underground music
2639:Indie music scene
2634:Independent music
2607:Visions of a Life
2535:Alternative Press
2361:magazine. A 2020
2112:the White Stripes
2041:Post-punk revival
1734:American Football
1618:With the rise of
1575:Research Triangle
1530:singer/guitarist
1321:Never Loved Elvis
1240:self-titled debut
1226:the Happy Mondays
972:Matthew Bannister
871:Straitjacket Fits
793:debut album, and
791:The Modern Lovers
787:Beserkley Records
729:Spiral Scratch EP
635:Matthew Bannister
501:post-punk revival
344:
343:
182:Alternative dance
144:post-punk revival
40:Stylistic origins
16:(Redirected from
8017:
7970:
7969:
7855:
7854:
7759:Industrial metal
7532:Alternative rock
7525:
7518:
7511:
7502:
7501:
7486:
7474:
7473:
7343:Rhythm and blues
7318:British Invasion
6674:
6673:
6551:Alternative rock
6490:Post-progressive
6399:Psychedelic rock
6394:Progressive rock
6226:
6225:
6222:
6216:decade of origin
6152:
6145:
6138:
6129:
6128:
6124:
6096:
6078:
6077:
6075:
6073:
6056:
6050:
6049:
6047:
6045:
6028:
6022:
6021:
6019:
6017:
6000:
5994:
5993:
5991:
5989:
5972:
5966:
5965:
5963:
5961:
5956:. 4 October 2021
5944:
5938:
5937:
5935:
5933:
5916:
5910:
5909:
5907:
5905:
5888:
5882:
5881:
5879:
5877:
5872:. 7 January 2019
5860:
5854:
5846:
5844:
5842:
5828:
5822:
5821:
5819:
5817:
5798:
5792:
5791:
5789:
5787:
5766:
5760:
5759:
5757:
5755:
5746:. 19 June 2019.
5736:
5730:
5729:
5727:
5725:
5716:. Archived from
5705:
5699:
5698:
5696:
5694:
5672:
5666:
5665:
5663:
5661:
5644:
5635:
5633:
5618:
5612:
5611:
5600:
5594:
5593:
5588:. Archived from
5577:
5571:
5569:
5564:, archived from
5553:
5547:
5546:
5544:
5542:
5527:
5521:
5520:
5518:
5516:
5501:
5495:
5494:
5478:
5469:
5468:
5456:
5447:
5446:
5445:
5443:
5438:, 2 October 1995
5430:
5424:
5423:
5421:
5419:
5404:
5398:
5397:
5385:
5379:
5378:
5376:
5374:
5359:
5353:
5352:
5350:
5348:
5336:
5330:
5329:
5327:
5325:
5308:
5302:
5300:
5295:, archived from
5289:"Is Indie Dead?"
5284:
5278:
5276:
5271:, archived from
5260:
5254:
5252:
5251:on 24 April 2011
5247:, archived from
5236:
5230:
5228:
5223:, archived from
5212:
5206:
5195:
5189:
5188:
5183:, archived from
5172:
5166:
5151:
5145:
5144:
5142:
5140:
5121:(9 March 2007).
5115:
5104:
5103:
5101:
5099:
5082:
5073:
5072:
5061:
5052:
5050:
5036:
5030:
5015:
5009:
5008:
5006:
5004:
4993:
4987:
4986:
4984:
4982:
4965:
4959:
4958:
4956:
4954:
4939:
4930:
4929:
4927:
4925:
4908:
4902:
4900:
4899:
4897:
4882:
4876:
4866:
4860:
4850:
4844:
4834:
4828:
4818:
4812:
4797:
4791:
4776:
4770:
4755:
4749:
4734:
4725:
4724:
4708:
4702:
4700:
4695:, archived from
4685:
4679:
4678:
4667:
4654:
4653:
4642:
4636:
4635:
4633:
4631:
4614:
4608:
4607:
4593:
4587:
4586:
4584:
4582:
4571:
4565:
4550:
4541:
4540:
4538:
4536:
4519:
4510:
4509:
4491:
4485:
4468:
4462:
4456:
4450:
4449:
4433:
4427:
4426:
4424:
4422:
4405:
4399:
4398:
4396:
4394:
4377:
4371:
4370:
4359:
4353:
4352:
4350:
4348:
4339:. Archived from
4333:
4327:
4326:
4315:
4309:
4308:
4298:
4292:
4291:
4289:
4287:
4282:on 13 March 2017
4260:
4254:
4253:
4251:
4249:
4232:
4226:
4225:
4207:
4201:
4200:
4198:
4196:
4179:
4170:
4169:
4150:
4144:
4143:
4141:
4139:
4117:
4108:
4102:
4096:
4095:
4093:
4091:
4079:Drowned in Sound
4069:
4063:
4062:
4060:
4058:
4041:
4035:
4029:
4023:
4022:
4006:
4000:
3993:
3987:
3986:
3984:
3982:
3965:
3959:
3958:
3940:
3931:
3930:
3928:
3926:
3909:
3903:
3902:
3900:
3898:
3881:
3875:
3874:
3872:
3870:
3853:
3847:
3846:
3844:
3842:
3825:
3819:
3818:
3816:
3814:
3805:. Archived from
3795:
3789:
3782:
3776:
3775:
3759:
3753:
3752:
3750:
3748:
3731:
3725:
3724:
3706:
3700:
3698:
3693:, archived from
3683:
3677:
3676:
3658:
3652:
3651:
3624:
3618:
3617:
3611:
3603:
3583:
3577:
3576:
3574:
3572:
3555:
3549:
3548:
3546:
3544:
3528:
3522:
3520:
3515:, archived from
3504:
3498:
3497:
3495:
3493:
3486:The New Republic
3476:
3470:
3469:
3453:
3447:
3446:
3441:, archived from
3431:
3422:
3421:
3394:
3385:
3384:
3382:
3380:
3366:
3360:
3359:
3357:
3355:
3341:
3335:
3334:
3332:
3330:
3321:. Archived from
3310:
3304:
3303:
3301:
3299:
3285:
3279:
3278:
3276:
3274:
3262:
3256:
3255:
3253:
3251:
3236:
3227:
3226:
3224:
3222:
3207:
3198:
3197:
3185:
3179:
3178:
3176:
3174:
3164:
3158:
3148:Cherry Red Books
3144:
3138:
3137:
3135:
3133:
3118:
3112:
3111:
3109:
3107:
3093:
3087:
3086:
3084:
3082:
3068:
3062:
3061:
3059:
3057:
3043:
3037:
3036:
3028:
3022:
3007:
3001:
3000:
2988:
2982:
2981:
2965:
2956:
2955:
2939:
2933:
2918:
2912:
2911:
2900:
2894:
2893:
2891:
2889:
2874:
2868:
2867:
2865:
2863:
2852:
2846:
2845:
2843:
2841:
2827:
2821:
2820:
2818:
2816:
2801:
2795:
2794:
2792:
2790:
2770:
2764:
2763:
2741:
2732:
2730:
2725:, archived from
2715:
2706:
2705:
2703:
2701:
2691:
2685:
2684:
2682:
2680:
2665:
2445:the Decemberists
2312:UK Singles Chart
1984:Comfort in Sound
1971:" and the album
1946:Word Gets Around
1855:psychedelic rock
1794:Gimme Indie Rock
1695:the Promise Ring
1679:'s debut album,
1546:Guided by Voices
1510:Senseless Things
1424:alternative rock
1376:the Hunters Club
1350:Reading Festival
1298:the Wonder Stuff
1288:emerged, dubbed
1252:Inspiral Carpets
1214:Cabaret Voltaire
1165:Steve Sutherland
1098:the Replacements
1088:scene as led by
1067:the Soup Dragons
980:the Housemartins
940:alternative rock
867:the DoubleHappys
620:psychedelic rock
412:
326:alternative rock
74:Derivative forms
66:Cultural origins
32:
31:
21:
8025:
8024:
8020:
8019:
8018:
8016:
8015:
8014:
7985:
7984:
7983:
7978:
7958:
7886:
7853:
7788:Neo-psychedelia
7754:Industrial rock
7613:
7606:
7534:
7529:
7499:
7494:
7462:
7391:
7311:
7297:
7283:Mainstream rock
7247:
7226:
7200:
7049:
6805:
6737:
6670:Regional scenes
6661:
6615:
6539:
6480:Industrial rock
6438:
6334:Electronic rock
6272:
6220:
6219:(sub-subgenres
6218:
6217:
6215:
6209:
6188:Electric guitar
6161:
6156:
6087:
6082:
6081:
6071:
6069:
6057:
6053:
6043:
6041:
6029:
6025:
6015:
6013:
6010:Official Charts
6001:
5997:
5987:
5985:
5973:
5969:
5959:
5957:
5946:
5945:
5941:
5931:
5929:
5917:
5913:
5903:
5901:
5889:
5885:
5875:
5873:
5862:
5861:
5857:
5840:
5838:
5830:
5829:
5825:
5815:
5813:
5800:
5799:
5795:
5785:
5783:
5768:
5767:
5763:
5753:
5751:
5738:
5737:
5733:
5723:
5721:
5706:
5702:
5692:
5690:
5673:
5669:
5659:
5657:
5645:
5638:
5620:
5619:
5615:
5602:
5601:
5597:
5578:
5574:
5568:on 4 March 2010
5554:
5550:
5540:
5538:
5528:
5524:
5514:
5512:
5502:
5498:
5479:
5472:
5457:
5450:
5441:
5439:
5432:
5431:
5427:
5417:
5415:
5405:
5401:
5386:
5382:
5372:
5370:
5360:
5356:
5346:
5344:
5337:
5333:
5323:
5321:
5309:
5305:
5299:on 3 April 2011
5285:
5281:
5261:
5257:
5237:
5233:
5213:
5209:
5196:
5192:
5173:
5169:
5157:(Rosen, 2007),
5152:
5148:
5138:
5136:
5128:The Independent
5116:
5107:
5097:
5095:
5083:
5076:
5063:
5062:
5055:
5037:
5033:
5016:
5012:
5002:
5000:
4994:
4990:
4980:
4978:
4966:
4962:
4952:
4950:
4941:
4940:
4933:
4923:
4921:
4910:
4909:
4905:
4895:
4893:
4883:
4879:
4867:
4863:
4851:
4847:
4835:
4831:
4821:"Stereophonics"
4819:
4815:
4798:
4794:
4777:
4773:
4756:
4752:
4735:
4728:
4709:
4705:
4687:
4686:
4682:
4669:
4668:
4657:
4644:
4643:
4639:
4629:
4627:
4615:
4611:
4594:
4590:
4580:
4578:
4572:
4568:
4551:
4544:
4534:
4532:
4520:
4513:
4505:
4502:. p. 354.
4492:
4488:
4469:
4465:
4457:
4453:
4444:. p. 142.
4434:
4430:
4420:
4418:
4406:
4402:
4392:
4390:
4387:Huffington Post
4378:
4374:
4361:
4360:
4356:
4346:
4344:
4335:
4334:
4330:
4317:
4316:
4312:
4299:
4295:
4285:
4283:
4261:
4257:
4247:
4245:
4244:. 27 April 2021
4234:
4233:
4229:
4208:
4204:
4194:
4192:
4180:
4173:
4151:
4147:
4137:
4135:
4118:
4111:
4103:
4099:
4089:
4087:
4070:
4066:
4056:
4054:
4042:
4038:
4030:
4026:
4017:. p. 162.
4007:
4003:
3994:
3990:
3980:
3978:
3966:
3962:
3941:
3934:
3924:
3922:
3910:
3906:
3896:
3894:
3882:
3878:
3868:
3866:
3854:
3850:
3840:
3838:
3826:
3822:
3812:
3810:
3797:
3796:
3792:
3783:
3779:
3770:. p. 305.
3760:
3756:
3746:
3744:
3732:
3728:
3721:
3707:
3703:
3685:
3684:
3680:
3659:
3655:
3647:
3644:
3641:
3625:
3621:
3605:
3604:
3600:
3584:
3580:
3570:
3568:
3556:
3552:
3542:
3540:
3530:
3529:
3525:
3519:on 27 July 2012
3505:
3501:
3491:
3489:
3477:
3473:
3464:. p. 129.
3454:
3450:
3433:
3432:
3425:
3414:
3395:
3388:
3378:
3376:
3368:
3367:
3363:
3353:
3351:
3343:
3342:
3338:
3328:
3326:
3319:Under the Radar
3311:
3307:
3297:
3295:
3287:
3286:
3282:
3272:
3270:
3263:
3259:
3249:
3247:
3238:
3237:
3230:
3220:
3218:
3208:
3201:
3186:
3182:
3172:
3170:
3166:
3165:
3161:
3145:
3141:
3131:
3129:
3119:
3115:
3105:
3103:
3095:
3094:
3090:
3080:
3078:
3070:
3069:
3065:
3055:
3053:
3045:
3044:
3040:
3029:
3025:
3008:
3004:
2989:
2985:
2966:
2959:
2940:
2936:
2919:
2915:
2902:
2901:
2897:
2887:
2885:
2875:
2871:
2861:
2859:
2854:
2853:
2849:
2839:
2837:
2829:
2828:
2824:
2814:
2812:
2803:
2802:
2798:
2788:
2786:
2771:
2767:
2760:
2752:. p. 194.
2742:
2735:
2717:
2716:
2709:
2699:
2697:
2693:
2692:
2688:
2678:
2676:
2666:
2662:
2657:
2630:
2497:UK Albums Chart
2485:UK Albums Chart
2453:Vampire Weekend
2449:LCD Soundsystem
2409:
2353:Andrew Harrison
2321:
2292:the Hold Steady
2190:the Independent
2151:Franz Ferdinand
2108:TV on the Radio
2100:Yeah Yeah Yeahs
2080:UK albums chart
2047:
2039:Main articles:
2037:
2032:
1800:On Avery Island
1789:psychedelic pop
1706:Jimmy Eat World
1674:
1672:Diversification
1587:Archers of Loaf
1532:Stephen Malkmus
1420:Alice in Chains
1388:
1333:Are You Normal?
1306:Wise Up! Sucker
1236:the Stone Roses
1206:Factory Records
1175:The Stone Roses
1146:area including
1012:
913:Sneaky Feelings
819:the Go-Betweens
685:
675:
624:the Stone Roses
529:
527:Characteristics
410:
374:Sneaky Feelings
340:
302:
259:
216:Regional scenes
211:
163:
110:
61:
28:
23:
22:
15:
12:
11:
5:
8023:
8013:
8012:
8010:2010s in music
8007:
8005:2000s in music
8002:
7997:
7980:
7979:
7977:
7976:
7963:
7960:
7959:
7957:
7956:
7954:Outsider music
7951:
7946:
7941:
7936:
7931:
7926:
7921:
7914:
7909:
7904:
7898:
7896:
7895:Related topics
7892:
7891:
7888:
7887:
7885:
7884:
7879:
7874:
7869:
7863:
7861:
7852:
7851:
7846:
7845:
7844:
7834:
7829:
7824:
7819:
7814:
7813:
7812:
7811:
7810:
7805:
7795:
7785:
7780:
7779:
7778:
7768:
7763:
7762:
7761:
7751:
7750:
7749:
7744:
7739:
7734:
7733:
7732:
7727:
7717:
7707:
7706:
7705:
7695:
7690:
7689:
7688:
7678:
7673:
7668:
7663:
7658:
7653:
7648:
7647:
7646:
7636:
7631:
7630:
7629:
7627:Gothic country
7618:
7616:
7608:
7607:
7605:
7604:
7603:
7602:
7601:
7600:
7590:
7585:
7580:
7575:
7574:
7573:
7568:
7558:
7548:
7542:
7540:
7536:
7535:
7528:
7527:
7520:
7513:
7505:
7496:
7495:
7493:
7492:
7480:
7467:
7464:
7463:
7461:
7460:
7455:
7453:Wagnerian rock
7450:
7445:
7440:
7435:
7430:
7425:
7420:
7418:Outlaw country
7415:
7410:
7405:
7399:
7397:
7393:
7392:
7390:
7389:
7384:
7379:
7378:
7377:
7372:
7367:
7362:
7355:Social effects
7352:
7347:
7346:
7345:
7340:
7335:
7325:
7320:
7314:
7312:
7310:
7309:
7306:
7302:
7299:
7298:
7296:
7295:
7290:
7285:
7280:
7275:
7270:
7265:
7259:
7257:
7253:
7252:
7249:
7248:
7246:
7245:
7240:
7234:
7232:
7228:
7227:
7225:
7224:
7219:
7214:
7208:
7206:
7202:
7201:
7199:
7198:
7193:
7188:
7183:
7178:
7177:
7176:
7166:
7161:
7160:
7159:
7149:
7144:
7143:
7142:
7132:
7127:
7122:
7117:
7116:
7115:
7110:
7100:
7099:
7098:
7088:
7083:
7073:
7068:
7063:
7057:
7055:
7051:
7050:
7048:
7047:
7046:
7045:
7040:
7035:
7030:
7028:Neo-rockabilly
7025:
7024:
7023:
7013:
7005:
7000:
6995:
6990:
6985:
6980:
6975:
6970:
6965:
6960:
6955:
6950:
6945:
6940:
6935:
6930:
6925:
6920:
6915:
6910:
6905:
6900:
6895:
6890:
6889:
6888:
6883:
6878:
6868:
6863:
6858:
6857:
6856:
6855:
6854:
6844:
6834:
6829:
6824:
6819:
6813:
6811:
6807:
6806:
6804:
6803:
6798:
6793:
6788:
6783:
6778:
6773:
6772:
6771:
6766:
6761:
6751:
6745:
6743:
6739:
6738:
6736:
6735:
6730:
6729:
6728:
6718:
6713:
6708:
6703:
6698:
6693:
6692:
6691:
6680:
6678:
6671:
6667:
6666:
6663:
6662:
6660:
6659:
6654:
6649:
6644:
6639:
6634:
6629:
6623:
6621:
6617:
6616:
6614:
6613:
6608:
6603:
6598:
6593:
6588:
6583:
6578:
6573:
6568:
6563:
6558:
6553:
6547:
6545:
6541:
6540:
6538:
6537:
6532:
6527:
6522:
6517:
6512:
6507:
6502:
6497:
6492:
6487:
6482:
6477:
6475:Heartland rock
6472:
6467:
6462:
6457:
6452:
6446:
6444:
6440:
6439:
6437:
6436:
6431:
6426:
6421:
6416:
6411:
6406:
6401:
6396:
6391:
6386:
6381:
6376:
6371:
6366:
6361:
6356:
6351:
6346:
6341:
6336:
6331:
6326:
6321:
6319:Christian rock
6316:
6311:
6306:
6301:
6296:
6291:
6286:
6284:Anatolian rock
6280:
6278:
6274:
6273:
6271:
6270:
6265:
6260:
6259:
6258:
6248:
6243:
6238:
6232:
6230:
6223:
6211:
6210:
6208:
6207:
6206:
6205:
6200:
6198:Rhythm section
6195:
6190:
6180:
6175:
6169:
6167:
6163:
6162:
6155:
6154:
6147:
6140:
6132:
6126:
6125:
6107:(5): 639–649.
6086:
6083:
6080:
6079:
6051:
6023:
5995:
5967:
5939:
5911:
5883:
5855:
5850:Arctic Monkeys
5823:
5793:
5761:
5731:
5700:
5667:
5636:
5613:
5595:
5586:Guardian.co.uk
5572:
5548:
5522:
5496:
5470:
5448:
5425:
5399:
5380:
5354:
5331:
5303:
5279:
5255:
5231:
5227:on 14 May 2011
5207:
5190:
5167:
5153:A. Goetchius,
5146:
5135:on 8 June 2008
5105:
5074:
5053:
5031:
5010:
4988:
4960:
4931:
4920:. 17 July 2019
4903:
4877:
4861:
4845:
4829:
4813:
4792:
4771:
4750:
4726:
4703:
4680:
4655:
4637:
4609:
4588:
4566:
4552:J. DeRogatis,
4542:
4511:
4486:
4463:
4451:
4428:
4400:
4372:
4354:
4328:
4310:
4293:
4255:
4227:
4202:
4171:
4145:
4109:
4097:
4064:
4036:
4024:
4001:
3995:Swanson, Carl
3988:
3960:
3932:
3904:
3876:
3848:
3820:
3809:on 4 June 2016
3803:manchester.com
3790:
3777:
3754:
3726:
3719:
3701:
3678:
3653:
3619:
3598:
3578:
3550:
3523:
3499:
3471:
3448:
3435:"College rock"
3423:
3412:
3386:
3361:
3336:
3305:
3280:
3257:
3246:. 4 April 2018
3244:Bandcamp Daily
3228:
3199:
3180:
3159:
3139:
3113:
3088:
3063:
3038:
3023:
3002:
2983:
2976:. p. 93.
2957:
2934:
2913:
2895:
2869:
2847:
2822:
2796:
2765:
2758:
2750:Berghahn Books
2733:
2707:
2686:
2659:
2658:
2656:
2653:
2652:
2651:
2646:
2641:
2636:
2629:
2626:
2576:Fickle Friends
2507:was certified
2473:in 2014, with
2408:
2405:
2383:Peter Robinson
2371:, vocalist of
2369:Johnny Borrell
2367:article cited
2328:Arctic Monkeys
2320:
2317:
2308:Mr. Brightside
2272:the Black Keys
2227:Arctic Monkeys
2179:the Libertines
2136:The Libertines
2036:
2033:
2031:
2028:
2008:multi-platinum
1898:Cool Britannia
1711:Bleed American
1673:
1670:
1514:Mega City Four
1465:Bandcamp Daily
1387:
1384:
1364:the Bomb Party
1244:the Charlatans
1222:Thompson Twins
1161:Melody Maker's
1139:Isn't Anything
1058:Walls of Sound
1011:
1008:
904:Dunedin Double
887:Robert Muldoon
815:(I'm) Stranded
732:by Manchester
694:performing at
674:
671:
610:. In his book
575:bands such as
537:do-it-yourself
528:
525:
517:Arctic Monkeys
509:the Libertines
342:
341:
339:
338:
333:
328:
323:
318:
312:
309:
308:
304:
303:
301:
300:
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63:
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54:
49:
43:
41:
37:
36:
26:
9:
6:
4:
3:
2:
8022:
8011:
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8006:
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8001:
7998:
7996:
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7990:
7975:
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7965:
7964:
7961:
7955:
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7950:
7947:
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7942:
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7937:
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7932:
7930:
7927:
7925:
7922:
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7915:
7913:
7910:
7908:
7905:
7903:
7900:
7899:
7897:
7893:
7883:
7880:
7878:
7875:
7873:
7870:
7868:
7865:
7864:
7862:
7860:
7856:
7850:
7847:
7843:
7840:
7839:
7838:
7835:
7833:
7830:
7828:
7825:
7823:
7820:
7818:
7815:
7809:
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7804:
7801:
7800:
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7777:
7774:
7773:
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7769:
7767:
7764:
7760:
7757:
7756:
7755:
7752:
7748:
7745:
7743:
7740:
7738:
7735:
7731:
7728:
7726:
7725:Dunedin Sound
7723:
7722:
7721:
7718:
7716:
7713:
7712:
7711:
7708:
7704:
7701:
7700:
7699:
7696:
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7683:
7682:
7679:
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7662:
7659:
7657:
7654:
7652:
7649:
7645:
7642:
7641:
7640:
7637:
7635:
7632:
7628:
7625:
7624:
7623:
7620:
7619:
7617:
7615:
7614:fusion genres
7609:
7599:
7596:
7595:
7594:
7591:
7589:
7586:
7584:
7581:
7579:
7576:
7572:
7569:
7567:
7566:Post-hardcore
7564:
7563:
7562:
7561:Hardcore punk
7559:
7557:
7554:
7553:
7552:
7549:
7547:
7544:
7543:
7541:
7537:
7533:
7526:
7521:
7519:
7514:
7512:
7507:
7506:
7503:
7491:
7490:
7485:
7481:
7479:
7478:
7469:
7468:
7465:
7459:
7458:Wall of Sound
7456:
7454:
7451:
7449:
7446:
7444:
7441:
7439:
7438:Rock festival
7436:
7434:
7431:
7429:
7426:
7424:
7421:
7419:
7416:
7414:
7411:
7409:
7406:
7404:
7401:
7400:
7398:
7394:
7388:
7387:Women in rock
7385:
7383:
7380:
7376:
7373:
7371:
7368:
7366:
7363:
7361:
7358:
7357:
7356:
7353:
7351:
7348:
7344:
7341:
7339:
7336:
7334:
7333:Country music
7331:
7330:
7329:
7326:
7324:
7321:
7319:
7316:
7315:
7313:
7307:
7304:
7303:
7300:
7294:
7291:
7289:
7286:
7284:
7281:
7279:
7276:
7274:
7271:
7269:
7266:
7264:
7261:
7260:
7258:
7256:Radio formats
7254:
7244:
7241:
7239:
7236:
7235:
7233:
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7223:
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7128:
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7059:
7058:
7056:
7052:
7044:
7041:
7039:
7036:
7034:
7031:
7029:
7026:
7022:
7021:Extreme metal
7019:
7018:
7017:
7014:
7012:
7009:
7008:
7006:
7004:
7001:
6999:
6996:
6994:
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6840:
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6812:
6808:
6802:
6799:
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6792:
6789:
6787:
6784:
6782:
6779:
6777:
6774:
6770:
6767:
6765:
6762:
6760:
6757:
6756:
6755:
6752:
6750:
6747:
6746:
6744:
6742:South America
6740:
6734:
6731:
6727:
6724:
6723:
6722:
6719:
6717:
6714:
6712:
6709:
6707:
6704:
6702:
6699:
6697:
6694:
6690:
6687:
6686:
6685:
6682:
6681:
6679:
6677:North America
6675:
6672:
6668:
6658:
6655:
6653:
6650:
6648:
6645:
6643:
6640:
6638:
6635:
6633:
6630:
6628:
6625:
6624:
6622:
6618:
6612:
6609:
6607:
6604:
6602:
6599:
6597:
6594:
6592:
6589:
6587:
6584:
6582:
6579:
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6569:
6567:
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6546:
6542:
6536:
6533:
6531:
6528:
6526:
6523:
6521:
6518:
6516:
6513:
6511:
6508:
6506:
6503:
6501:
6498:
6496:
6493:
6491:
6488:
6486:
6483:
6481:
6478:
6476:
6473:
6471:
6468:
6466:
6463:
6461:
6458:
6456:
6453:
6451:
6448:
6447:
6445:
6441:
6435:
6432:
6430:
6427:
6425:
6424:Southern rock
6422:
6420:
6417:
6415:
6412:
6410:
6407:
6405:
6402:
6400:
6397:
6395:
6392:
6390:
6387:
6385:
6382:
6380:
6377:
6375:
6372:
6370:
6367:
6365:
6362:
6360:
6357:
6355:
6352:
6350:
6347:
6345:
6344:Flamenco rock
6342:
6340:
6337:
6335:
6332:
6330:
6327:
6325:
6322:
6320:
6317:
6315:
6312:
6310:
6307:
6305:
6302:
6300:
6297:
6295:
6292:
6290:
6287:
6285:
6282:
6281:
6279:
6275:
6269:
6266:
6264:
6261:
6257:
6254:
6253:
6252:
6251:Rock and roll
6249:
6247:
6244:
6242:
6239:
6237:
6234:
6233:
6231:
6227:
6224:
6221:not included)
6212:
6204:
6201:
6199:
6196:
6194:
6193:Electric bass
6191:
6189:
6186:
6185:
6184:
6181:
6179:
6176:
6174:
6171:
6170:
6168:
6164:
6160:
6153:
6148:
6146:
6141:
6139:
6134:
6133:
6130:
6122:
6118:
6114:
6110:
6106:
6102:
6101:
6095:
6089:
6088:
6068:
6067:
6062:
6055:
6040:
6039:
6034:
6027:
6012:
6011:
6006:
5999:
5984:
5983:
5978:
5971:
5955:
5954:
5949:
5943:
5928:
5927:
5922:
5915:
5900:
5899:
5894:
5887:
5871:
5870:
5865:
5859:
5853:
5849:
5837:
5833:
5827:
5811:
5807:
5803:
5797:
5781:
5777:
5776:
5771:
5765:
5749:
5745:
5741:
5735:
5719:
5715:
5711:
5704:
5688:
5684:
5683:
5678:
5671:
5656:
5655:
5650:
5643:
5641:
5632:on 1 May 2011
5631:
5627:
5623:
5617:
5609:
5605:
5599:
5591:
5587:
5583:
5576:
5567:
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5222:
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5211:
5204:
5200:
5194:
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5178:
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5164:
5163:1-4042-1943-9
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5035:
5028:
5027:0-19-537371-5
5024:
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4992:
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4858:
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4810:
4809:0-87930-653-X
4806:
4802:
4796:
4789:
4788:0-87930-653-X
4785:
4781:
4775:
4768:
4767:0-7486-1745-0
4764:
4760:
4754:
4748:, pp. 369–70.
4747:
4746:0-306-81367-X
4743:
4739:
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4731:
4723:
4718:
4714:
4707:
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4577:
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4563:
4562:0-634-05548-8
4559:
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4432:
4417:
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4411:
4404:
4389:
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4338:
4332:
4324:
4320:
4314:
4306:
4305:
4297:
4281:
4277:
4273:
4272:Rolling Stone
4269:
4265:
4264:Rolling Stone
4259:
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4242:
4237:
4231:
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4219:
4215:
4214:
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3156:0-9517206-9-4
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3149:
3143:
3128:
3127:Fact Magazine
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2949:
2945:
2938:
2932:, pp. 1344–6.
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2674:BrooklynVegan
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2498:
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2481:
2476:
2472:
2468:
2467:
2462:
2458:
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2446:
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2438:
2437:
2432:
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2426:
2425:
2420:
2419:
2414:
2404:
2402:
2401:
2396:
2392:
2388:
2384:
2381:, journalist
2380:
2379:
2374:
2370:
2366:
2365:
2360:
2359:
2354:
2350:
2346:
2342:
2338:
2329:
2325:
2319:Proliferation
2316:
2313:
2309:
2305:
2301:
2297:
2293:
2289:
2285:
2281:
2277:
2276:Kings of Leon
2273:
2268:
2265:
2264:
2259:
2255:
2251:
2247:
2246:
2240:
2238:
2237:
2232:
2228:
2224:
2220:
2216:
2215:The Fratellis
2212:
2208:
2204:
2200:
2196:
2192:
2191:
2186:
2185:
2180:
2176:
2172:
2171:Kaiser Chiefs
2168:
2164:
2160:
2156:
2152:
2143:
2142:
2137:
2133:
2129:
2127:
2126:
2125:Rolling Stone
2121:
2117:
2113:
2109:
2105:
2101:
2097:
2093:
2089:
2085:
2081:
2077:
2073:
2069:
2068:
2063:
2055:
2051:
2046:
2042:
2027:
2025:
2024:
2019:
2015:
2014:
2009:
2005:
2004:
1999:
1998:
1993:
1988:
1986:
1985:
1980:
1976:
1975:
1970:
1966:
1962:
1960:
1959:
1954:
1953:
1948:
1947:
1942:
1941:Stereophonics
1938:
1937:
1932:
1931:
1926:
1925:
1920:
1919:
1914:
1910:
1909:
1904:
1899:
1895:
1890:
1888:
1884:
1880:
1876:
1875:Spiritualized
1872:
1868:
1864:
1861:influence of
1860:
1859:ambient music
1856:
1852:
1848:
1846:
1842:
1838:
1834:
1830:
1826:
1822:
1821:Disco Inferno
1818:
1814:
1810:
1804:
1802:
1801:
1796:
1795:
1790:
1786:
1782:
1778:
1774:
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1766:
1762:
1758:
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1749:
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1731:
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1713:
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1707:
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1700:
1696:
1692:
1688:
1684:
1683:
1678:
1669:
1667:
1666:
1661:
1657:
1653:
1648:
1644:
1641:In her essay
1639:
1637:
1633:
1629:
1625:
1621:
1616:
1614:
1610:
1606:
1602:
1598:
1597:
1592:
1588:
1584:
1580:
1579:Merge Records
1576:
1571:
1569:
1565:
1564:Rolling Stone
1561:
1557:
1556:
1551:
1547:
1543:
1539:
1533:
1529:
1525:
1521:
1519:
1515:
1511:
1507:
1506:
1501:
1500:drum machines
1497:
1496:
1489:
1487:
1483:
1479:
1475:
1471:
1467:
1466:
1461:
1460:
1455:
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1444:
1439:
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1425:
1421:
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1413:
1409:
1405:
1397:
1392:
1383:
1381:
1377:
1373:
1369:
1365:
1361:
1360:
1355:
1351:
1347:
1346:
1341:
1340:
1335:
1334:
1329:
1328:
1323:
1322:
1317:
1316:
1311:
1310:Can U Dig It?
1307:
1303:
1299:
1295:
1291:
1287:
1286:hip-hop music
1283:
1279:
1275:
1270:
1268:
1264:
1260:
1255:
1253:
1249:
1245:
1241:
1237:
1233:
1232:
1228:second album
1227:
1223:
1219:
1215:
1211:
1207:
1203:
1199:
1195:
1191:
1187:
1180:
1176:
1172:
1168:
1166:
1163:
1162:
1157:
1153:
1149:
1145:
1144:Thames Valley
1141:
1140:
1135:
1131:
1130:Cocteau Twins
1127:
1123:
1118:
1116:
1112:
1108:
1104:
1099:
1095:
1091:
1090:the Minutemen
1087:
1086:post-hardcore
1083:
1082:hardcore punk
1078:
1076:
1075:Mercury Prize
1072:
1068:
1063:
1059:
1055:
1051:
1047:
1043:
1042:Primal Scream
1039:
1038:
1034:released the
1033:
1032:
1024:
1020:
1016:
1007:
1005:
1001:
997:
992:
987:
985:
981:
977:
973:
969:
965:
961:
957:
953:
949:
948:post-hardcore
945:
941:
937:
936:college radio
932:
930:
926:
922:
918:
917:the Verlaines
914:
910:
907:EP featuring
906:
905:
900:
896:
892:
888:
884:
880:
876:
872:
868:
864:
860:
859:Shayne Carter
856:
855:Alec Bathgate
852:
848:
844:
843:
838:
837:Dunedin sound
834:
830:
826:
824:
820:
816:
812:
808:
804:
800:
796:
795:Stiff Records
792:
788:
783:
782:nationwide.
781:
777:
773:
769:
765:
761:
757:
753:
749:
746:
744:
739:
735:
731:
730:
725:
721:
713:
710:British band
708:
701:
697:
693:
689:
684:
680:
670:
668:
664:
660:
656:
652:
648:
643:
641:
640:Wendy Fonarow
636:
631:
629:
625:
621:
617:
613:
609:
605:
600:
596:
594:
590:
586:
582:
578:
574:
570:
566:
562:
557:
555:
551:
547:
543:
538:
534:
524:
522:
518:
514:
510:
506:
502:
498:
494:
490:
485:
483:
482:Thames Valley
479:
475:
471:
467:
463:
459:
454:
450:
446:
442:
438:
434:
430:
426:
422:
418:
417:
409:
408:
403:
399:
395:
391:
387:
386:the Verlaines
383:
379:
375:
371:
367:
366:Dunedin sound
362:
360:
356:
352:
348:
337:
334:
332:
329:
327:
324:
322:
319:
317:
314:
313:
310:
305:
299:
296:
294:
291:
289:
286:
284:
281:
279:
276:
274:
271:
270:
267:
262:
256:
253:
251:
250:Thames Valley
248:
246:
243:
241:
238:
236:
233:
231:
228:
226:
223:
222:
219:
214:
208:
205:
203:
200:
198:
195:
193:
190:
187:
183:
180:
178:
175:
174:
171:
168:Fusion genres
166:
160:
157:
155:
152:
150:
147:
145:
142:
140:
137:
135:
132:
130:
127:
125:
122:
121:
118:
113:
107:
104:
102:
99:
97:
94:
92:
89:
87:
84:
82:
79:
78:
76:
72:
68:
64:
58:
57:Dunedin sound
55:
53:
50:
48:
45:
44:
42:
38:
33:
30:
19:
7971:
7949:Lollapalooza
7924:Campus radio
7916:
7849:Slacker rock
7709:
7666:Dark cabaret
7661:College rock
7644:Post-Britpop
7487:
7475:
7443:Rock musical
7433:Rock concert
7278:Classic rock
7007:Yugoslavian
6852:Post-Britpop
6733:Puerto Rican
6726:Chicano rock
6606:Slacker rock
6580:
6329:Country rock
6294:Baroque rock
6104:
6098:
6070:. Retrieved
6064:
6054:
6042:. Retrieved
6036:
6026:
6014:. Retrieved
6008:
5998:
5986:. Retrieved
5980:
5970:
5958:. Retrieved
5951:
5942:
5930:. Retrieved
5926:The Guardian
5924:
5914:
5902:. Retrieved
5896:
5886:
5874:. Retrieved
5869:The National
5867:
5858:
5851:
5847:
5839:. Retrieved
5826:
5814:. Retrieved
5796:
5784:. Retrieved
5780:the original
5773:
5764:
5752:. Retrieved
5743:
5734:
5722:. Retrieved
5718:the original
5703:
5691:. Retrieved
5680:
5670:
5658:. Retrieved
5652:
5630:the original
5625:
5616:
5608:The Guardian
5607:
5598:
5590:the original
5585:
5575:
5566:the original
5561:
5551:
5539:. Retrieved
5535:
5525:
5513:. Retrieved
5509:
5499:
5486:
5464:
5440:, retrieved
5434:
5428:
5416:. Retrieved
5412:
5402:
5393:
5383:
5371:. Retrieved
5367:
5357:
5345:. Retrieved
5334:
5322:. Retrieved
5316:
5306:
5297:the original
5292:
5282:
5273:the original
5268:
5258:
5249:the original
5244:
5234:
5225:the original
5220:
5210:
5202:
5201:, May 2010,
5193:
5185:the original
5181:The Guardian
5180:
5170:
5154:
5149:
5137:. Retrieved
5133:the original
5126:
5096:. Retrieved
5090:
5068:
5047:the original
5041:
5034:
5018:
5013:
5001:. Retrieved
4991:
4979:. Retrieved
4973:
4963:
4951:. Retrieved
4922:. Retrieved
4915:
4906:
4894:, retrieved
4890:
4880:
4872:
4864:
4856:
4848:
4840:
4832:
4824:
4816:
4800:
4795:
4779:
4774:
4758:
4753:
4737:
4720:
4712:
4706:
4697:the original
4692:
4689:"Space rock"
4683:
4674:
4649:
4640:
4628:. Retrieved
4622:
4612:
4603:
4598:
4591:
4579:. Retrieved
4569:
4553:
4533:. Retrieved
4527:
4503:
4495:
4489:
4482:the original
4475:
4466:
4458:
4454:
4445:
4437:
4431:
4419:. Retrieved
4413:
4403:
4391:. Retrieved
4385:
4375:
4366:
4357:
4345:. Retrieved
4341:the original
4331:
4322:
4313:
4303:
4296:
4284:. Retrieved
4280:the original
4275:
4271:
4263:
4258:
4246:. Retrieved
4239:
4230:
4221:
4217:
4211:
4205:
4193:. Retrieved
4187:
4163:
4162:
4154:
4148:
4136:. Retrieved
4125:
4100:
4088:. Retrieved
4077:
4067:
4055:. Retrieved
4049:
4039:
4027:
4018:
4010:
4004:
3991:
3979:. Retrieved
3973:
3963:
3954:
3950:
3944:
3923:. Retrieved
3917:
3912:Banks, Joe.
3907:
3895:. Retrieved
3891:The Guardian
3889:
3879:
3867:. Retrieved
3863:The Guardian
3861:
3851:
3839:. Retrieved
3835:The Guardian
3833:
3823:
3811:. Retrieved
3807:the original
3802:
3793:
3785:
3780:
3771:
3763:
3757:
3745:. Retrieved
3741:The Guardian
3739:
3729:
3710:
3704:
3695:the original
3690:
3681:
3672:
3668:
3662:
3656:
3638:
3634:
3628:
3622:
3587:
3581:
3569:. Retrieved
3565:The Guardian
3563:
3553:
3541:. Retrieved
3535:
3526:
3517:the original
3512:
3502:
3490:. Retrieved
3484:
3474:
3465:
3457:
3451:
3443:the original
3438:
3417:
3402:
3379:15 September
3377:. Retrieved
3373:
3364:
3354:14 September
3352:. Retrieved
3348:
3339:
3327:. Retrieved
3323:the original
3318:
3308:
3298:24 September
3296:. Retrieved
3292:
3283:
3271:. Retrieved
3260:
3250:15 September
3248:. Retrieved
3243:
3221:15 September
3219:. Retrieved
3215:
3193:
3189:
3183:
3171:. Retrieved
3162:
3142:
3130:. Retrieved
3126:
3116:
3104:. Retrieved
3100:
3091:
3079:. Retrieved
3075:
3066:
3054:. Retrieved
3050:
3041:
3032:
3026:
3010:
3009:M. Leonard,
3005:
2996:
2992:
2986:
2977:
2969:
2951:
2943:
2937:
2921:
2916:
2907:
2898:
2886:. Retrieved
2882:
2872:
2860:. Retrieved
2850:
2838:. Retrieved
2834:
2825:
2813:. Retrieved
2808:
2799:
2787:. Retrieved
2781:
2768:
2745:
2727:the original
2722:
2719:"Indie rock"
2698:. Retrieved
2689:
2677:. Retrieved
2673:
2663:
2621:
2613:Blue Weekend
2611:
2605:
2595:
2589:
2583:
2553:
2550:Pete Doherty
2545:the Guardian
2543:
2533:
2527:
2521:
2504:
2500:
2492:
2488:
2478:
2464:
2434:
2428:
2422:
2416:
2410:
2398:
2378:the Guardian
2376:
2362:
2356:
2336:
2333:
2303:
2296:the National
2269:
2261:
2243:
2241:
2234:
2188:
2182:
2147:
2139:
2123:
2065:
2059:
2021:
2018:Chasing Cars
2011:
2006:(2002) went
2001:
1995:
1989:
1982:
1972:
1963:
1956:
1950:
1944:
1934:
1928:
1922:
1916:
1906:
1894:post-Britpop
1891:
1849:
1805:
1798:
1792:
1750:
1742:Modest Mouse
1719:
1709:
1703:
1680:
1675:
1663:
1660:The Drowners
1642:
1640:
1617:
1608:
1594:
1572:
1563:
1560:slacker rock
1553:
1537:
1536:
1503:
1493:
1490:
1463:
1457:
1448:
1441:
1437:
1436:In his book
1435:
1427:
1401:
1359:Melody Maker
1357:
1353:
1343:
1337:
1331:
1325:
1319:
1313:
1271:
1267:Spike Island
1256:
1229:
1218:Culture Club
1202:the Haçienda
1184:
1179:Spike Island
1159:
1148:Chapterhouse
1137:
1126:Dinosaur Jr.
1119:
1107:Dinosaur Jr.
1079:
1054:Phil Spector
1035:
1029:
1027:
988:
976:Let's Active
956:college rock
933:
925:Christchurch
902:
842:Audioculture
840:
827:
784:
780:record shops
748:New Hormones
742:
727:
723:
722:documentary
717:
679:College rock
659:7 Year Bitch
644:
632:
611:
608:Ani DiFranco
598:
597:
593:Joy Division
558:
530:
486:
449:slacker rock
425:Dinosaur Jr.
414:
405:
390:college rock
363:
346:
345:
307:Other topics
264:Local scenes
149:slacker rock
101:post-Britpop
29:
7944:Lo-fi music
7703:Post-grunge
7686:Wizard rock
7651:Chamber pop
7598:Gothic rock
7288:Modern rock
7263:Active rock
7243:New Zealand
7071:Bangladeshi
7066:Azerbaijani
6701:Costa Rican
6657:Viking rock
6647:Stoner rock
6566:Gothic rock
6389:Occult rock
6364:Heavy metal
6354:Garage rock
6324:Comedy rock
6314:Chamber pop
6309:Boogie rock
6038:Metro Times
5841:10 December
5816:10 December
5786:10 December
5754:10 December
5744:Sound Mouth
5724:10 December
5693:10 December
5654:Consequence
5562:Independent
5442:16 November
5269:The Varsity
5239:A. Leahey,
5165:, pp. 21–2.
5139:27 February
4736:J. Harris,
4347:28 February
4286:21 February
4241:Rough Trade
4105:Earles 2014
4090:23 February
4032:Rogers 2008
3919:The Quietus
3813:25 November
3784:John Robb,
3329:13 February
3173:21 November
3132:21 November
3106:19 November
3101:The Quietus
3051:23indie.com
2888:19 November
2862:19 November
2840:19 November
2815:19 November
2789:19 November
2700:19 November
2679:22 November
2475:Consequence
2418:The Suburbs
2413:Arcade Fire
2387:the Wombats
2300:the Killers
2284:the Bravery
2254:Bright Eyes
2177:. However,
2159:Maxïmo Park
2096:garage rock
2084:post-grunge
2076:the Ramones
2062:the Strokes
2054:The Strokes
2000:(2000) and
1969:Buck Rogers
1949:(1997) and
1933:(2000) and
1924:OK Computer
1908:Urban Hymns
1781:of Montreal
1773:the Minders
1726:Midwest emo
1714:(2001) and
1652:John Harris
1601:Chapel Hill
1562:subgenre.
1454:Galaxie 500
1416:Soundgarden
1396:Sonic Youth
1274:Stourbridge
1259:indie dance
1190:dance music
1103:Sonic Youth
1062:Bob Stanley
1060:. In 2006,
1046:the Pastels
899:the Clean's
883:lo-fi indie
879:Tall Dwarfs
863:Bored Games
821:releasing '
740:, on their
696:Indietracks
663:Team Dresch
651:Bikini Kill
616:garage rock
602:bands like
546:psychedelia
521:the Killers
505:the Strokes
497:garage rock
470:Stourbridge
445:Midwest emo
421:Sonic Youth
396:bands like
378:Tall Dwarfs
240:Netherlands
177:Afro fusion
134:Midwest emo
91:chamber pop
7995:Indie rock
7989:Categories
7867:Funk metal
7842:Post-metal
7827:Pagan rock
7783:Mangue bit
7771:Madchester
7720:Jangle pop
7715:Indie folk
7710:Indie rock
7612:Styles and
7588:Proto-punk
7583:Noise rock
7571:Riot grrrl
7556:Avant-punk
7546:Jangle pop
7539:Precursors
7448:Rock opera
7403:Beatlesque
7238:Australian
7157:Rock kapak
7140:Visual kei
7120:Indonesian
6963:Portuguese
6948:Macedonian
6943:Lithuanian
6822:Belarusian
6801:Venezuelan
6786:Ecuadorian
6769:Tropicália
6764:Samba rock
6596:Rock kapak
6586:Jangle pop
6581:Indie rock
6535:Yacht rock
6530:Visual kei
6520:Shock rock
6460:Dance-rock
6450:Arena rock
6434:Swamp rock
6429:Space rock
6414:Samba rock
6409:Roots rock
6384:Noise rock
6304:Blues rock
6299:Beat music
6268:Surf music
6263:Rockabilly
6241:Latin rock
6178:Distortion
6166:Components
6159:Rock music
5626:Grammy.com
5197:M. Spitz,
5017:C. Smith,
4869:"Coldplay"
4811:, p. 1076.
3687:"Shoegaze"
3269:. AllMusic
2655:References
2602:Wolf Alice
2564:Pale Waves
2529:NME Awards
2373:Razorlight
2341:the Rifles
2304:Is This It
2203:the Smiths
2175:the Others
2167:Bloc Party
2067:Is This It
1997:Parachutes
1887:Quickspace
1871:Spacemen 3
1863:Pink Floyd
1851:Space rock
1837:Morr Music
1753:Elephant 6
1699:Cap'n Jazz
1583:Superchunk
1327:God Fodder
1278:electronic
1198:Manchester
1186:Madchester
1115:the Pixies
968:the Smiths
960:jangle pop
921:the Stones
909:the Chills
847:Chris Knox
823:Lee Remick
811:the Saints
803:the Damned
756:Swell Maps
700:Derbyshire
692:The Chills
683:Jangle pop
677:See also:
667:Huggy Bear
655:Bratmobile
647:riot grrrl
628:the Smiths
589:Television
513:Bloc Party
462:Manchester
453:space rock
433:the Pixies
398:the Smiths
394:jangle pop
370:the Chills
355:rock music
347:Indie rock
336:noise rock
293:Manchester
273:Birmingham
235:California
202:indie folk
47:Jangle pop
35:Indie rock
18:Indie Rock
7934:Indie pop
7882:Rap metal
7837:Post-rock
7822:Noise pop
7803:Blackgaze
7793:Dream pop
7737:Math rock
7681:Geek rock
7593:Post-punk
7551:Punk rock
7186:Taiwanese
7169:Pakistani
7152:Malaysian
7080:1959–1975
7076:Cambodian
7038:Post-punk
7003:Ukrainian
6983:Slovenian
6953:Norwegian
6923:Icelandic
6918:Hungarian
6881:Nederbeat
6796:Uruguayan
6781:Colombian
6754:Brazilian
6749:Argentine
6711:Dominican
6652:Sufi rock
6642:Post-rock
6637:Math rock
6611:Trop rock
6561:Dream pop
6556:Deathrock
6525:Soft rock
6515:Punk rock
6500:Power pop
6495:Post-punk
6470:Glam rock
6465:Funk rock
6455:Cock rock
6419:Soft rock
6404:Raga rock
6379:Krautrock
6374:Jazz rock
6359:Hard rock
6349:Folk rock
6214:Genres by
6183:Rock band
6121:144566463
6100:Continuum
5953:Pitchfork
5541:29 August
5515:29 August
5394:NPR Music
5029:, p. 240.
4891:Pitchfork
4769:, p. 188.
4564:, p. 373.
4500:Routledge
3608:cite book
3273:7 January
3033:Billboard
2883:Billboard
2809:Pitchfork
2774:Kot, Greg
2591:Who Am I?
2560:indie pop
2555:Pitchfork
2501:Billboard
2424:Turn Blue
2280:the Shins
2219:the Kooks
2211:parochial
2199:the Kinks
2195:the Clash
2163:the Cribs
2120:the Hives
2116:the Vines
2023:Eyes Open
1974:Echo Park
1918:The Bends
1913:Radiohead
1905:'s album
1903:The Verve
1853:took the
1825:Stereolab
1817:synth-pop
1813:krautrock
1769:Elf Power
1730:math rock
1412:Pearl Jam
1380:Scum Pups
1372:Crazyhead
1248:808 State
1210:New Order
1167:in 1990.
1094:Hüsker Dü
1056:indebted
952:post-punk
851:the Enemy
807:Australia
772:Red Rhino
760:'O' Level
738:Buzzcocks
736:band the
734:punk rock
698:in rural
581:Buzzcocks
573:post-punk
550:post-punk
474:Leicester
437:Radiohead
382:the Clean
321:DIY ethic
316:Indie pop
298:Sheffield
255:Yorkshire
225:Australia
139:noise pop
129:math rock
115:Subgenres
106:post-rock
81:Chillwave
52:post-punk
7973:Category
7877:Nu metal
7798:Shoegaze
7747:Slowcore
7742:New rave
7671:Dolewave
7578:New wave
7477:Category
7164:Nepalese
7135:Japanese
7091:Filipino
7061:Armenian
7033:New wave
7011:Art rock
6968:Romanian
6893:Estonian
6876:Indorock
6861:Croatian
6817:Albanian
6791:Peruvian
6696:Canadian
6684:American
6601:Shoegaze
6591:Rap rock
6485:New wave
6289:Art rock
6246:Pop rock
6203:Drum kit
6173:Backbeat
5810:Archived
5748:Archived
5687:Archived
5491:Archived
5245:Allmusic
5092:AllMusic
4917:BBC News
4873:Allmusic
4857:Allmusic
4841:Allmusic
4837:"Feeder"
4825:Allmusic
4693:Allmusic
4675:AllMusic
4477:AllMusic
4415:Sky News
4132:Archived
4127:Bandcamp
4084:Archived
3975:Loudwire
3691:Allmusic
3537:AllMusic
3439:Allmusic
3400:(2013).
3081:21 March
3056:21 March
2908:AllMusic
2723:AllMusic
2628:See also
2597:Unwanted
2568:the Aces
2524:the 1975
2509:platinum
2457:Bon Iver
2400:Buckaroo
2358:the Word
2252:Award),
2223:the View
2184:AllMusic
2155:Kasabian
2141:AllMusic
2104:Interpol
2092:rap rock
2088:nu metal
1992:Coldplay
1939:(2001).
1936:Amnesiac
1867:Hawkwind
1656:Popscene
1647:Rupa Huq
1609:Columbia
1542:Pavement
1528:Pavement
1450:Slowcore
1443:AllMusic
1429:New York
1280:, punk,
1250:and the
1194:Hedonist
1128:and the
1122:shoegaze
1023:shoegaze
984:the La's
944:new wave
929:Auckland
875:Toy Love
849:'s band
799:New Rose
752:DIY punk
604:Pavement
599:Allmusic
577:the Fall
478:shoegaze
441:slowcore
351:subgenre
207:new rave
159:shoegaze
154:slowcore
7912:Artists
7808:Nu gaze
7639:Britpop
7413:Motorik
7396:Related
7308:Culture
7305:History
7231:Oceania
7222:Zambian
7212:Angolan
7196:Turkish
7181:Russian
7130:Israeli
7125:Iranian
7108:Bengali
7096:Bisrock
7086:Chinese
6993:Swedish
6988:Spanish
6978:Serbian
6973:Russian
6938:Latvian
6933:Italian
6898:Finnish
6847:Britpop
6837:British
6832:Bosnian
6827:Belgian
6776:Chilean
6721:Mexican
6716:Haitian
6627:Britpop
6256:British
6085:Sources
6072:21 June
6044:22 June
6016:22 June
5988:20 June
5960:21 June
5932:20 June
5904:20 June
5876:21 June
5660:22 June
5536:Nme.com
5373:2 April
5347:2 April
5324:25 June
5098:16 June
5069:Nme.com
5003:16 June
4981:16 June
4953:16 June
4947:CIND-FM
4924:17 July
4896:25 July
4630:18 June
4581:18 June
4535:18 June
4421:17 June
4393:17 June
4274:. 135:
4248:18 June
4195:17 June
4164:Fraggle
4051:Far Out
3981:18 June
3925:17 June
3897:17 June
3869:17 June
3841:17 June
3747:17 June
3571:18 June
3543:18 June
3492:16 June
3021:, p. 2.
2580:No Rome
2511:by the
2349:Milburn
2207:the Jam
2013:X&Y
1979:Jon Lee
1841:Sub Pop
1691:Piebald
1620:Britpop
1613:slacker
1505:Gigwise
1478:Bedhead
1474:Codeine
1459:On Fire
1408:Nirvana
1308:" and "
1177:' 1990
962:groups
893:heavy,
829:Dunedin
702:in 2014
554:country
493:Britpop
283:Hamburg
278:Dunedin
230:Belgium
197:grindie
86:Britpop
7907:Anorak
7698:Grunge
7489:Portal
7205:Africa
7147:Korean
7103:Indian
6958:Polish
6908:German
6903:French
6866:Danish
6810:Europe
6576:Grunge
6119:
5418:31 May
5161:
5025:
4807:
4786:
4765:
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4560:
4323:EW.com
4220:(10).
4138:27 May
4057:20 May
3953:(10).
3717:
3671:(10).
3637:(10).
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3154:
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2552:, and
2393:, and
2294:, and
2250:Grammy
2221:, and
2118:, and
1965:Feeder
1827:, and
1761:Beulah
1746:Karate
1495:Bleach
1404:grunge
1231:Bummed
1111:Unrest
964:R.E.M.
891:reverb
533:labels
515:, the
489:grunge
476:; and
429:Unrest
402:R.E.M.
245:Nevada
96:grunge
7776:Baggy
7693:Grebo
6998:Swiss
6928:Irish
6913:Greek
6886:Ultra
6871:Dutch
6706:Cuban
6620:1990s
6571:Grebo
6544:1980s
6443:1970s
6277:1960s
6229:1950s
6117:S2CID
5848:Type
5413:Metro
4624:Paste
3649:trait
3532:"C86"
3216:Stuff
2522:When
2430:Walls
2288:Spoon
2263:Plans
1930:Kid A
1829:Space
1682:Diary
1665:Suede
1636:Suede
1628:Oasis
1591:Polvo
1581:like
1550:Lo-fi
1290:grebo
1263:baggy
1152:Moose
801:" by
561:lo-fi
466:grebo
458:baggy
411:'
349:is a
331:lo-fi
288:Leeds
186:baggy
124:Grebo
7338:Jazz
7191:Thai
7174:Sufi
7113:Raga
7054:Asia
7043:Punk
6074:2023
6066:Dork
6046:2023
6018:2023
5990:2023
5962:2023
5934:2023
5906:2023
5878:2023
5843:2023
5818:2023
5788:2023
5756:2023
5726:2023
5695:2023
5682:Vice
5662:2023
5543:2020
5517:2020
5487:Vice
5444:2018
5420:2017
5375:2021
5349:2021
5326:2019
5203:Spin
5159:ISBN
5141:2008
5100:2023
5023:ISBN
5005:2023
4983:2023
4955:2023
4926:2019
4898:2011
4805:ISBN
4784:ISBN
4763:ISBN
4742:ISBN
4632:2023
4583:2023
4558:ISBN
4537:2023
4423:2023
4395:2023
4349:2021
4288:2017
4250:2023
4213:Spin
4197:2023
4140:2023
4092:2021
4059:2023
3983:2023
3946:Spin
3927:2023
3899:2023
3871:2023
3843:2023
3815:2011
3749:2023
3715:ISBN
3664:Spin
3630:Spin
3614:link
3594:ISBN
3573:2023
3545:2023
3494:2023
3408:ISBN
3381:2023
3356:2023
3331:2021
3300:2023
3275:2013
3252:2023
3223:2023
3175:2023
3152:ISBN
3134:2023
3108:2023
3083:2016
3058:2016
3015:ISBN
2926:ISBN
2890:2023
2864:2023
2842:2023
2817:2023
2791:2023
2754:ISBN
2702:2023
2681:2023
2622:Dork
2618:Dork
2578:and
2572:Joan
2513:RIAA
2447:and
2364:Vice
2347:and
2205:and
2173:and
2106:and
2090:and
2074:and
2043:and
1885:and
1865:and
1833:Warp
1815:and
1783:and
1744:and
1697:and
1634:and
1632:Pulp
1624:Blur
1589:and
1544:and
1538:Spin
1516:and
1484:and
1418:and
1378:and
1356:and
1342:and
1330:and
1318:and
1300:and
1284:and
1282:folk
1234:and
1192:and
1156:Lush
1154:and
1109:and
1096:and
1048:and
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950:and
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774:and
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718:The
681:and
665:and
626:and
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585:Wire
571:and
569:punk
559:The
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542:punk
519:and
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499:and
491:and
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451:and
435:and
427:and
400:and
384:and
7918:C86
7676:Emo
6632:Emo
6369:Jam
6109:doi
5982:NME
5775:NME
5368:NME
5318:NME
4975:NME
4189:NME
3076:BBC
2783:BBC
2415:'s
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1811:),
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1687:emo
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1031:NME
1004:NPR
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