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Idrissa Ouédraogo

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31: 438:, Ouédraogo underlined what he believed to be three issues facing the film industry of Burkina Faso. Among those issues are the lack of sufficient knowledge and professionalism when it comes to cinematography. Funding shortages and the absence of a demanding local market are the two other problems he mentioned. During his last few years, Ouédraogo's relatives noted his disappointment in modern African cinema due to what he considered to be deficiency in talent and in means of production. 420:
of women pounding millet or corn". Pfaff's view is that Ouédraogo's work is too focused on non-African audiences and alienates African viewers. In defence, Sharon A. Russell argues that Ouédraogo must always consider the needs of a director who wishes to keep filming in Africa, and that funding for the next film is a priority and that he is a talented person making films under difficult circumstances.
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said that his country "had lost a filmmaker of immense talent". On 20 February, he was buried at the Gounghin Cemetery. On its way there, the funeral procession stopped by the Monument of African Filmmakers at the Place des Cinéastes, close to the Ouagadougou City Hall, where he was commemorated by
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Ouédraogo's output has been criticised as being too focused on appealing to audiences in Africa and the West. Françoise Pfaff names Ouédraogo, amongst a group of African directors, as a storyteller who has a predilection for filming shots of atypical African rural scenes, such as "monotonous images
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follows a young pregnant woman who dies after failing to reach medical facilities whilst being transported on a cart. The film highlighted the fact that despite paying their taxes, the poor gain little real help in day to day necessities from the government. This was followed by the shorts
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At around 5:30 a.m. GMT on 18 February 2018, Ouédraogo died at the Bois clinic in Ouagadougou at the age of 64 as a result of an unspecified "illness", according to a statement by the UNCB (Union nationale des cinéastes du Burkina). Shortly after his death, Burkinabé president
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On graduating from IAFEC in 1981, Ouédraogo set up his own independent film company, "The Future of Films", which became "Les Films de la Plaine". In 1981, before moving to Kyiv, he worked for the Burkina Faso Directorate of Cinema Production
1425: 432:(FESPACO) his desire to direct "an important film" on foreign colonization of the African continent, the anti-colonial struggle and the leading figures of that movement. During a March 2015 interview with 317:("The Choice"; 1986) was well received, and focuses on a rural family's decision to remain reliant on aid or to move location and become self-sufficient. His first film to receive greater distribution was 303:(1985), which explores a villager who after moving to the city, returns to his hometown. In these shorts Ouédraogo explores themes and film techniques that he would return to in his future feature films. 1251: 1333: 447:
the city's mayor. The convoy then stopped in front of the gate of the FESPACO. Politicians, religious figures and artists were present at the procession, where he was given a military funeral.
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in the northern region of his homeland, and in 1976 he was awarded a Bachelor of Arts degree. To ensure a better life his farmer parents sent him to
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Prize at Cannes, and was shown around the world, popular because of its beauty and simplicity. Despite its popularity, critics felt the
907: 268:(1981), a man dreams of killing his wife, but is unsure if it is a dream or reality. Ouédraogo followed this with another short film, 1304: 1138: 1738: 1010: 379: 374:(1993), returns to the themes of rural versus city life, tradition against change and was well received, being nominated for the 185: 1202: 1548: 944: 1182: 1118: 1050: 982: 239: 1733: 1728: 1713: 1718: 1512: 1481: 1450: 1419: 1388: 341: 167: 1564: 1589: 1411:
Dictionnaire des cinéastes africains de long métrage [Dictionary of African filmmakers of feature films]
1409: 1674: 1070: 156:. His work often explored the conflict between rural and city life and tradition and modernity in his native 443: 243: 842: 1723: 1582: 1556: 345: 171: 30: 1543: 856: 1658: 1172: 1108: 1040: 972: 834: 899: 1708: 1703: 8: 360:
placed pressure on Ouédraogo to produce another international success, and his next film
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for further education, where he attended the African Institute for Cinema Studies (
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lacked the critical insight into the serious issues that affected village life.
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Les cinémas d'Afrique: dictionnaire [Cinemas of Africa: a dictionary]
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In February 2015, Ouédraogo announced shortly before the opening of the 24th
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Frame by Frame III: A Filmography of the African Diasporan Image, 1994-2004
205: 157: 115: 80: 1356: 375: 368:(FESPACO) and was not well received and suffered from poor distribution. 213: 181: 76: 1534: 819: 209: 1618: 673: 313: 153: 1225:"Idrissa Ouedraogo : " Le cinéma low-cost ne veut rien dire "" 434: 324: 222:) completing his studies in 1981 with a masters. After studying in 1634: 707: 336: 162: 875:
Cinéma : le réalisateur burkinabè Idrissa Ouedraogo est mort
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and elsewhere in Africa. He is best known for his feature film
323:("Grandmother"), which won awards at festivals, including the 1626: 690: 319: 258:
Direction de la Production Cinématographique du Burkina Faso
1252:"Ouagadougou rend hommage au " maestro " Idrissa Ouedraogo" 227: 223: 1604: 1170: 430:
Panafrican Film and Television Festival of Ouagadougou
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Panafrican Film and Television Festival of Ouagadougou
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Panafrican Film and Television Festival of Ouagadougou
272:(1981), which won the short film prize at that year's 1278:"Le réalisateur burkinabé Idrissa Ouedraogo est mort" 152:(21 January 1954 – 18 February 2018) was a Burkinabé 1744:
Institut des hautes études cinématographiques alumni
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Senses of Cinema: Great Directors Critical Database
1003:"About the director – Biography: Idrissa Ouedraogo" 1473:Beyond the Subtitle: Remapping European Art Cinema 1354: 1330:"Burkina Faso: mort du cinéaste Idrissa Ouédraogo" 1063: 1500: 1298: 1177:. University of California Press. pp. 367–. 1106: 1102: 1100: 1098: 1096: 1038: 1034: 1032: 1030: 1028: 970: 931: 929: 927: 925: 1695: 1249: 230:he moved to Paris, where he graduated from the 1476:. University of Minnesota Press. p. 267. 1166: 1164: 1093: 1025: 922: 894: 892: 299:("Issa the Weaver"; 1985). His last short was 1590: 1383:. KARTHALA Editions. 2000. pp. 373–375. 1275: 966: 964: 962: 234:Institut des hautes études cinématographiques 219:Institut Africain d’Etudes Cinématographiques 99:Institut des hautes études cinématographiques 348:. Centered around a moment of change in the 295:("Ouagadougou, Ouaga Two Wheels"; 1985) and 256: 231: 217: 1161: 1113:. Greenwood Publishing Group. p. 113. 1045:. Greenwood Publishing Group. p. 112. 977:. Greenwood Publishing Group. p. 111. 889: 191: 1597: 1583: 1469: 1407: 959: 261:), where he directed several short films. 29: 1445:. Indiana University Press. p. 238. 1131: 1414:. KARTHALA Editions. pp. 169–170. 1355:Ouédraogo, Dimitri (21 February 2018). 423: 380:43rd Berlin International Film Festival 186:43rd Berlin International Film Festival 1696: 1324: 1322: 1299:Deguenon, Vincent (18 February 2018). 1191:from the original on 24 February 2018. 1171:Nwachukwu Frank Ukadike (1 May 1994). 208:), in 1954. He grew up in the town of 1578: 1336:from the original on 24 February 2018 1205:. Les Echos du Faso. 26 February 2018 995: 1250:Le Cam, Morgane (19 February 2018). 1013:from the original on 21 October 2016 910:from the original on 21 October 2016 806: 180:(1993), which was nominated for the 1319: 1081:from the original on 4 October 2012 947:from the original on 1 January 2017 364:was rushed to be shown at the 12th 13: 1276:Talabot, Jean (18 February 2018). 291:, ("Larle Naba's Funeral"; 1984), 14: 1755: 1528: 1149:from the original on 17 July 2014 340:("A Question of Honour") won the 1521:from the original on 2018-02-24. 1490:from the original on 2018-02-24. 1459:from the original on 2018-02-24. 1428:from the original on 2018-02-24. 1397:from the original on 2018-02-24. 1127:from the original on 2018-02-24. 1059:from the original on 2018-02-24. 991:from the original on 2018-02-24. 306: 1494: 1463: 1432: 1401: 1371: 1348: 1292: 1269: 1243: 1217: 1195: 1139:"Berlinale: 1993 Prize Winners" 249: 16:Burkinabé filmmaker (1954–2018) 1504:Film and Television After 9/11 1303:. Benin Web TV. Archived from 868: 450: 196:Idrissa Ouédraogo was born in 1: 1739:21st-century Burkinabé people 1439:McCluskey, Audrey T. (2007). 862: 538:Ouagadougou, Ouaga Two Wheels 534:Ouagadougou, Ouaga deux roues 518:Les funérailles du Larle Naba 293:Ouagadougou, Ouaga deux roues 288:Les Funérailles du Larle Naba 7: 1734:People from Cascades Region 1071:"Festival de Cannes: Tilaï" 850: 827: 311:Ouédraogo's first feature, 10: 1760: 1501:Dixon, Wheeler W. (2004). 1107:Sharon A. Russell (1998). 1039:Sharon A. Russell (1998). 971:Sharon A. Russell (1998). 444:Roch Marc Christian Kaboré 1613: 1332:. RFI. 18 February 2018. 813:Entre l'arbre et l'ecorce 799: 646: 605:Samba and Leuk the Rabbit 455: 346:1990 Cannes Film Festival 172:1990 Cannes Film Festival 137: 129: 103: 95: 87: 65: 40: 35:Idrissa Ouédraogo in 2007 28: 21: 1729:Burkinabé film producers 1714:Burkinabé film directors 1507:. SIU Press. p. 4. 653: 285:("The Platters"; 1983), 192:Early life and education 1719:Burkinabé screenwriters 1110:Guide to African Cinema 1042:Guide to African Cinema 974:Guide to African Cinema 601:Samba et Leuk le lièvra 264:In his earliest short, 238:(IDHEC) in 1985 with a 857:Cinema of Burkina Faso 630:The Outcasts of Cinema 257: 232: 218: 1675:11′09″01 September 11 843:11'09"01 September 11 382:. Ouédraogo followed 1174:Black African Cinema 626:Les parias du cinéma 586:Afrique, mon Afrique 523:Larle Naba's Funeral 424:Later life and death 1659:Lumière and Company 1470:Betz, Mark (2009). 1408:Armes, Roy (2008). 1307:on 25 February 2018 1280:. AFP via Le Figaro 1075:festival-cannes.com 941:leaders-afrique.com 937:"Idrissa Ouédraogo" 900:"Idrissa Ouédraogo" 835:Lumière and Company 777:La colère des dieux 408:La Colère des dieux 1724:Male screenwriters 1605:Films directed by 1571:at Culturebase.com 1567:2017-04-25 at the 880:2018-02-18 at the 641:Scénarios du Sahel 1691: 1690: 1682:Anger of the Gods 1607:Idrissa Ouédraogo 1562:Idrissa Ouedraogo 1535:Idrissa Ouédraogo 1184:978-0-520-91236-6 1120:978-0-313-29621-5 1052:978-0-313-29621-5 1007:africanfilmny.org 984:978-0-313-29621-5 904:africultures.com/ 807:Television series 804: 803: 781:Anger of the Gods 651: 650: 590:Africa, My Africa 550:Issa le Tisserand 404:Anger of the Gods 297:Issa le tisserand 150:Idrissa Ouédraogo 147: 146: 130:Years active 23:Idrissa Ouédraogo 1751: 1599: 1592: 1585: 1576: 1575: 1523: 1522: 1498: 1492: 1491: 1467: 1461: 1460: 1436: 1430: 1429: 1405: 1399: 1398: 1375: 1369: 1368: 1366: 1364: 1352: 1346: 1345: 1343: 1341: 1326: 1317: 1316: 1314: 1312: 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Index


Banfora
Upper Volta
Ouagadougou
Burkina Faso
Film director
screenwriter
producer
filmmaker
Burkina Faso
Tilaï
Grand Prix
1990 Cannes Film Festival
Samba Traoré
Silver Bear
43rd Berlin International Film Festival
Banfora
Upper Volta
Burkina Faso
Ouahigouya
Ouagadougou
Kyiv
USSR
Institut des hautes études cinématographiques
DEA
the Sorbonne
Panafrican Film and Television Festival of Ouagadougou
Les Funérailles du Larle Naba
Yam Daabo
Yaaba

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