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As described in a film magazine review, Joan Thayer, ambitious for a stage career, becomes a wife in name only to
Georges Gautier, a wealthy and influential banker. She loves the young poet Henri Regnier, but he fears to ask her to marry him because of his poverty. She cannot learn to care for her
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husband, and a former mistress of
Georges' complicates things. When Georges realizes that Joan does not care for him, he secures a divorce. Joan gives up her stage ambitions and marries her poet, while the husband is left with his memories.
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This article incorporates text from this source, which is in the
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This article related to a
British film of the 1920s is a
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449:. You can help Knowledge by
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251:as Andree de Vigne
245:as Georges Gautier
185:is a 1924 British
128:November 1924
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314:Exhibitors Herald
261:Russell Thorndike
257:as Pierre Brandon
210:alternative title
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274:References
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324:2 January
170:(English
16:1924 film
164:Language
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156:Country
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187:silent
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150:reels
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372:IMDb
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