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Hoy no me puedo levantar

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337: 128: 40: 717:, that opened September 20, 2007 in Mexico City. This new version centers entirely in the songs, but not leaving aside the main plot. Four songs were deleted ("Maquillaje", "Hawaii-Bombay", "LĂ­a" and "'Eungenio' Salvador DalĂ­/Laika") and a song was added ('"Ay que pesado"). The length is approximately two hours, one hour and a half less than the original musical. 442:
to celebrate that their single "Aire" is a number one hit. Maria doesn't stay long because she has to work the next day and leaves, but she forgets her purse. When she returns she finds Mario making out with another girl, gets mad, and leaves. Mario writes a song for her, but Maria is offended by the
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Colate spends all the money they have been saving to buy their instruments on drugs, and he tells the band members it was stolen from him. Anselmo decides to pay for the instruments and be the manager of the band, so they change their name from Luna to Rulé ("Me colé en una fiesta"). Rulé gets to the
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Mario goes to find Colate, but he is not at his apartment. When he is about to leave, Colate walks in with a bag of heroin in his hand. Mario tries to convince him to stop using drugs, and the two get into a fight ("Barco a Venus"). Mario decides to become a solo artist and leaves the band ("El uno,
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On New Year's Eve of 1987, Maria, Anselmo, Colate, Panchi and Guillermo get together to celebrate ("Un año mas"). Colate is very skinny and weak and leaves the party early. Colate goes to find Mario in his new apartment, but Mario refuses to talk to him and throws him out. The audience learns that
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in order to earn the money that they badly need to survive and buy instruments. They find out that there will be a band contest, and the winner will be able to record an album. Afterwards, they go to another bar to find more members for their band; there they meet Panchi and Guillermo ("Hoy no me
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The play is set on Madrid in 1981 and revolves around Mario, a guy from a small town who wants to move to the city following the dream of creating his own band ("Hoy no me puedo levantar"). He and his best friend, Colate, are prepared to move out, but Colate's girlfriend, Ana, doesn't want him to
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did, including several persons that have seen the play more than a hundred times. In September 2007, after two years of its opening, it was announced that the musical has been seen by more than 1,500,000 spectators, making this play the most successful original production in Spanish of all time.
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is broken many times, stating that the events shown are a musical, showing crew members, and interacting with the public (actors come down from the stage and dance, sing and even place wigs and costumes on members of the audience). A large screen on stage shows live images from the audience, the
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with Nacho Cano involved in the casting and co-direction. This production was almost identical to the original and had a few minor changes in order to be suitable for the Mexican audience. The name of Panchi was changed to Chakas and the name of Anselmo was changed to Venancio, and is the only
477:, where he finds all his old friends. After they leave, Mario stays behind and Colate's ghost appears to him ("No es serio este cementerio"). He tells Mario to go back to Madrid and form the band with Anselmo, instead of him, and get Maria back. Mario does this and goes back to 379:
stylists ("Maquillaje") and Mario meets a girl named Maria, whom he falls in love with. Later he confesses his love, but she is not interested in him ("Por la cara"). Guillermo introduces them to Patricia and, thanks to Panchi, they discover drugs and start smoking
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have in Madrid, imagined the first musical completely produced in Spain using songs from Mecano. Together with Nacho Cano and José Manuel Lorenzo, they developed a story, written by David Serrano, around the lyrics that were made popular by the band.
669:) which made popular the song in Mexico. All the pre-recorded videos were reshot to set some scenes of the play in Mexico City. The interaction with the audience is nearly missing, except for "Maquillaje", "Me colé en una fiesta", and the finale. 640:("I Crashed your Party") was shown in Madrid, Spain. This was a condensed version of the musical (an hour and a half) without the sex and drug themes portrayed in the original, made to be more family-friendly. 431:("'Eungenio' Salvador Dalí/Laika"). Afterwards, Anselmo, Mario and Guillermo find them and tell them they are going to produce the theme of a TV show ("Aire"). Colate goes back to his apartment and has a 695:
have been special guests to appear in the musical. In May 2007, when the Mexican production turned its first anniversary, the play had the special performances of Nacho Cano and the rock/pop band
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actors, the orchestra, along with other pre-recorded videos, which ultimately become important part of the play. In one scene, the characters discuss the plot and their performance in the play.
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looking for Mario, but he is not there. She and Anselmo talk about Mario's career and are depressed ("El 7 de septiembre"). When Maria is leaving, Mario walks in and spend the night together ("
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in his apartment ("El fallo positivo"). Panchi finds Colate's body and cries. Mario hears the news from Colate and feels very guilty and lonely ("Me cuesta tanto olvidarte").
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Medley 2 (Naturaleza muerta, Dalai Lama, Cruz de Navajas, Maquillaje, No es serio este cementerio, Me colé en una fiesta, Vivimos siempre juntos, Hoy no me puedo levantar)
403:, but later says this was a joke ("Mujer contra Mujer"). After Panchi interrupts the scene, Maria is troubled because she thinks Mario is just going to hurt her ("LĂ­a"). 699:. On 15 July 2007 the Mexican production closed for the first season; afterwards the play went on tour through Mexico and Latin America in the form of 315: 916: 399:
to conquer Maria ("Una Rosa es Una Rosa") but she still refuses. Maria tells Patricia about the infidelities of men and proposes they become
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leave. After Mario promises that he will take care of Colate, she finally agrees and they set off to Madrid ("Quiero vivir en la ciudad"). I
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The play was a success in both Spain and Mexico, having various sell-outs. It has also created a cult-like following among teenagers like
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final of the contest and they win ("No controles"). Afterwards the band members celebrate. At the party, Churchi gives Colate a bag with
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The musical is interactive, and the audience is encouraged to dance and sing in all musical pieces, especially in the last medley. The
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Medley 1 (J.C., El amargo del pomelo, Los amantes, No controles, QuĂ©date en Madrid, TĂș, Te busquĂ©, Sube Sube, La fuerza del destino)
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countries. Although the band split in September 1992, their songs continued to be very popular. This was one of the reasons why
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and he wanted to say goodbye to Mario. Colate phones Ana, who is now pregnant and married, and says goodbye; afterwards Colate
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as a gift for his success. Mario and Maria have a fight, but in the end Maria gives in and they start going out ("Medley 1").
186: 269:'s dictatorship. Through an analysis of the 1980s, the musical portrays the condition of these boys trying to survive in 956: 921: 713:
After the great success of the Mexican production, OCESA Teatro and Nacho Cano created a new condensed production of
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Some years have passed, and Rulé's album has been a big hit. While Colate and Panchi smoke marijuana on the roof of
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character portrayed as a Spaniard (although the play takes place in Spain); also a group called Las Gelatinas (The
384:("Hawaii-Bombay"). Panchi introduces Colate to Churchi, a very popular drug dealer in Madrid, and they start using 961: 951: 258: 17: 153: 941: 292:) and for three seasons in Mexico City's Centro Cultural Telmex and Teatro Aldama. It was produced by 193: 966: 946: 138: 142: 936: 80: 75: 262: 696: 246: 68: 54: 310:
In the 1980s Mecano became a very successful and influential band in Spain and many other
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to meet Maria ("La fuerza del destino" / "Vivimos siempre juntos" / Medley 2).
261:, the musical centers on a pair of impoverished musicians trying to be part of 930: 775: 432: 364: 746: 676: 658: 311: 298: 375:, Guillermo tries to create a new look for the band with the help of some 758: 672: 649: 619: 97: 396: 911: 250: 64: 50: 39: 381: 107: 127: 474: 463: 341: 287: 467: 400: 385: 257:. Based on 32 of the band's greatest hits and named after their 684: 680: 408: 282: 270: 254: 91: 662: 450:
Four years after the band won the contest, Maria shows up in
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puedo levantar (reprise)"/"No hay marcha en Nueva York").
278: 706: 692: 661:"; this was made as a reference/parody of the real group 376: 657:) sings a short part at the beginning of the song " 359:but are not allowed to play at any. They arrive at 928: 648:On 24 May 2006 a Mexican production opened in 613: 443:song and they break up ("Cruz de Navajas"). 438:Some months later they all get together in 156:. Unsourced material may be challenged and 23:Musical by Nacho Cano , JosĂ© MarĂ­a Cano 38: 220:Learn how and when to remove this message 335: 631: 929: 708:Hoy No Me Puedo Levantar, el Concierto 701:Hoy No Me Puedo Levantar, el Concierto 636:A modified version of the play called 484: 281:. The musical ran for four seasons in 643: 494: 154:adding citations to reliable sources 121: 114:2014 Mexico City, Mexico (revival) 13: 514:Hoy no me puedo levantar (reprise) 489: 116:2017 Mexico City, Mexico (revival) 14: 978: 905: 126: 435:("Perdido en mi habitaciĂłn"). 18:Hoy No Me Puedo Levantar (song) 626: 559:"Eungenio" Salvador DalĂ­/Laika 1: 305: 253:, former members of the band 112:2013 Madrid, Spain (revival) 890: 7: 592:No es serio este cementerio 517:No hay marcha en Nueva York 326: 318:, after seeing the success 245:, with music and lyrics by 10: 983: 922:Mexican production (OCESA) 735:Mexico City Original Cast 614:Interaction and multimedia 414: 355:n Madrid, they go to many 331: 285:'s Rialto Theatre (former 169:"Hoy no me puedo levantar" 15: 957:Musicals set in the 1980s 589:Me cuesta tanto olvidarte 511:Quiero vivir en la ciudad 363:, where they get jobs as 86: 74: 60: 46: 37: 28: 720: 715:Hoy No Me Puedo Levantar 574:El uno, el dos y el tres 565:Perdido en mi habitaciĂłn 508:Hoy no me puedo levantar 346:Hoy No Me Puedo Levantar 234:Hoy no me puedo levantar 31:Hoy no me puedo levantar 962:Musicals set in Madrid 952:LGBTQ-related musicals 598:Vivimos siempre juntos 391:Anselmo, the owner of 348: 273:, under the shadow of 806:JosĂ© Daniel Figueroa 732:Madrid Original Cast 595:La fuerza del destino 541:Me colĂ© en una fiesta 447:el dos y el tres"). 423:they fantasize about 339: 780:Luis Gerardo MĂ©ndez 638:En tu Fiesta me ColĂ© 632:En tu Fiesta me ColĂ© 532:Una rosa es una rosa 340:Cast performing the 265:, after the fall of 239:Today I Can't Get up 150:improve this article 942:HIV/AIDS in theatre 726: 485:Aspects of the show 263:La Movida Madrileña 917:Mexican production 912:Spanish production 725: 644:Mexican production 577:El 7 de septiembre 535:Mujer contra mujer 473:Mario goes to the 349: 344:and title song of 104:2008 Spanish tour 102:2007 Mexican tour 16:For the song, see 888: 887: 884:Gerardo GonzĂĄlez 764:Fernanda Castillo 743:Miquel FernĂĄndez 610: 609: 586:El fallo positivo 529:QuĂ©date en Madrid 320:Broadway musicals 230: 229: 222: 204: 120: 119: 974: 967:Spanish musicals 947:Jukebox musicals 842:Natalia Vergara 727: 724: 689:Christian ChĂĄvez 495: 395:, teaches Mario 312:Spanish-speaking 267:Francisco Franco 225: 218: 214: 211: 205: 203: 162: 130: 122: 42: 32: 26: 25: 982: 981: 977: 976: 975: 973: 972: 971: 927: 926: 908: 893: 871:Rogelio SuĂĄrez 829:Javier Navares 723: 711: 646: 634: 629: 616: 611: 580:Hijo de la Luna 568:Cruz de Navajas 492: 490:Musical numbers 487: 456:Hijo de la Luna 417: 334: 329: 308: 247:JosĂ© MarĂ­a Cano 243:jukebox musical 241:) is a Spanish 226: 215: 209: 206: 163: 161: 147: 131: 115: 113: 111: 105: 103: 101: 95: 69:JosĂ© MarĂ­a Cano 67: 55:JosĂ© MarĂ­a Cano 53: 30: 24: 21: 12: 11: 5: 980: 970: 969: 964: 959: 954: 949: 944: 939: 925: 924: 919: 914: 907: 906:External links 904: 892: 889: 886: 885: 882: 879: 873: 872: 869: 866: 860: 859: 856: 855:Paloma ArimĂłn 853: 847: 846: 843: 840: 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Index

Hoy No Me Puedo Levantar (song)

Nacho Cano
José María Cano
Nacho Cano
José María Cano
Book
David Serrano
Madrid
Mexico City
Barcelona

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jukebox musical
José María Cano
Nacho Cano
Mecano
first single
La Movida Madrileña

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