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Holly Herndon

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490: 33: 341:, who stated that Herndon "uses her crystalline voice as a chief input for her laptop, ultimately arriving at a poignant nexus of electronic accessibility and experimentation that owes as much to her academic forebears as her club contemporaries. It's a record with the rare capacity to turn cynics who might scoff at the idea of laptops-as-intimate-instruments into believers." 417:, "few artists have managed to meld the dark thump of techno with the intricate constructions of post-minimalist new music quite like Holly Herndon. Her rapid-punctuated, ethereal vocals... float above complex, dance music-inspired machinery, producing an effect that is arrestingly gorgeous and frightening all at once." 511:
that is trained to recognize and replicate human voices. Spawn learned to create original music through Herndon, Dryhurst, and LaPlace feeding it audio files, largely featuring Herndon's own singing voice. They also trained Spawn to learn diverse vocal types by having it listen to the singing voices
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In 2022, Dryhurst and Herndon, along with Jordan Meyer and Patrick Hoepner launched Spawning. They coined the term "spawning" to describe generating media from a training set using machine learning. Spawning enables artists to consciously opt in or out of the datasets which AI art generators use to
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In 2021, Dryhurst and Herndon developed Holly+, a protocol that addresses concerns associated with deepfakes and distributed "identity play." Holly+ is a method to decentralize Herndon's own identity, which enables a community of stewards to determine whether new media created with her voice should
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in the mix – but equally it contains elements, both sonic and thematic, that are quite unlike any other electronic music currently out there." Also, "Herndon's music reflects the ambiguous nature of our interactions with these technologies. It's by turns sensual, blissful and disturbing, and often
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Herndon created a piece in collaboration with Mat Dryhust for the 2024 Whitney Biennial, which consisted of training an A.I. model with images of Herndon. Visitors to the Whitney Museum website could prompt the chatbot to generate images based solely on this dataset. Several large-format digital
544:. A modified score of the original song composed of new tonal harmonies was fed to Holly+ and then generated in Herndon's voice. Dryhurst and Herndon won the 2022 Ars Electronica STARTS prize for digital art for Holly+. Some of these songs were sold on as NFTs on the Zora platform. 454:, was released on May 19, 2015. Guest artists include Dryhurst, the Dutch design studio Metahaven, Spencer Longo, and Claire Tolan. The album explores a complicated relationship with technology, and includes a track titled "Lonely at the Top" that is intended to trigger 610:. If an artist finds out that their work exists within the dataset, Spawning allows them to declare whether they want to continue or terminate the use of their imagery for AI training. In March 2023, Spawning, partnering with stock footage company 436:
monitors what some Americans do online. "Home" continues "Chorus"'s theme of surveillance: "It is a love song for prying eyes (an agent / a critic), and also a break up song with the devices with which I shared a naive relationship."
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In 2015, Dryhurst and Herndon released an eleven minute long track called "Recruit", which they made for British menswear line Cottweiler. The artwork merges outdoor soundscapes alongside Herndon's treated vocal samples.
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revelations; I think it is really interesting that we have never been more intimate with these machines, and at the same time have never had such cause to be suspicious of them. We wanted to capture both of those sides."
585:, featured a combination of a 23.2-channel sound installation and related video works, as well as live performances by dancer and choreographer Jone San Martin, Jiu Jitsu fighter Sam Forsythe, and artist Brian Rogers. 614:
and portfolio platform Artstation, announced that 80 million artworks have been opted out of Stable Diffusion V3 to honor artists' claims. Spawning's approach has been cited as being instructive towards guiding the
397:. The video focuses explicitly on the personal nature of modern computing. According to Herndon, "The more comfortable we get with these devices, the more vulnerable we are. We are learning more and more about the 507:, was released on May 10, 2019. This collaborative work with Dryhurst and programmer Jules LaPlace involved a singing AI named Spawn, which they developed over the course of several years. Spawn is an 294:, which won her the Elizabeth Mills Crothers award for best composer in 2010. At school she focused on laptop performance, and she currently does most of her composing via laptop. In 2011 she released 237:. Herndon and Dryhurst host a podcast called Interdependence, where they discuss technology and the arts with guests who are working at the forefront of integrating arts and technology in their work. 200:, she pursued a music career internationally. Herndon's music often includes human singing voices (including her own), is primarily computer-based, and regularly uses the visual programming language 302:. At Stanford she continued to use coding software such as Max/MSP to program many of her own electronic instruments and patches. Herndon successfully defended her dissertation in 2019. 2707: 1403: 2864: 1685: 1641: 577:
Herndon's first foray into exhibiting her own visual art installations in an art gallery was in 2015, at Hamburg's Kunstverein space. The project was commissioned by
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and Tarta Relena. Holly+ was also presented at TED2022: A New Era in April 2022 with Pher. In November 2022, Holly+ performed  a cover version of Dolly Parton's
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Herndon has taught, lecturered, and performed workshops at conferences, festivals, academies, and mentorship programs, such as Forecast in Berlin.
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Her single "Chorus" was released on January 24, 2014, with a music video created by Akihiko Taniguchi. "Chorus" was named Best New Track by
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version of Herdon's voice. In 2021, a real time version of Holly+ premiered at Sonar Festival in Barcelona, Spain in collaboration with
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In addition to her solo work, Herndon has been involved in numerous artistic collaborations, including projects with Iranian writer
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In the spring of 2016, Herndon went on tour with Radiohead through Europe. She was joined on stage by Mat Dryhurst and Colin Self.
2478: 2234: 229:. Herndon and Dryhurst are notable for their work exploring the possibilities of creating content using technologies, such as AI, 2452: 2869: 578: 2899: 2785: 459: 1715: 455: 2079: 1610: 1837: 1164: 2131: 389:. For sounds to build the song, Herndon sampled her browsing experience on the internet, incorporating sources such as 1550: 466:
was created through the Internet in collaboration between Dryhurst and Herndon and strangers from all over the world.
602:, where artists can search the nearly 5.8 billion images in the Laion-5b dataset that is used to train AI art models 2717: 1354: 290:, receiving her MFA in Electronic Music and Recording Media. While at Mills she composed the vocal-generated piece 1404:"Speaking in Code: Holly Herndon Explains Why the Laptop is the Most Personal Instrument the World Has Ever Known" 2027: 1808: 2418: 2691: 674: 1431: 2919: 1867: 2098: 298:, an independent, near hour-long track on cassette. In 2012, she was a doctoral candidate in composition at 2949: 2737: 409:
EP was also released in January both on vinyl and digitally, and it received an 8.0 and positive review in
1780:"Holly Herndon and Mat Dryhurst on the dreamy possibilities of decentralized collaboration. | Foundation" 742: 503: 432:. According to Herndon, it captures her feeling of losing trust in electronics after the revelations the 357:
s sound certainly has its forebears and contemporaries – it's possible to detect traces of everyone from
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Herndon released the single "Home" on September 16, 2014, with a video directed by Dutch design studio
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prints of images generated from the model were also displayed within the museum during the Biennial.
508: 117: 2264: 433: 275: 32: 2368:"Holly Herndon In Collaboration With Mathew Dryhurst at Kunstverein Hamburg Hamburg - Artmap.com" 251: 59: 2053: 516:, they held "training ceremonies" which are live performances where participants sing to Spawn. 2859: 2757: 2562: 2287:"Hear the track Holly Herndon created for artist Conrad Shawcross' dancing robot installation" 1260: 1779: 2607: 2528: 2914: 1752: 2824: 2747: 8: 1842: 299: 271: 193: 2826:
Posthuman Production: Technology and Embodiment in the Works of SOPHIE and Holly Herndon
2210:"Holly Herndon Deepfaked Herself Into a 'Digital Twin' That Sings Any Song In Her Voice" 1702: 1667: 528:
be co-sold in collaboration with Holly herself. Utilizing Holly+, the public can upload
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to create custom instruments and vocal processes. She has released music on the labels
78: 1491: 2781: 2426: 2106: 1971:"Who does your voice belong to? For musician Holly Herndon, the answer is 'everyone'" 1732: 1551:"Cluttered workspaces are digitally re-created in Holly Herndon's Chorus music video" 1206: 1172: 2314:"Holly Herndon, Colin Self, and Mat Dryhurst To Support Radiohead On Upcoming Dates" 1523: 489: 2811: 2773: 955: 894: 720: 603: 560: 450: 218: 73: 1920:"Holly Herndon Interweaves Human and Artificial Intelligence on New Album 'PROTO'" 2260: 1719: 1585: 1528: 1500: 568: 337: 222: 2658: 2392: 1231: 1618: 616: 326: 201: 122: 2584: 2853: 2430: 2157: 2110: 1210: 1176: 1081: 541: 267: 263: 2777: 2002:"This couple is launching an organization to protect artists in the AI era" 1689: 611: 553: 552:
Herndon has toured throughout Europe and the United States. She played the
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was released in November 2012 through RVNG Intl, a record label based in
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James, Delahoussaye; Zomorodi, Manoush; Simon, Katie (August 26, 2022).
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and Dutch design studio Metahaven. Her long standing collaborator is
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on a high school exchange program, absorbed in the city's dance and
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Clancy, Martin (2022). "The Artist: Interview with Holly Herndon".
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tracks to a website that are then reinterpreted and performed by a
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Herndon contributed a composition titled "Relations" for artist
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Cliff, Aimee (May 13, 2015). 'Holly Herndon's new horizons'.
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train and create compositions. They set up a website called
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Continuous Partial Listening: Holly Herndon in Conversation
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Holly Herndon Lecture (Tokyo 2014) | Red Bull Music Academy
2343:"A Utopian Installation Where the Real and Virtual Coexist" 1381:"BIG EARS 2015: Holly Herndon | The Knoxville Mercury" 313:
While attending Mills she began developing her debut album
230: 2695: 2235:"Littlebig welcomes Holly Herdon, CTM Festival announced" 398: 325:. For the album she used the visual programming language 188:(born 1980) is an American artist and composer based in 2132:"Holly Herndon Covers Dolly Parton's "Jolene" Using AI" 1668:"The Musician Who Sees Life Through the Prism of PRISM" 1705:. Four by Three Magazine. Retrieved December 31, 2015. 1355:"Holly Herndon Launches New Podcast With Mat Dryhurst" 1135: 1133: 1131: 1129: 2865:
Practitioners of autonomous sensory meridian response
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Center for Computer Research in Music and Acoustics
2728:It's A Body Thing: An Interview With Holly Herndon 2077: 1569: 1039: 1037: 1035: 1033: 329:to create custom instruments and vocal processes. 196:and completing her Ph.D. at Stanford University's 1483: 1449: 1291: 1289: 1287: 1285: 1283: 1281: 2851: 2080:"Holly Herndon: How AI can transform your voice" 1142:"Computer Love: An Interview With Holly Herndon" 2632:Welt, Haus der Kulturen der (October 4, 2018). 2393:"Holly Herndon and Mat Dryhurst: xhairymutantx" 1639: 1030: 2822: 2702:Computer Love: An Interview With Holly Herndon 1429: 1278: 2797:"Holly Herndon: A Life Across Bits and Atoms" 2249: 1999: 250:Holly Herndon was born in 1980 and raised in 2504:"Protecting Creatives or Impeding Progress?" 2227: 1543: 2770:Artificial Intelligence and Music Ecosystem 2000:Stokel-Walker, Chris (September 14, 2022). 1395: 1378: 571:in Paris, from February 4 to May 19, 2014. 245: 2794: 2311: 1969:Pejcha, Camille Sojit (January 27, 2022). 1578: 1524:"Holly Herndon – "Chorus": Best New Track" 547: 31: 2028:"Will AI Take the Pleasure Out of Music?" 2025: 1894:"The musicians leading the AI revolution" 1809:"Holly Herndon / Mat Dryhurst: "Recruit"" 1165:"Electronic Pop for the Surveillance Era" 1139: 374:hints towards all three states at once." 192:, Germany. After studying composition at 2925:21st-century American singer-songwriters 2450: 2340: 1831: 1829: 1686:'Holly Herndon: the queen of tech-topia' 1642:"Holly Herndon: the queen of tech-topia" 1430:Tully Claymore, Gabriela (May 6, 2019). 1258: 1076: 1074: 1072: 1070: 1068: 1066: 1064: 1062: 1018:List of 21st-century classical composers 907: 488: 2692:First Listen: Holly Herndon, 'Movement' 2207: 2054:"Sónar Barcelona 2021 | Metal Magazine" 1917: 1684:Beaumont-Thomas, Ben (April 26, 2015). 1640:Beaumont-Thomas, Ben (April 26, 2015). 1605: 1603: 1401: 1196: 266:she began studying electronic music at 2852: 2767: 2476: 2451:Terrence, O'Brien (November 2, 2022). 2096: 1968: 1777: 1489: 1140:Kretowicz, Steph (November 14, 2012). 581:'s Sound Dome. The exhibition, titled 493:Herndon (second from left) performing 208:and 4AD. Her third full-length album, 2945:21st-century American women composers 2416: 2336: 2334: 2181: 2051: 1995: 1993: 1991: 1964: 1962: 1939: 1935: 1933: 1891: 1862: 1860: 1835: 1826: 1802: 1800: 1703:'Holly Herndon (Past : Forward)' 1579:Richardson, Mark (February 7, 2014). 1490:Currin, Grayson (November 20, 2012). 1352: 1322: 1320: 1197:Aroesti, Rachel (November 27, 2017). 1059: 2631: 1714:Sherburne, Philip (March 31, 2015). 1665: 1600: 1521: 1515: 1466: 1295: 1254: 1252: 915:Score Generating Vocal Network Piece 456:Autonomous sensory meridian response 448:Herndon's second full-length album, 262:scene. When Herndon returned to the 2930:21st-century American women singers 2885:People from Johnson City, Tennessee 1892:Cliff, Aimee (September 19, 2018). 1806: 1733:'Does this song trigger your ASMR?' 1716:'Holly Herndon's collective vision' 1402:Baynham, Mark (November 15, 2012). 1162: 619:'s policy on text and data mining. 501:Herndon's third full-length album, 13: 2910:Singer-songwriters from California 2905:American women in electronic music 2680: 2529:"Loop – a summit for music makers" 2477:Kemper, Jonathan (March 8, 2023). 2331: 2097:Wiener, Anna (November 13, 2023). 2026:Sherburne, Philip (May 24, 2022). 1988: 1959: 1940:Smith, Serena (November 3, 2022). 1930: 1857: 1797: 1611:"Holly Herndon – Home (RVNG Intl)" 1317: 985:with Mathew Dryhurst and Metahaven 440: 305: 14: 2961: 2890:American women singer-songwriters 2880:Singer-songwriters from Tennessee 2834: 2552: 2417:Ovide, Shira (December 9, 2022). 2312:Chiaverina, John (May 11, 2016). 2208:Hayward, Andrew (July 16, 2021). 1836:Bloom, Madison (March 11, 2019). 1749:'Holly Herndon goes off the grid' 1261:"An interview with Holly Herndon" 1249: 1096: 469: 2895:Record producers from California 2341:Pangburn, DJ (August 29, 2015). 1778:Howard, Lindsay (May 25, 2021). 1467:Kirn, Peter (January 23, 2014). 1296:Gibb, Rory (December 17, 2012). 1259:Pattison, Louis (May 30, 2015). 635: 556:on January 31, 2013, in Berlin. 519: 377: 214:, was released on May 10, 2019. 2940:American expatriates in Germany 2935:American women record producers 2875:American experimental musicians 2795:Džuverović, Lina (March 2016). 2738:CTM 2013: Holly Herndon Q&A 2718:Gatekeeper select Holly Herndon 2651: 2625: 2600: 2577: 2546: 2521: 2496: 2470: 2444: 2410: 2385: 2360: 2305: 2279: 2263:. June 21, 2013. Archived from 2201: 2175: 2150: 2124: 2090: 2071: 2045: 2019: 1911: 1885: 1771: 1758: 1747:Corcoran, Nina (May 22, 2015). 1741: 1725: 1708: 1695: 1678: 1659: 1633: 1522:Beta, Andy (January 21, 2014). 1423: 1372: 1346: 989: 867: 481: 2099:"Holly Herndon's Infinite Art" 1768:. Retrieved December 31, 2015. 1755:. Retrieved December 31, 2015. 1738:. Retrieved December 31, 2015. 1731:Jacoby, Sarah (May 21, 2015). 1722:. Retrieved December 31, 2015. 1692:. Retrieved December 31, 2015. 1379:Eric Dawson (March 25, 2015). 1353:Bloom, Madison (May 4, 2020). 1224: 1190: 1156: 1104:"HOLLY HERNDON: PROTO CONCERT" 939:CCM Artist in Residency Series 756:Format: CD, 12" vinyl, digital 630: 579:ZKM | Center for Art and Media 420: 16:American composer and musician 1: 2870:American electronic musicians 2237:. LittleBig. December 3, 2012 1918:Beedham, Tom (June 5, 2019). 1108:www.muenchner-kammerspiele.de 1023: 2900:Musicians from San Francisco 2823:Ogilvie-Hanson, Eva (2022). 921:Mills Improvisation Ensemble 831:Released: September 16, 2014 240: 7: 2758:Input/Output: Holly Herndon 2612:third.forecast-platform.com 2561:(in French). Archived from 1666:Yarm, Mark (May 19, 2015). 1581:"Holly Herndon – Chorus EP" 1011: 790:Released: November 13, 2012 682:Released: November 13, 2012 622: 592: 567:, which was on view at the 335:received a score of 8.1 on 51:1980 (age 43–44) 10: 2966: 2608:"Holly Herndon – Forecast" 1701:Zevolli, Giuseppe (2015). 813:Format: 12" vinyl, digital 810:Released: January 24, 2014 764: 734:Format: 12" vinyl, digital 712:Format: 12" vinyl, digital 706:Released: January 21, 2014 691:Format: 12" vinyl, Digital 2182:Dazed (August 27, 2021). 1232:"Proto, by Holly Herndon" 1163:Hsu, Hua (May 13, 2019). 845: 825: 804: 784: 779: 776: 773: 740: 718: 697: 672: 666:Format: Cassette, digital 652: 647: 644: 509:artificial neural network 221:, Chicago-based producer 164: 160: 141: 131: 107: 87: 66: 55: 47: 42: 30: 23: 2257:"Monographic Exhibition" 2052:Rosés, Mercedes (2021). 1144:. Red Bull Music Academy 1082:"Artists: Holly Herndon" 851:Released: August 6, 2021 512:of others. While making 246:Early life and education 2778:10.4324/9780429356797-6 975:with Mathew Dryhurst - 965:with Mathew Dryhurst - 548:Touring and exhibitions 252:Johnson City, Tennessee 60:Johnson City, Tennessee 1471:. Create Digital Music 886:with Cuahtemoc Peranda 793:Format: Digital, score 750:Released: May 10, 2019 728:Released: May 19, 2015 583:Everywhere and Nowhere 498: 43:Background information 995:"Interference" (2015) 958:& Mathew Dryhurst 908:Collaborations, other 492: 2920:Mills College alumni 1753:Consequence of Sound 998:"Morning Sun" (2015) 947:with Mathew Dryhurst 884:BodySound: Solo Duet 860:MUTANTS VOL. 5: FREE 600:haveibeentrained.com 415:Create Digital Music 274:. She studied under 2950:Women sound artists 2634:"Forecast Festival" 1432:"Inhuman After All" 770: 641: 300:Stanford University 272:Oakland, California 194:Stanford University 2772:. pp. 44–51. 2589:, October 28, 2014 2565:on August 24, 2019 2293:. October 10, 2014 2138:. November 1, 2022 1621:on October 8, 2014 1114:on August 24, 2019 1047:. HollyHerndon.com 1001:"Godmother" (2018) 769: 663:Label: Independent 640: 499: 2787:978-0-429-35679-7 2734:, December 2012 ) 2267:on March 28, 2014 1492:"Holly Herndon – 1383:. Knoxmercury.com 978: 968: 879: 865: 864: 762: 761: 709:Label: RVNG Intl. 561:Conrad Shawcross' 180: 179: 2957: 2846: 2845: 2843:Official website 2830: 2819: 2801: 2791: 2764:, February 2014) 2744:, February 2013) 2714:, November 2012) 2708:Speaking in Code 2698:, November 2012) 2674: 2673: 2671: 2669: 2655: 2649: 2648: 2646: 2644: 2629: 2623: 2622: 2620: 2618: 2604: 2598: 2597: 2596: 2594: 2581: 2575: 2574: 2572: 2570: 2550: 2544: 2543: 2541: 2539: 2525: 2519: 2518: 2516: 2514: 2500: 2494: 2493: 2491: 2489: 2474: 2468: 2467: 2465: 2463: 2448: 2442: 2441: 2439: 2437: 2414: 2408: 2407: 2405: 2403: 2389: 2383: 2382: 2380: 2378: 2364: 2358: 2357: 2355: 2353: 2338: 2329: 2328: 2326: 2324: 2309: 2303: 2302: 2300: 2298: 2283: 2277: 2276: 2274: 2272: 2253: 2247: 2246: 2244: 2242: 2231: 2225: 2224: 2222: 2220: 2205: 2199: 2198: 2196: 2194: 2179: 2173: 2172: 2170: 2168: 2154: 2148: 2147: 2145: 2143: 2128: 2122: 2121: 2119: 2117: 2094: 2088: 2087: 2075: 2069: 2068: 2066: 2064: 2058:metalmagazine.eu 2049: 2043: 2042: 2040: 2038: 2023: 2017: 2016: 2014: 2012: 1997: 1986: 1985: 1983: 1981: 1975:Document Journal 1966: 1957: 1956: 1954: 1952: 1937: 1928: 1927: 1915: 1909: 1908: 1906: 1904: 1889: 1883: 1882: 1880: 1878: 1864: 1855: 1854: 1852: 1850: 1833: 1824: 1823: 1821: 1819: 1804: 1795: 1794: 1792: 1790: 1775: 1769: 1762: 1756: 1745: 1739: 1729: 1723: 1712: 1706: 1699: 1693: 1682: 1676: 1675: 1663: 1657: 1656: 1654: 1652: 1637: 1631: 1630: 1628: 1626: 1617:. Archived from 1607: 1598: 1597: 1595: 1593: 1576: 1567: 1566: 1564: 1562: 1557:. March 15, 2014 1555:De Zeen Magazine 1547: 1541: 1540: 1538: 1536: 1519: 1513: 1512: 1510: 1508: 1487: 1481: 1480: 1478: 1476: 1464: 1447: 1446: 1444: 1442: 1427: 1421: 1420: 1418: 1416: 1399: 1393: 1392: 1390: 1388: 1376: 1370: 1369: 1367: 1365: 1350: 1344: 1343: 1341: 1339: 1324: 1315: 1314: 1312: 1310: 1293: 1276: 1275: 1273: 1271: 1256: 1247: 1246: 1244: 1242: 1228: 1222: 1221: 1219: 1217: 1194: 1188: 1187: 1185: 1183: 1160: 1154: 1153: 1151: 1149: 1137: 1124: 1123: 1121: 1119: 1110:. Archived from 1100: 1094: 1093: 1091: 1089: 1078: 1057: 1056: 1054: 1052: 1041: 1004:"Eternal" (2019) 976: 966: 956:Reza Negarestani 895:Conrad Shawcross 877: 777:Release details 771: 768: 642: 639: 604:Stable Diffusion 497:in Bristol, 2019 356: 219:Reza Negarestani 176: 173: 171: 134: 35: 21: 20: 2965: 2964: 2960: 2959: 2958: 2956: 2955: 2954: 2850: 2849: 2841: 2840: 2837: 2799: 2788: 2754:, January 2014) 2704:(November 2012) 2683: 2681:Further reading 2678: 2677: 2667: 2665: 2659:"Holly Herndon" 2657: 2656: 2652: 2642: 2640: 2630: 2626: 2616: 2614: 2606: 2605: 2601: 2592: 2590: 2583: 2582: 2578: 2568: 2566: 2555:"Holly Herndon" 2551: 2547: 2537: 2535: 2533:www.ableton.com 2527: 2526: 2522: 2512: 2510: 2502: 2501: 2497: 2487: 2485: 2475: 2471: 2461: 2459: 2449: 2445: 2435: 2433: 2423:Washington Post 2415: 2411: 2401: 2399: 2391: 2390: 2386: 2376: 2374: 2366: 2365: 2361: 2351: 2349: 2339: 2332: 2322: 2320: 2310: 2306: 2296: 2294: 2285: 2284: 2280: 2270: 2268: 2261:Palais de Tokyo 2255: 2254: 2250: 2240: 2238: 2233: 2232: 2228: 2218: 2216: 2206: 2202: 2192: 2190: 2180: 2176: 2166: 2164: 2156: 2155: 2151: 2141: 2139: 2130: 2129: 2125: 2115: 2113: 2095: 2091: 2076: 2072: 2062: 2060: 2050: 2046: 2036: 2034: 2024: 2020: 2010: 2008: 1998: 1989: 1979: 1977: 1967: 1960: 1950: 1948: 1938: 1931: 1916: 1912: 1902: 1900: 1890: 1886: 1876: 1874: 1866: 1865: 1858: 1848: 1846: 1834: 1827: 1817: 1815: 1807:Garnett, Abby. 1805: 1798: 1788: 1786: 1776: 1772: 1763: 1759: 1746: 1742: 1730: 1726: 1713: 1709: 1700: 1696: 1683: 1679: 1664: 1660: 1650: 1648: 1638: 1634: 1624: 1622: 1609: 1608: 1601: 1591: 1589: 1577: 1570: 1560: 1558: 1549: 1548: 1544: 1534: 1532: 1520: 1516: 1506: 1504: 1488: 1484: 1474: 1472: 1465: 1450: 1440: 1438: 1428: 1424: 1414: 1412: 1400: 1396: 1386: 1384: 1377: 1373: 1363: 1361: 1351: 1347: 1337: 1335: 1326: 1325: 1318: 1308: 1306: 1294: 1279: 1269: 1267: 1257: 1250: 1240: 1238: 1230: 1229: 1225: 1215: 1213: 1195: 1191: 1181: 1179: 1161: 1157: 1147: 1145: 1138: 1127: 1117: 1115: 1102: 1101: 1097: 1087: 1085: 1080: 1079: 1060: 1050: 1048: 1043: 1042: 1031: 1026: 1014: 1007:"Jolene" (2022) 992: 910: 903:with TILT Brass 870: 854:Format: Digital 834:Format: Digital 767: 638: 633: 625: 595: 569:Palais de Tokyo 550: 525: 487: 475: 446: 426: 413:. 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RVNG Intl 901:Being There 631:Discography 538:Maria Arnal 371:Laurel Halo 347:The Quietus 284:Maggi Payne 108:Instruments 88:Occupations 2854:Categories 2686:Interviews 2643:August 24, 2617:August 24, 2593:August 24, 2569:August 24, 2538:August 24, 2372:artmap.com 1877:August 24, 1736:Refinery29 1182:August 24, 1118:August 24, 1024:References 846:"Lucifer" 753:Label: 4AD 731:Label: 4AD 687:RVNG Intl. 608:Midjourney 530:polyphonic 363:Aphex Twin 288:Fred Frith 235:blockchain 206:RVNG Intl. 152:RVNG Intl. 74:Electronic 2829:(Thesis). 2810:: 90–97. 2513:March 30, 2488:March 30, 2462:March 30, 2436:March 30, 2431:0190-8286 2402:August 7, 2377:March 30, 2352:March 30, 2323:March 30, 2297:March 30, 2271:March 24, 2241:March 24, 2167:March 30, 2142:March 30, 2136:Pitchfork 2111:0028-792X 2063:March 30, 2037:March 30, 2032:Pitchfork 2011:March 30, 1980:March 30, 1951:March 30, 1903:March 30, 1872:The FADER 1849:March 11, 1843:Pitchfork 1818:March 30, 1813:Pitchfork 1789:March 30, 1720:Pitchfork 1592:March 24, 1586:Pitchfork 1561:March 24, 1535:March 24, 1529:Pitchfork 1507:March 24, 1501:Pitchfork 1475:March 24, 1441:March 30, 1436:Stereogum 1415:March 24, 1364:March 30, 1359:Pitchfork 1338:March 30, 1309:March 24, 1270:March 30, 1211:0261-3077 1177:0028-792X 1148:March 24, 1088:March 24, 1051:March 24, 967:hackathon 952:Collusion 805:"Chorus" 785:"Dilato" 534:deepfaked 430:Metahaven 411:Pitchfork 405:The full 387:Pitchfork 338:Pitchfork 280:James Fei 241:Biography 2804:Afterall 2668:March 2, 2457:Engadget 2158:"Holly+" 1494:Movement 1387:June 19, 1012:See also 840:Platform 799:Movement 721:Platform 675:Movement 648:Details 623:Teaching 593:Spawning 542:"Jolene" 464:Platform 451:Platform 442:Platform 352:Movement 333:Movement 323:Brooklyn 319:Movement 315:Movement 307:Movement 100:producer 97:musician 94:Composer 2762:Ableton 2752:Rhizome 2724:, 2013) 2712:Factmag 2663:Youtube 2553:MUTEK. 1924:Exclaim 1241:May 10, 1045:"About" 977:exhibit 927:+Dialog 826:"Home" 765:Singles 685:Label: 471:Recruit 391:YouTube 327:Max/MSP 231:Web 3.0 202:Max/MSP 165:Website 123:Max/MSP 2784:  2429:  2109:  1334:. 2021 1209:  1175:  981:2014: 971:2013: 961:2013: 950:2012: 943:2012: 937:2011: 931:2011: 925:2010: 919:2009: 913:2009: 899:2013: 889:2013: 882:2013: 873:2010: 819:Chorus 780:Album 774:Title 699:Chorus 645:Title 523:(2021) 521:Holly+ 485:(2019) 473:(2015) 444:(2015) 424:(2014) 407:Chorus 381:(2014) 379:Chorus 309:(2012) 286:, and 260:techno 256:Berlin 233:, and 190:Berlin 142:Labels 114:Vocals 67:Genres 62:, U.S. 56:Origin 2800:(PDF) 2559:MUTEK 2188:Dazed 2006:Input 1946:Dazed 1898:Dazed 1766:Dazed 1672:Wired 973:K回IRO 963:C.回.R 954:with 893:with 743:Proto 514:Proto 504:Proto 495:Proto 483:Proto 395:Skype 355:' 211:Proto 2782:ISBN 2742:Wire 2670:2021 2645:2019 2619:2019 2595:2019 2571:2019 2540:2019 2515:2023 2490:2023 2464:2023 2438:2023 2427:ISSN 2404:2024 2379:2023 2354:2023 2347:Vice 2325:2023 2299:2023 2273:2014 2243:2014 2221:2024 2214:Vice 2195:2024 2169:2023 2144:2023 2118:2023 2107:ISSN 2065:2023 2039:2023 2013:2023 1982:2023 1953:2023 1905:2023 1879:2019 1851:2019 1820:2023 1791:2023 1653:2018 1627:2014 1615:RVNG 1594:2014 1563:2014 1537:2014 1509:2014 1477:2014 1443:2023 1417:2014 1389:2015 1366:2023 1340:2023 1311:2014 1272:2023 1243:2019 1218:2018 1207:ISSN 1184:2019 1173:ISSN 1150:2014 1120:2019 1090:2014 1053:2014 983:Call 606:and 460:DAOs 422:Home 393:and 369:and 361:and 359:Coil 223:Jlin 174:.com 48:Born 2812:doi 2774:doi 2696:NPR 2638:HKW 2084:NPR 933:CCM 891:ADA 875:195 821:EP 701:EP 654:Car 565:ADA 462:), 434:NSA 399:NSA 365:to 350:, " 296:Car 292:195 270:in 170:www 148:4AD 118:DAW 2856:: 2808:41 2806:. 2802:. 2780:. 2661:. 2636:. 2610:. 2557:. 2531:. 2506:. 2481:. 2455:. 2425:. 2421:. 2395:. 2370:. 2345:. 2333:^ 2316:. 2289:. 2259:. 2212:. 2186:. 2160:. 2134:. 2105:. 2101:. 2082:. 2056:. 2030:. 2004:. 1990:^ 1973:. 1961:^ 1944:. 1932:^ 1922:. 1896:. 1870:. 1859:^ 1840:. 1828:^ 1811:. 1799:^ 1782:. 1751:. 1718:. 1688:. 1670:. 1644:. 1613:. 1602:^ 1583:. 1571:^ 1553:. 1526:. 1498:. 1451:^ 1434:. 1406:. 1357:. 1330:. 1319:^ 1300:. 1280:^ 1263:. 1251:^ 1234:. 1205:. 1201:. 1171:. 1167:. 1128:^ 1106:. 1061:^ 1032:^ 317:. 282:, 278:, 2818:. 2814:: 2790:. 2776:: 2760:( 2750:( 2740:( 2730:( 2720:( 2710:( 2694:( 2672:. 2647:. 2621:. 2573:. 2542:. 2517:. 2492:. 2466:. 2440:. 2406:. 2381:. 2356:. 2327:. 2301:. 2275:. 2245:. 2223:. 2197:. 2171:. 2146:. 2120:. 2086:. 2067:. 2041:. 2015:. 1984:. 1955:. 1926:. 1907:. 1881:. 1853:. 1822:. 1793:. 1674:. 1655:. 1629:. 1596:. 1565:. 1539:. 1511:. 1496:" 1479:. 1445:. 1419:. 1391:. 1368:. 1342:. 1313:. 1274:. 1245:. 1220:. 1186:. 1152:. 1122:. 1092:. 1055:.

Index

Herndon in 2013
Johnson City, Tennessee
Electronic
experimental
DAW
Max/MSP
RVNG Intl.
www.hollyherndon.com
Berlin
Stanford University
Center for Computer Research in Music and Acoustics
Max/MSP
RVNG Intl.
Proto
Reza Negarestani
Jlin
Mathew Dryhurst
Web 3.0
blockchain
Johnson City, Tennessee
Berlin
techno
United States
Mills College
Oakland, California
John Bischoff
James Fei
Maggi Payne
Fred Frith
Stanford University

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