538:
219:
519:
553:
380:
111:
38:
265:
aesthetics. The retired shogun invited many artists, poets, and court nobles to his villa, encouraging the development of their arts. A vast and priceless collection of artifacts came together, which was known as the
340:-style room called the DÅjinsai. It originally had a fireplace built into the floor, and due to this, the DÅjinsai is considered the earliest extant example of a room designed for use as a tea room.
655:
144:
but with a distinctly
Japanese aesthetic. This is what became known as the "Higashiyama Culture" due to the centrality of Yoshimasa's influence, and named after the district in
492:
148:
where he built his retreat. Yoshimasa did not single-handedly contribute to the aesthetic, but recruited artistic talents, sponsoring them, and provided valuable critique.
537:
191:
ink painting. Much of what is commonly seen today as
Japanese Zen aesthetics originated in this period. Higashiyama culture is often contrasted with Kitayama bunka
693:"A Theory of Culture during the Åei and EikyÅ periods: Between Popular Views of History on "Kitayama Culture" and "Higashiyama Culture" | Team Research 2018"
353:, a small alcove in which scrolls are hung, and flowers or other small articles are placed to enhance the aesthetic feel of the room. The great ink-painter
343:
There were many architectural innovations in this period, exhibited in the
Ginkaku-ji in particular, which would later become core elements in the
140:, in an overtly vassal relationship. Through access to Chinese culture, the Shogunate imported the latest cultural trends through the Shogun
518:
482:
552:
803:
759:
222:
Interior of the Kuri, the main building of the RyÅan-ji, featuring elements of traditional
Japanese style culture such as
17:
716:
615:
777:
31:
582:
498:
819:
751:
791:, George Bailey. (1943). "Japan: A Short Cultural History". New York: Appleton Century Crofts, Inc.
692:
834:
829:
824:
196:
773:
218:
782:
631:
587:
508:
476:
171:
70:
730:
788:
267:
160:
8:
656:"A brief history of the arts of Japan: the Kamakura to Azuchi-Momoyama periods (article)"
678:
Yasuhiko Murai, tr. Alfred
Birnbaum, "A Brief History of Tea in Japan." Chapter One in
529:
472:
354:
282:
141:
137:
129:
117:
91:
258:
799:
755:
611:
261:, and was the center of the Higashiyama cultural outgrowth and known for its Zen and
74:
572:
204:
82:
78:
66:
544:
488:
288:
744:
368:
298:
768:
559:
525:
504:
467:
308:
121:
358:
292:
813:
763:
357:
spent much time at the
Ginkaku-ji, and this period also saw the birth of the
278:
Among the figures who influenced the
Higashiyama culture are the following:
740:
577:
255:
156:
133:
447:
438:
387:
46:
443:
402:
254:(the Temple of the Silver Pavilion) after his death. It is situated in
251:
212:
208:
152:
453:
379:
165:
110:
37:
746:
Yoshimasa and the Silver
Pavilion: The Creation of the Soul of Japan
608:
Yoshimasa and the Silver
Pavilion: The Creation of the Soul of Japan
87:
610:. Columbia University Press; First Edition. pp. 71â72, 78â79.
349:
224:
347:
style of 17th century architecture. One of these elements was the
242:
734:
363:
302:
177:
318:
236:
230:
187:
336:
322:
145:
99:
367:
tea ceremony. Tea ceremonies would be further formalized by
85:. It originated and was promoted in the 15th century by the
312:
182:
94:, after he retired to his villa in the eastern hills (æ±å±±
543:"Zhou Maoshu Appreciating Lotuses", a hanging scroll by
361:
of
Japanese painting as well as an early version of the
250:
Yoshimasa's retirement villa was turned into the temple
783:
Oriental Translation Fund of Great Britain and Ireland
735:
JAANUS: Japanese Architecture and Art Net Users System
412:): The former-Shogun Yoshimasa died at age 56 in his
211:, representative of Kitayama culture is compared with
132:
of the 14th century renewed diplomatic relations with
169:, Higashiyama culture centered on the development of
120:, who developed the Higashiyama culture (painting by
416:estate, which marked the beginning of the end of
811:
246:) which were stylized in the Higashiyama culture
194:
203:, the "Kitayama Culture" came earlier in the
459:
393:Notable dates within this period include:
334:The TÅgu-DÅ building structure includes a
428:Examples of Higashiyama culture include:
215:, representative of Higashiyama culture.
378:
217:
109:
36:
680:CHANOYU: The Urasenke Tradition of Tea.
14:
812:
605:
159:, especially those temples under the
30:For other uses of "Higashiyama", see
599:
709:
399:Bummei 14, 4th day of the 2nd month
24:
410:Entoku 2, 7th day of the 1st month
374:
25:
846:
798:. Cambridge Scholars Publishing.
632:"JAANUS / Higashiyama bunka æ±å±±æå"
285:- a Zen-Buddhist monk and painter
273:
53:in the Higashiyama hills of Kyoto
551:
536:
517:
484:Zhou Maoshu Appreciating Lotuses
151:Based largely on the ideals and
49:, the residence of the Ashikaga
778:Annales des empereurs du Japon.
431:
685:
672:
648:
624:
124:, latter half of 15th century)
13:
1:
724:
423:
69:that includes innovations in
32:Higashiyama (disambiguation)
7:
583:National Treasures of Japan
566:
329:
301:- a master of the Japanese
10:
851:
796:Zen-Life: Ikkyu and Beyond
105:
29:
794:Steiner, Evgeny. (2014).
752:Columbia University Press
311:- a master playwright of
195:
175:(Japanese tea ceremony),
593:
558:"SeikÅji engi emaki" by
460:Calligraphy and painting
27:Japanese cultural period
771:, Isaac, ed. (1834), ,
401:): Construction of the
606:Keene, Donald (2003).
493:Kyūshū National Museum
487:, a hanging scroll by
437:Ginkaku and Garden of
390:
247:
125:
54:
588:Japanese architecture
509:Tokyo National Museum
477:Kyoto National Museum
382:
371:in the 16th century.
221:
207:. In this comparison
163:, and the concept of
113:
40:
774:Nipon o daï itsi ran
268:Higashiyama Treasure
181:(flower arranging),
161:Five Mountain System
731:"Higashiyama Bunka"
397:February 21, 1482 (
59:Higashiyama culture
18:Higashiyama Culture
743:, Donald. (2003).
697:www.nichibun.ac.jp
682:Weatherhill, 1988.
500:SeikÅji engi emaki
418:Higashiyama bunka.
408:January 27, 1490 (
391:
248:
130:Ashikaga Shogunate
126:
118:Ashikaga Yoshimasa
98:) of capital city
92:Ashikaga Yoshimasa
65:) is a segment of
55:
804:978-1-4438-5400-9
760:978-0-231-13056-1
291:- founder of the
63:Higashiyama bunka
41:Silver Pavilion (
16:(Redirected from
842:
820:Culture of Japan
719:
713:
707:
706:
704:
703:
689:
683:
676:
670:
669:
667:
666:
652:
646:
645:
643:
642:
628:
622:
621:
603:
573:Culture of Japan
555:
540:
526:Ama-no-Hashidate
521:
468:Ama-no-Hashidate
414:Higashiyama-dono
205:Muromachi period
202:
200:
199:
83:Muromachi period
81:during the late
67:Japanese culture
45:) and garden of
21:
850:
849:
845:
844:
843:
841:
840:
839:
810:
809:
727:
722:
714:
710:
701:
699:
691:
690:
686:
677:
673:
664:
662:
654:
653:
649:
640:
638:
630:
629:
625:
618:
604:
600:
596:
569:
562:
556:
547:
541:
532:
522:
462:
434:
426:
403:Silver Pavilion
377:
375:Important dates
332:
276:
192:
108:
35:
28:
23:
22:
15:
12:
11:
5:
848:
838:
837:
835:1480s in Japan
832:
830:1470s in Japan
827:
825:1460s in Japan
822:
808:
807:
792:
786:
766:
738:
726:
723:
721:
720:
708:
684:
671:
647:
636:www.aisf.or.jp
623:
616:
597:
595:
592:
591:
590:
585:
580:
575:
568:
565:
564:
563:
560:Tosa Mitsunobu
557:
550:
548:
542:
535:
533:
523:
516:
513:
512:
505:Tosa Mitsunobu
496:
480:
461:
458:
457:
456:
452:Karesansui of
450:
441:
433:
430:
425:
422:
421:
420:
406:
376:
373:
331:
328:
327:
326:
321:- a master of
316:
309:Zeami Motokiyo
306:
296:
286:
275:
274:Notable people
272:
122:Tosa Mitsunobu
107:
104:
26:
9:
6:
4:
3:
2:
847:
836:
833:
831:
828:
826:
823:
821:
818:
817:
815:
805:
801:
797:
793:
790:
787:
784:
780:
779:
775:
770:
767:
765:
764:OCLC 52268947
761:
757:
753:
749:
747:
742:
739:
736:
732:
729:
728:
718:
712:
698:
694:
688:
681:
675:
661:
657:
651:
637:
633:
627:
619:
617:9780231130561
613:
609:
602:
598:
589:
586:
584:
581:
579:
576:
574:
571:
570:
561:
554:
549:
546:
545:KanÅ Masanobu
539:
534:
531:
527:
520:
515:
514:
510:
506:
502:
501:
497:
494:
490:
489:KanÅ Masanobu
486:
485:
481:
478:
474:
470:
469:
464:
463:
455:
451:
449:
445:
442:
440:
436:
435:
429:
419:
415:
411:
407:
404:
400:
396:
395:
394:
389:
385:
381:
372:
370:
366:
365:
360:
356:
352:
351:
346:
341:
339:
338:
324:
320:
317:
314:
310:
307:
304:
300:
297:
294:
290:
289:KanÅ Masanobu
287:
284:
281:
280:
279:
271:
269:
264:
260:
257:
253:
245:
244:
239:
238:
233:
232:
227:
226:
220:
216:
214:
210:
206:
198:
190:
189:
184:
180:
179:
174:
173:
168:
167:
162:
158:
154:
149:
147:
143:
139:
135:
131:
123:
119:
116:
112:
103:
101:
97:
93:
90:
89:
84:
80:
76:
72:
68:
64:
60:
52:
48:
44:
39:
33:
19:
795:
772:
745:
711:
700:. Retrieved
696:
687:
679:
674:
663:. Retrieved
660:Khan Academy
659:
650:
639:. Retrieved
635:
626:
607:
601:
578:Japanese art
499:
483:
465:
432:Architecture
427:
417:
413:
409:
398:
392:
383:
369:Sen no Rikyū
362:
348:
344:
342:
335:
333:
303:tea ceremony
299:Sen no Rikyū
295:of painting.
277:
262:
249:
241:
235:
229:
223:
186:
176:
170:
164:
157:Zen Buddhism
150:
136:China under
134:Ming Dynasty
127:
114:
95:
86:
71:architecture
62:
58:
56:
50:
42:
359:KanÅ school
355:SesshÅ« TÅyÅ
293:KanÅ school
283:SesshÅ« TÅyÅ
185:drama, and
96:Higashiyama
75:visual arts
814:Categories
750:New York:
725:References
715:Titsingh,
702:2023-12-10
665:2023-12-10
641:2023-12-10
444:Karesansui
405:commenced.
384:Karesansui
252:Ginkaku-ji
213:Ginkaku-ji
209:Kinkaku-ji
153:aesthetics
524:"View of
454:Daisen-in
263:wabi-sabi
166:wabi-sabi
142:Yoshimasa
138:Yoshinori
769:Titsingh
567:See also
466:View of
448:RyÅan-ji
439:JishÅ-ji
424:Examples
388:RyÅan-ji
350:tokonoma
330:Examples
315:theater.
259:SakyÅ-ku
225:washitsu
47:JishÅ-ji
781:Paris:
717:p. 361.
364:chanoyu
256:Kyoto's
178:ikebana
106:History
79:theatre
43:Ginkaku
802:
789:Sansom
776:; ou,
758:
614:
530:Sesshū
473:Sesshū
325:poetry
240:, and
237:tatami
231:fusuma
188:sumi-e
115:ShÅgun
88:shÅgun
73:, the
61:(æ±å±±æå
51:shÅgun
741:Keene
594:Notes
528:" by
345:shoin
337:shoin
323:renga
243:shÅji
172:chadÅ
146:Kyoto
100:Kyoto
800:ISBN
756:ISBN
612:ISBN
319:SÅgi
197:åå±±æå
128:The
77:and
57:The
503:by
471:by
446:of
386:of
313:Noh
183:Noh
155:of
816::
762:;
754:.
733:,
695:.
658:.
634:.
270:.
234:,
102:.
806:.
785:.
748:.
737:.
705:.
668:.
644:.
620:.
511:)
507:(
495:)
491:(
479:)
475:(
305:.
228:(
201:)
193:(
34:.
20:)
Text is available under the Creative Commons Attribution-ShareAlike License. Additional terms may apply.
