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699:"The compleat tutor for the German-flute : containing the easiest and most modern methods for learners to play, to which is added a favorite collection of song tunes, minuets, marches, duets, &c. Also the method of double tongueing and a concise scale and description of a new invented German-flute with additional keys such as play'd on by that celebrated master Mr. Joseph Tacet"
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100:'s reign", and his room was one of two in the west end of London with sufficient room for concerts. As artists approached him to use his room, he developed a reputation as a concert-organizing agent. His establishment was known by a variety of names at different times, including
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was a public concert room in London, which ran from April 1713 until 1787; it became known as Rice's Rooms from 1788. Harrison's date of 1779 is not correct. It was paid for on a subscription basis to those who could afford to patronize the arts, such as the nobility. The 1922
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1772. Concert for the benefit of Mr. Bromley; Vocal part by Miss Thomas; First violin and solo by Mr. Ximenes; Concerto on the hautboy; Several select pieces on the harp; Duet upon two harps by Messrs. Bromley and
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140:. Non-ticket holders paid half a guinea (6-days' wages) to attend a show if space was available. A ticket-holder could arrange to bring a friend, with a charge of 5 shillings (2-days' wages) for each of them.
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noted that "most of the great performers, both vocal and instrumental, who visited
England, gave their concerts there." The room became a place to see successful musicians play, including
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In addition to the house's seasonal shows, benefits concerts were held for musicians, with other musicians supporting them with their music. An example of this was the benefit for
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and mouldings. It had a small stage and a gallery above the door. It is unclear whether
Hickford had the new room built, or whether he took over an existing space.
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1772, April 2. Newscutting relating to
Hickford's, announcing A grand concert for the benefit of Mr. Vento; Grand concert; Hickford's near Golden Square
218:); it was expanded and grew to have a second entrance on Panton Street. As Mr. Hickford became successful, he moved his establishment, in 1739, to
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1719, Feb. Advertisement announcing Vocal and instrumental music for the benefit of Mr. Dahuron. Entrances on both James Street and Panton Street.
57:
32:
226:, "a fashionable part of town." The latter location featured a room 50 feet by 30 feet, lit by a large window on the southern side, with a high
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1737, March 25. Advertisements for
Hickford's Great Room on Panton Street, about two years before the move to the Brewer Street location.
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A 1922 source reports that "little is known" of the venue's founder, John
Hickford. He was a "dancing-master in the latter part
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described the demolition as having a "deplorable disregard of its unique interest and historical associations".
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There were 20 concerts a season, running from
December to April. A season ticket (or "subscription") cost 4
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The room stood behind No. 41 Brewer Street until its demolition in 1934 as part of the expansion of the
489:[article reveals something of the patrons of Hickford's Long Room; calls them "the Nobility & etc"
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88:. For a time in the 1740s and 50s, it was the only concert room of note in the West End of London.
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170:, March 17, 1766. The beneficiary, Leone, performed one of his own pieces, as well as one from
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In 1720, you could buy one of the following with ÂŁ1: ...Wages: 11 days (skilled tradesman)
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1766, March 17. Benefit concert
Advertisement for Gabriele Leone at Hickford's Long Room.
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Advertisement from Dec. 1760 announcing start of concert season at
Hickford's in London.
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1788, March 17. Early advertisement for newly-named Rice's Rooms (formerly
Hickford's)
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As well as a concert venue, Hickford's was also at times the host of dances.
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1737. Announcement of March 1737 concert for violinist, Mr. Zuccarini.
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522:"The Glass Armonica, Benjamin Franklin's Magical Musical Invention"
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809:. Philadelphia, Pennsylvania: Theodore Presser Company. p.
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186:, Joseph Tacet (who was a master of the German flute), the
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1784, February 21. Advertisement for a Course of
Reading.
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Hickford's Long Room at Brewer Street, 1878, showing the
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1773. Concert for the benefit of Mess. Borghi and Savoy.
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Harrison, Bertha (1922). Maitland, J. A. Fuller (ed.).
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1773, May 14. Concert for the benefit of Signora Frasi.
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Historical Dictionary of Music of the Classical Period
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579:"Brewer Street and Great Pulteney Street Area"
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790:. Vol. 47. London. pp. 669–672
769:. Vol. 47. London. pp. 602–605
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473:"Mr. Leone begs pardon of the nobility"
391:"Calendar of London Concerts 1750-1800"
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784:"A Forgotten Concert Room (continued)"
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414:See Gallery image for 1788, March 17.
782:Harrison, Bertha (1 October 1906b).
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27:Former public concert room in London
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873:1787 disestablishments in England
479:. London. 5 March 1766. p. 1
182:and his soon-to-be wife, soprano
159:(who played for Handel in 1740).
106:Mr. Hickford's Great Dancing Room
729:. Scarecrow Press. p. 412.
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878:Former concert halls in London
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863:1713 establishments in England
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180:François-Hippolyte Barthélémon
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102:Mr. Hickford's Dancing School
723:Van Boer, Bertil H. (2012).
174:. He had help from composer
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763:"A Forgotten Concert Room"
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583:www.british-history.ac.uk
145:Michael Christian Festing
110:Mr. Hickford's Great Room
243:Encyclopaedia Britannica
78:Francesco Maria Veracini
656:. London. 17 March 1766
621:nationalarchives.gov.uk
200:Giovanni Battista Cirri
155:") and cello played by
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815:hickford's long room.
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654:The Public Advertiser
650:"Mr. Leone's Concert"
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53:Hickford's Long Room
18:Hickford's Room
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239:Regent Palace Hotel
216:Royal Tennis Courts
114:Mr. Hickford's Room
66:Francesco Geminiani
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685:2008-05-16 at the
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703:archive.org
184:Polly Young
68:(c. 1732),
857:Categories
827:51°30′40″N
377:References
192:colascione
98:Queen Anne
830:0°08′10″W
395:InConcert
190:(playing
166:virtuoso
153:Mrs. Arne
138:tradesman
120:Programme
72:in 1746,
683:Archived
232:cornices
206:Location
164:mandolin
76:(1765),
483:8 March
249:Gallery
134:guineas
813:-396.
794:7 June
773:7 June
742:8 June
733:
708:8 June
660:8 June
626:8 June
531:8 June
400:15 May
323:Evans.
241:. The
74:Mozart
58:Groves
222:near
70:Gluck
796:2019
775:2019
744:2019
731:ISBN
710:2019
662:2019
628:2019
533:2019
485:2019
402:2023
112:and
104:and
84:and
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