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It took six more separate discoveries to uncover the rest of the statue as it is displayed today. Hermes is still missing his right forearm, two fingers of his left hand, both forearms below the elbow, the left foot and his penis, whilst
Dionysus is missing his arms (except the right hand on Hermes's
157:, a form of mercury sulfate with a red color, perhaps a preparation for gilding. Cinnabar tints are retained on the sandal straps of the original foot, with traces of gilding. The sandal also bears the motif of a Heraclean knot, which was probably extended in paint.
127:. On 8 May 1877, in the temple of Hera, he uncovered the body (head, torso, legs, left arm) of a statue of a young man resting against a tree trunk covered by a mantle. Protected by the thick clay layer above it, it was in an exceptionally good state of preservation.
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The sculpture is unlikely to have been one of
Praxiteles' famous works, as no ancient replicas of it have been identified. The documentary evidence associating the work with Praxiteles is based on a passing mention by the 2nd century AD traveller
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shoulder) and the end of his right foot. Much of the tree trunk and the plinth are also lost. However, an ancient base survives, made of a grey limestone block between two blocks of marble.
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half-jokingly attributed to generations of temple workers. The back, by contrast, shows the marks of the rasp and chisel, and the rest of the sculpture is incompletely finished.
143:. Hermes measures 2.10/2.12 m, 3.70 m with the base. The right foot of Hermes is integral with a section of the base, which has undergone some adjustment in antiquity.
83:, and has made a major contribution to the definition of Praxitelean style. Its attribution is, however, the object of fierce controversy among art historians.
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In 1874, the Greek state signed an agreement with
Germany for an archaeological exploration of the Olympia site, which was first dug in the French
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411:, actes d'un cycle de conférences organisé au musée du Louvre du 18 janvier au 15 mars 1999, Documentation française, Paris, 2001,
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in the final years of the third century C.E, collapsing the roof of the Temple of Hera and burying the statue in rubble.
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317:, from a conference at the Louvre from 18 January to 15 March 1999, Documentation française, Paris, 2001, p. 50.
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426:, catalogue de l'exposition au musée du Louvre, 23 mars-18 juin 2007, éditions du Louvre & Somogy, 2007,
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La
Sculpture grecque, vol. II : La période classique, Picard, Manuels d'art et d'archéologie antiques
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Hermes mit dem
Dionysosknaben: ein Originalwerk des Praxiteles gefunden im Heraion zu Olympia
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The face and torso of Hermes are striking for their highly polished, glowing surface, which
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and dated to the 4th century BC, based on a remark by the 2nd century Greek traveller
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376:& Jerome J. Pollitt, eds.), Cambridge University Press, 1998 (1st edition 1996)
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The
Olympia site was hit by an earthquake during the reign of the Roman emperor
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bearing the infant
Dionysos, variant on the Olympia Hermes, c. 350–300 BC,
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422:" Praxitèle aujourd'hui ? La question des originaux », dans
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Head of the Hermes figure, remarkable for its highly polished finish
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The
American Journal of Archaeology and of the History of Fine Arts
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At the time of its discovery, the hair retained slight traces of
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Rhys
Carpenter, "Two Postscripts to the Hermes Controversy",
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Dossier : Praxitèle, un maître de la sculpture antique
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Helmut
Kyrieleis, "Les fouilles allemandes Ă Olympie", in
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The group is sculpted from a block of the best quality of
443:(July–September 1931) vol. 35, issue 3, p. 277-290.
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of 1829. The German excavations in 1875 were led by
439:Gisela M. A. Richter, "The Hermes of Praxiteles",
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450:, University of Wisconsin Press, Madison, 1997 (
339:Noted by Alfred Emerson, "Letter from Olympia",
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391:(January 1954) vol. 58, issue 1, p. 1-12.
656:Archaeological discoveries in the Peloponnese
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175:, Roman copy of another work attributed to
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330:, Thames & Hudson, Paris, 1998, p. 53.
328:La Sculpture grecque du second classicisme
448:Fourth-Century Styles in Greek Sculpture
211:The statue is present in the 2016 anime
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64:discovered in 1877 in the ruins of the
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68:, in Greece. It is displayed at the
434:, p. 97-103 et p.&120-122.
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70:Archaeological Museum of Olympia
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368:Aileen Ajootian, "Praxiteles",
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363:General and cited references
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666:Marble sculptures in Greece
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277:Hermes Criophorus (Athens)
671:Nude sculptures in Greece
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346:.1-2, (June 1887), p. 96.
676:Sculptures by Praxiteles
612:Cephisodotus the Younger
492:, Wasmuth, Berlin, 1878.
135:Technical considerations
407:d'Olympie », dans
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66:Temple of Hera, Olympia
54:ancient Greek sculpture
16:Ancient Greek sculpture
686:Sculptures of Dionysus
618:Cephisodotus the Elder
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661:Hellenistic sculpture
355:Carpenter, p. 7.
250:Ancient Greece portal
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691:Sculptures of Hermes
43:Hermes of Praxiteles
40:, also known as the
630:Praxiteles (crater)
557:Aphrodite of Knidos
479:), p. 250-254.
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567:Apollo Sauroctonos
505:, Musée du Louvre
264:Visual arts portal
181:Capitoline Museums
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701:Statues in Greece
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507:(in French)
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107:Rediscovery
645:Categories
550:Sculptures
543:Praxiteles
486:Georg Treu
326:Boardman,
214:Sekko Boys
177:Praxiteles
101:Diocletian
77:Praxiteles
424:Praxitèle
298:Citations
89:Pausanias
81:Pausanias
620:(father)
471:, 1999 (
222:See also
155:cinnabar
62:Dionysus
626:(model)
605:Related
409:Olympie
315:Olympie
46:or the
624:Phryne
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405:Hermès
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58:Hermes
52:is an
614:(son)
473:ISBN
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403:" L’
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169:The
95:Loss
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