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on, as was usual for embroideries at this time. While this is the earliest embroidery found on this scale, it is typical of the art style representative at the time. This is known as the
Trewhiddle style of art, which can be seen in the manuscripts and metalwork contemporary to the embroidery. It is known for its dense patterns, swirls, roundels, and intertwined animal motifs. It is also seen famously in the
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associated with the saints, rather than just with the church. Based on analysis of the embroidery style and garment, it most likely dates from after these saints lived so would have had to have been embroidered by someone else. The embroideries were, however, all made at the same time and in the same workshop, though the casula itself has undergone many changes and alterations since it was first made.
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The metal embroidery thread in the cassock was made by wrapping gold filament around a horse or cow hair core. This would have been extremely costly and time consuming to create, but this sort of labor was typical for creating vestments. The embroidery completely covers the linen it is embroidered
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base. The casula was not made by the saints themselves, though for centuries it was thought that
Harlindis and Relindis made it. Embroidery was seen as an important way to show high social status, and people who could produce it were highly regarded. This is likely why the embroideries came to be
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were shaped garments. While this one is rectangular, it looks like it was altered at some point. It was likely altered to be a more modern shape, and may not have been a cassock when it was first created. Originally it was also richly embellished with pearls, and some of the stitching and stitch
170:. The bands are made of silk and linen threads like the Birka ones, however they are believed to have been made in England. They are the first tablet-woven bands found to use the gold-wrapped embroidery threads rather than just silk, linen, or wool.
163:, but was popular in metalwork as well as in other manuscripts. It is likely that this style of artwork is replicating embroidery, as it is based heavily on interlocking motifs.
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The Casula of Saints
Harlindis and Relindis (also known as the Casula of Maasik or the Maasik embroideries) is the earliest extant example of large-scale
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The two sisters are usually portrayed together, sometimes also with a few nuns, holding either an abbess's staff or a model of the monastery. Her
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holes remain. There is a reference to the pearls still being attached in 1647, so they were on the cassock until at least that point in time.
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Herlindis and
Relindis were the daughters of the Frankish nobleman Adelard, who had his daughters brought up at the Benedictine monastery in
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Ostrom Peters, Cathy (2002). "The Silk Road
Textiles at Birka: An Examination of the Tabletwoven Bands".
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210:"Harlindis and Relindis, two intellectual pioneers in the Maasland region", Codex Eyckensis
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The tablet woven bands edging the casula are similar to Norse ones found in
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for his daughters. Herlindis was consecrated as its first
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Chapel in
Aldeneik, dedicated to Herlindis and Relindis
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Textiles and textile imagery in Old
English literature
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251:Hyer, Maren Clegg (1998).
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174:See also
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