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Design exhibition at the
Brussels Cinquantenaire Museum ("Jubilee Park Museum") in 2005, Henry van de Velde's tea set, two china plates and a silver dish were badly damaged in an unfortunate accident. The silver candle stand remained unharmed. The pieces had been given on temporary loan by Krefeld's Kaiser Wilhelm Museum, the Museum für Angewandte Kunst in Cologne and a private collector.
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12 October 2005, a teapot designed by van de Velde made €170,000 at a public auction at the
Brussels Beaux-Arts auction house – eleven times the opening bid. It is a teapot on a chafing dish, with a wooden handle, resting on an oval basis and made of silver-plated brass. During an Art Nouveau and
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In 1892, he abandoned painting, devoting his time to the arts of decoration and interior design (silver and goldsmith's trade, chinaware and cutlery, fashion design, carpet and fabric design). His meeting with Maria Sèthe, his future wife, was instrumental in this change. They collaborated on a
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sheds further light on this aesthetic theory, and the role played therein by the notion of ornament. It constitutes an important document in the sequence of his intention of publishing a ‘historical—theoretical’ treatise on design.
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He continued his practice in architecture and design, which had demarcated itself significantly from the Art
Nouveau phase, whose popularity was by 1910 in decline. During this period, he mentored the great Belgian architect,
519:. In 1907, he established the Grand-Ducal School of Arts and Crafts, under the patronage of the Grand Duke. Van de Velde designed the school's building and was the school's first director. He stepped down during
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at the
Werkbund meeting of 1914 and their debate would mark the history of Modern Architecture. Van de Velde called for the upholding of the individuality of artists while Hermann Muthesius called for
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Henry Van De Velde played the role in elaborating an aesthetic theory a synthesis of the two opposite poles of rational conception associated with particular understanding of the ornamental function.
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as a key to development. Van de Velde was a proponent of incorporating logic into all facets of design, taking inspiration from engineers application of reason and calculation.
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488:. As a result, he received commissions for interior designs in Berlin. Around the turn of the century, he designed Villa Leuring in the Netherlands, and Villa Esche in
362:, the founder of the first gallery of Art Nouveau in Paris. Van de Velde spent the most important part of his career in Germany and became a major figure in the German
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Henry Van de Velde, Récit de ma vie: Anvers, Bruxelles, Paris, Berlin I. 1863–1900, ed. Anne Van Loo (Bruxelles; Paris: Versa; Flammarion, 1992), 265 and 297.
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van de Velde became one of the first artists to be influenced by the Dutch painter. During this period he developed a lasting friendship with the painter
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Henry Van de Velde, Récit de ma vie: Anvers, Bruxelles, Paris, Berlin I. 1863–1900, ed. Anne Van Loo (Bruxelles; Paris: Versa; Flammarion, 1992), 289.
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and he was one of the first architects or furniture designers to apply curved lines in an abstract style, rather than based on nature.
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In 1890, van de Velde wrote that "there will be no place in the society of the future for anything which is not of use to everyone."
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from 1926 to 1936. He was instrumental in founding in
Brussels, in 1926, today's renowned architecture and visual arts school
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339:; 3 April 1863 – 15 October 1957) was a Belgian painter, architect, interior designer, and art theorist. Together with
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Frank
Brangwyn et la galerie L'Art nouveau, in : Siegfried Bing & la Belgique / België. Bulletin 1 – 2010,
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instead of the black rubber Van de Velde originally intended. He was also involved in the construction of the
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succeed him. In 1919, the School merged with the Weimar Art
Academy to form the famous modernist art school,
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Henry van de Velde also designed interiors and furniture for the influential art gallery "L'Art
Nouveau" of
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567:(although on good terms with the Weimar government) and returned to his native Belgium. Later, he lived in
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Van de Velde was strongly influenced by John Ruskin and
William Morris's English Arts and Crafts movement
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number of projects together, including designing wallpapers and female clothing. Their first house,
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Leidenschaft, Funktion und Schönheit: Henry van de Velde und sein
Beitrag zur europäischen Moderne
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Leidenschaft, Funktion und Schönheit: Henry van de Velde und sein Beitrag zur europäischen Moderne
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Van de Velde's design work became known in Germany through periodicals such as
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During World War I, Van de Velde, as a foreign national, was obliged to leave
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1929–31: Home for the elderly of the 'Minna und James Heinemann-Stiftung' in
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Institute of Art History and Archaeology, where he lectured architecture and
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Henry van de Velde. The Artist as Designer. From Art Nouveau to Modenism
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Although a Belgian, van de Velde played an important role in the German
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1179:. New Haven, Connecticut, USA: Yale University Press. pp. 16–20.
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Swiss Graphic Design: The Origins and Growth of an International Style
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1933–35: Polyclinic and "Villa Landing" for Dr. Adriaan Martens in "
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Henry van de Velde by Georg Kolbe, 1913, Albertinum gallery, Dresden
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1927–28: "La Nouvelle Maison", Van de Velde's private residence in
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1907–08: "Haus Hohe Pappeln", Van de Velde's private residence in
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Royal Museums of Art and History, Brussels, Belgium: exhibition
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Henry van de Velde : ein europäischer Künstler seiner Zeit
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Belgian painter, architect, interior designer, and art theorist
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1906–07: Clubhouse of the "Chemnitzer Lawn-Tennis-Club" in
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due to his Belgian citizenship and suggested that architect
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Dictionary of Belgian painters born between 1750 & 1875
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in Paris. As a young painter he was strongly influenced by
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1913–14: Wohnhaus für den Fabrikanten Dr. Theo Koerner in
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took its name. He participated in Bing's pavilion at the
460:. Maria Sèthe designed the garden surrounding the house.
515:, Germany, where he was employed as artistic advisor to
1378:, Köln : Wienand Verlag, 1992, ISBN 3-87909-314-8
60:. Unsourced material may be challenged and removed.
1299:"On Henry van de Velde's "Manuscript on Ornament""
1343:Wonen als kunstwerk, een woonplaats voor de kunst
929:1936–42: "Technische School", School building in
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414:exhibited some work on the yearly exhibition of
1518:Henry van de Velde, Passion – Function – Beauty
945:1937: "Station Blankenberge", Train station in
755:1903: Extension and interior decoration of the
517:William Ernest, Grand Duke Saxe-Weimar-Eisenach
1491:, Neues Museum Weimar, 24 March – 23 June 2013
697:", Van de Velde's first private residence, in
660:, Neues Museum Weimar, 24 March – 23 June 2013
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1841:Academic staff of Bauhaus University, Weimar
1507:On his 150th birthday, Google dedicated its
1502:, Universität Weimar, 29 March – 12 May 2013
1362:L'œuvre architecturale de Henry van de Velde
829:1913–14: "Werkbund-Theater", Theatre at the
800:1909–11: "Ernst-Abbe-Denkmal", Memorial for
745:1902–03, 1911 (extension): "Villa Esche" in
711:'s art Gallery "Maison de l'art nouveau" in
688:Chair designed for house "Bloemenwerf", 1895
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583:. In 1925 he was appointed professor at the
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1527:from 13 September 2013 to 12 January 2014.
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120:Learn how and when to remove this message
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1200:Fiell, Charlotte; Fiell, Peter (2005).
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1521:(official website), BE, archived from
1476:(official website), BE, archived from
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1264:: CS1 maint: archived copy as title (
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819:1912–13: Palace for Graf Dürckheim in
604:Institut supérieur des Arts décoratifs
467:in Paris in 1895, the shop from which
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1427:(in German), Chemnitz, archived from
1360:Léon Ploegaerts et Pierre Puttemans,
808:(in collaboration with the sculptors
780:", Mansion for Karl Ernst Osthaus in
452:. Its exterior closely resembled the
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1482:and building blog on the renovation.
1398:Works by or about Henry van de Velde
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58:adding citations to reliable sources
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473:Paris Universal Exposition of 1900
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843:1913–14: "Villa Schulenburg" in
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1846:Immigrants to the German Empire
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1112:Monument Frédéric de Merode in
1020:Staircase of the Sanatorium of
873:1929 : "Wolfers House" in
500:(today the building houses the
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150:Henry van de Velde; portrait by
45:needs additional citations for
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939:1937: Belgian Pavilion at the
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1786:19th-century Belgian painters
1458:Boekentoren Belvedère in 360°
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707:1895: Interior decoration of
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1836:Henry van de Velde buildings
1351:Marechal, Dominique (2010),
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336:[ˌɑ̃ːˈrivɑndəˈvɛldə]
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1389:Works by Henry van de Velde
1331:Berko, P; Berko, V (1981),
543:In 1907, he co-founded the
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1442:(in Dutch), Scheveningen,
1371:. Occasional Papers, 2019.
1202:Design of the 20th Century
957:1939 New York World's Fair
673:The Manuscript on Ornament
666:The Manuscript on Ornament
384:Royal Academy of Fine Arts
328:Henry Clemens van de Velde
138:Henry Clemens van de Velde
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1335:, Knokke, pp. 684–85
1303:Journal of Design History
1139:Henry Van de Velde, Facts
1054:Van-de-Velde-Building in
731:1900–02: Interior of the
635:Ghent University Hospital
502:Karl Ernst Osthaus-Museum
475:and showed his own work.
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374:Van de Velde was born in
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274:University Library with "
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1816:Expressionist architects
1811:Arts and Crafts movement
1662:Temple of Human Passions
1596:Hôtel Albert Ciamberlani
1297:Haddad, Elie G. (2003).
1175:Hollis, Richard (2006).
648:Auctions and exhibitions
450:Arts and Crafts Movement
1801:Architects from Antwerp
1732:Octave van Rysselberghe
1562:Art Nouveau in Brussels
1341:Jacobs, Steven (2005),
511:In 1899, he settled in
1806:Art Nouveau architects
1667:Van Rysselberghe House
1374:Klaus-Jürgen Sembach,
1142:, 2010, archived from
1073:Henry van de Velde by
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575:where he designed the
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1826:Art Nouveau designers
1791:Belgian male painters
1421:van de Velde, Henry,
990:Villa Schulenburg in
941:1937 Paris Exposition
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640:He died, aged 94, in
577:Kröller-Müller Museum
420:Théo van Rysselberghe
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1831:Art Nouveau painters
1821:Modernist architects
1781:Artists from Antwerp
1450:on 27 September 2007
911:1933–38: Library of
599:, under the name of
69:"Henry van de Velde"
54:improve this article
1480:on 21 February 2010
1439:Villa "De Zeemeeuw"
1089:"Wolfers House" in
398:and soon adopted a
1727:Henry van de Velde
1631:Hôtel van Eetvelde
1601:Hôtel de Brouckère
1525:on 5 November 2013
1060:Bauhaus-University
814:Constantin Meunier
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424:Constantin Meunier
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258:Kunstgewerbeschule
18:Henry Van de Velde
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1677:Villa Bloemenwerf
1431:on 15 August 2001
1393:Project Gutenberg
1246:on 20 August 2019
1035:Extension to the
831:Deutsche Werkbund
757:Nietzsche Archive
552:Hermann Muthesius
506:Nietzsche Archive
422:and the sculptor
400:neo-impressionist
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1712:Victor Horta
1626:Hôtel Tassel
1621:Hôtel Solvay
1606:Hôtel Hannon
1591:Horta Museum
1586:Hankar House
1523:the original
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947:Blankenberge
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171:3 April 1863
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52:Please help
47:verification
44:
1776:1957 deaths
1771:1863 births
1702:Paul Hankar
1642:Old England
1638:(destroyed)
1616:Hôtel Otlet
1473:Boekentoren
1409:Villa Esche
1150:24 December
1022:Trzebiechów
917:Boekentoren
810:Max Klinger
695:Bloemenwerf
623:Boekentoren
573:Netherlands
571:and in the
569:Switzerland
521:World War I
508:in Weimar.
469:Art Nouveau
465:Samuel Bing
442:Bloemenwerf
404:pointillism
402:style, and
392:Paul Signac
351:in Belgium.
349:Art Nouveau
345:Paul Hankar
317:Boekentoren
315:, Belgium:
290:Boekentoren
276:Boekentoren
268:Theatre in
248:Bloemenwerf
216:Maria Sèthe
110:August 2016
1765:Categories
1695:Architects
1186:0300106769
1125:References
1039:Archiv in
802:Ernst Abbe
776:1907–08: "
693:1895–96: "
538:Jugendstil
504:) and the
370:Early life
364:Jugendstil
202:Occupation
167:1863-04-03
80:newspapers
1569:Buildings
1509:home page
1315:0952-4649
1250:20 August
1220:809539744
1037:Nietzsche
612:Modernism
595:La Cambre
454:Red House
410:". After
243:Buildings
205:Architect
194:Oberägeri
177:, Belgium
1465:: Visoog
1260:cite web
1114:Brussels
1095:Brussels
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865:Tervuren
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747:Chemnitz
723:Brussels
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287:Projects
1750:Commons
1400:at the
1118:Belgium
1099:Belgium
1091:Ixelles
935:Belgium
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907:Belgium
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761:Weimar
717:France
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565:Weimar
513:Weimar
430:Career
416:Les XX
408:Les XX
332:Dutch:
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254:(1895)
210:Spouse
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1266:link
1252:2019
1216:OCLC
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1181:ISBN
1152:2010
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