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Henry Kirke Brown

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He spent four years (1842–1846) in Italy; but returning to New York he wanted to ensure he remained distinctively American. He bemoaned the fact that so many of the early American sculptors were dominated by Italian influence. Even so, his work combines American subject matter with the style of the
440: 769: 565: 320: 282: 691: 479: 422: 141:, learned a little about modelling, and in 1836-1839 spent his summers working as a railroad engineer to earn enough to enable him to study further. 301: 511: 655: 180:(1856) in Union Square, New York City, which was the second equestrian statue made in the United States, following by three years that of 899: 879: 743: 718:, an exhibition catalog from The Metropolitan Museum of Art (fully available online as PDF), which contains material on Brown (see index) 570: 894: 789: 783: 204: 914: 874: 487: 37: 259:
was the first American full-length sculpture cast in a single piece, when it was exhibited temporarily in City Hall Park in 1855.
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One or more of the preceding sentences incorporates text from a publication now in the
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Sculptors, Painters, and Italy: Italian Influence on Nineteenth-Century American Art,
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Henry Kirke Brown and the American Expatriate Colonies in Italy, 1842-1846
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An American Collection: Works of Art from the Amon Carter Museum
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Not to be confused with his nephew and adoptive son, sculptor
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as an Associate member, and became a full member in 1851.
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General Winfield Scott 190:Brevet Lt. 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Index

Henry Kirke Bush-Brown

Leyden, Massachusetts
Newburgh, New York
Leyden, Massachusetts
Newburgh, New York
sculptor
portraits
Boston
Chester Harding

Henry Peters Gray
Asher Brown Durand
American Art Union
equestrian statues
George Washington
Andrew Jackson
Clark Mills
Brevet Lt. General Winfield Scott
bronzes
National Academy of Design
statue of Abraham Lincoln
Nathanael Greene
George Clinton
Philip Kearny
Richard Stockton
National Statuary Hall
United States Capitol
De Witt Clinton
Green-Wood Cemetery

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