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also displayed this quality to a great degree in their work. Hard-edge can be seen to be associated with one or more school of painting, but is also a generally descriptive term, for these qualities found in any painting. Hard-edge painting can be figurative or nonrepresentational.
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in
Belfast. The term came into broader use after Alloway used it to describe contemporary American geometric abstract painting featuring "economy of form," "fullness of color," "neatness of surface," and the nonrelational arrangement of forms on the canvas.
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who adopted a knowingly impersonal paint application and delineated areas of color with particular sharpness and clarity. This style was a significant reaction to the more painterly or gestural forms of
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was held at the
Pavilion Gallery in Balboa, CA (also known as the Newport Pavilion) with the cooperation of the Ankrum Gallery, Esther Robles Gallery, Felix Landau Gallery,
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is painting in which abrupt transitions are found between color areas. Color areas often consist of one unvarying color. The Hard-edge painting style is related to
291:. The exhibit again featured John McLaughlin, Feitelson, Hammersley, and Benjamin, and added Lundeberg as the fifth of the original Hard-edge painters. In 2003,
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193:(1925-2012). This group of seven gathered at the Feitelson's home to discuss a group exhibition of this nonfigurative painting style. Curated by Langsner,
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Louis Stern Fine Arts continues to exhibit and represent the estates of Hard-Edge painters, including
Benjamin, Lundeberg, and Feitelson.
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854:"Modernism101.com | Langsner, Jules [Director/essay]: CALIFORNIA HARD-EDGE PAINTING. Balboa, CA: The Pavilion Gallery, 1964"
370:, which showcased the artistic practices that characterized the postwar L.A. art scene. The exhibition highlighted selections from
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The Los
Angeles School: Karl Benjamin, Lorser Feitelson, Frederick Hammersley, June Harwood, Helen Lundeberg, and John McLaughlin
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In the late 1950s, Langsner and Peter Selz, then professor at Pomona
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Other earlier art movements have also contained the quality of hard-edgedness; for example, the
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The same year, NOHO MODERN showed the works of June
Harwood in an exhibition entitled
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In 1964, a second major hard-edge exhibition curated by Jules
Langsner, simply titled
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This style of hard-edge geometric abstraction recalls the earlier work of
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The term “Hard-edge painting” was coined in 1959 by writer, curator, and
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opened at the San
Francisco Museum of Art in 1959, then traveled to the
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in
Exposition Park. Helen Lundeberg was not included in the exhibit.
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Birth of the Cool: California Art, Design, and
Culture at Midcentury
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Lorser Feitelson and the invention of Hard-edge painting, 1945–1965.
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Lorser Feitelson and the Invention of Hard-Edge Painting, 1945–1965
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Lorser Feitelson and the Invention of Hard Edge Painting, 1945-1965
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presented a retrospective exhibition for Lorser Feitelson entitled
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902:. Louis Stern Fine Arts and the Feitelson Arts Foundation. 2003.
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Hard-edge painting (also referred to as Hard Edge or Hard-edged)
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924:"June Harwood - Hard-Edge Painting Revisited:1959-1969"
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Crosscurrents in L.A. Painting and Sculpture, 1950-1970
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June Harwood: Hard-edge painting Revisited, 1959–1969.
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June Harwood: Hard-Edge Painting Revisited, 1959–1969
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in London, where Alloway was assistant director, and
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1019:. Louis Stern Fine Arts. 2007. p. 19.
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1133:Toronto: Art Canada Institute, 2022.
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805:"Karl Benjamin's Colorful Resurgence"
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972:"OCMA / Orange County Museum of Art"
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1112:Four Abstract Classicists Plus One
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1123:. Louisiana Museum of Modern Art.
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249:California Hard-Edge Painting
229:California Hard-Edge Painting
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757:. 2010-04-19. Archived from
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1126:Mastin, Catharine. (2022).
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1288:Abstract expressionism
1114:exhibition catalogue,
1105:exhibition catalogue,
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1003:. J. Paul Getty Trust.
659:Abstract expressionism
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150:Abstract expressionism
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1535:Geometric abstraction
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731:"Hard edge painting"
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425:Richard Anuszkiewicz
209:West Coast Hard-edge
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119:Color Field painting
77:Frederick Hammersley
38:1952, 40 x 70 inches
16:Movement in painting
1560:Monochrome painting
1318:Organic abstraction
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689:Lyrical abstraction
525:George L. K. Morris
347:, Andover, MA; the
125:History of the term
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1763:Hard-edge painting
1726:Jean-Pierre Yvaral
1711:Gregorio Vardanega
1540:Hard-edge painting
1253:Hard-edge painting
1163:Hard-edge Painting
1156:2012-09-10 at the
928:www.nohomodern.com
515:Alexander Liberman
313:Otis Art Institute
287:at her gallery in
221:Queen's University
20:Hard-edge painting
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560:Deborah Remington
403:Theo van Doesburg
399:Wassily Kandinsky
341:Birth of the Cool
189:(1919–2009), and
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1748:Color theory
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1499:Frank Stella
1474:Agnes Martin
1434:Josef Albers
1332:Predecessors
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1233:Concrete art
1210:Abstract art
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674:Concrete art
654:Abstract art
610:Leo Valledor
605:Robert Swain
595:John Stephan
590:Frank Stella
555:Ad Reinhardt
520:Agnes Martin
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1814:Western art
1631:Yaacov Agam
1504:Anne Truitt
1449:Donald Judd
1414:Minimal art
1303:Color Field
1280:abstraction
1268:Suprematism
1248:Fractal art
1220:abstraction
814:January 18,
694:Minimal art
669:Color Field
600:Myron Stout
550:Mavis Pusey
545:Larry Poons
485:John Ferren
465:Robyn Denny
380:Blue Planet
317:Los Angeles
305:Dave Hickey
303:Art critic
289:Los Angeles
245:Los Angeles
135:art critic
1809:Modern art
1788:Categories
1545:Minimalism
1494:Tony Smith
1464:Sol LeWitt
1459:Yves Klein
1444:Dan Flavin
1439:Larry Bell
1258:Minimalism
1218:Geometric
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981:2024-01-18
957:2024-01-18
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883:2024-01-18
859:2024-01-18
839:2024-01-19
789:2024-01-18
765:2024-01-18
740:2024-01-18
716:References
699:Modern art
460:Gene Davis
323:exhibited
261:Larry Bell
231:Exhibition
169:Exhibition
145:California
141:Peter Selz
709:Verdadism
640:Larry Zox
415:Herb Aach
366:, titled
251:included
1530:De Stijl
1421:Artists
1372:Category
1349:Futurism
1323:Tachisme
1313:Nuagisme
1278:Lyrical
1243:De Stijl
1154:Archived
647:See also
435:Max Bill
382:(1965).
376:Stage II
52:Location
36:Untitled
1624:Artists
1344:Fauvism
1087:Sources
495:Al Held
1617:Op art
1570:Op art
1339:Cubism
1263:Op art
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729:Tate.
405:, and
329:design
279:Legacy
271:, and
117:, and
111:Op Art
1513:Forms
1001:Getty
333:music
1425:list
1135:ISBN
1046:ISBN
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816:2024
735:Tate
337:film
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