20:
35:
49:
171:
as an assistant in 1598 or 1599, and no doubt gave
Elsheimer an introduction to Bril; when Elsheimer moved on to Rome he and Bril became close friends. Two drawings by Rottenhammer (now in Copenhagen) belonged to Elsheimer, and have an inscription noting they were a gift from Rottenhammer.
192:
There are paintings in the main galleries in London, Munich (3), Augsburg, Berlin, Cambridge, St
Petersberg, Amsterdam (2), Schwerin, Milan, Los Angeles, Dunedin and elsewhere. Most of his altarpieces and decorative schemes can still be seen in situ.
125:, until the 19th century in the possession of the Grimani family in Venice, but since considered missing. He was the first German artist to specialize in cabinet paintings. In Rome he knew the earlier members of the
172:
Elsheimer's mature paintings are all small and on copper, and continue to develop
Rottenhammer's synthesis of German and Italian styles, and use of landscape. Among his noted works are those painted for Emperor
106:
on copper, of religious and mythological subjects, combining German and
Italian elements of style. In particular he combines the landscape tradition of the North with the compositional and figure styles of
133:, a Flemish artist living in Rome, sending him plates with the figures painted on for Bril to supply the landscape, according to a dealer's letter of 1617. He also collaborated with
160:
Once back in
Germany, he worked on larger altarpieces and decorative schemes for palaces, including the Munich Residenz and Schloss Bückeborg(Goldener Saal), more in the style of
341:
331:
326:
94:, working also in Munich. He died in Augsburg, apparently in some poverty, and according to some sources an alcoholic.
281:
262:
243:
298:
66:(1564 – 14 August 1625), was a German painter. He specialized in highly finished paintings on a small scale.
336:
292:
129:, a circle of Northern artists (before the name itself arose), and remained in regular contact with
134:
27:
202:
173:
238:. Edinburgh: National Galleries of Scotland, In association with Paul Holberton Publishing.
321:
316:
19:
8:
121:
161:
142:
34:
277:
258:
239:
48:
116:
146:
103:
149:). A good example of his early style, in which he approaches Tintoretto, is his
291:
168:
112:
310:
126:
79:
53:
108:
130:
91:
90:
from 1595-6 to 1606, before returning to
Germany and settling in
154:
87:
75:
40:
102:
In Venice he gained a reputation for small highly finished
83:
137:
in a similar way. He was commissioned in 1600 to paint a
82:
the Elder. In 1593-4 (and perhaps earlier) he was in
274:
The
National Gallery complete illustrated catalogue
225:, The British Museum Press, London, 2002, pp.88-89.
308:
271:
115:. While in Venice, Rottenhammer made a copy of
252:
233:
184:, and four others, in the Vienna Museum.
47:
33:
18:
272:Baker, Christopher; Henry, Tom (2001).
309:
78:, where he studied until 1588 under
44:, by Hans Rottenhammer, painted 1603
182:Battle Between Centaurs and Lapithæ
13:
203:Hans Rottenhammer on Artcyclopedia
14:
353:
196:
52:Portrait of Hans Rottenhammer by
167:He is believed to have employed
276:. London: National Gallery Co.
257:. London: Scala/Philip Wilson.
299:New International Encyclopedia
215:
26:by Rottenhammer (figures) and
1:
223:Albrecht Dürer and his Legacy
208:
342:17th-century German painters
332:16th-century German painters
293:"Rottenhammer, Johann"
187:
69:
7:
255:The Alte Pinakothek, Munich
253:Steingräber, Erich (1985).
234:Klessmann, Rüdiger (2006).
10:
358:
327:German Mannerist painters
236:Adam Elsheimer, 1578-1610
86:, and he then settled in
164:than his Italian work.
97:
135:Jan Brueghel the Elder
56:
45:
31:
28:Jan Brueghel the Elder
174:Rudolph II of Austria
51:
37:
22:
337:German male painters
122:Feast of the Rosary
60:Johann Rottenhammer
162:Northern Mannerism
143:Emperor Rudolph II
57:
46:
32:
221:Bartram, Giulia.
139:Feast of the Gods
104:cabinet paintings
64:Hans Rottenhammer
24:Flight into Egypt
349:
303:
295:
287:
268:
249:
226:
219:
117:Albrecht Dürer's
39:Minerva and the
357:
356:
352:
351:
350:
348:
347:
346:
307:
306:
290:
284:
265:
246:
230:
229:
220:
216:
211:
199:
190:
151:Death of Adonis
100:
74:He was born in
72:
17:
12:
11:
5:
355:
345:
344:
339:
334:
329:
324:
319:
305:
304:
288:
282:
269:
263:
250:
244:
228:
227:
213:
212:
210:
207:
206:
205:
198:
197:External links
195:
189:
186:
169:Adam Elsheimer
99:
96:
71:
68:
16:German painter
15:
9:
6:
4:
3:
2:
354:
343:
340:
338:
335:
333:
330:
328:
325:
323:
320:
318:
315:
314:
312:
301:
300:
294:
289:
285:
283:0-300-08829-9
279:
275:
270:
266:
264:0-85667-222-X
260:
256:
251:
247:
245:1-903278-78-3
241:
237:
232:
231:
224:
218:
214:
204:
201:
200:
194:
185:
183:
179:
175:
170:
165:
163:
158:
156:
152:
148:
144:
140:
136:
132:
128:
124:
123:
118:
114:
110:
105:
95:
93:
89:
85:
81:
77:
67:
65:
61:
55:
50:
43:
42:
36:
29:
25:
21:
297:
273:
254:
235:
222:
217:
191:
181:
177:
166:
159:
150:
138:
127:Bamboccianti
120:
101:
80:Hans Donauer
73:
63:
59:
58:
54:Lucas Kilian
38:
23:
322:1625 deaths
317:1564 births
30:(landscape)
311:Categories
209:References
109:Tintoretto
188:Galleries
147:Hermitage
131:Paul Bril
119:painting
70:Biography
180:(1608),
178:Nativity
113:Veronese
92:Augsburg
302:. 1905.
153:in the
280:
261:
242:
155:Louvre
88:Venice
76:Munich
145:(now
62:, or
41:Muses
278:ISBN
259:ISBN
240:ISBN
141:for
111:and
98:Work
84:Rome
176::
313::
296:.
157:.
286:.
267:.
248:.
Text is available under the Creative Commons Attribution-ShareAlike License. Additional terms may apply.