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alone, a jovial, flat-headed fellow hangs around under the name Mozart, who with the "enormously benaste" original has only a few similarities with the profile of Duhan, his performer. We do not make a being out of the fact that this Mozart is seduced by the sight of the
Salzburg landscape, which is seductive, into a kind of tourist guide waltz: "Salzburg, Salzburg, you are the jewel, the pearl of Austria". More troubling to us is that Mozart only marries Stanzi in Prague after the performance of "Don Juan" and cheats on her with her sister Aloysia on her wedding day. And most of all, that there in Prague the mysterious messenger of
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20:
871:. For money, Mozart wrote pieces for music boxes and organ rolls, not his own death music. Mozart, who, as is well known, attached particular importance to "action" in a textbook, that is the plot, will see his error afterwards, because Wilhelms and Frank's book is one almost without "action". Little happens, the idle are standing around on stage, and yet the audience likes it. This is the effect of Wolfgang Amadé's folk-like figure, who himself seems to be distorted, who has stepped down in life, unknown, where he was buried and, after his death, transfigured
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The Dreimäderlhaus has moved to
Salzburg and has become mossy. A singspiel doesn't need to be a biography, and whether a few incidents are postponed or swapped will only bother one professor of music history, not the audience. If only the human is true and unchanging. In the book by Wilhelm and Frank
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comic of Mrs. Griebl as
Veronika. The picturesque view of Hohensalzburg, the splendid apartment of the Duschek couple in Prague and the beautiful cheerful rococo costumes were also successful. But Duhan was Hans Dampf in all gases (?), he will play another role soon, will step down from the stage to
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However, the audience knew no reservations and prepared the "Mozart" for the great stormy recording. It said, "Mozart," and it meant Duhan. First and foremost, the success is probably also a personality success of the singer and composer, and without him the piece seems unthinkable. Charming in the
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The changes in the teaching staff and in the structure of the
Academy of Music and Performing Arts have, as reported, resulted in the termination of contracts with a number of outstanding teachers. At the same time as the measures were being taken to dismantle the school, negotiations were underway
180:, he took over the Duke, whom he was to perform a total of 19 times. He also took over the role of Manuele Biffi 7 times. From the end of the 1920s, Duhan was increasingly used as a director and director, he was responsible for the smooth running of several hundred evenings at the Staatsoper.
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Since the performances of the Vienna State Opera have only been fully recorded in the archives since 1955, it is quite possible that the number of roles and performances sung by Duhan could still increase. This also applies to his
916:), denies everything of his own, and everything would be fine if it weren't Wolfgang Amadé Mozart who has to sing Duhan... The audience, however, likes it – but it is nicer the other way round: when Duhan Mozart sings ...
259:
and Joseph
Rinaldini. At the piano Joseph Marx and Fritz accompanied Kuba. Two of the composers had to emigrate shortly afterwards, a third (Hauer) was defamed by the National Socialists in the travelling exhibition
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the podium, and conduct his work himself. Some things touched us strangely; we doubt whether Duhan had to "bring Mozart closer" to us in this way; but Mozart certainly brought Duhan closer to all of us.
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Aus des Volkes
Wunderhorn. A collection of fifteen folk poems, set to music for a middle voice with piano accompaniment by Wilhelm Kienzl. Dedicated to Hans Duhan in the highest artistic esteem
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Leo KrauĂź and the other performers, as one could read from his radiant face. Very kind are Mrs. Wagschal as
Aloysia and Mrs. Friedl Böhm as Konstanze, who had a special success with the duet
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Theater, Kunst und Musik. „Mozart". Singspiel in zwei Akten und einem
Nachspiel von Julius Wilhelm und Paul Frank. Musik von Hans Duhan. (UrauffĂĽhrung in der Volksoper am 2. Juni 1923.).
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From 1934 to 1938 Duhan was a member of the
Federal Cultural Council as a representative of the art group, designed programmes for "patriotic events" and was closely associated with
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recording company. He also endeavoured to produce works by contemporary composers; in addition to the composers mentioned in the
Salzburg Liederabend, he also interpreted works by
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first, moving in the last, in the act of death. Mr. Duhan has every reason to be stifled with the performer of the main character, probably he is also stifled with the conducting
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Hans Duhan also accompanied the Vienna State Opera on numerous tours to London, Paris, Stockholm, Amsterdam, Rome, Budapest, etc. In 1924, he sang the title role in
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Born in Vienna, Duhan was a "real Viennese", was born there, grew up there and completed his secondary school and his musical studies there. Besides singing with
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164:. He represented the music teacher a total of 60 times, Harlequin 76 times. From 1927 on, he sang and played the violin virtuoso Daniello 21 times in
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suffering, Mr. Lazer a heavily loaded Schachtner and Mr. Puntschart a cozy round host of yours. Not to forget the unfortunately too little used
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On 3 July of this year, the Federal President awarded solo singer Hans Duhan the title of "Kammersängers, ..." at the Vienna State Opera.
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Duhan participated in three important world premieres: in 1916 he impersonated the music teacher and Harlequin in the new version of
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Volksoper. "Mozart", Singspiel von Julius Wilhelm und Paul Frank, Musik von Hans Duhan. ErstauffĂĽhrung zugunsten der "Concordia".
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Theater, Kunst und Literatur. "Mozart", Singspiel von Julius Wilhelm und Paul Frank, Musik von Hans Duhan. Volksoper am 2. Juni.
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with numerous artists, including the Kammersängerinnen Wildbrunn and Kiurina, to win them over to lead the newly designed
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appears, orders the Requiem and, as Mozart declares that he is not in the mood, puts him in the mood with a hundred
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In the 1920s and 1930s, Duhan was an important pillar of the festival – in 1922 also as the first Count Almaviva in
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933:. Mr. Kurth is an excellently fibbing Josef Lange ("a bag of wind"), Dr. Krögler an elegiac, jealous
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to sing the leading role. A sensational scent from which the older bland Mozartsingspiele (by
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Duhan composed this book, and it is probably the first time that a singer has written an
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567:(Elektronische Ressource). Directmedia Publishing (Lizenz Saur, Munich), Berlin 2000,
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Strell (7 March 1894 – 14 July 1962) died in Munich. Both graves are located at the
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From the 1931/32 season until 1955 Duhan worked as a teacher of opera drama at the
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Published by Wilhelm Rohm. Mozartgemeinde. Lafite, Wien 1964, p. 156.
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as well as Count Almaviva at one of these guest performances at the Paris
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to the ears. He is a good, a very talented musician, rarely uses Mozart (
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Die Reform der Musikakademie. Auflassung der Klassen Beer und Markowsky.
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37:(27 January 1890 – 6 March 1971) was an Austrian operatic
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In May, the baritone joined the Court Opera Association.
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Mozartgemeinde Wien 1913–1963. Forscher und Interpreten.
423:. A singspiel in two acts and an epilogue, libretto by
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Theater. »Ormer Voter, wie hast du dir verändert!«.
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453:Occasionally he also stood on the podium of the
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100:in 1910, as usual in the province at that time.
544:Hans Duhan. Ein groĂźer KĂĽnstler aus groĂźer Zeit
45:for 26 years and was the first Count Almaviva (
757:University of Music and Performing Arts Vienna
231:, in a Liederabend together with the soprano
80:and Emil Steger, he studied piano, organ and
592:; Printed edition: Volume 1, edition of the
141:and 62 times the prison director Frank in
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88:and completed the conducting course with
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511:Duhan, who was married to Erilda (Eri),
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1075:Stock of the Austrian National Library
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41:. He belonged to the ensemble of the
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168:'s highly controversial jazz opera
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784:(Hans Duhans Singspiel "Mozart".)
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578:Barbara Boisits: Duhan, Hans. In
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285:and as the music teacher in
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678:Neueste Theaternachrichten.
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270:The Marriage of Figaro
195:The Marriage of Figaro
120:The Marriage of Figaro
48:The Marriage of Figaro
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563:Großes Sängerlexikon
378:Vienna Music Academy
237:Josef Matthias Hauer
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612:Vienna History Wiki
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330:Die schöne Müllerin
147:by Johann Strauss.
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361:St Matthew Passion
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517:Hietzing Cemetery
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288:Ariadne auf Naxos
241:Hans Ewald Heller
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402:Otto Wiener
353:Erich Zeisl
336:Winterreise
317:Franz Liszt
249:Joseph Marx
74: [
1186:Categories
1127:Hans Duhan
1121:Hans Duhan
959:Reichspost
930:RĂ© pastore
896:, between
683:Der Morgen
629:References
608:Hans Duhan
390:Erich Kunz
382:Hans Braun
321:Carl Loewe
253:Alban Berg
35:Hans Duhan
1152:Biography
1051:Die Bombe
532:(3 July).
472:Rigoletto
466:Lohengrin
229:Anschluss
57:) of the
1064:und S. 6
935:SĂĽĂźmeyer
898:ReiĂźiger
882:Lortzing
878:operetta
656:in Wien)
500:In 1919
495:Heimwehr
493:and the
368:singer.
366:oratorio
339:and the
217:Don Juan
177:Giuditta
115:baritone
39:baritone
1176:Austria
1138:Portals
1131:Discogs
914:Requiem
906:celesta
890:Toselli
841::
619:in the
138:Fidelio
109:at the
98:Troppau
912:, the
902:Eisler
886:Riotte
869:ducats
600:
588:
571:
523:Awards
421:Mozart
1164:Opera
966:]
939:Niese
884:, by
643:AĂŹDA.
546:. In
478:Tosca
443:]
432:]
406:tenor
132:Tosca
84:with
78:]
1098:ANNO
1055:ANNO
1028:ANNO
1001:ANNO
971:ANNO
900:and
892:and
853:ANNO
822:ANNO
793:ANNO
746:ANNO
726:ANNO
687:ANNO
660:ANNO
652:and
650:Oper
598:ISBN
586:ISBN
569:ISBN
463:and
434:and
400:and
323:and
160:and
106:Aida
92:and
610:in
513:née
264:".
193:in
156:by
1188::
964:de
769:,
560::
556:,
519:.
508:.
497:.
481:.
441:de
430:de
411:.
396:,
392:,
388:,
384:,
333:,
319:,
315:,
255:,
251:,
247:,
243:,
239:,
197:.
76:de
61:.
1140::
1100:)
1057:)
1030:)
1003:)
973:)
855:)
824:)
795:)
748:)
728:)
689:)
662:)
604:.
575:.
565:.
449:.
260:"
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