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which hardened the gelatin layer where it had been exposed and developed. Those areas corresponding to the blocked out areas on the print remained relatively soft and capable of taking up dye. This dyed matrix film was brought into contact, in accurate register, with a positive print, to which the dye transferred in the appropriate areas. The print made several passes through the dye transfer machines, in contact with a separate matrix for each color. Usually, three colors were applied at the most.
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Handschiegl described the invention thus: A separate, black-and-white print for each color to be applied was made. Using an opaque paint, portions of the image where color was to be applied were blocked out. A duplicate negative was made from the painted print and developed in a tanning developer,
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Surviving examples of the process show that this technique was not always used. In some examples, stencils or simple hand coloring were employed. The process used most likely depended on variables such as speed and budget.
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For a time, the process was strictly used for
Paramount releases only, but when Handschiegl and Wyckoff left Famous Players–Lasky, the process became known as the Handschiegl Color Process. Aside from
384:(1927) – Was used as visual effects for flames and explosions. Though the original negative was lost, the film's Handschiegl effects have been recreated for its latest restoration.
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481:"Paramount Home Entertainment Proudly Presents the Very First Best Picture Academy Award Winner on Blu-ray and DVD for the First Time Ever - WINGS"
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46:, App: Nov 20, 1916, Iss: May 13, 1919) produced motion picture film prints with color artificially added to selected areas of the image.
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88:. The system was originally advertised as the "Wyckoff" process, and later referred to in publicity as the "DeMille-Wyckoff" process.
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103:, the Handschiegl process was the most widely used form of artificial coloring in motion pictures of the 1920s.
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240:(1923) – The crossing of the red sea had a blue tone and red Handschiegel technique on the masses crossing it
284:(1925) – The title character's flowing robes on the rooftop of the Opera House were dramatically colored red
352:(1926) – In a barbershop scene, too-hot towels are removed from Johnny Hines' face, which is lobster-red.
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162:(1917) – Red and yellow gave the scene of Joan of Arc burning at the stake a heightened dramatic effect
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248:(1925) – A shot of an ambulance stuck in the mud had its red cross colored appropriately
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224:) (1922) – A party sequence had soap bubbles imbibed with several prismatic colors
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132:) formed the company. In 1928, Kelley Color was, in turn, bought by Harriscolor.
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256:(1925) – Erich Von Stroheim's original 4-hour cut of the film was to have all
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456:"Academy's First Best Picture, "Wings," Returns to the Silver Screen"
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in 1927 when
Handschiegl and William Van Doren Kelley (inventor of
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483:. Paramount Home Entertainment (via PR Newswire). 2011-11-15
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dyes were applied to a black-and-white print using gelatin
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192:(1920) – Max Handschiegl credited as cinematographer
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460:Academy of Motion Picture Arts and Sciences
435:"PSFL : The Three Musketeers (1921)"
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146:(1915) – For prints re-issued after 1916
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260:items colored a brilliant gold-yellow
62:The process was invented in 1916 for
136:Known examples of Handschiegl color
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107:Overview of how the process worked
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415:List of early color feature films
26:through the Handschiegl process
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20:Color applied to a print of
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190:The Heritage of the Red Man
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508:Film and video technology
410:Color motion picture film
294:1929 version of this film
32:Handschiegl color process
333:The Girl from Montmartre
281:The Phantom of the Opera
301:Seven Keys to Baldpate
265:Lights of Old Broadway
222:The Octave of Claudius
58:History of the process
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23:Lights of Old Broadway
143:The Birth of a Nation
43:U.S. patent 1,303,837
37:U.S. patent 1,303,836
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405:Dye-transfer process
237:The Ten Commandments
209:The Three Musketeers
82:Famous Players–Lasky
72:(1917) by engraver
325:The Flaming Forest
292:(1925) (note: the
202:Yankee Doodle, Jr.
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395:Film colorization
373:The King of Kings
341:The Greater Glory
309:The Splendid Road
296:used Technicolor)
86:Paramount Studios
66:'s production of
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317:The Fire Brigade
78:Alvin W. Wyckoff
64:Cecil B. DeMille
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273:The Merry Widow
217:A Blind Bargain
183:Treasure Island
175:Broken Blossoms
167:The Devil-Stone
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74:Max Handschiegl
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485:. Retrieved
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464:. Retrieved
462:. 2011-12-02
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437:. Silent Era
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400:Film tinting
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126:Kelley Color
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76:and partner
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151:Intolerance
120:Later years
101:Pathéchrome
487:2011-12-10
466:2011-12-10
441:2011-10-19
421:References
229:Red Lights
54:matrices.
52:imbibition
502:Category
389:See also
365:Volcano!
204:) (1920)
99:process
84:, later
97:stencil
48:Aniline
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220:(aka.
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130:Prizma
381:Wings
289:Sally
253:Greed
93:Pathé
357:Mike
258:gold
30:The
95:'s
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34:(
Text is available under the Creative Commons Attribution-ShareAlike License. Additional terms may apply.
_Handschiegl_color.jpg)