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Henry Constantine Richter

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consisted of: his wife, Charlotte Sophia, his adult son, both of his adult daughters and one servant. This arrangement may have been out of financial necessity as much as family affection - artist and lithographers were paid very little. As related by Jackson (p. 48), one practitioner, GJ Keulmans, wrote of his remuneration: "it has just saved me from starvation and nothing else".
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difficult to achieve, but tonal qualities are easily suggested and it is possible for a drawing to be made directly onto the stone. The result is a more spontaneous impression, with the broad, fluid lines of a crayon and tonal planes producing a much softer or subtler result than that produced by the black and white linear imprint of engravings. - University of Tasmania.
131:, Middlesex, England. He was their first child. His birth was followed by that of his sister Antonia Charlotte (1823-1896) and his brother Charles (b.1827). A half-sister - Henrietta Sophia (1814-1896) had already been born to Henry James Richter's first wife, Elizabeth Smith (1787-1816), whom he had married on 9 July 1808, and lost after eight years' marriage. 236:
years, until Gould died in 1881. Richter created about 3,000 lithographic plates and watercolours for Gould. Other illustrators employed by Gould included Edward Lear, William Matthew Hart and Joseph Wolf, although it was Richter who produced the vast majority of the works during Gould's lifetime.
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John Gould was an experienced taxidermist, using his skill to preserve the skins of birds from his various worldwide expeditions. These skins were used by his artists to guide their illustrations, together with initial sketches made by Gould to indicate his requirements for the exact appearance of
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Richter's reputation was overshadowed by that of his much-celebrated employer. Since it was not customary to acknowledge illustrators alongside authors in the titles of publications, his name was forgotten. But in 1978, his great ability and the extent of his contribution to Gould's work came to
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In 1841 Richter was contacted by the zoologist John Gould, who urgently needed an illustrator, after the death of his wife Elizabeth Coxen (1804-1841), because he had committed to producing various parts of his lavish books on certain dates. The Gould-Richter working relationship lasted for forty
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Lacking a regular income after the death of Gould, Richter became dependent upon his sister, Antonia Charlotte, who had married a wealthy Nottinghamshire farmer with property in Ranby, Henry Francis Noble Champion. Antonia Champion had become a widow in 1854, one year after her marriage, and she
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Nothing is known of the life of Richter's younger brother, Charles Richter, beyond a mention in the English Census of 1841, when he was 14 years of age and living with his parents. In 1896, Richter had lost not only his sister, Antonia Charlotte Champion (in January), but also his half-sister,
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Lithography is essentially a chemical process. A drawing is made with a greasy crayon on limestone, then gum arabic and nitrate acid is rubbed into the material, changing its molecular structure so that when ink is applied it adheres to the crayon marks, but not the stone. Fine details are more
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The English census returns indicate that the Richters were a close-knit family. For example, in 1851, the 30 year-old Richter was still living with his parents. Henry James Richter did not own a house, but always lived in rented accommodation. In that year, when he was aged 79, his household
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When Antonia Champion died in 1896, the house passed to Richter, and he stayed there until his death. The probate administration record states that he died 16 March 1902, and that administration occurred 17 April 1902. His estate was valued at just under 840 pounds.
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After John Gould's death Antonia Champion took in her brother and their half-sister Henrietta Sophia Richter. Since Henry James Richter's death in 1857 they had been living in pauper's lodgings in the Lisson Grove area, with their mother whilst she was alive.
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or any other article that he may prefer". He seems to have been unconcerned about the impecunious state of his 60-year-old artist, although Richter had contributed so materially to his own prosperity for over four decades.
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Henry James Richter became a well-respected and popular artist - he was a member, and president (1811-1812), of the Associated Artists in Water Colours, exhibiting frequently. He was also elected to membership of the
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used the image on the label for one of their brands of beer, in 1987. Previously, the Tasmanian Government had published a monochromatic reproduction of the same image, in 1934 and, earlier still, the author
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Unlike paintings, lithographs in Richter's time tended not to be dated by the artist, so it is normal to use the publication date of the book in which the lithograph was printed.
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Artistic talent also flourished elsewhere in Richter's family: his half-sister, Henrietta Sophia, became a successful miniature portrait artist, and exhibited at the prestigious
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Richter's work with his coloured lithographs was breaking new ground at the time. The technique was labour-intensive and demanded great skill and attention to minute detail.
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Henrietta Sophia Richter (in October), and since none of them had children, the Richter family line appears to have ended with the passing of Henry Constantine Richter.
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The genera of birds : comprising their generic characters, a notice of the habits of each genus, and an extensive list of species referred to their several genera
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The University of Tasmanian explains the process that artists use to produce a lithograph from an image, such as a sketch, a drawing or a painting:
124:, Middlesex, England to Mary Haigh, the wife of John Augustus Richter, an immigrant from Dresden, Germany - himself an artist and engraver. 1040:
Census Returns of England and Wales, 1851. Kew, Surrey, England: The National Archives of the UK (TNA): Public Record Office (PRO), 1851.
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In his will, John Gould wrote "I bequeath to my Artist H C Richter a legacy of ÂŁ100 as a kind remembrance for the purchase of a
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was opened to the public in 1847 and was a further source of models of birds and animals for Richter's drawings.
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Many of the original drawings used by Richter as the basis for his coloured lithographs were by Gould's wife,
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of birds and mammals, mainly for the scientific books of the renowned English 19th century ornithologist
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Richter's mother, Charlotte Sophia Edson (1793-1862), had married his father on 2 May 1818 in
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Jackson (pp. 13–14) lists the 1,600+ hand-coloured plates drawn by Richter as follows:
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area of London. She continued to live there alone with a servant, and did not marry again.
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St. Marylebone Parish Church, London, England, completed 1817. Architect, Thomas Hardwick
200: 265:(1845–63) - frequently copied since publication. For example, an Australian company 521:
21 plates, JG & HCR, 2nd ed, 1852-1854, 52 plates JG & HCR del. & lith.
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10 plates from other Gould titles, including 3 plates JG & HCR del. * lith.
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Richter's earliest published bird illustrations were three plates in the book
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University of Tasmania, 2007, 'Imaging the thylacine: the exotic thylacine',
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https://exhibits.lib.ku.edu/exhibits/show/gould/art/henry_constantine_richter
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Cook, KS 2013, 'Gould collections at KU: the story of the Gould Collection',
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Jackson, CE 2011, 'The painting of hand-coloured zoological illustrations',
550:, 1850-1883, 7 vols. Approx. 500 plates JG & HCR and J. Wolf & HCR. 311: 214:. His illustrations attracted the favourable attention of ornithologists. 231:, vol.I, J.Gould & H.C. Richter. The thylacine became extinct in 1936 989: 930:
https://australianmuseum.net.au/henry-constantine-richter-about-1821-1902
56: 52: 1005:, University of Kansas Library, Lawrence, Kansas, accessed 5 Dec 2017, 893:, Vol. 1, 1873, J Gould, with illustrations by Richter, Hart & Wolf 239: 184: 128: 60: 255:
Amongst his best known illustrations are those of the male and female
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After Gould's death Richter gained a small amount of work for Gray's
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Jackson, C 1978, 'H. C. Richter–John Gould's unknown bird artist',
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https://exhibits.lib.ku.edu/exhibits/show/gould/about/kucollections
901:, Vol. 1, 1863, J Gould (with illustrations by Richter and others) 172:
Lithographic stones, Museum of the Printing Arts, Leipzig, Germany
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http://www.utas.edu.au/library/exhibitions/thylacine/exotic.html
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A monograph of the Ramphastidae or family of toucans: Supplement
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in England on 7 Jun 1821, into an artistic family. His father,
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Journal of the Society for the Bibliography of Natural History
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light, in the work of the researcher Christine E. Jackson.
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Richter family tree in Ancestry.com (membership required)
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A Monograph of the Trochilidæ, or Family of Hummingbirds
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Monograph of the Trochilidae, or family of humming-birds
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Monograph of the Odontophorinae or partridges of America
51:(7 June 1821 – 16 March 1902) was an English zoological 928:, Australian Museum, Sydney NSW, accessed 02 Dec 2017, 1097: 1086:
John Gould the bird man: a chronology and bibliography
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47 plates, JG & W. Hart & HCR del. & lith.
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1849, iii: 379-380 Gould J. On a new species of Genus
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who produced a very large number of skillful coloured
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Memoirs on the extinct wingless birds of New Zealand
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Memoirs on the extinct wingless birds of New Zealand
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A monograph of the Pittidae, edited by R. B. Sharpe
1098:Stephens, Matthew; Robyn Williams (13 June 2004). 948:John Gould: Bird Illustration in the Age of Darwin 530:A monograph of the Trogonidae or family of trogons 394:, 1844-50, 32 plates JG & HCR del. & lith. 293:, and he prepared a plate for Sir Richard Owen's 1139: 988:, Oxford University Press, accessed 3 Dec 2017, 469:Transactions of the Zoological Society of London 310:inherited her husband's London residence in the 398:Proceedings of the Zoological Society of London 157: 950:, University of Kansas, accessed 3 Dec 2017, 503:5 vols, 360 plates, JG & HCR del. et lith. 1088:, Landsdowne, Melbourne, Victoria, Australia. 1023: 1021: 1019: 1017: 1015: 962: 960: 1131:, Hobart, Government Printer, Tasmania, 1934 1091: 137:Society of Painters in Oil and Water Colours 926:Henry Constantine Richter (about 1821-1902) 1100:"John Gould's place in Australian culture" 1031:, Volume 9, Issue 1, 11 1978, pages 10-14. 1012: 957: 203:. The plates depicted the Indian Barn Owl 1058:, Hobart, Tasmania, accessed 3 Dec 2017, 1050: 1048: 1046: 238: 216: 167: 139:. Several of his works are owned by the 103: 31: 986:Oxford Dictionary of National Biography 611:A selection of illustrations by Richter 14: 1140: 990:https://doi.org/10.1093/ref:odnb/23599 984:Cust, LH 2012,'Richter, Henry James', 980: 978: 976: 942: 940: 938: 1127:Government Tourist Bureau, Tasmania, 1043: 918: 357:In Vol I plate 15, Head and claws of 70:, produced before her death in 1841. 329: 1108:Australian Broadcasting Corporation 973: 935: 24: 25: 1189: 875: 853: 831: 809: 787: 765: 743: 725: 703: 685: 663: 645: 623: 400:, plates drawn and lith. by HCR. 1121: 1078: 571:1 large folded plate depicting 383:, 1840-1848, 600 plates, & 1065: 1034: 995: 781:, J Gould & H. C. Richter 679:, J Gould & H. C. Richter 575:, JG & HCR del & lith. 420:Trochilus (Heliangelus) mavors 304: 77: 40:, date between 1850 and 1883, 13: 1: 1173:19th-century British painters 911: 869:, J Gould & H. C. Richter 847:, J Gould & H. C. Richter 825:, J Gould & H. C. Richter 759:, J Gould & H. C. Richter 737:, J. Gould & H.C. Richter 697:, J Gould & H.C. Richter 657:, J. Gould & H.C. Richter 251:, J. Gould & H.C. Richter 639:, J Gould & H.C. Richter 158:The technique of lithography 44:, J. Gould and H. C. Richter 7: 968:Archives of Natural History 803:, Gould & H. C. Richter 719:, J Gould and H. C. Richter 249:The Birds of Asia. Volume 2 42:The Birds of Asia, Volume 2 10: 1194: 733:Himalayan Shrike-babbler, 555:The birds of Great Britain 482:. Plate accompanying text 409:Trochilus (Helianthea) eos 276:Tasmanian Friends and Foes 1003:Henry Constantine Richter 675:, between 1850 and 1883, 427:Cinclosoma castaneothorax 247:, between 1850 and 1883, 190: 183:the finished images. The 49:Henry Constantine Richter 1129:Tasmania: The Wonderland 899:The Mammals of Australia 797:Ornithorhynchus anatinus 99:https://www.ancestry.com 1178:Australian bird artists 717:Birds of Asia, Volume V 677:Birds of Asia, Volume 2 653:Lord Derby's Parakeet, 370:Francolinus clappertoni 224:Thylacinus cynocephalus 891:Birds of Great Britain 819:Phascolarctus cinereus 598: 252: 232: 212:Pternistis clappertoni 180: 173: 150:in London, 1842–1849. 109: 45: 1168:British lithographers 1001:Kansas Library n.d., 795:Duckbilled Platypus, 753:Petaurus norfolcensis 693:Mrs Gould's Sunbird, 603:Jackson's list omits 339:Gray, George Robert, 336: 242: 220: 209:Clapperton's spurfowl 175: 171: 148:Royal Academy of Arts 107: 35: 1163:British illustrators 1158:British bird artists 867:Mammals of Australia 845:Mammals of Australia 823:Mammals of Australia 801:Mammals of Australia 779:Mammals of Australia 757:Mammals of Australia 605:Mammals of Australia 350:In Vol I plate XV, 343:, 1844-1849, 3 vols. 272:Louisa Anne Meredith 262:Mammals of Australia 229:Mammals of Australia 227:, 1841, Plate 54 of 112:Richter was born in 970:, 38, 1, pp. 36-52. 863:Dasyurus hallucatus 655:Psittacula derbiana 631:Giant Hummingbird, 532:2nd ed., 1858-1875. 471:Plate drawn by HCR. 457:1850 (opp. P. 212) 274:also copied it for 243:Yellow-bellied Tit 118:Henry James Richter 1075:, Longman, London. 924:Stephens, M 2009, 883:Birds of Australia 735:Pteruthius ripleyi 695:Aethopyga gouldiae 446:Ptiloris Victoriae 381:Birds of Australia 253: 233: 201:George Robert Gray 174: 110: 46: 870: 848: 826: 804: 782: 775:Pseudomys gouldii 760: 751:Squirrel Glider, 738: 720: 713:Passer ammodendri 698: 680: 658: 640: 573:Notornis mantelli 459:Notornis Mantelli 330:Works illustrated 16:(Redirected from 1185: 1132: 1125: 1119: 1118: 1116: 1114: 1095: 1089: 1084:Sauer, GC 1982, 1082: 1076: 1069: 1063: 1052: 1041: 1038: 1032: 1025: 1010: 999: 993: 982: 971: 964: 955: 944: 933: 922: 861:Northern Quoll, 860: 857: 841:Vombatus ursinus 838: 835: 816: 813: 794: 791: 772: 769: 750: 747: 732: 729: 711:Saxual Sparrow, 710: 707: 692: 689: 670: 667: 652: 649: 630: 627: 407:1848 Aves Pl.I 245:Parus venustulus 221:Tasmanian tiger 114:Brompton, London 21: 1193: 1192: 1188: 1187: 1186: 1184: 1183: 1182: 1138: 1137: 1136: 1135: 1126: 1122: 1112: 1110: 1096: 1092: 1083: 1079: 1071:Gray, GR 1848, 1070: 1066: 1053: 1044: 1039: 1035: 1026: 1013: 1000: 996: 983: 974: 965: 958: 945: 936: 923: 919: 914: 878: 871: 858: 849: 839:Common Wombat, 836: 827: 814: 805: 792: 783: 773:Gould's Mouse, 770: 761: 748: 739: 730: 721: 708: 699: 690: 681: 671:Cinereous Tit, 668: 659: 650: 641: 628: 618: 613: 560:Owen, Richard, 359:Phodius badicus 341:Genera of bird' 332: 307: 267:Cascade Brewery 259:, from Gould's 199:(1844–1849) by 197:Genera of birds 193: 160: 80: 68:Elizabeth Coxen 38:Niltava grandis 28: 27:British painter 23: 22: 15: 12: 11: 5: 1191: 1181: 1180: 1175: 1170: 1165: 1160: 1155: 1150: 1134: 1133: 1120: 1104:Ockham's Razor 1090: 1077: 1064: 1042: 1033: 1011: 994: 972: 956: 934: 916: 915: 913: 910: 909: 908: 903: 895: 887: 877: 876:External links 874: 873: 872: 859: 852: 850: 837: 830: 828: 815: 808: 806: 793: 786: 784: 771: 764: 762: 749: 742: 740: 731: 724: 722: 709: 702: 700: 691: 684: 682: 673:Parus cinereus 669: 662: 660: 651: 644: 642: 633:Patagona gigas 629: 622: 612: 609: 597: 596: 595: 594: 588: 587: 579: 578: 577: 576: 566: 565: 558: 551: 543: 542: 541: 540: 534: 533: 525: 524: 523: 522: 516: 515: 507: 506: 505: 504: 498: 497: 489: 488: 487: 486: 484:Apterux owenii 473: 472: 465: 464: 463: 462: 452: 451: 450: 449: 444:1849 Pl. XII 439: 438: 437: 436: 435: 434: 433: 432: 431: 430: 423: 402: 401: 395: 388: 376: 375: 374: 373: 366: 355: 352:Strix javanica 345: 344: 331: 328: 306: 303: 205:Strix javanica 192: 189: 159: 156: 141:British Museum 102: 101: 90: 89: 79: 76: 36:Large Niltava 26: 9: 6: 4: 3: 2: 1190: 1179: 1176: 1174: 1171: 1169: 1166: 1164: 1161: 1159: 1156: 1154: 1151: 1149: 1146: 1145: 1143: 1130: 1124: 1109: 1105: 1101: 1094: 1087: 1081: 1074: 1068: 1061: 1057: 1051: 1049: 1047: 1037: 1030: 1024: 1022: 1020: 1018: 1016: 1008: 1004: 998: 991: 987: 981: 979: 977: 969: 963: 961: 953: 949: 943: 941: 939: 931: 927: 921: 917: 907: 904: 902: 900: 896: 894: 892: 888: 886: 884: 880: 879: 868: 865:, 1845–1863, 864: 856: 851: 846: 843:, 1845–1863, 842: 834: 829: 824: 821:, 1845–1863, 820: 812: 807: 802: 799:, 1845–1863, 798: 790: 785: 780: 776: 768: 763: 758: 755:, 1845–1863, 754: 746: 741: 736: 728: 723: 718: 714: 706: 701: 696: 688: 683: 678: 674: 666: 661: 656: 648: 643: 638: 634: 626: 621: 620: 619: 616: 608: 606: 602: 592: 591: 590: 589: 585: 582:Gould, John, 581: 580: 574: 570: 569: 568: 567: 563: 559: 556: 553:Gould, John, 552: 549: 548:Birds of Asia 546:Gould, John, 545: 544: 538: 537: 536: 535: 531: 528:Gould, John, 527: 526: 520: 519: 518: 517: 513: 510:Gould, John, 509: 508: 502: 501: 500: 499: 495: 492:Gould, John, 491: 490: 485: 481: 477: 476: 475: 474: 470: 467: 466: 460: 456: 455: 454: 453: 447: 443: 442: 441: 440: 428: 424: 421: 417: 416: 415: 414: 413: 412: 410: 406: 405: 404: 403: 399: 396: 393: 389: 386: 382: 379:Gould, John, 378: 377: 371: 367: 364: 363:Strix flammea 360: 356: 353: 349: 348: 347: 346: 342: 338: 337: 335: 327: 323: 319: 315: 313: 302: 300: 299:Birds of Asia 296: 292: 291:Birds of Asia 287: 284: 279: 277: 273: 268: 264: 263: 258: 250: 246: 241: 237: 230: 226: 225: 219: 215: 213: 210: 206: 202: 198: 188: 186: 179: 170: 166: 163: 155: 151: 149: 144: 142: 138: 132: 130: 125: 123: 119: 115: 106: 100: 97:databases at 96: 92: 91: 87: 86: 85: 84: 75: 71: 69: 64: 62: 58: 54: 50: 43: 39: 34: 30: 19: 18:H. C. Richter 1128: 1123: 1111:. 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Index

H. C. Richter

illustrator
lithographs
John Gould
Elizabeth Coxen
https://www.ancestry.com

Brompton, London
Henry James Richter
Soho
Marylebone
Society of Painters in Oil and Water Colours
British Museum
Royal Academy of Arts

London Zoo
George Robert Gray
Clapperton's spurfowl

Thylacinus cynocephalus

thylacine
Mammals of Australia
Cascade Brewery
Louisa Anne Meredith
ring
Lisson Grove
Giant Hummingbird, Patagona gigas, 1887, A Monograph of the Trochilidæ, or Family of Hummingbirds, J Gould & H.C. Richter
Lord Derby's Parakeet, Psittacula derbiana, J. Gould & H.C. Richter

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