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representation of the pegs used in the construction of the wooden structures that preceded the familiar Greek architecture in stone. However, they have some functionality, as water drips over the edges, away from the edge of the building.
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using the Doric order. In
Renaissance and later architecture these strict conventions are sometimes abandoned, and guttae and triglyphs, alone or together, may be used somewhat randomly as ornaments. The Doric order of the
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In the strict tradition of classical architecture, a set of guttae always go with a triglyph above (and vice versa), and the pair of features are only found in
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141:(1660s) has triglyphs and guttae as ornaments at the top of arches, in a facade using an eclectic Ionic order.
121:(1520–21), has a narrow "simplified entablature" with guttae but no tryglyphs. The stone fireplace in the
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336:. Vol. 12 (11th ed.). Cambridge University Press. p. 743.
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Small cone-shaped projection used in the architrave of the Doric order
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92:. These mutules were aligned above each triglyph and each metope.
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columns at the side, but the decorative wreath in the centre of the
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230:(1660s) has triglyphs and guttae as ornaments at the top of arches.
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of the Doric frieze. In addition, the underside of the projecting
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has sets of guttae below (only five to a set). The
Baroque
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Talvacchia, Bette, "Giulio Romano." Grove Art Online,
58:. At the top of the architrave blocks, a row of six
359:, Oxford University Press, accessed March 30, 2016,
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above the frieze had rectangular protrusions termed
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30:Labelled image of the Doric order entablature
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271:Christ Episcopal Church, Mobile, Alabama
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390:The Classical Language of Architecture
293:, with guttae on the Ionic fireplace.
95:It is thought that the guttae were a
289:with President Barack Obama, in the
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66:(fillet) formed an element called a
62:below the narrow projection of the
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251:Museu de Belles Arts de València
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88:that each had three rows of six
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159:So-called "Temple of Poseidon"
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207:, guttae but no triglphs.
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117:in Rome, an early work of
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205:Villa Lante al Gianicolo
115:Villa Lante al Gianicolo
426:Columns and entablature
333:Encyclopædia Britannica
74:was aligned under each
421:Architectural elements
56:classical architecture
31:
21:Gutta (disambiguation)
361:subscription required
311:Summerson, 13–14, 126
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178:Theater of Marcellus
19:For other uses, see
184:pictured below the
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395:Thames and Hudson
357:Oxford Art Online
104:Outside the Doric
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393:, 1980 edition,
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285:US Ambassador
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265:Triglyphs and
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110:entablatures
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97:skeuomorphic
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371:See gallery
291:Oval office
190:Doric order
123:Oval Office
52:Doric order
415:Categories
406:0500201773
379:References
287:Rick Olson
211:, 1520–21.
48:architrave
247:triglyphs
400:series,
267:pilaster
186:triglyph
165:, Italy.
76:triglyph
243:Dentils
188:in the
163:Paestum
145:Gallery
85:mutules
50:of the
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228:Prague
182:guttae
139:Prague
131:lintel
90:guttae
80:geison
72:regula
68:regula
64:taenia
60:guttae
44:guttae
299:Notes
269:cap,
127:Ionic
70:. A
40:Latin
36:gutta
402:ISBN
125:has
42:pl.
226:in
137:in
54:in
417::
387:,
330:.
245:,
161:,
34:A
273:.
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38:(
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