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Guncrazy

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women cinematographers) it does occasionally overreach, going a little heavy on the rural grotesques as well as the romantic nature of the Anita/Howard relationship. On the other hand, it is the film's ability to mostly show us that relationship on its own terms, to reveal both why these two are made for each other and why their very closeness inevitably leads to disaster, that is its strongest suit. With moments of odd, dark humor sprinkled among the violence, this traditional study of psycho kittens in love breaks just enough new ground to be an impressive piece of work."
538:, Davis was interested in the script because of "the complex psychology of the female lead character, the lower-middle-class milieu where the tale unfolds, and how the story romanticizes the gun." Davis said, "I'd never held a gun before making this movie, I don't own one now and the last thing I want to do is romanticize guns. I wanted to show that America is obsessed with guns, and that if you have them around, bad things can happen because it only takes a second to pull the trigger." 353:
stepfather; Howard helps her dispose of the body. After they dispose of the corpse, Howard commits several homicides, although he was provoked in every instance. After killing a hospital security guard, they go on the run, but are eventually cornered by police in an empty house. Howard convinces Anita to say she was kidnapped and held against her will, then goes down the stairs of the house, where he's killed in a hail of bullets.
304: 532:, but is not a remake. Davis originally read the script in 1985 and "loved it because it was one of the few scripts I'd come across that revolved around a strong female character. I then spent years trying to set the picture up and hearing people say, 'Why do you want to make a film about two awful kids who go around killing people?' But that wasn't the picture I saw." According to the 36: 714:
gave the film three stars out of five and wrote, "Marketing-minded folks may be quick to position Guncrazy as a 90s take on Bonnie and Clyde (1967), and its title is certainly meant to evoke Joseph H. Lewis's 1949 classic Gun Crazy. But this film is by no means as brash, startling, or iconoclastic as
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Barrymore repeatedly called to plead that she play the role of Anita. Davis later said, "I saw her and knew she was perfect. You could see she's been through a lot, and the world has not been easy to her. And yet she has this incredible vulnerability. She's so determined to prove that she's worthy of
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gave the film three and a half stars out of five and wrote, "Barrymore proves -- once again -- that she's better than 98% of the teenage actresses out there; she manages to make Anita simultaneously pathetic in her desperate neediness and powerful in her smoldering, turbo-charged teenage sexuality."
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theater for a scheduled two-week period. In its second weekend at Film Forum, the film's revenue decreased 34 percent as a result of only being shown on one screen instead of two; however, the film still earned a successful $ 10,302. In its fourth weekend at Film Forum, revenue decreased 30 percent,
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wrote a positive review and stated, "Made with sureness and authority, this film doesn't condescend to either its characters or their relationship, and that counts for a lot." Turan wrote that although the film "is very efficiently made (and stylishly photographed by Lisa Rinzler, one of a very few
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gave the film two and a half stars out of five and called it an "effective low-key thriller". Beldin praised Barrymore's performance and called Drago's character "unforgettable", stating that he played the role "with just the right combination of huckster con artist and hardcore Holy Roller."
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A teenager, Anita, murders her stepfather, a sexually abusive man, after he teaches her how to use a gun. Through a misapplied school pen-pal assignment, she meets a prisoner, Howard, whom she seduces back into the world of guns. She marries Howard and decides to show him the remains of her
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The film began airing on Showtime in October 1992, and aired five times during that fall. Price recalled, "I found myself saying to theater people: 'I have this film which has been on television and is coming out on video. Would you like to play it?'" The film was shown at Los Angeles'
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Eagle Rock Plaza shopping mall to determine how Barrymore's character should dress: "We were looking for a real-life gutter image. We didn't want it to look like Hollywood. We wanted a little girl, living without a mother, who only can buy clothes every few years. I got everything from
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called the film "very accomplished and "cruelly entertaining", and praised the "excellent screenplay". Canby called the film "a remarkably rich melodrama with a strong narrative line and vivid characters. There's no waste space in this movie. Every second of its 97 minutes counts."
629:, after it earned positive reviews from showings in New York and Los Angeles. Academy Entertainment released the film on VHS on February 24, 1993, while it was still being shown in theaters. At that time, the film had grossed $ 125,000 from theatrical showings. 601:, where it was noticed by Los Angeles film consultant Ray Price. The film's producers were asked by Price if he could organize a theatrical release, despite the film being categorized as a television movie and being planned for video release. 698:
called the film a "source of constant surprise," and wrote that Bright's screenplay "gives the movie a strong sense of direction even when his characters are lost. Plus, Bright gives the actors some classic deadpan lines." Marc Savlov of
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also wrote, "Despite her character's actions and circumstances, Barrymore brilliantly makes the audience believe Anita is not a slutty piece of trailer trash with her guileless, winning smile and chirpy good-heartedness." Fred Beldin of
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the Barrymore name." Barrymore said, "Anita was very close to home for me. Not that I was so much like her. I'm not. But I had the best understanding of her than any character I've ever played in my life." Barrymore declined to have a
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Another 1992 film, "Guncrazy," starred Drew Barrymore, a troubled girl from the other side of the tracks. Only the scenes shown during the credits were filmed in Ely, which represented the other side of the
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drive her to the filming locations, which is commonly done for actors. According to Davis: "She said, 'No, you're not going to treat me like a baby.' She said, 'I can get to work on time on my own.'"
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theater in January 1993, and successfully earned $ 9,211 after five showings. Later that month, on January 27, 1993, the film premiered at Manhattan's
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shops." According to Lawson, undersized dresses were chosen for Barrymore "as if they were years old and all of a sudden she grew a bust." Lawson also
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Filming began on November 10, 1991, in Los Angeles, California, where a majority of filming occurred. Filming in Los Angeles concluded after 23 days.
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all of Barrymore's clothing, including the socks, "to give the image of someone who doesn't do laundry very often, and does it all together."
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wrote that the film is "competently made" but "lacks the exhilaration of a first-class lovers-on-the-run crime drama". Kenneth Turan of the
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and Academy Entertainment, which had the highest bids, covering the cost of making the film. In September 1992, the film was shown at the
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on May 14, 1992. The film did not attract much interest from theater exhibitors at the festival, and its distribution rights went to
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noted that it was unusual for films to be shown in theaters after they have been broadcast on television and released on video.
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earning the film $ 5,191. In its sixth weekend at Film Forum, the film earned $ 3,971, up 19 percent from the previous weekend.
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beginning later that year. The film had a limited theatrical release in January 1993.
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Barrymore was nominated for Best Actress in a Miniseries or Television Film at the
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This article is about the 1992 crime film. For other uses, see
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Merrie Lawson, the film's costume designer, observed girls at
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As of February 1993, the film was also being shown in
1074:"Indie fare kicks up heels in N.Y., L.A. exclusives" 1025:"Miramax maximizes exclu sked with 'Crying,' 'Fish'" 853:"The Name Is Barrymore But the Style Is All Drew's" 927: 1364: 929:"Film crew finishes Ely movie; another next week" 1457: 1350: 1357: 1343: 34: 991: 989: 963: 961: 959: 957: 955: 953: 526:. The film was inspired by the 1950 film 340:Learn how and when to remove this message 1496:Films with screenplays by Matthew Bright 995: 875: 850: 522:' directorial debut, and was written by 1435:Jean-Michel Basquiat: The Radiant Child 1171: 967: 925: 844: 822: 1458: 1228: 1201: 986: 950: 1338: 1146: 762: 758: 756: 754: 752: 750: 1096: 1071: 1047: 1022: 825:"This Young MC Is a Movie Mixmaster" 818: 816: 814: 812: 297: 599:Toronto International Film Festival 13: 1516:English-language crime drama films 1281: 1114: 747: 14: 1527: 1306: 1099:"Foreign pix top in Gotham, L.A." 809: 208: (Limited theatrical release) 968:Nichols, Peter M. (1993-02-25). 851:Weinraub, Bernard (1993-03-07). 823:McKenna, Kristine (1993-01-23). 302: 1275: 1249: 1222: 1195: 1165: 1140: 1090: 1065: 1041: 1016: 876:Spindler, Amy M. (1993-02-23). 577:s opening shots were filmed in 919: 894: 869: 783: 482:as Mr. Hickok, Howard's Father 286:on May 14, 1992, and aired on 272:feature film directorial debut 1: 1481:Films directed by Tamra Davis 1147:Turan, Kenneth (1993-01-20). 1097:Cohn, Lawrence (1993-03-08). 1072:Cohn, Lawrence (1993-02-22). 1048:Cohn, Lawrence (1993-02-16). 1023:Cohn, Lawrence (1993-01-25). 996:McCarthy, Todd (1992-05-19). 763:Canby, Vincent (1993-01-27). 740: 510: 1506:1990s English-language films 1501:1992 directorial debut films 926:Herndon, Rudy (2006-11-24). 638: 371:as Mr. Kincaid, Joy's Father 7: 1229:Savlov, Marc (1993-03-12). 1050:"'Ballroom' cuts into B.O." 10: 1532: 1476:American crime drama films 1202:Hinson, Hal (1993-02-05). 589:The film premiered at the 584: 260:inspired by the 1950 film 18:Gun Crazy (disambiguation) 15: 1486:Films shot in Los Angeles 1373: 728: 241: 233: 225: 215: 161: 151: 143: 133: 123: 82: 65: 55: 45: 40:Theatrical release poster 33: 28: 1284:"Guncrazy (1992) review" 735:50th Golden Globe Awards 322:improve the plot summary 156:First Look International 494:as Ruby, The Prostitute 356: 293: 1471:1992 crime drama films 942:– via NewsBank. 431:as Larry "Crazy Larry" 429:Lawrence Steven Meyers 313:needs an improved 170:May 14, 1992 560:St. Vincent de Paul's 266:. It was directed by 1511:1990s American films 1491:Films shot in Nevada 1236:The Austin Chronicle 998:"Review: 'Guncrazy'" 702:The Austin Chronicle 681:". Vincent Canby of 591:Cannes Film Festival 464:Roger Jackson as Joe 284:Cannes Film Festival 180:Cannes Film Festival 1209:The Washington Post 695:The Washington Post 506:as Schlitzy The Dog 488:as "Soda Pop", Pimp 256:is a 1992 American 1365:Films directed by 974:The New York Times 882:The New York Times 857:The New York Times 770:The New York Times 684:The New York Times 632:The New York Times 556:the Salvation Army 23:1992 American film 1453: 1452: 1153:Los Angeles Times 902:"New Film Starts" 830:Los Angeles Times 658:Los Angeles Times 650:Todd McCarthy of 535:Los Angeles Times 500:as Woman With Dog 350: 349: 342: 249: 248: 200:January 1993 185:October 1992 1523: 1359: 1352: 1345: 1336: 1335: 1300: 1299: 1297: 1296: 1279: 1273: 1272: 1270: 1269: 1253: 1247: 1246: 1244: 1243: 1226: 1220: 1219: 1217: 1216: 1199: 1193: 1192: 1190: 1189: 1169: 1163: 1162: 1160: 1159: 1144: 1138: 1137: 1135: 1134: 1118: 1112: 1111: 1109: 1108: 1094: 1088: 1087: 1085: 1084: 1069: 1063: 1062: 1060: 1059: 1045: 1039: 1038: 1036: 1035: 1020: 1014: 1013: 1011: 1010: 993: 984: 983: 981: 980: 965: 948: 947: 941: 940: 931: 923: 917: 916: 914: 913: 898: 892: 891: 889: 888: 873: 867: 866: 864: 863: 848: 842: 841: 839: 838: 820: 807: 806: 804: 803: 787: 781: 780: 778: 777: 760: 455:as Officer Frank 441:Lee Mary Weilnau 387:Robert Greenberg 377:as Howard Hickok 369:Michael Ironside 365:as Anita Minteer 345: 338: 334: 331: 325: 306: 305: 298: 258:crime drama film 207: 205: 192: 190: 177: 175: 115:Michael Ironside 38: 26: 25: 1531: 1530: 1526: 1525: 1524: 1522: 1521: 1520: 1456: 1455: 1454: 1449: 1443:13: The Musical 1369: 1363: 1309: 1304: 1303: 1294: 1292: 1280: 1276: 1267: 1265: 1255: 1254: 1250: 1241: 1239: 1227: 1223: 1214: 1212: 1200: 1196: 1187: 1185: 1170: 1166: 1157: 1155: 1145: 1141: 1132: 1130: 1127:Rotten Tomatoes 1120: 1119: 1115: 1106: 1104: 1095: 1091: 1082: 1080: 1070: 1066: 1057: 1055: 1046: 1042: 1033: 1031: 1021: 1017: 1008: 1006: 994: 987: 978: 976: 966: 951: 938: 936: 924: 920: 911: 909: 900: 899: 895: 886: 884: 874: 870: 861: 859: 849: 845: 836: 834: 821: 810: 801: 799: 796:Box Office Mojo 789: 788: 784: 775: 773: 761: 748: 743: 731: 645:Rotten Tomatoes 641: 587: 513: 504:Diamond The Dog 492:Rowena Guinness 411:Joe Dallesandro 359: 346: 335: 329: 326: 319: 307: 303: 296: 218: 211: 203: 201: 188: 186: 173: 171: 164: 119: 110:Joe Dallesandro 78: 75:Diane Firestone 41: 24: 21: 12: 11: 5: 1529: 1519: 1518: 1513: 1508: 1503: 1498: 1493: 1488: 1483: 1478: 1473: 1468: 1451: 1450: 1448: 1447: 1439: 1431: 1423: 1415: 1407: 1399: 1391: 1383: 1374: 1371: 1370: 1362: 1361: 1354: 1347: 1339: 1333: 1332: 1321: 1308: 1307:External links 1305: 1302: 1301: 1282:Beldin, Fred. 1274: 1248: 1221: 1194: 1175:(1993-01-20). 1173:Travers, Peter 1164: 1139: 1113: 1089: 1064: 1040: 1015: 985: 949: 918: 893: 868: 843: 833:. pp. 1–2 808: 782: 745: 744: 742: 739: 730: 727: 640: 637: 607:Landmark Nuart 586: 583: 524:Matthew Bright 512: 509: 508: 507: 501: 498:Jaid Barrymore 495: 489: 483: 480:Harrison Young 477: 471: 468:Zane W. 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Index

Gun Crazy (disambiguation)

Tamra Davis
Matthew Bright
Drew Barrymore
James LeGros
Billy Drago
Rodney Harvey
Joe Dallesandro
Michael Ironside
Lisa Rinzler
Kevin Tent
First Look International
Cannes Film Festival
Showtime
crime drama film
Gun Crazy
Tamra Davis
feature film directorial debut
Matthew Bright
Drew Barrymore
Cannes Film Festival
Showtime
plot summary
improve the plot summary
Learn how and when to remove this message
Drew Barrymore
Michael Ironside
James LeGros
Billy Drago

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