431:
350:
247:
168:
20:
615:
768:
197:. This was a collaborative effort of the brothers Guillaume and Jacques. It is now established that Jacques - who was a specialist in battle scenes - painted the battles in the backgrounds. Guillaume painted the scenes that depict victories attributed to the intervention of the
137:. Another view of the movements of the brothers that has gained support with modern scholars is that Guillaume and Jacques remained together until the later 1640s and that Guillaume Courtois only came under the influence of da Cortona when he worked under him in 1656.
82:, as the son of the obscure painter Jean-Pierre Courtois. Very little is known about Guillaume’s youth but it is assumed he received his initial training from his father. The father and his sons went to
109:
The movements of the brothers
Courtois are not very well documented, which has led to alternative theories. It is possible Guillaume Courtois settled in Rome by 1638 where he entered the studio of
239:. Early drawings of Guillaume Courtois represent battle scenes and show that he was initially influenced by his brother. He also produced a few portraits and collaborated with other artists on
729:
630:
367:(Sold at Sotheby's on 29 January 2015 in New York, lot 302). The still life was painted by Brueghel while Courtois painted the figure. The painting is a variant of the
308:
440:
Guillaume
Courtois was a very skilled draughtsman as is testified by the many preparatory studies he left behind and which can be found, amongst others, in the
430:
147:
261:
476:
151:
724:
189:
because of his involvement in the decorative project in the chapel of the
Congregation of the Jesuits, a small oratory housed in a room of the
295:’s work. These influences are reflected in the exuberance in form and color that will remain characteristic of Courtois’ work. The style of
596:
333:, an artist who fused the Baroque and Classicist styles. This is reflected in the sweet faces of the female figures in works such as the
635:
349:
246:
813:
359:
In addition to the frequent collaborations with his brother
Jacques, a number of collaborations between Guillaume Courtois and
803:
539:
772:
371:(private collection), which has been dated to the end of the 1660s. Courtois reprised the charming female figure in his
704:
Le vie degli artisti : residenze e botteghe nella Roma barocca dai registri di Sant'Andrea delle Fratte, 1650-1699
828:
441:
823:
415:
312:
572:
444:. Preparatory drawings are generally in chalk, whereas compositional designs tend to be in pen and ink and wash.
190:
818:
167:
808:
399:
384:
194:
281:
126:
798:
315:
around 1658-1659. Some figures painted by
Courtois in this Palace were previously attributed to Mola.
463:
fresco in San Marco are very skillful and demonstrate a fluid technique and a firm grasp of form and
304:
287:
These early works show the influence of
Cortona, combined with the influence of the Baroque style of
113:. Here he is supposed to have supplemented his training by drawing from life and copying works of
666:
593:
198:
71:
745:
19:
418:. The next year Courtois and Dughet collaborated again for the same patron on works for the
620:
One or more of the preceding sentences incorporates text from a publication now in the
793:
788:
264:, the Venetian ambassador in Rome who wished to have the church decorated. He painted the
8:
338:
296:
667:
Guillaume
Courtois (Guglielmo Cortese) (St Hippolyte, Franche-Comté 1628 – 1679 Rome),
452:
407:
292:
269:
225:
114:
75:
43:
414:. This was one of the earliest documented commissions of Courtois and the patron was
288:
110:
376:
181:
painter of
Christian religious and mythological scenes. He was also in demand as a
419:
360:
231:
178:
59:
51:
733:
703:
649:
600:
273:
257:
235:
363:, a Flemish still life painter active in Rome, are recorded. An example is the
694:
Grove Art Online. Oxford Art Online. Oxford
University Press. Web. 14 Mar. 2015
513:, Bulletin de la Société de l’Histoire de l’Art français, 1991, pp. 11–17.
448:
411:
323:
300:
58:
painter and enjoyed high-level patronage. He was the brother of the painters
782:
626:
621:
483:
Le pitture di
Guglielmo Courtois (Cortese) e la loro casa in Piazza di Spagna
403:
392:
330:
134:
118:
456:
140:
Guillaume Courtois spent most of his active life in Rome where he died of
706:, by Laura Bartoni, Roma : Edizioni Nuova cultura, (2012), page 424.
464:
299:
also formed a factor in his development. He also worked alongside Mola,
639:. Vol. 7 (11th ed.). Cambridge University Press. p. 329.
535:
207:
129:, and formed for himself a classicizing style with very little express
504:
Die Handzeichnungen von Guglielmo Cortese und Giovanni Battista Gaulli
240:
214:
203:
130:
50:
painter, draughtsman and etcher. He was mainly active in Rome as a
341:
made in 1666 on a commission by prince Giovanni Battista Borghese.
182:
99:
55:
388:
380:
369:
Grapes and pomegranate with a vase of flowers and a female figure
186:
122:
91:
391:, who admired his work and recommended him for commissions, and
86:
circa 1636 when Guillaume was still a child. They travelled to
767:
651:
Storia pittorica della Italia dal risorgimento delle belle arti
256:
Courtois’ first major public commissions were frescoes for the
95:
79:
594:'Self-portrait of Guillaume Courtois', called 'Le Bourguignon'
291:
through the mediation of the more dynamic version offered by
251:
Saints Abdon and Sennen bury the remains of Christian martyrs
103:
87:
83:
47:
141:
499:, The Burlington Magazine, December 1973, pp. 794–801
387:. He also collaborated frequently on public works with
506:. Kataloge des Kunstmuseums, Dusseldorf, 1976, 2 vols.
329:
In his mature work he further showed the influence of
42:('the Burgundian'), (1628 – 14 or 15 June 1679) was a
260:. Pietro da Cortona recommended the two brothers to
398:In 1653 he painted the figures of St. Eustace, the
746:Guillaume Courtois, Michele Pace del Campidoglio,
780:
490:Aggiunte a Guglielmo Cortese detto il Borgognone
726:Still life of fruits and flowers with a figure
492:, Antichità Viva IX, 1970, No 1, pp. 3–25
365:Still life of fruits and flowers with a figure
354:Still life of fruits and flowers with a figure
322:for the church of San Tommaso da Villanova in
311:on the decoration of the Valmontone Palace of
62:(Giacomo Cortese) and Jean-François Courtois.
185:painter. He is sometimes referred to as a
589:
587:
625:
429:
348:
245:
166:
18:
578:, in: Treccani, accessed 14 March 2015
497:Some unknown works by Guglielmo Cortese
781:
584:
568:
566:
564:
562:
560:
558:
556:
554:
552:
550:
654:, Volume 2, By Luigi Lanzi, page 238
573:Simonetta Prosperi Valentini Rodinò,
540:Netherlands Institute for Art History
531:
529:
527:
686:
684:
682:
680:
678:
631:Courtois, Jacques and Guillaume s.v.
660:
547:
13:
524:
470:
447:The preparatory studies in chalk (
14:
840:
760:
675:
442:Istituto Nazionale per la Grafica
383:), which is a collaboration with
344:
766:
613:
495:Dieter Graf and Erich Schleier,
477:Getty Museum: Guillaume Courtois
416:Camillo Francesco Maria Pamphili
313:Camillo Francesco Maria Pamphili
220:The Triumph of Emperor Zimisches
177:Guillaume Courtois was mainly a
739:
718:
511:Guillaume Courtois et le Bernin
70:Guillaume Courtois was born in
709:
697:
643:
606:
1:
814:17th-century Italian painters
748:The beautiful female gardener
517:
509:Arnauld Brejon de Lavergnée,
337:for the St. George Church in
804:17th-century French painters
410:in four large landscapes of
385:Michele Pace del Campidoglio
133:, partly resembling that of
7:
425:
16:Italian painter (1628–1679)
10:
845:
280:for the high altar of the
162:
435:Study for a female figure
195:Sant'Ignazio Church, Rome
829:Italian Baroque painters
715:Laura Bartoni, page 412.
461:The Martyrdom of St Mark
282:Sant'Andrea al Quirinale
144:on 14 or 15 June 1679.
824:Italian battle painters
690:Ann Sutherland Harris.
636:Encyclopædia Britannica
318:In 1661, he painted an
309:Giovanni Battista Tassi
157:
65:
437:
356:
278:Martyrdom of St Andrew
253:
206:defeats the armies of
174:
121:. He studied also the
24:
23:Presumed self-portrait
819:Italian male painters
433:
352:
335:Madonna of the Rosary
249:
170:
22:
809:French male painters
775:at Wikimedia Commons
672:at Foolscap Fine Art
451:, Stockholm and the
575:Courtois, Guillaume
339:Monte Porzio Catone
297:Pier Francesco Mola
268:for the Gallery of
232:Julian the Apostate
148:Jean-Blaise Chardon
773:Guillaume Courtois
732:2015-09-24 at the
599:2018-06-19 at the
481:F. A. Salvagnini,
453:Museum Kunstpalast
438:
357:
293:Giovanni Lanfranco
254:
226:Louis IX of France
175:
115:Giovanni Lanfranco
78:), in present-day
76:County of Burgundy
30:or italianized as
28:Guillaume Courtois
25:
799:People from Doubs
771:Media related to
536:Guglielmo Cortese
289:Agostino Carracci
172:David and Goliath
154:were his pupils.
111:Pietro da Cortona
32:Guglielmo Cortese
836:
770:
754:
753:
743:
737:
722:
716:
713:
707:
701:
695:
688:
673:
664:
658:
657:
647:
641:
640:
619:
617:
616:
610:
604:
591:
582:
581:
570:
545:
544:
533:
488:Erich Schleier,
420:Palazzo Pamphilj
361:Abraham Brueghel
266:Battle of Joshua
193:adjacent to the
60:Jacques Courtois
844:
843:
839:
838:
837:
835:
834:
833:
779:
778:
763:
758:
757:
751:
744:
740:
734:Wayback Machine
723:
719:
714:
710:
702:
698:
689:
676:
669:Figures Dancing
665:
661:
655:
648:
644:
629:, ed. (1911). "
614:
612:
611:
607:
601:Wayback Machine
592:
585:
579:
571:
548:
542:
534:
525:
520:
473:
471:Further reading
428:
347:
305:Francesco Cozza
274:Quirinal Palace
262:Niccolò Sagredo
258:San Marco, Rome
241:genre paintings
236:Saint Mercurius
191:Collegio Romano
165:
160:
72:Saint-Hippolyte
68:
17:
12:
11:
5:
842:
832:
831:
826:
821:
816:
811:
806:
801:
796:
791:
777:
776:
762:
761:External links
759:
756:
755:
738:
717:
708:
696:
674:
659:
642:
627:Chisholm, Hugh
605:
583:
546:
522:
521:
519:
516:
515:
514:
507:
500:
493:
486:
479:
472:
469:
449:Nationalmuseum
427:
424:
412:Gaspard Dughet
400:Good Samaritan
377:Gemäldegalerie
346:
345:Collaborations
343:
324:Castelgandolfo
301:Gaspard Dughet
224:The Battle of
187:battle painter
164:
161:
159:
156:
67:
64:
40:Le Bourguignon
15:
9:
6:
4:
3:
2:
841:
830:
827:
825:
822:
820:
817:
815:
812:
810:
807:
805:
802:
800:
797:
795:
792:
790:
787:
786:
784:
774:
769:
765:
764:
750:
749:
742:
735:
731:
728:
727:
721:
712:
705:
700:
693:
687:
685:
683:
681:
679:
671:
670:
663:
653:
652:
646:
638:
637:
632:
628:
623:
622:public domain
609:
602:
598:
595:
590:
588:
577:
576:
569:
567:
565:
563:
561:
559:
557:
555:
553:
551:
541:
537:
532:
530:
528:
523:
512:
508:
505:
502:Dieter Graf,
501:
498:
494:
491:
487:
484:
480:
478:
475:
474:
468:
466:
462:
458:
454:
450:
445:
443:
436:
432:
423:
421:
417:
413:
409:
408:St. Augustine
405:
404:Mary of Egypt
401:
396:
394:
393:Carlo Maratta
390:
386:
382:
378:
374:
370:
366:
362:
355:
351:
342:
340:
336:
332:
331:Carlo Maratta
327:
325:
321:
316:
314:
310:
306:
302:
298:
294:
290:
285:
283:
279:
275:
271:
270:Alexander VII
267:
263:
259:
252:
248:
244:
242:
238:
237:
233:
228:
227:
221:
217:
216:
210:
209:
205:
200:
196:
192:
188:
184:
180:
173:
169:
155:
153:
152:Antonio Dupré
149:
145:
143:
138:
136:
135:Carlo Maratta
132:
128:
125:painters and
124:
120:
119:Andrea Sacchi
116:
112:
107:
105:
101:
97:
93:
89:
85:
81:
77:
73:
63:
61:
57:
53:
49:
45:
44:Franc-comtois
41:
37:
36:Il Borgognone
33:
29:
21:
747:
741:
736:at Sotheby's
725:
720:
711:
699:
691:
668:
662:
656:(in Italian)
650:
645:
634:
608:
580:(in Italian)
574:
510:
503:
496:
489:
485:, Rome, 1937
482:
460:
446:
439:
434:
397:
373:Fruit Picker
372:
368:
364:
358:
353:
334:
328:
319:
317:
286:
277:
265:
255:
250:
230:
223:
219:
212:
202:
176:
171:
146:
139:
108:
69:
39:
35:
31:
27:
26:
794:1679 deaths
789:1628 births
752:(in French)
465:chiaroscuro
326:in Ozzola.
234:pierced by
783:Categories
603:at Canesso
543:(in Dutch)
518:References
457:DĂĽsseldorf
320:Assumption
215:Pulcheria
204:Heraclius
131:mannerism
123:Bolognese
34:, called
730:Archived
692:Cortese.
597:Archived
426:Drawings
402:, a St.
276:and the
208:Chosroes
183:staffage
127:Guercino
100:Florence
56:staffage
624::
538:at the
389:Bernini
381:Dresden
272:in the
179:history
163:General
92:Bologna
52:history
48:Italian
618:
459:) for
307:, and
229:, and
199:Virgin
96:Venice
80:France
104:Siena
88:Milan
84:Italy
406:and
213:St.
158:Work
150:and
142:gout
117:and
102:and
66:Life
54:and
633:".
38:or
785::
677:^
586:^
549:^
526:^
467:.
455:,
422:.
395:.
379:,
303:,
284:.
243:.
222:,
218:,
211:,
201::
106:.
98:,
94:,
90:,
375:(
74:(
46:-
Text is available under the Creative Commons Attribution-ShareAlike License. Additional terms may apply.
