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Mount
Pleasant Community Fence, one of Vancouver’s first engaged public art projects. In 1995, grunt produced the series Halfbred, that focused on issues of miscegenation, bisexuality and transgender communities with the Pitt Gallery. This is also the year when grunt obtained its own space. In 1996, production of the Mattering Map by Pia Masse, another engaged community public art focused on the working class diners of
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417:. In 1999, grunt produced Live at the End of the Century, a six-week performance festival celebrating the 20th Anniversary of the Living Art Festival in 1979. Thanks to this event’s success, grunt created "Live Biennial of Performance Art" in 2001, which still exists today. In 2008, grunt produced the Medicine Project, a website by Dana Claxton and
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In 2002, grunt gallery produced the conference, Indian Acts - Aboriginal
Performance Art with TRIBE. In 2005, as a part of LIVE Biennial, grunt created the community project Nova Library and also its first archival Website First Nations Performance. In 2006, grunt gallery launched the First Visions
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artists’ communities, grunt’s archive contains documentary reproduction of many works: performances on video, black and white photography and exhibitions on slides, more recently accompanied by digital photography. The gallery specialized throughout the 1990s in First Nation’s artists of all levels
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including the 1990 Vancouver
Performance Art Series, 1991 The Chicago Series, Performance Poets Series Masque of the Red Death and 1992 First Nations Performance Series. In 1993 Queer City Festival and Two Spirit Performance Series were produced. In 1994, grunt and artist Pat Beaton produced the
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Project with three websites, this is also the year when Grunt
Gallery Legacy Endowment was set up through the Vancouver Foundation. In 2007, Live In Public- The Art of Engagement Conference and Aboriginal Creators Project with websites by
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Established in 1984, and founded by Glenn Alteen, Kempton Dexter, Danielle
Peacock, Susan MacKinley, Garry Ross, Dawn Richards, Billy Gene, Hillary Wood, and Daniel Olson. The grunt gallery was part of the second generation of Vancouver’s
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at UBC. In 2010, grunt launched Media Lab
Campaign and Activating The Archive Project begins. In 2011, the Media lab opened and ATA series of web site projects were developed. grunt gallery has exhibited artists such as
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of experience and media could exhibit their works. Among the important of the events developed by grunt gallery is, the 1997 computer generated performance "An Indian Act
Shooting the Indian Act" by
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produce a weekly jazz improv series called Jazz in the
Gallery. After 1990 grunt developed a number of Performance Series that ran at the same time as the
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Working with a diverse group of artists and musicians, grunt gallery director Glenn Alteen initiated a project for an online gallery in 2008 and invited
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happened at grunt gallery in 1985 and grunt was a venue for the festival until 1989. From 1987 until 1994 singer Kate
Hammett Vaughan and guitarist
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535:; Phillips, Ruth B. (2017-04-03). "Inclusivity or Sovereignty? Native American Arts in the Gallery and the Museum since 1992".
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777:"First Nations artists go hip and urban at the Vancouver Art Gallery's Beat Nation exhibition"
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421:. In 2009, the Vancouver Art in the 60’s web site was produced by Lorna Brown with the
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From Sea to
Shining Sea: Chronology of Artist-Initiated Activities in Canada 1939–1987
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Georgia Straight Vancouver's News & Entertainment Weekly
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to performance art events with Beat Nation artists in
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249:Learn how and when to remove this message
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718:"Live in Public - The Art of Engagement"
639:"CM Magazine: Yuxweluptun: Man of Masks"
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733:"Lawrence Paul Yuxweluptun - Welcome"
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748:"Rebecca Belmore - Welcome"
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