961:
165:
33:
241:
45:
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955:
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are made in relations to
Indonesian, and particularly the Javanese and related Balinese society cultures. A very large (and expensive) gong ageng is often commissioned for prestigious state-sponsored projects. Two famous ones include the Surabaya Naval Dockyard statue (weighing over 2000 kg) and
196:
qualities. The pitch desired is very deep, distinctly pitched rumble that sound like thunder or the "rolling waves of the sea". Slight differences in the opposite halves of a gong create a desired "beating" in the sound. It is named according to subjective poetic descriptive images for different
219:
was measured to have a fundamental tone of 44.5 Hz. The Gong Ageng has about a dozen prominent exponentially decaying partials, with some component frequency ratios that closely correspond to harmonics and others that are enharmonic. Many of the partials have a slow amplitude and frequency
155:
Commonly, less expensive iron gong ageng or a slit-type gong are made to fulfill the role of the bronze gong, though at the loss of sound quality- for poorer regions and villages. The cost of expertly pure cast & beaten bronze has seen a rise in bronze-plated and bronze-laminated iron gongs
344:
is the smaller gong in the set used for smaller phrases. It is generally pitched higher, and at different pitches for pélog and sléndro. Frequently gamelans will have more than one gong suwukan, for different ending notes, and different
147:
usually has its own name, which may be bestow upon the entire set of instruments. The gong ageng is considered the most important instrument in a gamelan ensemble: the soul or spirit of the gamelan is said to live in the gong.
183:
Traditionally, it is the first of the instruments to be made. A highly skilled gong-smith will smelt and cast, then supervises the hammering process, but will be solely responsible for the final fine tuning of the
430:
is often struck, just as in
Western society a ribbon may be cut or a champagne bottle smashed (commissioning of a building or ship, launching a project, finalizing a major business deal, and similar occasions).
140:
as large as 135 centimeters (53 inches) have been created in the past, but gongs larger than about 80 centimeters (31 inches) are more common especially to suit the budget of educational institutions.
192:. It is the single most costly and lengthy item to fabricate- and often requires multiple re-castings due to stress-cracks created in the beating process of forming it and undesired tonal or
152:
are often proffered ritual offerings of flowers, food, and/or and incense before performances or each
Thursday evening to appease spirits believed to live in and around it.
1460:
220:
modulation of a few Hertz, and a faster modulation around 20 Hz. The instruments of the gamelan are then fabricated on the fundamental tone of the
352:
Most common is a 1 for pathet sanga and lima, and 2 for pélog pathet nem and barang, and sléndro pathet nem and manyura. Usually a 1 can be played for
423:(approximate diameter 3 meters, weight several thousand kilogram). These two former gong ageng can be heard a distance of 20 kilometers out to sea.
1418:
1413:
1103:
164:
207:
The gong is fabricated to resonate at the lowest thresholds of human hearing (20 Hz to 20,000 Hz). Actual pitch will vary, but a fine
1138:
197:
speeds of beats, comparing slow beats with waves of water and faster beats with Bima's laughter (Bima is one of the
Pandawa brothers in the
1453:
1098:
803:
1834:
1446:
787:
766:
745:
724:
674:
649:
577:
548:. "The largest phrase of a gamelan melody is marked by the deepest sounding and largest instrument, the large gong or
32:
860:
545:
703:, Volume 47: 1999, . Audio Engineering Society. Hong Kong University of Science & Technology. Available as pdf:
143:
There is at least one large gong in each gamelan, but two are common and older gamelans may have three or more. The
132:
sound. It is circular, with a conical, tapering base of diameter smaller than gong face, with a protruding polished
1824:
17:
1803:
168:
Two men (right) are lifting the gong depicted on the 13th-century temple reliefs at the Candi Induk,
1067:
704:
804:
http://www.seasite.niu.edu/indonesian/budaya_bangsa/gamelan/javanese_gamelan/gongs/gong_ageng.htm
1438:
594:
1037:
1012:
982:
853:
1632:
1293:
8:
1133:
1022:
932:
133:
832:, . Yayasan Masyakarat Musikologi Indonesia and Duta Wacana University Press Yogyakarta.
317:
is employed. Some gamelan sets for cost considerations will use the gong ageng for both
240:
1709:
1684:
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1260:
1255:
1250:
1245:
1240:
1198:
1188:
1128:
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992:
987:
505:
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ending in 1 or 5, and a 2 for 2 or 6. A few gamelans include a gong suwukan 3 as well.
188:
pitch- the rest of the ensemble is tuned (and named) according to the qualities of the
90:
87:
44:
1077:
1062:
1017:
783:
762:
741:
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670:
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83:
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are used to herald the arrival of guests. Less important guests are heralded by the
1762:
1554:
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977:
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846:
477:
1118:
1072:
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94:
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1143:
1027:
1002:
997:
828:
Masyarakat Seni
Pertunjukan Indonesia, Masyarakat Musikologi Indonesia (1991).
1818:
1798:
1757:
1744:
1042:
1032:
922:
570:
Tone measurements of outstanding
Javanese gamelan in Yogyakarta and Surakarta
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353:
125:
780:
Traditions of
Gamelan Music in Java: Musical Pluralism and Regional Identity
1123:
463:
400:
249:
129:
1408:
1403:
568:
Wasisto
Surjodiningrat (Raden Mas), P. J. Sudarjana, Adhi Susanto (1993).
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589:
University of South Dakota. US National Music Museum, The Beede
Gallery:
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is central and fundamental to the gamelan orchestra. Similes between the
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53:
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699:
Ayers, Lydia and Homer, Andrew (1999). "Synethesizing a Gong Ageng",
434:
In the houses of the wealthy, mainly
Javanese aristocrat families of
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Center for Southeast Asian Studies, Northern Illinois University:
738:
Music in Java: Its history, its theory and its technique, Volume 1
379:). In other Indonesian and Philippine cultures, its analog is the
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http://www.music.mcgill.ca/~ich/research/misc/papers/cr1116.pdf
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Gong Ageng from the Javanese Gamelan Kyai Rengga Manis Everist
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The nuclear theme as a determinant of patet in Javanese music
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232:) of It is typically pitched to match the 6 of the gamelan.
1734:
1652:
1171:
690:
Museum Nusantara, Delft: www.xs4all.nl/~gjvo/gamelan/delft.
663:
The Evolution of Javanese Gamelan: Music of the roaring sea
595:
http://orgs.usd.edu/nmm/Gamelan/9918/GongAgeng99189919.html
396:
109:
105:
101:
838:
559:
244:
A Gong depicted on the 15th-century temple reliefs at the
112:
gamelan orchestra and the only large gong that is called
669:, Pocketbooks of musicology; p.62-64. Heinrichshofen.
597:. Updated 9 September 2009. Access date 24 May 2010.
453:
136:where it is struck by a padded mallet. Gongs with
1816:
363:plays a similar role in Sundanese gamelan (e.g.
124:tam-tams, Indonesian gongs have fixed, focused
1454:
854:
667:Volume 1 of The Evolution of Javanese Gamelan
610:, p.418. London: The Rough Guides. 1858280176
623:, . Gadjah Mada University Press. 9794203866
717:The evolution of Javanese gamelan, Volume 2
619:Wasisto Surjodiningrat (Raden Mas) (1996).
1461:
1447:
861:
847:
375:(and not to be confused with the Javanese
262:demarcates the larger phrase structure or
128:, and are dissimilar to the familiar puke
621:An introduction to Javanese Gamelan Music
532:
530:
528:
526:
224:pitch is basis of the slendro pitch "6" (
156:created for the undiscerning expatriate.
701:Journal of the Audio Engineering Society
390:
239:
163:
43:
31:
644:, p.64. Noetzel, Heinrichshofen-Books.
638:Book 3 of Evolution of Javanese gamelan
606:Broughton, Simon, et al., eds. (1994).
426:On auspicious or important occasions a
14:
1817:
523:
371:in Balinese gamelan is similar to the
286:strikes, which are subordinate to the
278:punctuate the subdivisions of time. A
1442:
842:
325:scale systems. A truly full set in a
116:in Javanese. Unlike the more famous
1469:Traditional musical instruments of
386:
24:
572:, . Gadjah Mada University Press.
419:in the seaside resort of Ancol in
100:. It is the largest of the bronze
25:
1846:
395:Pande (Gamelan Maker) is burning
959:
953:
782:, . Cambridge University Press.
778:Richard Anderson Sutton (1991).
686:Geert van Oldenborgh, G. (2002)
470:
456:
302:is the longest time-span in the
822:
809:
793:
772:
751:
730:
709:
294:, and length of the structure (
1835:Indonesian musical instruments
1139:List of U.S. gamelan ensembles
801:Indonesian Gamelan: Gong ageng
693:
688:Tone Measurement of Gong Ageng
680:
655:
626:
613:
600:
583:
66:(largest, right-side) and its
13:
1:
516:
282:is the time span between the
27:Indonesian musical instrument
608:World Music: The Rough Guide
159:
62:gongs are suspended between
7:
1799:List of gamelan instruments
868:
449:
235:
10:
1851:
830:Seni pertunjukan Indonesia
806:. Access date 24 May 2010.
634:Paragon of the roaring sea
536:Lindsay, Jennifer (1992).
86:, means large gong) is an
1804:List of gamelan varieties
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815:Dewantara, Karya (1931).
642:Pocketbooks of musicology
313:(compositions), only the
1068:Semar pegulingan gamelan
270:structure, Between, the
170:Panataran temple complex
70:(left, facing rearward).
329:(palace) will have two
407:
306:structure of gamelan.
256:
180:
71:
41:
1825:Colotomic instruments
1038:Joged bumbung gamelan
1013:Gender wayang gamelan
757:Hood, Mantle (1977).
715:Hood, Mantle (1980).
661:Hood, Mantle (1980).
632:Hood, Mantle (1988).
556:is made of bronze..."
394:
243:
167:
47:
35:
736:Kunst, Jaap (1949).
719:, . Heinrichshofen.
1134:Gamelan Son of Lion
1023:Gong kebyar gamelan
933:Gendhing structures
761:, . Da Capo Press.
740:, . Nijhoff, 1973.
56:scale set. Smaller
1685:Kempyang and ketuk
1129:Gamelan Sekar Jaya
1094:K. P. H. Notoprojo
1078:Surakartan gamelan
993:Beleganjur gamelan
988:Bebonangan gamelan
506:Music of Indonesia
408:
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211:of example of the
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91:musical instrument
72:
42:
1812:
1811:
1436:
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1432:
1431:
1063:Selunding gamelan
1018:Gong gede gamelan
788:978-0-521-36153-8
767:978-0-306-77419-5
746:978-90-247-1519-0
725:978-3-7959-0281-0
675:978-3-7959-0280-3
650:978-3-7959-0282-7
578:978-979-420-273-9
16:(Redirected from
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1792:Related articles
1763:Gordang sambilan
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1374:Kendang ketipung
1234:Bonang panembung
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1053:Salendro gamelan
1048:Munggang gamelan
983:Angklung gamelan
978:American gamelan
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969:Genres &
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1287:elaborating
1153:Instruments
790:. 291 pages
748:. 660 pages
580:. 56 pages.
540:, p.10-11.
246:Candi Sukuh
199:Mahabharata
1819:Categories
1658:Gong ageng
1600:Idiophones
1550:Cekuntrung
1504:Aerophones
1390:Vocals and
1177:Gong ageng
1099:Nartosabdo
817:Sari Swara
554:gong ageng
550:gong ageng
517:References
440:gong ageng
428:gong ageng
416:gong ageng
412:gong ageng
342:gong siyem
331:gong ageng
315:gong ageng
309:In larger
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260:Gong ageng
222:gong ageng
209:gong ageng
190:gong ageng
186:gong ageng
150:Gong ageng
145:gong ageng
88:Indonesian
80:gong gedhe
76:gong ageng
64:gong ageng
1665:Karinding
1575:Kongahyan
1496:Totobuang
1492:Talempong
1488:Kolintang
1484:Kulintang
1471:Indonesia
1419:Senggakan
1337:Unpitched
1321:Celempung
1283:Panerusan
1212:or melody
1161:Colotomic
1087:Musicians
971:ensembles
405:Indonesia
304:colotomic
254:Indonesia
178:Indonesia
174:East Java
160:Acoustics
82:in Ngoko
1730:Tamborin
1720:Slenthem
1643:Genggong
1618:Babendil
1613:Angklung
1527:Kuriding
1512:Akordeon
1409:Pesinden
1404:Sindenan
1399:Gerongan
1392:clapping
1209:Balungan
1189:Kempyang
1114:Sumarsam
928:Colotomy
552:....The
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450:See also
311:gendhing
236:Function
138:diameter
110:Balinese
106:Javanese
95:Javanese
84:Javanese
40:ensemble
1783:Marawis
1773:Kompang
1768:Kendang
1725:Slentho
1675:Kemanak
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1585:Sasando
1517:Saluang
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1359:Kendang
1354:Kemanak
1294:Gambang
1273:Slentho
1268:Slentem
918:kotekan
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889:Slendro
870:Gamelan
486:Gamelan
436:Jakarta
421:Jakarta
367:). The
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323:sléndro
298:). the
122:Turkish
118:Chinese
104:in the
98:gamelan
54:sléndro
1778:Rebana
1705:Reyong
1700:Kubing
1695:Kepyak
1690:Kenong
1680:Kempul
1648:Gendèr
1638:Gangsa
1628:Calung
1623:Bonang
1570:Kacapi
1565:Hasapi
1560:Gambus
1522:Suling
1424:Keplok
1381:Kepyak
1328:Suling
1299:Gender
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1194:Kenong
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877:Theory
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496:Kempul
444:kempul
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369:kempur
365:degung
347:pathet
300:gongan
296:bentuk
280:gongan
276:kempul
268:gongan
264:gongan
194:timbre
59:kempul
1830:Gongs
1753:Bedug
1715:Siter
1710:Saron
1670:Kecer
1608:Agung
1590:Sapeh
1580:Rebab
1349:Kecer
1344:Bedug
1316:Siter
1311:Rebab
1241:Saron
1199:Ketuk
940:Irama
923:Gatra
914:Imbal
904:Seleh
884:Pelog
381:agung
354:gatra
319:pélog
292:irama
288:tempo
228:, or
217:Delft
126:pitch
102:gongs
50:pélog
1735:Ugal
1653:Gong
1414:Alok
1172:Gong
784:ISBN
763:ISBN
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671:ISBN
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574:ISBN
542:ISBN
410:The
397:Gong
359:The
336:The
321:and
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226:enam
202:epic
134:boss
114:gong
108:and
78:(or
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