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Throughout his choreography Tetley displayed "fervid intensity, sinuous nonstop propulsion, and voluptuous physicality". While Tetley does not intentionally create abstract pieces, he uses his movement in order to "convey his meditations on themes from myth, music, theater, and literature".
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What made Tetley stand out among other choreographers was his ability to seamlessly mix ballet and modern dance. Tetley choreographed over 50 ballets for some of the world's most famous dance companies. Tetley made his choreographic premier in 1962 with
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which he choreographed for his newly formed chamber company. Tetley based this piece on music of the same name by composer
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Scott
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who mixed ballet and modern dance to create a new way of looking at dance, and is best known for his piece
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in 1959, as well as with the New York City Opera Ballet, John Butler's
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where he also danced from 1974–1976, before returning to North
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478:Michael F. Crabb, "Glen Tetley (1926-2007)".
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127:Contredances
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523:2007 deaths
518:1926 births
372:October 22,
332:Glen Tetley
319:Glen Tetley
198:skin cancer
157:Voluntaries
20:Glen Tetley
512:Categories
269:References
248:April 2021
202:Karen Kain
58:Hanya Holm
139:Ricercare
135:Odalisque
34:Biography
149:Sargasso
62:Broadway
368:. 2008
155:, and
153:Sphinx
131:Gemini
220:Works
183:Style
173:Alice
374:2019
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