5058:
463:
5046:
5136:
455:
365:(premièred in 1750 with Frasi being once again the principal soprano in a title role written specifically for her by Handel), act 2, scene 2 opens with "a plaintive symphony for flutes and strings establish the lonely despair of the character, and her dread for the violation of her chastity is sublimely expressed in 'With Darkness deep as is my Woe' – in the extraordinary key of F-sharp minor; pathos-generating rolling strings and almost unbearable uses of silence between phrases. After an interlude of 'soft Musick' the desperate woman prays effusively for divine deliverance in 'O that I on Wings cou'd rise'."
554:
5049:"At the Hospital. For the maintenance and education of exposed and deserted children in Lambs Conduit Fields, on day of 17 at o'clock there will be, performed in the chapel of the said hospital, a sacred oratorio called composed by George Frederick Handel, Esq. The gentlemen are desired to come without swords and the ladies without hoops. NB; there will be no collection. Tickets may be had of the steward at the Hospital, at Arthur's Chocolate House in St. James's Street, at Batson's Coffee House in Cornhill & at Tom's Coffee House in Devereux Court at half a Guinea each."
66:
579:(1789), Charles Burney remembers her at the beginning of her career as " young, and interesting in person, with a sweet and clear voice, and a smooth and chaste style of singing, which, though, cold and unimpassioned, pleased natural ears, and escaped the censure of critics." At the time the roles she sang were often of cold and unimpassioned characters, Burney, however, does not clarify "whether her 'cold' singing emerged from dramatic concerns, or whether her casting reflected the perception of her performance style"
5144:
for
William Boyce at Hereford in 1756, then she performed for Arne, and so on. She gave regular concerts in Oxford too. She also continued to be part of the Covent Garden oratorio concerts given by Handel and, later, by John Christopher Smith and John Stanley. (The latter two would produce their own oratorios (or other works suitable for the occasion) whilst also putting together revivals of Handel's.) In fact, after Handel's death in 1759, Frasi continued as Prima Donna under his successors until about 1768.
203:
119:
675:
619:
5131:, or the Sacred Oratorio; together with select pieces between the Acts (as will be specified in the Bill of each Days Performance) by a numerous and excellent Band from London, Bath and other Places. The principal Vocal Parts by Signora Frasi, Miss Brent, Mess. Beard, Champnes, Wass and Hudson from London and Master Norris from Salisbury. Tickets are to be had at Mr. Cross's Music Shop and at the Coffee Houses; Price Five Shillings.
615:, was so successful that its virtuoso aria "Tremende oscuri atroci", was sung at concerts by Frasi for ten years, at least, after the run of the opera was over. This aria, written for the castrato Angelo Monticelli, is "ferociously difficult ... with virtuosic text-painting in the vocal line, rapid passagework and repeated notes that would have required honed technique and a soprano of light agility".
250:. But Count St. Germain composed several new songs, particularly "Per pietà bell'idol mio", which was sung by Frasi, first woman, and encored every night. The rest of his airs, and two by Brivio, Frasi's master ..., were only remarkable for their insipidity. ... The success of this enterprize was inconsiderable, and the performances did not continue more than nine or ten nights.
2744:, 5 February, for the "Benefit Master Arne". "To be divided into three Interludes. After the first a new Concerto on the Organ composed by Arne performed by Master Arne. The second Interlude to conclude with a new Pastoral Scene, the Words selected from Shakespeare and composed by Mr Arne. After the third Interlude a Serenata set to music by Arne. Vocal Parts: Sga Frasi."
357:). To show off Frasi's expressiveness, in this aria, Handel uses rests between phrases (sighs), compound time and simple lines (tender tunes), broken lines and minor key (plaint and sorrows), echos etc. ("It was ... scene tailor-made for Frasi, who would sing it at her last appearance in aid of the Fund for Decay'd Musicians or Their Families .")
568:
Frasi's motivation regarding training: "When Frasi told him, that she should study hard; and was going to learn
Thorough-Base, in order to accompany herself: Handel, who well knew how little this pleasing singer was addicted to application and diligence, says, 'Oh – vaat may we not expect!' " Nonetheless she did study under Handel – along with
350:
5245:
and Arne. Operas and oratorios on the London stage were a rather important part of her career but so was her music making in other occasions. She did have a non-negligeable place in London's community of musicians and participated in the cultural richness and musical diversity of London and
Britain during the mid-Georgian era.
5277:. Ruby Hughes (soprano); Orchestra of the Age of Enlightenment, Laurence Cummings. (Chaconne Hybrid SACD, Chandos CHSA0403, 2018). This CD is a tribute to Frasi and includes 4 world première recordings of works by Ciampi, Hayes and Smith. There is a historical and musicological essay by David Vickers in the CD booklet.
5283:. Helen Sherman (soprano); The Mozartists, Ian Page. (Signum Classics, B07BF2482X, 2018). This CD offers a musical landscape of the London of the 1760s. The tracklist encompasses works by J. C. Bach, Abel, Pescetti, Perez, Rush and Bates, many of which are world première recordings. It also includes two arias from
346:(her first Handel oratorio). Handel takes her under his wing and she quickly becomes one of his favourites. "The subtle artistry and emotional depth of Handel's writing for Frasi" is a testament to how expressive her singing must have been and to how much Handel must have estimated this particular talent of hers.
5244:
The thirty-one-year career that Frasi enjoyed in London was broad and varied. She was Handel's last prima donna, but she also sang Gluck, the
Venetian heritage style of Galuppi, the Neapolitans like Porpora, Pergolesi, Lampugnani, Hasse, Cocchi, and English composers, among which Boyce, Smith, Hayes
634:
However, inspired by her rare and particular talent in musical expressiveness, Handel composed for her music of overwhelming sensitivity and beauty. "Time and time again feel drawn to the empathetic temperament and lyrical ease of the vocal writing, embodied in the music Handel wrote for her." Her
245:
The great Opera-house being shut up this year on account of the rebellion, and popular prejudice against the performers, who being foreigners, were chiefly Roman
Catholics; an opera was attempted April 7th, at the little theatre in the Hay-market, under the direction of Geminiani. ... The opera was
5257:
Frasi's infamous profligacy inevitably caused problems when her vocal powers ran out. Her accumulated debts due to her expensive and extravagant lifestyle reduced her to poverty, so much so that, in her latest years, after her last documented concert at
Hickford's Room on 16 May 1774, she allegedly
5069:
had annual performances at the
Foundling Hospital until Handel's death and beyond. Based on Frasi's professional relationship with Handel and her involvement in charity, she is likely to have taken part in most of them. Indeed, David Vickers states that "Frasi participated in all of Handel's annual
2542:
This was rehearsed but eventually abandoned. Handel re-used the music in oratorios. It is plausible that Frasi was part of the cast as, by then, she was already Handel's favourite principal soprano. Moreover, Calliope's ode to sleep ("Gentle
Morpheus") shows typical hallmarks of other "Handel/Frasi
582:
She had excellent reviews, especially in
Salisbury, and was highly appreciated by the British public, whose preference yet was the nightingale singing of castrati rather than a voice whose abilities had nothing exceptional however delicate it was.Although it is to be noted that she did reprise some
5173:
She was part of the London Stage for about 31 years in total. Aside from interpreting Handel's and other composers' music on stage, Frasi also continued to sing regularly in charity concerts; she also took part regularly in the annual
Musicians Fund (and other) benefits, and sang at the Castle and
5143:
Throughout the 1750s, "Frasi's concert repertoire stretched from Purcell to Terradellas." She was considered a paramount principal soprano in English oratorios or other works of the sort by Handel and by other composers. Frasi was at nine consecutive meetings of the Three Choirs Festival: she sang
4439:
came to England, and had several works represented there, but he failed to gain public's recognition as an opera composer. He then devoted himself to teaching singing for fifteen years, which allowed him to accumulate considerable wealth. He also published music in London.. He left London in 1773.
567:
Frasi was endowed with a beautiful and robust soprano voice whose expressive qualities were greatly valued by Handel, much more than her technical ones. Indeed, allegedly, Frasi had a very limited interest in studying and practicing; Burney tells us an anecdote showing the composer's sarcasm about
470:
From 1745 to 1752 Frasi lived in Great Pulteney street, not far from Golden Square. Great Pulteney Street had just been laid out during the area's redevelopment in the early eighteenth century (Many of the houses built at this time still survive today). The street was never fashionable though, nor
5164:
Signora Mingotti having acquainted Sig Vanneschi Yesterday Afternoon that she continues very much indisposed, and is not able to sing To morrow night, by which Reason the Opera called Ezio cannot be performed; instead thereof Sig. Vanneschi begs Leave to perform the Opera of Andromaca, in which
339:
A few years after her London début she is noticed by Handel, who, appreciating her singing, her determination to sing articulately in English and, above all, her musical expressiveness, hires her for his 1749 season. That same year she becomes his principal soprano and sings the title role in
635:
roles contain vivid scenes of emotional and spiritual drama; they depict suffering and distress along with courage, dignity, and selflessness, a whole palette of subtle and complex human emotions. The wonderful series of oratorio parts Handel composed for her, including the two Queens in
5053:
As of 1749 Frasi sings in all of the Covent Garden concerts that Handel gave for the rest of his life and she remained Handel's Prima Donna in all his later seasons, creating and interpreting parts he often wrote specifically for her. Her greatest successes were Handel's oratorios.
5169:
During the 1760s, Frasi continued to play a prominent part in the musical life of London. She seems to have transitioned smoothly to the new music style of the generation of composers younger than her; composers like Philip Hayes, who announce the advent of the Classical Era.
5232:
wrote sarcastically: "Signora Frazi, who may be said, with respect to the musical world, to have been long since dead and buried, is expected to rise again in Lent" Vickers adds that "the soprano's comeback comprised a few scattered concerts at inauspicious venues".
5248:
Ruby Hughes says of the roles written by Handel for Frasi that they "seem to engender a depth of female characterisation which may well have subverted the norm at a time". The soprano adds that she is "struck by the significance of considerable achievements."
311:– started as early as 1743. The earliest documented occasion (a fundraiser event) on which she performed English-language airs, including some by Handel, in public was as early as March 1746. Her charity fundraising also included benefactors such as the
5155:
of the King's Theatre and ailings often made her "indisposed". Frasi covered for her many a time, more often than not ending up taking over Mingotti's role for the rest of the performances as Regina Mingotti " not yet recovered of her indisposition".
662:
required Frasi to express innocence, culpability, pious sorrow and penitence when Eve faces the consequences of her new and inevitable mortality. The aria "It comes" is a showcase of Smith's and Frasi's abilities in conveying such emotions.
601:
is another example of virtuoso aria written for Frasi. Both arias are strongly influenced by the Neapolitan school, whose composers Frasi had sung earlier in her career. Burney also recorded that the 1742 London pasticcio, entitled
5094:
On Wednesday the 3rd, Thursday the 4th and Friday the 5th of July, being the three Days following the Commemoration of Founders and Benefactors to the University, L'Allegro, il Penseroso, &c. Judas Macchabæus, and
3182:
was originally a concise masque the score of which Arne expanded for the 1753 charitable concert. Notably, he added the aria "Gracious Heav'n, O hear me!" to act 2, scene 2, a piece composed specifically for Frasi.
5073:
Many of Handel's oratorios had numerous revivals with her, including in provincial cities: Oxford in 1754, 1756, 1759, Salisbury in 1758, 1761, 1765, Ranelagh in 1751, 1752, and for nine consecutive years at the
670:
On a different note, Burney highlights that "having come to this country at an early period of her life, she pronounced our language in singing in a more articulate and intelligible manner than the natives".
82:
before 1730. She had a younger brother named Giovanni who, like her, settled in England and died there in 1795 at 65, after having worked extensively as a tailor-embroiderer for the then Prince of Wales,
137:
was director of Italian opera at the Haymarket Theatre whose purpose was to challenge Handel's solid hold on London opera goers. She studied under the English educator, musician and historian
5147:
In total Frasi also participated in at least fourteen opera seasons at the King's Theatre between 1742 and 1761. In addition to which, during the 1754–1756 seasons, she regularly covered for
2609:. For Frasi Ciampi wrote the emotional aria "Oh Dio! Mancar mi sento" and added it to act 3, scene 7 of the London version. The opera ran for eight performances, concurrently with Handel's
5755:
5376:
5209:
Finally, in 1770 – after having been "confined for some Time by a bad State of Health" – she appeared again at the Little Theatre on 4 May for a charity concert to her own benefit singing
630:(act 1, scene 2). The passaggi battuti, cantar di sbalzo, mordenti, arpeggi etc. are hallmarks of castrato arias. (In the 1769 revival of Arne's opera, Frasi would have sung this aria.)
5241:
Frasi was not only able to quickly win over the London opera stage, but she had Handel's assent as well. She also gained the affection and became a favourite of the English public.
280:. Frasi, who had created the role of the giant Briareo for Gluck, was back on stage and continued her intense musical activity: first with a role in Gluck's second London opera (
1654:
Lampugnani had to return to Italy, and he was replaced by Christoph Willibald Gluck who accepted the post at the musical director of the King's Theatre upon an invitation from
5287:
by Thomas Arne and both are arias Frasi would have sung in the 1763 revival: act 1, scene 2: "Amid a thousand racking Woes" and act 1, scene 13: "O too lovely, too unkind".
20:
4981:"By Permission of the Lord Chamberlain. Benefit for Sga Frasi. Boxes 10s. 6d. Pit 5s. First Gallery 3s. 6d. Second Gallery 2s. To begin at Twelve. Doors open at 11:00 a.m"
1973:
6553:
5225:. However, the organisation of the concert was plagued with difficulties which eventually lead her to give a "full-scale oratorio ... at the unsociable hour of noon."
4917:
6713:
1160:
pasticcio at the King's Theatre. In 1743 Lampugnani took the place of Galuppi as musical director of the King's Theater. On 15 November of the same year he produced,
1675:"Benefit Gluck, composer of the operas at the King's Opera House in the Haymarket ... With a Concerto upon a New Instrument of 26 Glasses. ... Song – Signora Frasi
1773:
The opera also consists largely of music from Gluck's earlier works, lack of time having forced him to this device. The opera did not meet with success either.
419:
1993:. "... The Music of the ... Pastoral is chiefly extracted from the Works of the most famous Italian Composers. ... with a new Concerto on the Fiolincello."
4620:
at the Foundling Hospital and at Covent Garden (the final performance of the work at which Handel was present: 6 April 1759, eight days before his death).
762:
2888:
875:
5107:
Parts by many of the most excellent Performers of every Kind from London. Further particulars will be specified in the Bills of each Days Performance.
412:
21 March: Entertainment of Music at the King's Theatre for the "Benefit and Increase of a Fund for the support of Decayed Musicians or their Families.
7150:
3414:
1658:.The opera consists largely of music from Gluck's earlier works, lack of time having forced him to this device. The opera did not meet with success.
2606:
4024:
Grand Entertainment of Vocal and Instrumental Musick for the "Benefit and Increase of a Fund for Support of decay'd Musicians, or their Families."
3410:
4241:
at the King's Theatre on 8, 12, 15, 19, 22, 26 and 29 November; 3, 6, 10, 13, 17, and 23 December. Recitatives in English and arias in Italian.
3638:"Entertainment of Vocal and Instrumental Music for the "Benefit and Increase of a Fund for the support of Decayed Musicians or their Families."
3240:"Entertainment of Vocal and Instrumental Music for the "Benefit and Increase of a Fund for the support of Decayed Musicians or their Families."
2866:"Entertainment of Vocal and Instrumental Music for the "Benefit and Increase of a Fund for the support of Decayed Musicians or their Families."
2482:"Entertainment of Vocal and Instrumental Music for the "Benefit and Increase of a Fund for the support of Decayed Musicians or their Families."
3963:, at the King's Theatre on 17 and 21 February, 6, 9, 13, 20, 23, 27 March and 6 April. Reprised again for benefits on 27, 29 April and 1 May
2155:(4 March 1748), Frasi managed to squeeze in her fully fledged English oratorio debut for him between performances of a revival of Galuppi's
426:(1757) and the revivals of Handel's oratorios Belshazzar (1758), Jephtha (1758), Messiah (1758), Judas Maccabaeus (1759), and Thomas Arne's
218:
This was followed straight away by a period of intense artistic activity on the London stage, still at the King's Theater, singing works by
241:, all theatres in London were closed because of the political turmoil caused by the Stuart rising. Charles Burney thus recalls the events:
471:
was it identified with any trade or craft. Yet there was a large brewery and there were famous musical instrument makers as well: notably
851:
5691:
3003:
Concert of Vocal and Instrumental Music for the "Benefit and Increase of a Fund for the support of Decayed Musicians or their Families."
3472:
322:
5057:
7170:
651:, are an indication of his regard for her expressive powers, though they are not technically arduous; their extreme compass is
462:
5776:
5397:
5045:
3501:
1655:
1536:
134:
557:
The first two pages of "Gracious Heav'n, O hear me!", aria composed by Thomas Arne for Frasi and added to act 2, scene 2 of
5836:"The London Stage Database, 1660-1800 – Eighteenth Century Drama: Censorship, Society and the Stage – Adam Matthew Digital"
5476:
4930:, also known as "the second" Senesino. Frasi had seldom performed trouser roles since her formative early years in London.
3872:
at the king's theatre on 9, 13, 16, 20, 27, 30 December and on 3, 10, 13, 17, 20, 24, 27, 31 January and 3 and 7 February.
3741:
at the Foundling Hospital. Handel was severely afflicted by the onset of blindness and he turned over the direction of the
126:
She moved to London in autumn 1742 – perhaps following Giuseppe Ferdinando Brivio – with her friend and fellow singer the
498:'s future brother-in-law) for many years with her daughter (born in 1743). At the time, the City of Westminster had its
7145:
2233:
Entertainment of Music for the "Benefit and Increase of a Fund for the support of Decayed Musicians or their Families."
2196:
Entertainment of Music for the "Benefit and Increase of a Fund for the support of Decayed Musicians or their Families."
1164:, his first composition, at the house for which he was the new resident composer, possibly a rearrangement of Handel's
502:
offices at number 39. In 1740, No. 44 had become an apothecary's shop and was occupied until 1765 by the apothecary to
277:
237:
However, just a couple of years after her arrival in the British capital, shortly after the première of the pasticcio
7110:
475:'s, which had been established there in 1739 and remained until 1750, and, from 1742 to 1774, the harpsichord-maker
4911:
4432:
4268:
3009:
2872:
2667:
2598:
503:
149:
3299:
at the Foundling Hospital. For this performance the transposed Guadagni arias were restored to the soprano voice.
307:
In addition, her association with the annual charity concerts in aid of the Fund for Decay'd – known today as the
5859:
5182:
From 1764 onwards her public appearances became less frequent. In 1767 she appeared at London's Covent Garden in
4999:
4976:
2936:
2768:
2741:
2370:
1990:
7030:
7010:
5945:"The legacy of Pietro Metastasio's L'Olimpiad in music, music and litterary history, and Olympic Games history"
5987:
5877:
2960:
were interpreted the same evening (1 March 1751) with great success. The cast included her friend the soprano
2848:
were interpreted the same evening (1 March 1751) with great success. The cast included her friend the soprano
2151:
David Vickers explains that "when Handel needed to recruit a new principal soprano soloist for his revival of
5471:
4179:
2825:
5119:
On Tuesday the 3rd of July (the Day of the Installation) will be performed, in the Theatre, the Oratorio of
5165:
Signora Frasi will do the part of Signora Mingotti; and Signora Peralta is to do the part of Signora Frasi.
5123:; on Wednesday the 4th (the Day appointed for commemorating our Founders and Benefactors), the Oratorio of
820:
472:
219:
180:
5835:
3628:. Frasi is cast along with castrato Gaetano Guadagni, next to whom she had one of her greatest successes.
7155:
2710:
607:
254:
When the political situation improved fully-fledged theatrical activities recommenced with a première of
4741:
Concert for the "Benefit and Increase of a Fund for the support of Decayed Musicians or their Families."
4560:
Concert for the "Benefit and Increase of a Fund for the support of Decayed Musicians or their Families."
3652:
1330:
735:
611:
563:
for the 1753 revival of the work. The text at the top of the first page reads: "Sung by Signora Frasi"
541:
in 1754, 1758 and 1759. She was the highest paid singer at Handel's Foundling Hospital performances of
538:
308:
91:
5583:(Chaconne Super Audio CD). Colchester, England: Finn S. Gundersen & Chandos Early Music. CHSA0403.
5135:
4271:
on 10, 14, 17, 21 and 28 January; 4, 11 and 18 February. Recitatives in English and arias in Italian.
1385:
Music for the "Benefit and Increase of a Fund for the support of Decayed Musicians or their Families."
4011:
3625:
2472:. (Handel composed new versions of "But who may abide" and "Thou art gone up on high" for Guadagni).
2135:
1765:
1646:
918:
484:
255:
161:
4927:
4138:
2589:
2380:
1837:
1636:
1254:
623:
301:
293:
260:
165:
152:. Her profile rising gradually within the company, she soon appears in secondary roles, including
5760:
5672:
5381:
4803:
3758:
3175:
2347:
2299:
454:
437:
5944:
4124:
3985:
at the king's theatre on 25, 29 May and 3, 12, 19 June, possibly covering for Regina Mingotti.
3746:
3616:
1887:
553:
515:
491:
172:
Her actual London début took place on 2 November 1742 at the King's Theatre as Mahobeth in the
94:. She also performed there for a few years during the early 1740s making her operatic debut at
39:
6666:
5768:
5389:
5271:
There are countless commercial recordings of Handel's works, including the ones sung by Frasi.
1812:
597:
is a "lively da capo aria di bravura." "Là per l'ombrosa sponda!", found in Vincenzo Ciampi's
297:
7165:
7160:
6985:
6958:
6934:
6910:
6885:
6781:
6641:
6617:
6593:
6569:
6364:
6340:
6256:
6232:
6184:
6159:
6111:
6086:
6037:
6012:
5921:
5603:
5187:
5075:
3253:
1442:
667:
is another example of Smith showcasing Frasi's talent at expressing human feelings in music.
78:
There is very little biographical information about Giulia Frasi. She was born in or around
4225:
1510:
1005:
533:
She was paid 6 guineas, very high wages at the time, for the charity revivals of Handel's
8:
5152:
4251:
3823:
at the king's theatre, covering for Regina Mingotti and eventually taking over the role.
3692:
at the King's Theatre, covering for Regina Mingotti and eventually taking over the role.
3545:
at the king's theatre, covering for Regina Mingotti and eventually taking over the role.
3155:
2965:
2853:
2800:
2351:
2303:
2291:
789:
589:) and that arias written specifically for her do occasionally include fiery – if short –
559:
327:
269:
223:
184:
3791:
6298:
5228:
Three years later she appeared in a few concerts, making a new "come-back" about which
5222:
5202:
5023:
4892:
4335:
3119:
3047:
988:
691:
Note that the table below is not exhaustive. Note also that the works/events listed in
585:
480:
378:
312:
273:
231:
7106:
5772:
5393:
4436:
3425:
2621:
2393:
1524:
1438:
499:
6712:
Metastasio, Pietro; Boldini, Giovanni; Lalli, Domenico; Hasse, Johann Adolf (1754).
6290:
5764:
5385:
5218:
3832:
3367:
3101:
3019:
2699:
2639:
2602:
2579:
2527:
2469:
2447:
2418:
2315:
2273:
828:
494:, which is now part of London's Chinatown. She lived there at Charles Churchill's (
342:
317:
285:
65:
5314:
5206:
by Thomas Arne. The latter is her last known appearance on the stage in an opera.
6281:
Hunter, David (2003). "Monsieur le Comte de Saint-Germain: The Great Pretender".
5214:
5148:
4729:
4085:
3960:
3701:
3309:
3076:
2977:
2118:
1519:
pasticcio. According to David Hunter, the count contributed some of the songs to
519:
289:
118:
48:
7035:
7015:
5648:
5157:
5086:
5070:
performances of Messiah, in the chapel of the Foundling Hospital (from 1750)."
3051:
2961:
2849:
2465:
2436:
2343:
2295:
1928:
It was performed by the "Middlesex" opera company (named after Lord Middlesex)
1264:
1016:
742:
674:
569:
523:
495:
227:
202:
138:
130:
95:
2377:"Vocal Parts: Sga Frasi and Sga Galli. Harpsichord: Miss Cassandra Frederick,
506:'s household. Many artists lived in Gerrard Street, for instance: the painter
349:
7139:
6688:
6508:
6484:
6460:
6436:
6412:
6388:
6316:
6208:
6135:
6062:
5003:
4047:
2552:
507:
6533:
5700:
4343:
3994:
3932:
3266:
618:
511:
476:
7076:
A biographical Dict. of actors, actress, musicians... in London, 1660–1800
6555:
La Semiramide riconosciuta. Drama per musica pel Teatro di S.M.B. – London
34:) was born c. 1730 and died in 1772 or after May 1774. She was an Italian
5750:
5599:
5371:
3166:
769:
652:
325:, in aid of which she sang in a performance of Arne's revised version of
145:
99:
3935:, taking over Regina Mingotti's role due to the latter's indisposition.
593:. "Gracious Heav'n, O hear me!" composed by Arne for Frasi and added to
315:, where Handel held regular benefit concerts and annual performances of
144:
Her English career began shortly after her arrival, first performing in
6302:
5653:
A General History of Music from the Earliest Ages to the Present Period
622:
Twelve-bar coloratura from "Amid a thousand racking woes", written for
590:
153:
6532:
Metastasio, Pietro; Algarotti, Francesco; Hasse, Johann Adolf (1748).
433:
13 April: benefit concert for her friend and colleague Caterina Galli.
4746:
at the King's Theatre, 12 March. Frasi sings two arias from Handel's
922:
841:
422:, with whom Frasi may later have starred in the première of Handel's
188:
173:
127:
84:
6294:
4923:
The role interpreted by Frasi was originally created in 1762 by the
7089:
Italian opera in Central Europe (La ópera italiana en Centroeuropa)
5488:
4924:
4565:
at the King's Theatre, 6 April. Frasi sings three arias by Handel:
54:
43:
7096:
Regina Mingotti: Diva and Impresario at the King's Theatre, London
6872:
Zenobia, dramma per musica da representarsi nell'imperial Favorita
6768:
Regina Mingotti: Diva and Impresario at the King's Theatre, London
2487:
at the King's Theatre, 10 April. Frasi sings two arias by Ciampi:
1703:
at the King's Theatre. a pasticcio with some new music by Galuppi
1527:
on all but one of the Saturdays from 9 February to 20 April 1745.
5213:. For this concert she gathers musical London luminaries such as
5103:
Parts by Signora Frasi, Mr. Beard, Mr. Wass, and others; and the
1926:"Lucius VERUS consist of celebrated Airs from Mr Handel's Operas"
695:
are documented; the ones not in bold are plausible suppositions.
409:(including première and creation of the principal soprano roles).
331:
organised at the King's Theatre on 12 May 1753, and many others.
103:
90:
In her native Italy Frasi studied singing with Milanese composer
35:
5923:
Virtue Rewarded: Handel's Oratorios and the Culture of Sentiment
1146:
Roxana; or, Alexander in India (Rossane o Alessandro Nell'Indie)
133:. In England she joined Lord Middlesex's Italian opera company.
5628:
The favourite songs in the opera call'd Artemene by Sigr. Gluck
5259:
4169:
at the Foundling Hospital. Handel comes back at the direction.
3393:
3171:
revival but première of the aria "Gracious Heav'n, O hear me!"
797:
212:
The favourite songs in the opera call'd Artemene by Sigr. Gluck
107:
2201:
at the King's Theatre, 5 April. Frasi sings two Handel arias:
418:
10 April: concert for the benefit of the five-year-old singer
187:
and Brivio. The latter's music will also be used in two other
79:
38:
who was primarily active in London. She sang in every one of
5958:(3) – via International Society of Olympic Historians.
415:
6 April: puts on her own benefit concert at the New Theatre.
6711:
2594:
revival but première of the aria "Oh Dio! Mancar mi sento"
5878:"Gerrard Street Area: The Military Ground, Gerrard Street"
3709:
triple part of Dalila, the Philistine and Israelite woman
2238:
at the King's Theatre, 21 March. Frasi sings three arias:
2185:"New Songs- with alterations of Sga Cassarini, Sga Frasi."
4815:
was advertised in 1764 but seems to have been cancelled.
2670:. The opera was a failure and had only two performances.
402:(including première and creation of the role of Susanna).
156:(for example: Taxiles (1743) and Cleon (1747–8), both in
57:
for which the composer wrote roles specifically for her.
19:
7098:. London: Royal Musical Association Monographs, Ashgate.
6770:. London: Royal Musical Association Monographs, Ashgate.
6531:
1390:
at the King's Theatre. 10 April. Frasi sings two arias:
6935:"London Stage Event: 02 February 1759 at Covent Garden"
6341:"London Stage Event: 28 January 1746 at King's Theatre"
6112:"London Stage Event: 03 January 1744 at King's Theatre"
5217:, playing first violin and solos, her singer colleague
466:
Former Westminster Penny Post offices at 39 Gerrard St.
458:
Georgian houses in Great Pulteney St. in today's London
377:
Twice weekly: noon concerts at Ranelagh with the tenor
7130:
A Textual and Historical Companion to Handel's Messiah
7091:(in English). Berlín: Berliner Wissenschafts / Verlag.
4197:"Alter'd from the Italian with several new Additions."
2968:
and perhaps Gaetano Guadagni in the part of Pleasure.
2856:
and perhaps Gaetano Guadagni in the part of Pleasure.
2379:"a child of five and a half years and a scholar of Mr
6959:"London Stage Event: 12 March 1761 at King's Theatre"
6911:"London Stage Event: 06 April 1758 at King's Theatre"
6782:"London Stage Event: 17 March 1755 at King's Theatre"
6642:"London Stage Event: 10 April 1750 at King's Theatre"
6618:"London Stage Event: 21 March 1749 at King's Theatre"
6594:"London Stage Event: 05 April 1748 at King's Theatre"
6570:"London Stage Event: 05 March 1748 at King's Theatre"
6185:"London Stage Event: 03 April 1744 at King's Theatre"
2506:
and she closes the concert with a duet from Handel's
6233:"London Stage Event: 10 April 1745 at Covent Garden"
321:
that continued until Handel's death and beyond, the
268:, a command from Lord Middlesex, with a libretto by
6365:"London Stage Event: 13 May 1746 at King's Theatre"
122:
The King's Theatre in Haymarket in the 18th-century
5929:. UC Berkeley Electronic Theses and Dissertations.
5196:She made her last appearances in 1769 in Handel's
373:Some of Frasi's engagements during the year 1749:
5581:Handel's last prima donna: Giulia Frasi in London
5275:Handel's Last Prima Donna: Giulia Frasi In London
4759:"Ye Sacred Priests... Farewell ye Limpid Springs"
4589:"Ye Sacred Priests... Farewell ye Limpid Springs"
4145:at Hereford Cathedral for Three Choirs Festival.
3245:at the King's Theatre, 28 February. Frasi sings:
678:First part of the emotional act 2I, scene 2 from
191:produced at the King's Theatre during the 1740s:
7137:
6715:Artaserse. Drama per musica pel Teatro di S.M.B.
6552:Metastasio, Pietro; Hasse, Johann Adolf (1748).
5099:will be performed in the Theatre. The principal
5035:
6551:
5734:A Textual and Historical Companion to Handel's
5236:
5151:. (Mingotti's fits of temper, antagonisms with
4943:Artabaces: Sga Frasi, Signora, Firt appearance;
4920:. A charity evening dedicated to the composer.
514:. The tavern at number 9 was the first home of
7074:P. H. Highfill, K. A. Buenim, E. A. Langhans,
5860:"Brewer Street and Great Pulteney Street Area"
3643:at the King's Theatre, 17 March. Frasi sings:
7064:, Milano 1985, pp. 511 s., 536, 555, 560, 585
6535:Didone. Drama per musica pel Teatro di S.M.B.
4811:in Oxford. A projected London performance of
264:(The Fall of the Giants) on 17 January 1746.
7082:Diz. enc. univ. della musica e dei musicisti
5972:Hughes, Ruby. "Foreword by the soloist". In
5673:"Christoph Willibald Gluck, German composer"
5040:
4669:"With several new Songs composed by Mr Arne"
195:, premièred on 12 December 1742 (and later,
160:, and the giant Briareus in the première of
6804:
583:castrati roles in revivals (for example in
7101:Pascual, Josep (2004). Ed. Robinbook, ed.
7078:, V, Carbondale, Illinoi, 1978, pp. 398 s.
6869:
6854:
6809:. Berlín: Berliner Wissenschafts / Verlag.
5840:www.eighteenthcenturydrama.amdigital.co.uk
5174:Swan concerts, at Ranelagh and elsewhere.
3799:Commercial failure, only two performances
1582:New opera at the King's Theatre, January.
572:– and benefited greatly from his tuition.
69:Milan in the 18th century, Palazzo Mannati
5696:helped London's orphans – and vice versa"
5655:. Oxford Publishing Company. p. 841.
5200:at the King's Theatre, and as Arbaces in
5177:
7151:18th-century Italian women opera singers
7125:. Ed. Lorenzo Francisco Mojados. Madrid.
7031:"Saturday 30 June 1759 – Advertisements"
7011:"Saturday 22 June 1754 – Advertisements"
6859:. Madrid: Ed. Lorenzo Francisco Mojados.
5643:
5641:
5639:
5637:
5594:
5592:
5590:
5134:
5056:
5044:
4123:at the Foundling Hospital, direction by
3026:See Hercules how smiles yon myrtle plain
1338:pasticcio at the King's Theatre, April.
686:
673:
617:
552:
487:also lived there between 1747 and 1752.
461:
453:
348:
201:
117:
64:
60:
18:
6822:
6761:
6759:
6757:
6755:
6753:
6751:
6749:
6747:
6745:
5973:
5915:
5913:
5911:
5830:
5828:
5826:
5824:
5822:
5820:
5818:
5816:
5814:
5812:
5810:
5808:
5769:10.1093/gmo/9781561592630.article.10177
5598:
5578:
5390:10.1093/gmo/9781561592630.article.10170
2215:"The Prince unable to Conceal his Pain"
7138:
6980:
6978:
6836:
6834:
6765:
6743:
6741:
6739:
6737:
6735:
6733:
6731:
6729:
6727:
6725:
6280:
6274:
5971:
5938:
5936:
5909:
5907:
5905:
5903:
5901:
5899:
5897:
5895:
5893:
5891:
5806:
5804:
5802:
5800:
5798:
5796:
5794:
5792:
5790:
5788:
5749:
5689:
5647:
3597:L'allegro, il penseroso ed il moderato
3555:L'allegro, il penseroso ed il moderato
3519:L'allegro, il penseroso ed il moderato
3474:L'allegro, il penseroso ed il moderato
449:
7071:, I, 1597–1940, Geneva 1955, col. 228
6844:. Könemann Verlagsgesellschaft. 1999.
6818:
6816:
6667:"CD Review – George Frideric Handel,
6664:
5967:
5965:
5727:
5725:
5723:
5721:
5719:
5717:
5715:
5713:
5711:
5634:
5625:
5587:
5574:
5572:
5570:
5568:
5566:
5564:
5562:
5560:
5558:
5556:
5554:
5552:
5550:
5548:
5546:
5544:
5542:
5540:
5538:
5536:
5534:
5532:
5530:
5528:
5526:
5524:
5522:
5520:
5518:
5469:
5465:
5463:
5461:
5459:
5457:
5455:
5453:
5451:
5449:
5447:
5445:
5443:
5441:
5439:
5437:
5435:
5433:
5431:
5429:
5366:
5364:
5362:
5360:
5358:
5356:
5354:
5352:
5350:
5348:
5230:The Morning Post and Daily Advertiser
5160:quotes the following newspaper clip:
5115:published the following advertising:
5090:published the following advertising:
4508:"With New Additions And Alterations."
4465:"With New Additions And Alterations."
782:Tito vespasiano o La clemenza di Tito
658:Following in Handel's steps, Smith's
7103:Guía Universal de la Música Clásica.
5731:
5666:
5664:
5662:
5621:
5619:
5617:
5516:
5514:
5512:
5510:
5508:
5506:
5504:
5502:
5500:
5498:
5477:Dizionario Biografico degli Italiani
5427:
5425:
5423:
5421:
5419:
5417:
5415:
5413:
5411:
5409:
5370:
5346:
5344:
5342:
5340:
5338:
5336:
5334:
5332:
5330:
5328:
5309:
5307:
5305:
5303:
5301:
2342:at Covent Garden with the contralto
2249:Parto non ho costanza per rimirarti"
1262:at the King's Theater. Adapted from
398:10 February: production of Handel's
368:
353:"Farewell, ye limpid springs" (from
334:
6975:
6831:
6825:Guía Universal de la Música Clásica
6722:
5942:
5933:
5919:
5888:
5785:
5630:. London: I. Walsh. pp. 10–12.
5626:Gluck, Christoph Willibald (1746).
3745:hospital performance to his pupil,
3059:The Flocks shall leave the Mountain
479:, founder of the firm now known as
16:Italian soprano of the 18th century
13:
7047:
6813:
6658:
5962:
5708:
4353:pasticcio, at the King's Theatre.
14:
7182:
7116:The New Grove Dictionary of Opera
5670:
5659:
5614:
5495:
5406:
5325:
5298:
5153:the director of the opera company
3927:at the King's Theatre in lieu of
3122:. This is Handel's last oratorio
3118:at Covent Garden. with the tenor
2256:O Sleep, why dost thou leave me?"
2205:"Heart thou Seat of soft Delight"
1924:pasticcio at the King's Theatre.
405:17 March: production of Handel's
199:, premièred on 9 February 1745).
5753:(2001). "Frederick, Cassandra".
5258:found herself forced to flee to
4029:at the King's Theatre, 5 April.
2638:at Covent Garden premiere, with
2515:"O fairest of ten thousand fair"
1877:Rossane o Alessandro Nelle Indie
1437:at the King's Theater. Based on
1192:at the King's Theater, January.
436:24 April: Mr Tozzi's concert at
7023:
7003:
6963:londonstagedatabase.uoregon.edu
6951:
6939:londonstagedatabase.uoregon.edu
6927:
6915:londonstagedatabase.uoregon.edu
6903:
6878:
6863:
6848:
6807:Italian opera in Central Europe
6798:
6786:londonstagedatabase.uoregon.edu
6774:
6705:
6681:
6646:londonstagedatabase.uoregon.edu
6634:
6622:londonstagedatabase.uoregon.edu
6610:
6598:londonstagedatabase.uoregon.edu
6586:
6574:londonstagedatabase.uoregon.edu
6562:
6545:
6525:
6501:
6477:
6453:
6429:
6405:
6381:
6369:londonstagedatabase.uoregon.edu
6357:
6345:londonstagedatabase.uoregon.edu
6333:
6309:
6249:
6237:londonstagedatabase.uoregon.edu
6225:
6201:
6189:londonstagedatabase.uoregon.edu
6177:
6152:
6128:
6116:londonstagedatabase.uoregon.edu
6104:
6079:
6055:
6030:
6005:
5980:
5870:
5852:
5743:
4204:Counsel (or Truth): Miss Young;
444:
7171:Italian expatriates in England
5683:
5265:
2183:at the King's Theater, March.
206:Aria sung by Frasi in Gluck's
1:
7087:Bucciarelli, Melania (2006).
6805:Bucciarelli, Melania (2006).
5920:Lee, Jonathan Rhodes (2013).
5036:Second part and end of career
4180:The Triumph of Time and Truth
2241:"Scherza il nocchier talora"
682:, written by Handel for Frasi
424:The Triumph of Time and Truth
23:Giulia Frasi (source unknown)
6665:Morin, Alexander J. (1998).
5237:A significant musical figure
4940:Artaxerxes: Mrs Dorman, Mrs;
4910:organised by herself at the
3250:Non vi piacque ingiusti Dei"
1931:Berenice : Sga Casarini
1523:, an opera performed at the
272:, glorified the hero of the
7:
7121:Metastasio, Pietro (1751).
6870:Metastasio, Pietro (1740).
6855:Metastasio, Pietro (1751).
5061:London's Foundling Hospital
4754:"Freely I to Heaven Resign"
4058:Titus Manlius: Sig Pazzagli
3595:revival on the same day as
3568:revival on the same day as
2601:, with the famous castrato
1946:Anicetus : Sig Ciacchi
1568:/ Il Trionfo Della Costazza
1563:Il Trionfo Della Continenza
1322:Aristodemo, tiranno di Cuma
98:(1740) and then singing in
10:
7187:
6671:– Incidental Music HWV 45"
5952:Journal of Olympic History
5651:(1935) . F. Mercer (ed.).
5374:(2001). "Frasi , Giulia".
5262:where she died destitute.
4728:role creation shared with
4704:at the Foundling Hospital
4550:at the Foundling Hospital
4407:at the Foundling Hospital
3358:at the Foundling Hospital
3230:at the Foundling Hospital
3146:at the Foundling Hospital
2927:at the Foundling Hospital
2375:Benefit for Miss Frederick
1940:Vologesus : Sga Galli
309:Royal Society of Musicians
7146:Italian operatic sopranos
5041:Handel's last prima donna
4745:
4738:
4579:"He Shall Feed His Flock"
4557:
4481:Zebul : Mr Champness
4021:
3959:with additional arias by
3635:
3582:Ode for St. Cecilia's day
3570:Ode for St. Cecilia's day
3503:Ode for St. Cecilia's day
3490:Ode for St. Cecilia's day
3237:
3016:Caro sposo, amato oggetto
3012:, 29 March. Frasi sings:
3000:
2875:, 16 April. Frasi sings:
2863:
2479:
2361:
2230:
2193:
2111:Don Calascione (Gismondo)
1943:Flavius : Sga Sibila
1937:Lucius Verus: Sga Pircher
1910:Lucius Verus (Lucio Vero)
1665:
1382:
926:, at the King's Theater.
284:) and then with works by
113:
7094:Burden, Michael (2013).
6766:Burden, Michael (2013).
5291:
5252:
4949:Mandane: Mrs Barthelemon
4918:Jermyn Lying-in Hospital
4061:Manlius: Sig Ricciarelli
3446:Artaserse: sga Passerini
3263:"Ti parli in seno amore"
2879:Infelice in van mi lagno
1934:Lucilla : Sga Frasi
577:General History of Music
548:
528:
323:Jermyn Lying-in Hospital
246:a pasticcio, and called
73:
6823:Pascual, Josep (2004).
5761:Oxford University Press
5677:Encyclopædia Britannica
5579:Vickers, David (2018).
5382:Oxford University Press
4946:Semira: Mrs Scott, Mrs;
4478:Storage: Miss Frederick
4475:Hamor : Miss Young
4469:Jephtha : Mr Beard
4356:Solimano: Sig Pazzaglia
4055:at the King's Theatre.
3759:Joseph and his Brethren
3660:"Return O God of Hosts"
3648:Tremende oscuri atroci"
3443:at the King's Theatre.
3394:Admeto, re di Tessaglia
2084:Scitalce: sig Reginelli
2081:at the King's Theatre.
2034:at the King's Theatre.
1958:La ingratitudine punita
1553:at the King's Theater.
1405:Scherza Quest' Alma Mia
1092:at the King's Theater.
1024:at the King's Theater.
996:at the King's Theater.
844:at the King's Theatre.
508:Chevalier Andrea Casali
46:(with the exception of
7105:. 8496222098. p. 445.
6558:. London: G. Woodfall.
6541:. London: G. Woodfall.
5882:British History Online
5864:British History Online
5178:Progressive retirement
5167:
5140:
5133:
5109:
5062:
5050:
4521:Daniel: Miss Frederick
4278:Signora Colomba Mattei
4125:John Christopher Smith
4064:Servilia: Sga Mingotti
3747:John Christopher Smith
3452:Artabano: sig Albuzzio
3030:The Choice of Hercules
2954:The choice of Hercules
2938:The Choice of Hercules
2842:The choice of Hercules
2773:"Benefit Master Arne".
2771:, 5 February, for the
2754:The Judgement of Paris
2685:Prenesto: Sig Guadagni
2496:Oh dio mancar mi sento
2435:at Covent Garden with
2348:Henry Theodor Reinhold
2300:Henry Theodor Reinhold
2067:Semiramide riconsciuta
728:La Costanza in trionfo
683:
631:
564:
467:
459:
358:
252:
215:
123:
70:
24:
6990:London Stage Database
6890:London Stage Database
6261:London Stage Database
6164:London Stage Database
6091:London Stage Database
6042:London Stage Database
6017:London Stage Database
5690:Howell, Caro (2014).
5608:hemingways-studio.org
5470:Campi, Paola (1998).
5162:
5139:Regina Mingotti, 1745
5138:
5117:
5092:
5076:Three Choirs Festival
5060:
5048:
5002:.with the very young
4569:"Wise Men's Flattery"
4524:Gobrias: Mr Champness
4285:Signora Angola Calari
4226:Demetrio, re di Siria
3461:Megabise: sig Ranieri
3449:Mandane: sga Visconti
3176:New Haymarket Theatre
2895:Return O God of Hosts
2679:Turno: Sga Giacomazzi
2652:Il Trionfo di Camilla
2373:, 10 April, for the "
1637:La caduta de' giganti
1538:Alessandro nell'Indie
1407:" (from Lampugnani's
687:Repertoire and career
677:
639:, the title roles in
621:
604:Meraspe o L’Olimpiade
556:
518:, founded in 1764 by
465:
457:
352:
266:La caduta de' giganti
261:La caduta de' giganti
243:
205:
166:La caduta de' giganti
121:
68:
61:Early life and career
22:
7057:, Torino 1914, p. 31
6827:. Ed. Robinbook, ed.
6718:London: G. Woodfall.
5943:Segrave, Jeffrey O.
5111:On 30 June 1759 the
5084:On 22 June 1754 the
4512:Belshazzar: Mr Beard
4299:Signora Giulia Frasi
3678:Ricimero, Re di Goti
3455:Arbace: sig Serafini
2682:Lavinia: Sga Mellini
2491:Infelice van milagno
2364:"A Concert of Music"
2090:Berenice: sga Pirker
2037:Didone: sga Casarini
2020:Didone (abbandonata)
2002:Alcasto: Sga Pircher
1996:Nerina: Sga Casarini
595:The Masque of Alfred
560:The Masque of Alfred
481:Broadwood & Sons
391:revival of Handel's
384:revival of Handel's
53:, including various
5988:"Risultati ricerca"
4515:Nitocris: Sga Frasi
4313:Signora Laura Rosa.
4213:Deceit: Sga Beralta
4073:Decius: Sga Mondini
3517:on the same day as
3488:on the same day as
3257:Siroe, re di Persia
3036:Se perde l'usignolo
2294:with the contralto
2099:Sibari: sga Sibilla
2093:Ircano: sig Ciacchi
2055:Osmida: sga Sibilla
2046:Emirena: sga Pirker
2040:Enea: sig Reginelli
2008:Idreno: Sig Ciacchi
1521:L'incostanza delusa
1500:L'incostanza delusa
1398:L'incostanza Delusa
917:pasticcio based on
699:
524:Dr. Samuel Johnson.
510:, or the architect
450:Addresses in London
420:Cassandra Frederick
248:L'incostanza delusa
239:L'incostanza delusa
197:L'incostanza delusa
7156:Singers from Milan
7084:, App., pp. 292 s.
6087:"15 November 1743"
6038:"04 December 1742"
6013:"02 November 1742"
5756:Grove Music Online
5377:Grove Music Online
5223:Jean-Pierre Duport
5188:Haberdashers' Hall
5141:
5063:
5051:
4934:Artabanes: Vernon;
4687:Pharoah's Daughter
4667:at Covent Garden,
4390:Pharoah's Daughter
4365:Osmino: Sga Galori
4362:Narsea: Sga Mattei
4359:Selim: Sig Potenza
4306:Salvadore Pazzagli
4210:Pleasure: Mr Beard
4201:Time: Mr Champness
4195:at Covent Garden.
4070:Lucius: Sga Mattei
4012:Drury Lane Theatre
3650:(from Pergolesi's
3626:Drury Lane Theatre
3341:Pharoah's Daughter
2777:Paris: Master Arne
2688:Mezio: Sga Moretti
2676:Latino: Sig Laschi
2673:Camilla: Sga Frasi
2325:Pharoah's Daughter
2049:Jarba: sig Ciacchi
1573:Quintus Flaminius
1268:, by P. A. Rolli.
698:
684:
632:
599:Trionfo di Camilla
565:
539:Foundling Hospital
490:Then she moved to
468:
460:
359:
313:Foundling Hospital
278:Duke of Cumberland
274:battle of Culloden
216:
124:
71:
25:
6886:"10 January 1758"
6283:The Musical Times
6160:"31 January 1744"
5778:978-1-56159-263-0
5399:978-1-56159-263-0
5127:; and on the 5th
5030:
5029:
4937:Rimenes: Raworth;
4518:Cyrus: Miss Young
4437:Gioacchino Cocchi
4371:Resteno: Sga Rosa
4292:Pasquale Portenza
4207:Beauty: Sga Frasi
4067:Sabina: Sga Frasi
4052:English première
3458:Semira: sga Frasi
3038:(from Jommelli's
2958:Alexander's feast
2846:Alexander's feast
2827:Alexander's Feast
2786:Pallas: Sga Galli
2569:at Covent Garden
2543:collaborations".
2510:, with Guadagni:
2219:Alexander's Feast
2096:Mirteo: sga Galli
2087:Tamiri: sga Frasi
2078:English première
2052:Araspe: sga Galli
2043:Selene: sga Frasi
1999:Silvia: Sga Frasi
1989:pasticcio at the
1613:Quintus Flaminius
1525:Haymarket Theatre
867:Caterina Visconti
860:Angelo Monticelli
763:Giovanni Colombri
718:Additional notes
369:1749, a busy year
335:Noticed by Handel
7178:
7118:, II, pp. 289 s.
7041:
7040:
7027:
7021:
7020:
7007:
7001:
7000:
6998:
6996:
6982:
6973:
6972:
6970:
6969:
6955:
6949:
6948:
6946:
6945:
6931:
6925:
6924:
6922:
6921:
6907:
6901:
6900:
6898:
6896:
6882:
6876:
6875:
6867:
6861:
6860:
6852:
6846:
6845:
6838:
6829:
6828:
6820:
6811:
6810:
6802:
6796:
6795:
6793:
6792:
6778:
6772:
6771:
6763:
6720:
6719:
6709:
6703:
6702:
6700:
6699:
6685:
6679:
6678:
6662:
6656:
6655:
6653:
6652:
6638:
6632:
6631:
6629:
6628:
6614:
6608:
6607:
6605:
6604:
6590:
6584:
6583:
6581:
6580:
6566:
6560:
6559:
6549:
6543:
6542:
6540:
6529:
6523:
6522:
6520:
6519:
6505:
6499:
6498:
6496:
6495:
6481:
6475:
6474:
6472:
6471:
6457:
6451:
6450:
6448:
6447:
6433:
6427:
6426:
6424:
6423:
6409:
6403:
6402:
6400:
6399:
6385:
6379:
6378:
6376:
6375:
6361:
6355:
6354:
6352:
6351:
6337:
6331:
6330:
6328:
6327:
6313:
6307:
6306:
6278:
6272:
6271:
6269:
6267:
6253:
6247:
6246:
6244:
6243:
6229:
6223:
6222:
6220:
6219:
6205:
6199:
6198:
6196:
6195:
6181:
6175:
6174:
6172:
6170:
6156:
6150:
6149:
6147:
6146:
6132:
6126:
6125:
6123:
6122:
6108:
6102:
6101:
6099:
6097:
6083:
6077:
6076:
6074:
6073:
6059:
6053:
6052:
6050:
6048:
6034:
6028:
6027:
6025:
6023:
6009:
6003:
6002:
6000:
5999:
5984:
5978:
5977:
5969:
5960:
5959:
5949:
5940:
5931:
5930:
5928:
5917:
5886:
5885:
5874:
5868:
5867:
5856:
5850:
5849:
5847:
5846:
5832:
5783:
5782:
5759:(8th ed.).
5747:
5741:
5740:
5729:
5706:
5705:
5687:
5681:
5680:
5671:Croll, Gerhard.
5668:
5657:
5656:
5645:
5632:
5631:
5623:
5612:
5611:
5596:
5585:
5584:
5576:
5493:
5492:
5486:
5484:
5467:
5404:
5403:
5380:(8th ed.).
5368:
5323:
5322:
5311:
5281:Mozart in London
5219:Gaetano Guadagni
5211:Judas Maccabaeus
5198:Judas Maccabaeus
4966:Israelite woman
4961:Judas Maccabaeus
4876:Israelite woman
4871:Judas Maccabaeus
4653:Alfred the Great
4635:Israelite woman
4630:Judas Maccabaeus
4472:Iphis: Sga Frasi
4368:Emira: Sga Frasi
3063:Acis and Galatea
3046:and a trio with
2889:Giovanni Chinzer
2783:Venus: Sga Frasi
2780:Mercury: Mr Lowe
2701:La Serva Padrona
2640:Gaetano Guadagni
2603:Gaetano Guadagni
2580:Adriano in Siria
2500:Adriano in Siria
2470:Gaetano Guadagni
2209:Acis and Galatea
2153:Judas Maccabaeus
2142:Israelite woman
2136:Judas Maccabaeus
2005:Tirsi: Sga Palli
1783:Anibale in Capua
884:Sga Giulia Frasi
876:Giovanna Contini
700:
697:
361:For example, in
7186:
7185:
7181:
7180:
7179:
7177:
7176:
7175:
7136:
7135:
7069:Annals of Opera
7067:A. Loewenberg,
7053:E. Ferrettini,
7050:
7048:Further reading
7045:
7044:
7029:
7028:
7024:
7009:
7008:
7004:
6994:
6992:
6984:
6983:
6976:
6967:
6965:
6957:
6956:
6952:
6943:
6941:
6933:
6932:
6928:
6919:
6917:
6909:
6908:
6904:
6894:
6892:
6884:
6883:
6879:
6868:
6864:
6853:
6849:
6840:
6839:
6832:
6821:
6814:
6803:
6799:
6790:
6788:
6780:
6779:
6775:
6764:
6723:
6710:
6706:
6697:
6695:
6693:corago.unibo.it
6687:
6686:
6682:
6663:
6659:
6650:
6648:
6640:
6639:
6635:
6626:
6624:
6616:
6615:
6611:
6602:
6600:
6592:
6591:
6587:
6578:
6576:
6568:
6567:
6563:
6550:
6546:
6538:
6530:
6526:
6517:
6515:
6513:corago.unibo.it
6507:
6506:
6502:
6493:
6491:
6489:corago.unibo.it
6483:
6482:
6478:
6469:
6467:
6465:corago.unibo.it
6459:
6458:
6454:
6445:
6443:
6441:corago.unibo.it
6435:
6434:
6430:
6421:
6419:
6417:corago.unibo.it
6411:
6410:
6406:
6397:
6395:
6393:corago.unibo.it
6387:
6386:
6382:
6373:
6371:
6363:
6362:
6358:
6349:
6347:
6339:
6338:
6334:
6325:
6323:
6321:corago.unibo.it
6315:
6314:
6310:
6295:10.2307/3650726
6289:(1885): 40–44.
6279:
6275:
6265:
6263:
6257:"24 April 1744"
6255:
6254:
6250:
6241:
6239:
6231:
6230:
6226:
6217:
6215:
6213:corago.unibo.it
6207:
6206:
6202:
6193:
6191:
6183:
6182:
6178:
6168:
6166:
6158:
6157:
6153:
6144:
6142:
6140:corago.unibo.it
6134:
6133:
6129:
6120:
6118:
6110:
6109:
6105:
6095:
6093:
6085:
6084:
6080:
6071:
6069:
6067:corago.unibo.it
6061:
6060:
6056:
6046:
6044:
6036:
6035:
6031:
6021:
6019:
6011:
6010:
6006:
5997:
5995:
5986:
5985:
5981:
5970:
5963:
5947:
5941:
5934:
5926:
5918:
5889:
5876:
5875:
5871:
5858:
5857:
5853:
5844:
5842:
5834:
5833:
5786:
5779:
5748:
5744:
5730:
5709:
5688:
5684:
5669:
5660:
5649:Burney, Charles
5646:
5635:
5624:
5615:
5597:
5588:
5577:
5496:
5482:
5480:
5472:"Frasi, Giulia"
5468:
5407:
5400:
5369:
5326:
5313:
5312:
5299:
5294:
5268:
5255:
5239:
5180:
5149:Regina Mingotti
5043:
5038:
5032:
5024:Hickford's Room
4730:Charlotte Brent
4086:Israel in Egypt
3961:Felice Giardini
3662:(from Handel's
3415:Ottavio Albuzzi
3310:Alexander Balus
3061:(from Handel's
3028:(from Handel's
2897:(from Handel's
2885:Se vedi nascere
2258:(from Handel's
1396:(from Brevio's
689:
647:, and Iphis in
551:
531:
520:Joshua Reynolds
485:Michael Festing
452:
447:
438:Hickford's Room
371:
337:
210:, published in
116:
76:
63:
55:world premières
17:
12:
11:
5:
7184:
7174:
7173:
7168:
7163:
7158:
7153:
7148:
7134:
7133:
7126:
7119:
7113:
7099:
7092:
7085:
7079:
7072:
7065:
7058:
7049:
7046:
7043:
7042:
7036:Oxford Journal
7022:
7016:Oxford Journal
7002:
6974:
6950:
6926:
6902:
6877:
6862:
6847:
6830:
6812:
6797:
6773:
6721:
6704:
6680:
6657:
6633:
6609:
6585:
6561:
6544:
6524:
6500:
6476:
6452:
6428:
6404:
6380:
6356:
6332:
6308:
6273:
6248:
6224:
6200:
6176:
6151:
6127:
6103:
6078:
6054:
6029:
6004:
5979:
5974:Vickers (2018)
5961:
5932:
5887:
5869:
5851:
5784:
5777:
5742:
5707:
5692:"How Handel's
5682:
5658:
5633:
5613:
5604:"Giulia Frasi"
5586:
5494:
5405:
5398:
5324:
5319:Quell'Usignolo
5315:"Giulia Frasi"
5296:
5295:
5293:
5290:
5289:
5288:
5278:
5272:
5267:
5264:
5254:
5251:
5238:
5235:
5221:, and cellist
5179:
5176:
5158:Michael Burden
5113:Oxford Journal
5087:Oxford Journal
5081:For instance:
5042:
5039:
5037:
5034:
5028:
5027:
5020:
5018:
5016:
5014:
5012:
5008:
5007:
5000:Little Theatre
4996:
4994:
4992:
4990:
4988:
4984:
4983:
4977:Little Theatre
4973:
4970:
4967:
4964:
4957:
4953:
4952:
4951:
4950:
4947:
4944:
4941:
4938:
4935:
4916:in aid of the
4912:King's Theatre
4908:
4905:
4902:
4899:
4890:
4886:
4885:
4883:
4880:
4877:
4874:
4867:
4863:
4862:
4860:
4857:
4854:
4851:
4844:
4840:
4839:
4837:
4834:
4831:
4828:
4821:
4817:
4816:
4809:
4806:
4801:
4798:
4791:
4787:
4786:
4784:
4781:
4778:
4775:
4768:
4764:
4763:
4762:
4761:
4756:
4744:
4737:
4733:
4732:
4726:
4723:
4720:
4717:
4710:
4706:
4705:
4702:
4699:
4696:
4695:
4694:
4691:
4688:
4683:
4676:
4672:
4671:
4665:
4662:
4659:
4656:
4649:
4645:
4644:
4642:
4639:
4636:
4633:
4626:
4622:
4621:
4618:
4615:
4612:
4609:
4602:
4598:
4597:
4596:
4595:
4586:
4576:
4563:
4556:
4552:
4551:
4548:
4545:
4539:
4532:
4528:
4527:
4526:
4525:
4522:
4519:
4516:
4513:
4505:
4502:
4499:
4496:
4489:
4485:
4484:
4483:
4482:
4479:
4476:
4473:
4470:
4462:
4459:
4456:
4453:
4446:
4442:
4441:
4433:King's Theatre
4429:
4426:
4423:
4420:
4413:
4409:
4408:
4405:
4402:
4399:
4398:
4397:
4394:
4391:
4386:
4379:
4375:
4374:
4373:
4372:
4369:
4366:
4363:
4360:
4357:
4351:
4348:
4347:
4346:
4341:
4338:
4331:
4328:
4321:
4317:
4316:
4315:
4314:
4307:
4300:
4293:
4286:
4279:
4269:King's Theatre
4265:
4262:
4259:
4256:
4247:
4243:
4242:
4239:
4236:
4233:
4230:
4221:
4217:
4216:
4215:
4214:
4211:
4208:
4205:
4202:
4193:
4190:
4187:
4184:
4175:
4171:
4170:
4167:
4164:
4161:
4158:
4151:
4147:
4146:
4143:
4141:
4136:
4134:
4132:
4128:
4127:
4121:
4118:
4115:
4112:
4105:
4101:
4100:
4098:
4095:
4092:
4090:
4081:
4077:
4076:
4075:
4074:
4071:
4068:
4065:
4062:
4059:
4053:
4050:
4045:
4042:
4035:
4031:
4030:
4027:
4020:
4016:
4015:
4008:
4005:
4002:
4000:
3991:
3987:
3986:
3983:
3980:
3977:
3974:
3969:
3965:
3964:
3957:
3954:
3951:
3948:
3941:
3937:
3936:
3925:
3922:
3919:
3916:
3909:
3905:
3904:
3901:
3898:
3897:
3896:
3893:
3888:
3885:
3878:
3874:
3873:
3870:
3867:
3864:
3861:
3854:
3850:
3849:
3847:
3844:
3841:
3838:
3829:
3825:
3824:
3821:
3818:
3815:
3812:
3805:
3801:
3800:
3797:
3794:
3789:
3786:
3779:
3775:
3774:
3772:
3769:
3766:
3763:
3754:
3750:
3749:
3739:
3736:
3733:
3730:
3723:
3719:
3718:
3716:
3713:
3710:
3707:
3698:
3694:
3693:
3690:
3687:
3684:
3681:
3674:
3670:
3669:
3668:
3667:
3657:
3641:
3634:
3630:
3629:
3622:
3619:
3614:
3612:
3605:
3601:
3600:
3599:(21 February)
3593:
3590:
3587:
3585:
3578:
3574:
3573:
3572:(21 February)
3566:
3563:
3560:
3558:
3551:
3547:
3546:
3543:
3540:
3537:
3534:
3527:
3523:
3522:
3515:
3512:
3509:
3507:
3498:
3494:
3493:
3486:
3483:
3480:
3478:
3469:
3465:
3464:
3463:
3462:
3459:
3456:
3453:
3450:
3447:
3441:
3438:
3435:
3432:
3423:
3419:
3418:
3413:and the tenor
3407:
3404:
3401:
3398:
3389:
3385:
3384:
3382:
3379:
3376:
3373:
3364:
3360:
3359:
3356:
3353:
3350:
3349:
3348:
3345:
3342:
3337:
3330:
3326:
3325:
3323:
3320:
3317:
3314:
3305:
3301:
3300:
3297:
3294:
3291:
3288:
3281:
3277:
3276:
3275:
3274:
3260:
3243:
3236:
3232:
3231:
3228:
3225:
3222:
3219:
3212:
3208:
3207:
3205:
3202:
3199:
3196:
3189:
3185:
3184:
3172:
3169:
3164:
3161:
3152:
3148:
3147:
3144:
3141:
3138:
3135:
3128:
3124:
3123:
3116:
3113:
3110:
3107:
3098:
3094:
3093:
3091:
3088:
3085:
3082:
3073:
3069:
3068:
3067:
3066:
3044:
3043:
3033:
3023:
3010:King's Theatre
3006:
2999:
2995:
2994:
2992:
2989:
2986:
2983:
2974:
2970:
2969:
2962:Caterina Galli
2951:
2948:
2945:
2942:
2933:
2929:
2928:
2925:
2922:
2919:
2916:
2909:
2905:
2904:
2903:
2902:
2892:
2882:
2873:King's Theatre
2869:
2862:
2858:
2857:
2850:Caterina Galli
2839:
2836:
2833:
2831:
2822:
2818:
2817:
2815:
2812:
2809:
2806:
2797:
2793:
2792:
2791:
2790:
2789:Juno: Mrs Arne
2787:
2784:
2781:
2778:
2769:Little Theatre
2765:
2763:
2760:
2757:
2750:
2746:
2745:
2742:Little Theatre
2738:
2735:
2732:
2730:
2723:
2719:
2718:
2716:
2713:
2708:
2705:
2696:
2692:
2691:
2690:
2689:
2686:
2683:
2680:
2677:
2674:
2668:King's Theatre
2664:
2661:
2658:
2655:
2648:
2644:
2643:
2636:
2633:
2630:
2627:
2618:
2614:
2613:
2607:Filippo Laschi
2605:and the tenor
2599:King's Theatre
2595:
2592:
2587:
2584:
2575:
2571:
2570:
2567:
2564:
2561:
2558:
2549:
2545:
2544:
2540:
2537:
2534:
2531:
2524:
2520:
2519:
2518:
2517:
2504:
2503:
2493:
2485:
2478:
2474:
2473:
2466:Caterina Galli
2462:
2459:
2456:
2453:
2444:
2440:
2439:
2437:Caterina Galli
2433:
2430:
2427:
2424:
2415:
2411:
2410:
2408:
2405:
2402:
2399:
2390:
2386:
2385:
2371:Little Theatre
2367:
2360:
2356:
2355:
2350:and the tenor
2344:Caterina Galli
2340:
2337:
2334:
2333:
2332:
2329:
2326:
2321:
2312:
2308:
2307:
2302:and the tenor
2296:Caterina Galli
2288:
2285:
2282:
2279:
2270:
2266:
2265:
2264:
2263:
2252:
2245:
2236:
2229:
2225:
2224:
2223:
2222:
2212:
2199:
2192:
2188:
2187:
2181:
2178:
2175:
2172:
2165:
2161:
2160:
2149:
2146:
2143:
2140:
2131:
2127:
2126:
2124:
2121:
2116:
2114:
2107:
2103:
2102:
2101:
2100:
2097:
2094:
2091:
2088:
2085:
2079:
2076:
2073:
2070:
2063:
2059:
2058:
2057:
2056:
2053:
2050:
2047:
2044:
2041:
2038:
2032:
2029:
2026:
2023:
2016:
2012:
2011:
2010:
2009:
2006:
2003:
2000:
1997:
1991:Little Theatre
1987:
1984:
1983:
1982:
1979:
1976:
1970:
1969:
1964:
1961:
1954:
1950:
1949:
1948:
1947:
1944:
1941:
1938:
1935:
1932:
1922:
1919:
1916:
1913:
1906:
1902:
1901:
1898:
1895:
1894:
1893:
1890:
1883:
1880:
1873:
1869:
1868:
1866:
1863:
1860:
1857:
1850:
1846:
1845:
1843:
1840:
1835:
1832:
1825:
1821:
1820:
1818:
1815:
1810:
1807:
1800:
1796:
1795:
1793:
1790:
1788:
1786:
1779:
1775:
1774:
1771:
1768:
1763:
1760:
1753:
1749:
1748:
1747:
1746:
1739:
1732:
1725:
1718:
1711:
1701:
1698:
1695:
1692:
1685:
1681:
1680:
1671:
1664:
1660:
1659:
1656:Lord Middlesex
1652:
1649:
1644:
1641:
1632:
1628:
1627:
1626:
1625:
1618:
1611:
1604:
1597:
1590:
1580:
1577:
1574:
1571:
1559:
1555:
1554:
1551:
1548:
1545:
1542:
1533:
1529:
1528:
1517:
1514:
1506:
1503:
1496:
1492:
1491:
1490:
1489:
1482:
1475:
1468:
1461:
1454:
1435:
1432:
1429:
1426:
1419:
1415:
1414:
1413:
1412:
1401:
1388:
1381:
1377:
1376:
1375:
1374:
1367:
1360:
1353:
1346:
1336:
1333:
1328:
1325:
1318:
1314:
1313:
1312:
1311:
1304:
1297:
1290:
1283:
1276:
1265:As You Like It
1260:
1257:
1252:
1249:
1242:
1238:
1237:
1236:
1235:
1228:
1221:
1214:
1207:
1200:
1190:
1187:
1184:
1181:
1174:
1170:
1169:
1158:
1155:
1152:
1149:
1142:
1138:
1137:
1136:
1135:
1128:
1121:
1114:
1107:
1100:
1090:
1087:
1084:
1081:
1074:
1070:
1069:
1068:
1067:
1060:
1053:
1046:
1039:
1032:
1022:
1019:
1014:
1011:
1002:
998:
997:
994:
991:
986:
983:
976:
972:
971:
970:
969:
962:
955:
948:
941:
934:
915:
912:
911:
910:
907:
902:
899:
892:
888:
887:
886:
885:
878:
868:
861:
854:
839:
836:
835:
834:
831:
826:
823:
816:
813:
806:
802:
801:
795:
792:
787:
785:
778:
774:
773:
767:
765:
760:
758:
751:
747:
746:
740:
738:
733:
731:
724:
720:
719:
716:
713:
710:
707:
704:
688:
685:
570:Caterina Galli
550:
547:
530:
527:
496:Horace Walpole
492:Gerrard Street
451:
448:
446:
443:
442:
441:
434:
431:
416:
413:
410:
403:
396:
389:
382:
370:
367:
336:
333:
179:with music by
154:breeches roles
150:King's Theatre
139:Charles Burney
135:Lord Middlesex
131:Caterina Galli
115:
112:
75:
72:
62:
59:
15:
9:
6:
4:
3:
2:
7183:
7172:
7169:
7167:
7164:
7162:
7159:
7157:
7154:
7152:
7149:
7147:
7144:
7143:
7141:
7131:
7128:Shaw (1965).
7127:
7124:
7120:
7117:
7114:
7112:
7111:9788496222090
7108:
7104:
7100:
7097:
7093:
7090:
7086:
7083:
7080:
7077:
7073:
7070:
7066:
7063:
7059:
7056:
7052:
7051:
7038:
7037:
7032:
7026:
7018:
7017:
7012:
7006:
6991:
6987:
6986:"04 May 1770"
6981:
6979:
6964:
6960:
6954:
6940:
6936:
6930:
6916:
6912:
6906:
6891:
6887:
6881:
6873:
6866:
6858:
6851:
6843:
6837:
6835:
6826:
6819:
6817:
6808:
6801:
6787:
6783:
6777:
6769:
6762:
6760:
6758:
6756:
6754:
6752:
6750:
6748:
6746:
6744:
6742:
6740:
6738:
6736:
6734:
6732:
6730:
6728:
6726:
6717:
6716:
6708:
6694:
6690:
6684:
6676:
6672:
6670:
6661:
6647:
6643:
6637:
6623:
6619:
6613:
6599:
6595:
6589:
6575:
6571:
6565:
6557:
6556:
6548:
6537:
6536:
6528:
6514:
6510:
6504:
6490:
6486:
6480:
6466:
6462:
6456:
6442:
6438:
6432:
6418:
6414:
6408:
6394:
6390:
6384:
6370:
6366:
6360:
6346:
6342:
6336:
6322:
6318:
6312:
6304:
6300:
6296:
6292:
6288:
6284:
6277:
6262:
6258:
6252:
6238:
6234:
6228:
6214:
6210:
6204:
6190:
6186:
6180:
6165:
6161:
6155:
6141:
6137:
6131:
6117:
6113:
6107:
6092:
6088:
6082:
6068:
6064:
6058:
6043:
6039:
6033:
6018:
6014:
6008:
5993:
5989:
5983:
5975:
5968:
5966:
5957:
5953:
5946:
5939:
5937:
5925:
5924:
5916:
5914:
5912:
5910:
5908:
5906:
5904:
5902:
5900:
5898:
5896:
5894:
5892:
5883:
5879:
5873:
5865:
5861:
5855:
5841:
5837:
5831:
5829:
5827:
5825:
5823:
5821:
5819:
5817:
5815:
5813:
5811:
5809:
5807:
5805:
5803:
5801:
5799:
5797:
5795:
5793:
5791:
5789:
5780:
5774:
5770:
5766:
5762:
5758:
5757:
5752:
5746:
5738:
5735:
5732:Shaw (1965).
5728:
5726:
5724:
5722:
5720:
5718:
5716:
5714:
5712:
5703:
5702:
5697:
5695:
5686:
5678:
5674:
5667:
5665:
5663:
5654:
5650:
5644:
5642:
5640:
5638:
5629:
5622:
5620:
5618:
5609:
5605:
5601:
5595:
5593:
5591:
5582:
5575:
5573:
5571:
5569:
5567:
5565:
5563:
5561:
5559:
5557:
5555:
5553:
5551:
5549:
5547:
5545:
5543:
5541:
5539:
5537:
5535:
5533:
5531:
5529:
5527:
5525:
5523:
5521:
5519:
5517:
5515:
5513:
5511:
5509:
5507:
5505:
5503:
5501:
5499:
5490:
5479:
5478:
5473:
5466:
5464:
5462:
5460:
5458:
5456:
5454:
5452:
5450:
5448:
5446:
5444:
5442:
5440:
5438:
5436:
5434:
5432:
5430:
5428:
5426:
5424:
5422:
5420:
5418:
5416:
5414:
5412:
5410:
5401:
5395:
5391:
5387:
5383:
5379:
5378:
5373:
5367:
5365:
5363:
5361:
5359:
5357:
5355:
5353:
5351:
5349:
5347:
5345:
5343:
5341:
5339:
5337:
5335:
5333:
5331:
5329:
5320:
5316:
5310:
5308:
5306:
5304:
5302:
5297:
5286:
5282:
5279:
5276:
5273:
5270:
5269:
5263:
5261:
5250:
5246:
5242:
5234:
5231:
5226:
5224:
5220:
5216:
5212:
5207:
5205:
5204:
5199:
5194:
5193:
5189:
5185:
5175:
5171:
5166:
5161:
5159:
5154:
5150:
5145:
5137:
5132:
5130:
5126:
5122:
5116:
5114:
5108:
5106:
5102:
5098:
5091:
5089:
5088:
5082:
5079:
5077:
5071:
5068:
5059:
5055:
5047:
5033:
5025:
5021:
5019:
5017:
5015:
5013:
5010:
5009:
5005:
5004:Nancy Storace
5001:
4997:
4995:
4993:
4991:
4989:
4986:
4985:
4982:
4978:
4974:
4971:
4968:
4965:
4963:
4962:
4958:
4955:
4954:
4948:
4945:
4942:
4939:
4936:
4933:
4932:
4931:
4929:
4926:
4921:
4919:
4913:
4909:
4906:
4903:
4900:
4898:
4897:
4896:
4891:
4888:
4887:
4884:
4881:
4878:
4875:
4873:
4872:
4868:
4865:
4864:
4861:
4858:
4855:
4852:
4850:
4849:
4845:
4842:
4841:
4838:
4835:
4832:
4829:
4827:
4826:
4822:
4819:
4818:
4814:
4810:
4807:
4805:
4802:
4799:
4797:
4796:
4792:
4789:
4788:
4785:
4782:
4779:
4776:
4774:
4773:
4769:
4766:
4765:
4760:
4757:
4755:
4752:
4751:
4749:
4743:
4742:
4735:
4734:
4731:
4727:
4724:
4721:
4718:
4716:
4715:
4714:Paradise lost
4711:
4708:
4707:
4703:
4700:
4697:
4692:
4689:
4686:
4685:
4684:
4682:
4681:
4677:
4674:
4673:
4670:
4666:
4663:
4660:
4657:
4655:
4654:
4650:
4647:
4646:
4643:
4640:
4637:
4634:
4632:
4631:
4627:
4624:
4623:
4619:
4616:
4613:
4610:
4608:
4607:
4603:
4600:
4599:
4594:
4590:
4587:
4584:
4580:
4577:
4574:
4570:
4567:
4566:
4564:
4562:
4561:
4554:
4553:
4549:
4546:
4544:
4540:
4538:
4537:
4533:
4530:
4529:
4523:
4520:
4517:
4514:
4511:
4510:
4509:
4506:
4503:
4500:
4497:
4495:
4494:
4490:
4487:
4486:
4480:
4477:
4474:
4471:
4468:
4467:
4466:
4463:
4460:
4457:
4454:
4452:
4451:
4447:
4444:
4443:
4438:
4434:
4430:
4427:
4424:
4421:
4419:
4418:
4414:
4411:
4410:
4406:
4403:
4400:
4395:
4392:
4389:
4388:
4387:
4385:
4384:
4380:
4377:
4376:
4370:
4367:
4364:
4361:
4358:
4355:
4354:
4352:
4349:
4345:
4342:
4339:
4337:
4334:
4333:
4332:
4329:
4327:
4326:
4322:
4319:
4318:
4312:
4308:
4305:
4301:
4298:
4294:
4291:
4287:
4284:
4280:
4277:
4273:
4272:
4270:
4266:
4263:
4260:
4257:
4255:
4254:
4253:
4248:
4245:
4244:
4240:
4237:
4234:
4231:
4229:
4228:
4227:
4222:
4219:
4218:
4212:
4209:
4206:
4203:
4200:
4199:
4198:
4194:
4191:
4188:
4185:
4183:
4182:
4181:
4176:
4173:
4172:
4168:
4165:
4162:
4159:
4157:
4156:
4152:
4149:
4148:
4144:
4142:
4140:
4137:
4135:
4133:
4130:
4129:
4126:
4122:
4119:
4116:
4113:
4111:
4110:
4106:
4103:
4102:
4099:
4096:
4093:
4091:
4089:
4088:
4087:
4082:
4079:
4078:
4072:
4069:
4066:
4063:
4060:
4057:
4056:
4054:
4051:
4049:
4046:
4043:
4041:
4040:
4036:
4033:
4032:
4028:
4026:
4025:
4018:
4017:
4013:
4009:
4006:
4003:
4001:
3999:
3998:
3997:
3992:
3989:
3988:
3984:
3981:
3978:
3975:
3973:
3970:
3967:
3966:
3962:
3958:
3955:
3952:
3949:
3947:
3946:
3942:
3939:
3938:
3934:
3930:
3926:
3923:
3920:
3917:
3915:
3914:
3910:
3907:
3906:
3902:
3899:
3894:
3891:
3890:
3889:
3886:
3884:
3883:
3879:
3876:
3875:
3871:
3868:
3865:
3862:
3860:
3859:
3855:
3852:
3851:
3848:
3845:
3842:
3839:
3837:
3836:
3835:
3830:
3827:
3826:
3822:
3819:
3816:
3813:
3811:
3810:
3806:
3803:
3802:
3798:
3795:
3793:
3790:
3787:
3785:
3784:
3780:
3777:
3776:
3773:
3770:
3767:
3764:
3762:
3761:
3760:
3755:
3752:
3751:
3748:
3744:
3740:
3737:
3734:
3731:
3729:
3728:
3724:
3721:
3720:
3717:
3714:
3711:
3708:
3706:
3705:
3704:
3699:
3696:
3695:
3691:
3688:
3685:
3682:
3680:
3679:
3675:
3672:
3671:
3665:
3661:
3658:
3655:
3654:
3649:
3645:
3644:
3642:
3640:
3639:
3632:
3631:
3627:
3623:
3620:
3618:
3615:
3613:
3611:
3610:
3606:
3603:
3602:
3598:
3594:
3591:
3588:
3586:
3584:
3583:
3579:
3576:
3575:
3571:
3567:
3564:
3561:
3559:
3557:
3556:
3552:
3549:
3548:
3544:
3541:
3538:
3535:
3533:
3532:
3528:
3525:
3524:
3520:
3516:
3513:
3510:
3508:
3506:
3505:
3504:
3499:
3496:
3495:
3491:
3487:
3484:
3481:
3479:
3477:
3476:
3475:
3470:
3467:
3466:
3460:
3457:
3454:
3451:
3448:
3445:
3444:
3442:
3439:
3436:
3433:
3431:
3430:
3429:
3424:
3421:
3420:
3416:
3412:
3411:La Viscontina
3408:
3405:
3402:
3399:
3397:
3396:
3395:
3390:
3387:
3386:
3383:
3380:
3377:
3374:
3372:
3371:
3370:
3365:
3362:
3361:
3357:
3354:
3351:
3346:
3343:
3340:
3339:
3338:
3336:
3335:
3331:
3328:
3327:
3324:
3321:
3318:
3315:
3313:
3312:
3311:
3306:
3303:
3302:
3298:
3295:
3292:
3289:
3287:
3286:
3282:
3279:
3278:
3272:
3268:
3264:
3261:
3258:
3255:
3251:
3247:
3246:
3244:
3242:
3241:
3234:
3233:
3229:
3226:
3223:
3220:
3218:
3217:
3213:
3210:
3209:
3206:
3203:
3200:
3197:
3195:
3194:
3190:
3187:
3186:
3181:
3177:
3173:
3170:
3168:
3165:
3162:
3160:
3159:
3158:
3153:
3150:
3149:
3145:
3142:
3139:
3136:
3134:
3133:
3129:
3126:
3125:
3121:
3117:
3114:
3111:
3108:
3106:
3105:
3104:
3099:
3096:
3095:
3092:
3089:
3086:
3083:
3081:
3080:
3079:
3074:
3071:
3070:
3064:
3060:
3057:
3056:
3055:
3053:
3049:
3041:
3037:
3034:
3031:
3027:
3024:
3021:
3017:
3014:
3013:
3011:
3007:
3005:
3004:
2997:
2996:
2993:
2990:
2987:
2984:
2982:
2981:
2980:
2975:
2972:
2971:
2967:
2963:
2959:
2955:
2952:
2949:
2946:
2943:
2941:
2940:
2939:
2934:
2931:
2930:
2926:
2923:
2920:
2917:
2915:
2914:
2910:
2907:
2906:
2900:
2896:
2893:
2890:
2886:
2883:
2880:
2877:
2876:
2874:
2870:
2868:
2867:
2860:
2859:
2855:
2851:
2847:
2843:
2840:
2837:
2834:
2832:
2830:
2829:
2828:
2823:
2820:
2819:
2816:
2813:
2810:
2807:
2805:
2804:
2803:
2798:
2795:
2794:
2788:
2785:
2782:
2779:
2776:
2775:
2774:
2770:
2766:
2764:
2761:
2758:
2756:
2755:
2751:
2748:
2747:
2743:
2739:
2736:
2733:
2731:
2729:
2728:
2727:"A Pasticcio"
2724:
2721:
2720:
2717:
2714:
2712:
2709:
2706:
2704:
2703:
2702:
2697:
2694:
2693:
2687:
2684:
2681:
2678:
2675:
2672:
2671:
2669:
2665:
2662:
2659:
2656:
2654:
2653:
2649:
2646:
2645:
2641:
2637:
2634:
2631:
2628:
2626:
2625:
2624:
2619:
2616:
2615:
2612:
2608:
2604:
2600:
2596:
2593:
2591:
2588:
2585:
2583:
2582:
2581:
2576:
2573:
2572:
2568:
2565:
2562:
2559:
2557:
2556:
2555:
2550:
2547:
2546:
2541:
2538:
2535:
2532:
2530:
2529:
2525:
2522:
2521:
2516:
2513:
2512:
2511:
2509:
2501:
2497:
2494:
2492:
2489:
2488:
2486:
2484:
2483:
2476:
2475:
2471:
2467:
2463:
2460:
2457:
2454:
2452:
2451:
2450:
2445:
2442:
2441:
2438:
2434:
2431:
2428:
2425:
2423:
2422:
2421:
2416:
2413:
2412:
2409:
2406:
2403:
2400:
2398:
2397:
2396:
2391:
2388:
2387:
2384:
2382:
2376:
2372:
2368:
2366:
2365:
2358:
2357:
2353:
2349:
2345:
2341:
2338:
2335:
2330:
2327:
2324:
2323:
2322:
2320:
2319:
2318:
2313:
2310:
2309:
2305:
2301:
2297:
2293:
2292:Covent Garden
2289:
2286:
2283:
2280:
2278:
2277:
2276:
2271:
2268:
2267:
2261:
2257:
2253:
2250:
2246:
2244:
2240:
2239:
2237:
2235:
2234:
2227:
2226:
2220:
2216:
2213:
2210:
2206:
2203:
2202:
2200:
2198:
2197:
2190:
2189:
2186:
2182:
2179:
2176:
2173:
2171:
2170:
2166:
2163:
2162:
2158:
2154:
2150:
2147:
2144:
2141:
2139:
2138:
2137:
2132:
2129:
2128:
2125:
2122:
2120:
2117:
2115:
2113:
2112:
2108:
2105:
2104:
2098:
2095:
2092:
2089:
2086:
2083:
2082:
2080:
2077:
2074:
2071:
2069:
2068:
2064:
2061:
2060:
2054:
2051:
2048:
2045:
2042:
2039:
2036:
2035:
2033:
2030:
2027:
2024:
2022:
2021:
2017:
2014:
2013:
2007:
2004:
2001:
1998:
1995:
1994:
1992:
1988:
1985:
1980:
1977:
1975:
1972:
1971:
1967:
1966:
1965:
1962:
1960:
1959:
1955:
1952:
1951:
1945:
1942:
1939:
1936:
1933:
1930:
1929:
1927:
1923:
1920:
1917:
1914:
1912:
1911:
1907:
1904:
1903:
1899:
1896:
1891:
1889:
1886:
1885:
1884:
1881:
1879:
1878:
1874:
1871:
1870:
1867:
1864:
1861:
1858:
1856:
1855:
1851:
1848:
1847:
1844:
1841:
1839:
1836:
1833:
1831:
1830:
1826:
1823:
1822:
1819:
1816:
1814:
1811:
1808:
1806:
1805:
1801:
1798:
1797:
1794:
1791:
1789:
1787:
1785:
1784:
1780:
1777:
1776:
1772:
1769:
1767:
1764:
1761:
1759:
1758:
1754:
1751:
1750:
1744:
1740:
1737:
1733:
1730:
1726:
1723:
1719:
1716:
1712:
1709:
1705:
1704:
1702:
1699:
1696:
1693:
1691:
1690:
1686:
1683:
1682:
1679:
1678:
1672:
1670:
1669:
1662:
1661:
1657:
1653:
1650:
1648:
1645:
1642:
1640:
1639:
1638:
1633:
1630:
1629:
1623:
1619:
1616:
1612:
1609:
1605:
1602:
1598:
1595:
1591:
1588:
1584:
1583:
1581:
1578:
1575:
1572:
1570:
1569:
1565:
1564:
1560:
1557:
1556:
1552:
1549:
1546:
1543:
1541:
1540:
1539:
1534:
1531:
1530:
1526:
1522:
1518:
1515:
1513:
1512:
1511:Saint-Germain
1507:
1504:
1502:
1501:
1497:
1494:
1493:
1487:
1483:
1480:
1476:
1473:
1469:
1466:
1462:
1459:
1455:
1453:Siga Visconti
1452:
1448:
1447:
1446:
1444:
1440:
1436:
1433:
1430:
1427:
1425:
1424:
1420:
1417:
1416:
1410:
1406:
1402:
1399:
1395:
1392:
1391:
1389:
1387:
1386:
1379:
1378:
1372:
1368:
1365:
1361:
1358:
1354:
1351:
1347:
1344:
1340:
1339:
1337:
1334:
1332:
1329:
1326:
1324:
1323:
1319:
1316:
1315:
1309:
1305:
1302:
1298:
1295:
1291:
1288:
1284:
1281:
1277:
1275:Siga Visconti
1274:
1270:
1269:
1267:
1266:
1261:
1258:
1256:
1253:
1250:
1248:
1247:
1243:
1240:
1239:
1233:
1229:
1227:Siga Visconti
1226:
1222:
1219:
1215:
1212:
1208:
1205:
1201:
1198:
1194:
1193:
1191:
1188:
1185:
1182:
1180:
1179:
1175:
1172:
1171:
1167:
1163:
1159:
1156:
1153:
1150:
1148:
1147:
1143:
1140:
1139:
1133:
1129:
1126:
1122:
1119:
1115:
1112:
1108:
1106:Siga Visconti
1105:
1101:
1098:
1094:
1093:
1091:
1088:
1085:
1082:
1080:
1079:
1075:
1072:
1071:
1065:
1061:
1058:
1054:
1051:
1047:
1044:
1040:
1038:Siga Visconti
1037:
1033:
1030:
1026:
1025:
1023:
1020:
1018:
1015:
1012:
1010:
1009:
1008:
1003:
1000:
999:
995:
992:
990:
987:
984:
982:
981:
977:
974:
973:
967:
963:
960:
956:
953:
949:
946:
942:
940:Siga Visconti
939:
935:
932:
928:
927:
925:
924:
920:
916:
913:
908:
905:
904:
903:
900:
898:
897:
893:
890:
889:
883:
879:
877:
873:
869:
866:
862:
859:
855:
853:
850:
846:
845:
843:
840:
837:
832:
830:
827:
824:
822:
819:
818:
817:
814:
812:
811:
807:
804:
803:
799:
796:
793:
791:
788:
786:
784:
783:
779:
776:
775:
771:
768:
766:
764:
761:
759:
757:
756:
752:
749:
748:
744:
741:
739:
737:
734:
732:
730:
729:
725:
722:
721:
717:
714:
711:
708:
705:
702:
701:
696:
694:
681:
676:
672:
668:
666:
661:
660:Paradise Lost
656:
654:
650:
646:
642:
638:
629:
625:
620:
616:
614:
613:
609:
605:
600:
596:
592:
588:
587:
580:
578:
573:
571:
562:
561:
555:
546:
544:
540:
536:
526:
525:
521:
517:
513:
509:
505:
501:
497:
493:
488:
486:
482:
478:
474:
464:
456:
439:
435:
432:
429:
425:
421:
417:
414:
411:
408:
404:
401:
397:
394:
390:
387:
383:
380:
376:
375:
374:
366:
364:
356:
351:
347:
345:
344:
332:
330:
329:
324:
320:
319:
314:
310:
305:
303:
299:
295:
291:
287:
283:
279:
275:
271:
267:
263:
262:
257:
251:
249:
242:
240:
235:
233:
229:
225:
221:
213:
209:
204:
200:
198:
194:
190:
186:
182:
178:
175:
170:
168:
167:
163:
159:
155:
151:
148:roles at the
147:
142:
140:
136:
132:
129:
120:
111:
109:
105:
101:
97:
93:
88:
86:
81:
67:
58:
56:
52:
50:
45:
41:
37:
33:
29:
21:
7166:1770s deaths
7161:1730s births
7129:
7122:
7115:
7102:
7095:
7088:
7081:
7075:
7068:
7061:
7060:P. H. Lang,
7054:
7034:
7025:
7014:
7005:
6993:. Retrieved
6989:
6966:. Retrieved
6962:
6953:
6942:. Retrieved
6938:
6929:
6918:. Retrieved
6914:
6905:
6893:. Retrieved
6889:
6880:
6871:
6865:
6856:
6850:
6841:
6824:
6806:
6800:
6789:. Retrieved
6785:
6776:
6767:
6714:
6707:
6696:. Retrieved
6692:
6683:
6675:ClassicalNet
6674:
6668:
6660:
6649:. Retrieved
6645:
6636:
6625:. Retrieved
6621:
6612:
6601:. Retrieved
6597:
6588:
6577:. Retrieved
6573:
6564:
6554:
6547:
6534:
6527:
6516:. Retrieved
6512:
6503:
6492:. Retrieved
6488:
6479:
6468:. Retrieved
6464:
6455:
6444:. Retrieved
6440:
6431:
6420:. Retrieved
6416:
6407:
6396:. Retrieved
6392:
6383:
6372:. Retrieved
6368:
6359:
6348:. Retrieved
6344:
6335:
6324:. Retrieved
6320:
6311:
6286:
6282:
6276:
6264:. Retrieved
6260:
6251:
6240:. Retrieved
6236:
6227:
6216:. Retrieved
6212:
6203:
6192:. Retrieved
6188:
6179:
6167:. Retrieved
6163:
6154:
6143:. Retrieved
6139:
6130:
6119:. Retrieved
6115:
6106:
6094:. Retrieved
6090:
6081:
6070:. Retrieved
6066:
6057:
6045:. Retrieved
6041:
6032:
6020:. Retrieved
6016:
6007:
5996:. Retrieved
5994:(in Italian)
5991:
5982:
5955:
5951:
5922:
5881:
5872:
5863:
5854:
5843:. Retrieved
5839:
5754:
5751:Winton, Dean
5745:
5737:
5733:
5701:The Guardian
5699:
5693:
5685:
5676:
5652:
5627:
5607:
5580:
5487:– via
5481:. Retrieved
5475:
5375:
5372:Dean, Winton
5318:
5284:
5280:
5274:
5256:
5247:
5243:
5240:
5229:
5227:
5210:
5208:
5201:
5197:
5195:
5191:
5183:
5181:
5172:
5168:
5163:
5146:
5142:
5128:
5124:
5120:
5118:
5112:
5110:
5105:Instrumental
5104:
5100:
5096:
5093:
5085:
5083:
5080:
5072:
5066:
5064:
5052:
5031:
4980:
4960:
4959:
4922:
4915:
4894:
4893:
4870:
4869:
4847:
4846:
4824:
4823:
4812:
4794:
4793:
4771:
4770:
4758:
4753:
4747:
4740:
4739:
4713:
4712:
4693:First Harlot
4679:
4678:
4668:
4652:
4651:
4629:
4628:
4605:
4604:
4592:
4588:
4582:
4578:
4572:
4568:
4559:
4558:
4542:
4535:
4534:
4507:
4492:
4491:
4464:
4449:
4448:
4416:
4415:
4396:First Harlot
4382:
4381:
4324:
4323:
4310:
4303:
4296:
4289:
4282:
4275:
4250:
4249:
4224:
4223:
4196:
4178:
4177:
4154:
4153:
4108:
4107:
4084:
4083:
4038:
4037:
4023:
4022:
3995:
3993:
3971:
3944:
3943:
3933:Davide Perez
3928:
3912:
3911:
3881:
3880:
3857:
3856:
3833:
3831:
3808:
3807:
3782:
3781:
3757:
3756:
3742:
3726:
3725:
3702:
3700:
3677:
3676:
3663:
3659:
3651:
3647:
3637:
3636:
3608:
3607:
3596:
3581:
3580:
3569:
3554:
3553:
3530:
3529:
3518:
3502:
3500:
3489:
3473:
3471:
3427:
3426:
3392:
3391:
3368:
3366:
3347:First Harlot
3333:
3332:
3308:
3307:
3284:
3283:
3270:
3262:
3256:
3249:
3239:
3238:
3215:
3214:
3192:
3191:
3179:
3156:
3154:
3131:
3130:
3102:
3100:
3077:
3075:
3062:
3058:
3045:
3039:
3035:
3029:
3025:
3015:
3002:
3001:
2978:
2976:
2964:, the tenor
2957:
2953:
2937:
2935:
2912:
2911:
2898:
2894:
2884:
2878:
2865:
2864:
2852:, the tenor
2845:
2841:
2826:
2824:
2801:
2799:
2772:
2753:
2752:
2726:
2725:
2700:
2698:
2651:
2650:
2622:
2620:
2610:
2578:
2577:
2553:
2551:
2526:
2514:
2507:
2505:
2499:
2495:
2490:
2481:
2480:
2448:
2446:
2419:
2417:
2394:
2392:
2378:
2374:
2363:
2362:
2331:First Harlot
2316:
2314:
2274:
2272:
2259:
2255:
2248:
2242:
2232:
2231:
2218:
2214:
2208:
2204:
2195:
2194:
2184:
2168:
2167:
2156:
2152:
2134:
2133:
2110:
2109:
2066:
2065:
2019:
2018:
1957:
1956:
1925:
1909:
1908:
1876:
1875:
1862:Terradellas
1854:Bellerofonte
1853:
1852:
1828:
1827:
1803:
1802:
1782:
1781:
1756:
1755:
1742:
1735:
1731:Sga Pompeati
1728:
1721:
1714:
1707:
1688:
1687:
1676:
1674:
1667:
1666:
1635:
1634:
1621:
1614:
1607:
1603:Sga Pompeati
1600:
1593:
1586:
1567:
1566:
1562:
1561:
1537:
1535:
1520:
1509:
1499:
1498:
1485:
1481:Siga Caselli
1478:
1471:
1467:Siga Mancini
1464:
1457:
1450:
1441:
1439:Metastasio's
1422:
1421:
1408:
1404:
1397:
1393:
1384:
1383:
1370:
1363:
1356:
1352:Rosa Mancini
1349:
1345:Sga Visconti
1342:
1321:
1320:
1307:
1303:Siga Caselli
1300:
1293:
1286:
1282:Siga Mancini
1279:
1272:
1263:
1245:
1244:
1231:
1224:
1217:
1210:
1206:Rosa Mancini
1203:
1196:
1177:
1176:
1165:
1161:
1145:
1144:
1134:Siga Contini
1131:
1124:
1117:
1110:
1103:
1096:
1077:
1076:
1066:Siga Contini
1063:
1056:
1049:
1042:
1035:
1028:
1027:Themistocles
1006:
1004:
979:
978:
968:Siga Contini
965:
958:
951:
944:
937:
930:
921:
895:
894:
881:
871:
864:
857:
848:
809:
808:
781:
780:
754:
753:
727:
726:
712:Composer(s)
692:
690:
679:
669:
664:
659:
657:
648:
644:
640:
636:
633:
627:
626:, in Arne's
610:
603:
598:
594:
584:
581:
576:
574:
566:
558:
542:
534:
532:
512:John Crunden
489:
477:Burkat Shudi
469:
445:Private life
427:
423:
406:
399:
392:
385:
372:
362:
360:
354:
341:
338:
326:
316:
306:
304:and others.
281:
265:
259:
253:
247:
244:
238:
236:
217:
211:
207:
196:
192:
176:
171:
164:
157:
143:
125:
106:(1741), and
89:
77:
47:
31:
28:Giulia Frasi
27:
26:
7055:C. W. Gluck
5600:Winton Dean
5266:Discography
5078:(1756–64).
4987:April 1774
4800:Parthenope
4039:Tito Manlio
3979:Lampugnani
3976:Ipermestra
3945:L'Olimpiade
3882:L'Olimpiade
3653:L'Olimpiade
3609:The Fairies
3539:Lampugnani
3536:Ipermestra
2966:Thomas Lowe
2881:(by Ciampi)
2854:Thomas Lowe
2352:Thomas Lowe
2346:, the bass
2304:Thomas Lowe
2298:, the bass
1813:Terradellas
1668:"A Concert"
1547:Lampugnani
1431:Lampugnani
1394:"Per Pietà"
1369:Ippomedonte
1366:Sga Caselli
1234:Sga Caselli
1186:Lampugnani
1154:Lampugnani
770:Alessandria
612:L'Olimpiade
608:Pergolesi’s
606:, based on
591:coloraturas
483:. Composer
298:Terradellas
146:comprimario
100:Alessandria
7140:Categories
6968:2023-03-05
6944:2023-03-05
6920:2023-03-05
6791:2023-03-05
6698:2023-03-06
6651:2023-03-06
6627:2023-03-06
6603:2023-03-06
6579:2023-03-06
6518:2023-03-06
6494:2023-03-06
6470:2023-03-06
6446:2023-03-06
6422:2023-03-06
6398:2023-03-06
6374:2023-03-06
6350:2023-03-06
6326:2023-03-06
6242:2023-03-06
6218:2023-03-06
6194:2023-03-06
6145:2023-03-06
6121:2023-03-06
6072:2023-03-06
5998:2023-03-06
5845:2023-03-07
5285:Artaxerxes
5203:Artaxerxes
5065:From 1750
4895:Artaxerxes
4813:Telemachus
4795:Telemachus
4573:Belshazzar
4493:Belshazzar
4435:. In 1757
3972:Ipermestra
3918:Andromaca
3903:pasticcio
3858:Demofoonte
3814:Andromaca
3683:Ernelinda
3531:Ipermestra
3316:Cleopatra
3120:John Beard
3040:Cajo Mario
2802:Belshazzar
2251:by Galuppi
1981:Lampugnani
1900:pasticcio
1892:Lampugnani
1724:Monticelli
1694:Clearchus
1589:Monticelli
1488:Fratesanti
1474:Siga Frasi
1460:Monticelli
1373:Fratesanti
1310:Fratesanti
1296:Siga Frasi
1289:Monticelli
1220:Siga Frasi
1213:Fratesanti
1199:Monticelli
1166:Alessandro
1127:Siga Galli
1120:Monticelli
1113:Siga Frasi
1059:Siga Galli
1055:Lisimachus
1052:Monticelli
1045:Siga Frasi
1007:Temistocle
961:Siga Galli
954:Monticelli
947:Siga Frasi
929:Dorimaspes
821:Lampugnani
755:Il Bajazet
628:Artaxerxes
586:Artaxerxes
504:George III
500:Penny Post
379:John Beard
220:Lampugnani
189:pasticcios
181:Lampugnani
169:in 1746).
5011:May 1774
4808:première
4783:première
4725:première
4593:Jephtha).
4498:Nitocris
4428:première
4422:Issipile
4350:première
4281:Radamisto
4264:première
4192:première
4007:première
3921:Jommelli
3913:Andromaca
3900:première
3895:Pergolesi
3866:Jommelli
3840:Josabeth
3817:Jommelli
3809:Andromaca
3783:Andromaca
3621:première
3521:(23 May)
3492:(23 May)
3428:Artaserse
3400:Antigona
3254:Mazzoni's
3198:Costanza
3115:première
2950:première
2944:Pleasure
2808:Nitocris
2737:première
2711:Pergolesi
2663:première
2635:première
2629:Theodora
2533:Calliope
2339:première
2287:première
2174:Costanza
1986:première
1978:Pergolesi
1974:Paganelli
1921:première
1865:première
1842:première
1817:première
1804:Mitridate
1792:première
1770:première
1745:Sga Frasi
1741:Clearchus
1734:Alexander
1720:Demetrius
1700:première
1651:première
1617:Sga Frasi
1606:Indibilis
1599:Eriphilis
1579:première
1544:Timagene
1516:première
1434:première
1359:Sga Frasi
1341:Senocrita
1335:première
1327:Timotele
1306:Selvaggio
1285:Constante
1271:Rosalinda
1259:première
1246:Rosalinda
1223:Ermesenda
1189:première
1157:première
1099:Amorevoli
1089:première
1031:Amorevoli
1021:première
993:première
985:Costanza
933:Amorevoli
923:Artaserse
914:première
856:Cosrovius
852:Amorevoli
842:pasticcio
838:première
815:Mahobeth
715:Premiere
286:Capranica
270:Vanneschi
258:'s opera
174:pasticcio
128:contralto
85:George IV
44:oratorios
7123:Demetrio
6857:Demetrio
6689:"Corago"
6509:"Corago"
6485:"Corago"
6461:"Corago"
6437:"Corago"
6413:"Corago"
6389:"Corago"
6317:"Corago"
6209:"Corago"
6136:"Corago"
6063:"Corago"
5992:OPAC SBN
5489:Treccani
5483:28 March
5215:Giardini
5192:Messiah.
4972:revival
4928:Tenducci
4925:castrato
4907:revival
4901:Arbaces
4882:revival
4859:revival
4853:soprano
4836:revival
4777:Rebecca
4701:revival
4664:revival
4658:Eltruda
4641:revival
4617:revival
4611:soprano
4547:revival
4541:soprano
4504:revival
4461:revival
4417:Issipile
4404:revival
4325:Solimano
4288:Tiridate
4238:revival
4232:Barsene
4166:revival
4160:soprano
4120:revival
4114:soprano
4097:revival
3982:revival
3956:revival
3953:Galuppi
3924:revival
3869:revival
3846:revival
3820:revival
3796:revival
3792:Jommelli
3788:Ermione
3771:revival
3765:Asenath
3738:revival
3732:soprano
3715:revival
3689:revival
3686:Galuppi
3592:revival
3565:revival
3542:revival
3514:revival
3485:revival
3440:revival
3406:revival
3381:revival
3375:Deborah
3355:revival
3322:revival
3296:revival
3290:soprano
3227:revival
3221:soprano
3204:revival
3201:Galuppi
3163:Eltruda
3143:revival
3137:soprano
3090:revival
2991:revival
2924:revival
2918:soprano
2838:revival
2814:revival
2715:revival
2707:Serpina
2657:Camilla
2623:Theodora
2611:Theodora
2586:Emirena
2566:revival
2461:revival
2455:soprano
2432:revival
2426:soprano
2407:revival
2395:Hercules
2381:Paradies
2281:Susanna
2243:by Brevi
2180:revival
2177:Galuppi
2148:revival
2123:revival
2031:revival
1915:Lucilla
1897:revival
1859:Assiane
1838:Paradies
1757:Artamene
1717:Sga Imer
1713:Berenice
1706:Antigono
1697:Galuppi
1689:Antigono
1673:For the
1643:Briareo
1596:Sga Imer
1592:Anagilda
1576:Galuppi
1550:revival
1443:Demetrio
1355:Timotele
1348:Cleonice
1331:Pescetti
1255:Veracini
1251:Ernesto
1230:Fernando
1178:Alphonso
1151:Tassile
1123:Astarbus
1095:Rosbales
1086:Galuppi
1062:Sebastes
964:Floridan
950:Almerind
880:Mahobeth
847:Gianguir
810:Gianguir
800:, Italy
794:revival
772:, Italy
745:, Italy
680:Theodora
653:B3 to A5
645:Theodora
624:Tenducci
516:The Club
393:Hercules
363:Theodora
302:Paradisi
294:Veracini
282:Artamene
208:Artamene
177:Gianguir
110:(1742).
102:(1740),
42:English
40:Handel's
7039:. 1759.
7019:. 1754.
6995:5 March
6895:5 March
6669:Alceste
6303:3650726
6266:5 March
6169:5 March
6096:5 March
6047:5 March
6022:5 March
5884:. 1966.
5866:. 1963.
5736:Messiah
5694:Messiah
5186:and at
5129:Messiah
5097:Messiah
5067:Messiah
4998:at the
4975:at the
4969:Handel
4879:Handel
4856:Handel
4848:Messiah
4833:Handel
4830:Esther
4772:Rebecca
4748:Jephtha
4698:Handel
4690:Nicaule
4680:Solomon
4638:Handel
4614:Handel
4606:Messiah
4583:Messiah
4543:Handel
4536:Messiah
4501:Handel
4458:Handel
4450:Jephtha
4431:at the
4425:Cocchi
4401:Handel
4393:Nicaule
4383:Solomon
4336:Bertoni
4309:Mitrane
4274:Zenobia
4267:at the
4261:Cocchi
4252:Zenobia
4235:Cocchi
4189:Handel
4186:Beauty
4163:Handel
4155:Messiah
4117:Handel
4109:Messiah
4094:Handel
4044:Sabina
4010:at the
3950:Argene
3892:Galuppi
3887:Argene
3863:Creusa
3843:Handel
3834:Athalia
3768:Handel
3743:Messiah
3735:Handel
3727:Messiah
3712:Handel
3624:at the
3589:Handel
3562:Handel
3511:Handel
3482:Handel
3434:Semira
3403:Handel
3378:Handel
3369:Deborah
3352:Handel
3344:Nicaule
3334:Solomon
3319:Handel
3293:Handel
3285:Messiah
3271:Farnace
3224:Handel
3216:Messiah
3174:at the
3140:Handel
3132:Messiah
3112:Handel
3103:Jephtha
3087:Handel
3084:Achsah
3020:Alberti
3008:at the
2988:Handel
2985:Esther
2947:Handel
2921:Handel
2913:Messiah
2871:at the
2835:Handel
2811:Handel
2767:at the
2740:at the
2666:at the
2660:Ciampi
2632:Handel
2597:at the
2563:Handel
2560:Michal
2536:Handel
2528:Alceste
2458:Handel
2449:Messiah
2429:Handel
2420:Messiah
2404:Handel
2369:at the
2336:Handel
2328:Nicaule
2317:Solomon
2284:Handel
2275:Susanna
2145:Handel
2119:Latilla
2072:Tamiri
2025:Selene
1963:Silvia
1918:Handel
1829:Fetonte
1809:Arbate
1710:Ciacchi
1624:Ciacchi
1508:Brivio
1505:Corina
1484:Fenicio
1477:Mitrane
1463:Barsene
1456:Alceste
1449:Rosmira
1428:Olinto
1423:Alceste
1409:Bajazet
1299:Montano
1292:Ernesto
1209:Pelagio
1195:Alfonso
1183:Garzia
1162:Rossane
1130:Lesbano
1116:Sirbace
1083:Nirena
1078:Sirbace
1034:Aspasia
1017:Porpora
1013:Roxana
989:Galuppi
957:Idrenus
936:Mandana
919:Gluck's
896:Mandane
665:Rebecca
649:Jephtha
641:Susanna
637:Solomon
575:In his
543:Messiah
537:at the
535:Solomon
473:Kirkman
430:(1759).
407:Solomon
400:Susanna
386:Messiah
355:Jephtha
343:Susanna
318:Messiah
290:Caldara
232:Galuppi
228:Porpora
214:in 1746
193:Mandane
162:Gluck's
158:Rossane
104:Bergamo
36:soprano
7109:
7062:Händel
6301:
5775:
5396:
5260:Calais
5184:Esther
5125:Esther
5121:Samson
4825:Esther
4780:Smith
4722:Smith
4591:(from
4581:(from
4571:(from
4455:Iphis
4340:Handel
4330:Emira
4302:Zopira
3703:Samson
3664:Samson
3437:Hasse
3265:(from
3252:(from
3193:Enrico
3180:Alfred
3157:Alfred
3109:Iphis
3078:Joshua
2979:Esther
2899:Samson
2759:Venus
2590:Ciampi
2498:(from
2260:Semele
2217:(from
2207:(from
2169:Enrico
2157:Enrico
2075:Hasse
2028:Hasse
1888:Handel
1882:Cleon
1834:Teone
1762:Tamur
1727:Ismene
1620:Scipio
1585:Lucius
1470:Olinto
1362:Eurito
1278:Clelia
1216:Garzia
1202:Elvira
1109:Nerena
1102:Eurene
1048:Xerxes
1041:Roxana
980:Enrico
906:Brivio
901:Emira
863:Semira
825:Brivio
798:Modena
736:Brivio
428:Alfred
328:Alfred
276:, the
114:London
108:Modena
92:Brivio
49:Semele
32:Frassi
30:(also
6842:Ópera
6539:(PDF)
6299:JSTOR
5948:(PDF)
5927:(PDF)
5292:Notes
5253:Death
5101:Vocal
4956:1770
4904:Arne
4889:1769
4866:1769
4843:1767
4820:1767
4804:Hayes
4790:1763
4767:1761
4736:1761
4709:1760
4675:1759
4661:Arne
4648:1759
4625:1759
4601:1759
4555:1758
4531:1758
4488:1758
4445:1758
4412:1758
4378:1758
4344:Perez
4320:1758
4258:Egle
4246:1758
4220:1757
4174:1757
4150:1757
4139:Boyce
4131:1756
4104:1756
4080:1756
4034:1756
4019:1756
4004:Arne
3996:Eliza
3990:1756
3968:1754
3940:1756
3908:1756
3877:1755
3853:1755
3828:1756
3804:1755
3778:1755
3753:1755
3722:1755
3697:1755
3673:1755
3633:1755
3617:Smith
3604:1755
3577:1755
3550:1755
3526:1754
3497:1754
3468:1754
3422:1754
3409:with
3388:1754
3363:1754
3329:1754
3304:1754
3280:1754
3267:Perez
3235:1754
3211:1753
3188:1753
3151:1753
3127:1752
3097:1752
3072:1752
3048:Beard
2998:1752
2973:1751
2932:1751
2908:1751
2861:1751
2821:1751
2796:1751
2762:Arne
2749:1751
2734:Arne
2722:1751
2695:1750
2647:1750
2617:1750
2574:1750
2548:1750
2523:1750
2477:1750
2464:with
2443:1750
2414:1749
2401:Iole
2389:1749
2359:1749
2311:1749
2269:1749
2228:1749
2191:1748
2164:1748
2130:1748
2106:1748
2062:1748
2015:1748
1968:Hasse
1953:1748
1905:1747
1872:1747
1849:1747
1824:1747
1799:1746
1778:1746
1766:Gluck
1752:1746
1738:Jozzi
1684:1746
1663:1746
1647:Gluck
1631:1746
1610:Jozzi
1558:1746
1532:1746
1495:1745
1418:1744
1380:1744
1317:1744
1241:1744
1173:1744
1141:1743
1073:1743
1001:1743
975:1742
943:Emira
909:Gluck
891:1742
833:Hasse
829:Capua
805:1742
790:Hasse
777:1742
750:1740
723:1740
709:Role
706:Work
703:Year
549:Voice
529:Wages
256:Gluck
224:Hasse
185:Hasse
80:Milan
74:Italy
7107:ISBN
6997:2023
6897:2023
6268:2023
6171:2023
6098:2023
6049:2023
6024:2023
5773:ISBN
5485:2024
5394:ISBN
4719:Eve
4295:Egle
4048:Abos
3929:Ezio
3167:Arne
3052:Wass
3050:and
3018:(by
2956:and
2887:(by
2844:and
2554:Saul
2539:n/a
2508:Saul
2468:and
874:Sga
870:Zama
743:Lodi
693:bold
643:and
522:and
96:Lodi
6291:doi
6287:144
5765:doi
5386:doi
5190:in
5022:at
3931:by
3269:'s
2290:at
2159:."
7142::
7033:.
7013:.
6988:.
6977:^
6961:.
6937:.
6913:.
6888:.
6833:^
6815:^
6784:.
6724:^
6691:.
6673:.
6644:.
6620:.
6596:.
6572:.
6511:.
6487:.
6463:.
6439:.
6415:.
6391:.
6367:.
6343:.
6319:.
6297:.
6285:.
6259:.
6235:.
6211:.
6187:.
6162:.
6138:.
6114:.
6089:.
6065:.
6040:.
6015:.
5990:.
5964:^
5956:16
5954:.
5950:.
5935:^
5890:^
5880:.
5862:.
5838:.
5787:^
5771:.
5763:.
5710:^
5698:.
5675:.
5661:^
5636:^
5616:^
5606:.
5602:.
5589:^
5497:^
5474:.
5408:^
5392:.
5384:.
5327:^
5317:.
5300:^
5026:.
5006:.
4979:.
4914:.
4750::
4014:.
3417:.
3178:.
3054::
2642:.
2383:."
2354:.
2306:.
1729:r:
1677:."
1622:r:
1168:.
655:.
545:.
300:,
296:,
292:,
288:,
234:.
230:,
226:,
222:,
183:,
141:.
87:.
7132:.
6999:.
6971:.
6947:.
6923:.
6899:.
6874:.
6794:.
6701:.
6677:.
6654:.
6630:.
6606:.
6582:.
6521:.
6497:.
6473:.
6449:.
6425:.
6401:.
6377:.
6353:.
6329:.
6305:.
6293::
6270:.
6245:.
6221:.
6197:.
6173:.
6148:.
6124:.
6100:.
6075:.
6051:.
6026:.
6001:.
5976:.
5848:.
5781:.
5767::
5739:.
5704:.
5679:.
5610:.
5491:.
5402:.
5388::
5321:.
4585:)
4575:)
4311::
4304::
4297::
4290::
4283::
4276::
3666:)
3656:)
3646:"
3273:)
3259:)
3248:"
3065:)
3042:)
3032:)
3022:)
2901:)
2891:)
2502:)
2262:)
2254:"
2247:"
2221:)
2211:)
1743::
1736::
1722::
1715::
1708::
1615::
1608::
1601::
1594::
1587::
1486::
1479::
1472::
1465::
1458::
1451::
1445:.
1411:)
1403:"
1400:)
1371::
1364::
1357::
1350::
1343::
1308::
1301::
1294::
1287::
1280::
1273::
1232::
1225::
1218::
1211::
1204::
1197::
1132::
1125::
1118::
1111::
1104::
1097::
1064::
1057::
1050::
1043::
1036::
1029::
966::
959::
952::
945::
938::
931::
882::
872::
865::
858::
849::
440:.
395:.
388:.
381:.
51:)
Text is available under the Creative Commons Attribution-ShareAlike License. Additional terms may apply.