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Gil Docking

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77:. Flying off the Dutch coast in 1944, the plane was hit and Docking and the pilot ended up in a rubber dingy in the North Sea. The two men were picked up by a German torpedo boat and spent the rest of their war in a German prisoner of war camp. They were liberated by Russian forces in 1945. You can read the illustrated diary Docking kept during his imprisonment 188:
Early in his directorship  Docking became involved in a project that almost doubled the size of the Auckland City Art Gallery's exhibition spaces and significantly updated its  exhibition style. In 1967 the Gallery had received a large bequest from the Philip Augustus Edmiston Trust. This
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In 1958 Docking was invited to be the inaugural director of the Newcastle Art Gallery. Based on his experience gained traveling throughout New South Wales,  Docking brought to his new role an overview of how regional art galleries could best evolve. Working with contacts made at the National
387: 203:. Docking himself described securing  this comprehensive exhibition of Duchamp's work as a result of a ‘shot-in-the-dark. A letter to a New York dealer culminated in one of the world's most important collection of the French artists work to tour New Zealand. 294:
In 1972 Docking moved to the Art Gallery of New South Wales in Sydney to take up the position of senior education officer. He then served as deputy director and for a period as acting director. He retired in 1982 and died in 2015.
271:(1969) as an influential record of art in the country. Art writer Peter Ireland described it as adding, ‘a first floor to Brown and Keith's foundations.’ Docking's book has been republished twice with significant additions as 142:. One of his early actions was to initiate a small but select collection of Gothic art. This was the beginning of a number of important purchases which included a number of significant works by New Zealand artists: 285:
described Docking as ‘a battler’ reporting his public criticism of arts institutions like the Arts Council as being more  focussed on a ‘search for kudos and prestige’ than they were in arts administration.’
242:. The latter exhibition was curated by Docking with the support of Colin McCahon ‘who very generously assisted with the preliminary selection of works’ the exhibition represented 51 artists under the age of 31.’ 189:
supported a major extension to the building, initially through the addition of the Edmiston Wing and a new sculpture garden. The extension was opened in 1975, the Gallery's centennial year.
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In 1952 Docking was appointed education officer at the National Gallery of Victoria with responsibility for touring exhibitions throughout the state. On occasion he was accompanied by
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to study Fine Arts and Philosophy, graduating in 1951 with a BA. Three years later he married artist Sheila (Shay) Lawson. At this time the couple  turned to
53:, Victoria to George Docking and Gertrude Docking (née Ebbott). He went to school at Melbourne Boys High and won a scholarship for  Industrial Design at the 937: 661: 704: 253:
While director of the Auckland City Art Gallery Docking also wrote a comprehensive book covering the history of New Zealand painting. Published in 1971
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Docking was closely involved with the exhibition programme over his directorship. A  selection from the programme at this time included:
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Gallery of Victoria he began to amass a significant collection. Many of the works were received as gifts including important paintings like
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Marcel Duchamp and New Zealand Art, 1965 – 2007 By Means of Duchamp’s Peripheral Vision: Case Studies in a History of Reception Volume I
388:"Paddington Artist Gil Docking Celebrates the Day he was Given A Second Chance at Life After Being Shot Down During a Daring WWII Raid" 1026: 1046: 813: 535: 54: 577: 688: 619: 598: 964: 106:
who used the opportunity to paint the landscape. Docking left the Gallery in 1956 and spent the next two years teaching at
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faith led him to attend a training college for Methodist Home Missionaries. He was then posted to serve in the circuit of
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Boland, Michaela (9 May 2015). "Newcastle Art Gallery, Wendy Whiteley and the egg that kicked off a heap of trouble".
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In 1965 Docking took up the position of director at the Auckland City Art Gallery becoming its third director after
25: 38: 107: 499: 1051: 1031: 57:. His first job on graduating was as an industrial designer for a glass factory, but his upbringing in the 70: 371:
Davies, Linda (22 January 2016). "Gypsy Life led Gil Docking into Feted Arts Administration Career".
29:(16 February 1919 – 17 November 2015) was an Australian arts administrator, founding director of the 82: 324:
Rigney, Sam (20 November 2015). "Gil Docking: Newcastle Art Gallery's inaugural director dies".
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and in 1959 the Newcastle Art Gallery became the first public institution to purchase his work.
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and was based in the UK where he was involved in coastal defence as the navigator on a
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to develop a ‘comprehensive exhibition’ to mark the centenary of the artist's birth.
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Docking was also known as a strong advocate for the arts in New Zealand. Writer
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gold mining town in Eastern Victoria. In 1942, aged 23, Docking enlisted in the
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New Zealand Young Contemporaries Auckland: Auckland City Art Gallery
37:(1965–1972) and senior education officer and acting director of the 463: 520:
Male, Emile (1966). "The Gallery Begins a Gothic Art Collection".
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Morgan, Joyce (June 2014). "Dispatches: Newcastle's Black Totem".
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1941 by William Dobell. Docking also championed the young artist
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New Zealand Art of the Sixties: A Royal Visit Exhibition
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The exhibition opened the new Edmiston Wing along with
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Two Hundred and Fifty Years of New Zealand Painting.
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1958. He was also responsible for the acquisition of
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Two hundred and Forty years of New Zealand Painting
1057:Recipients of the Medal of the Order of Australia 289: 89:sharing a love of its liturgy, music and images. 1008: 732:. Art History Victoria University of Wellington. 922:Brunton, Allan (22 April 1970). "Fated Lurch". 411: 97: 341: 705:"Marcel Duchamp: the Mary Sisler Collection" 129: 303:In 2014 Docking was awarded a Medal of the 744:"Frances Hodgkins: A Centenial Exhibition" 890:Two Hundred Years of New Zealand Painting 385: 255:Two Hundred Years of New Zealand Painting 217:commissioned Docking and Hodgkins expert 962: 681:Art galleries and museums of New Zealand 412:Prunster, Ursula; Docking, Shay (1983). 112: 921: 902: 887: 678: 414:Shay Docking: The landscape as metaphor 55:Royal Melbourne Institute of Technology 1009: 483: 447: 370: 323: 727: 201:: 78 Works The Mary Sisler Collection 519: 366: 364: 337: 335: 92: 13: 963:McCarthy, Joanne (14 March 2014). 903:Ireland, Peter (21 January 2013). 839:"New Zealand Young Contemporaries" 14: 1068: 361: 332: 211:1869-1947: A Centenary Exhibition 81:. After the war Docking attended 1027:Australian art gallery directors 679:Thomson, Keith Westhead (1981). 386:Herbitson, Lisa (12 June 2014). 990:"2014 Queen's Birthday Honours" 982: 956: 930: 915: 896: 892:. AH & AW Reed. p. 12. 881: 856: 831: 806: 791: 765: 736: 721: 697: 672: 654: 633: 612: 591: 570: 549: 528: 522:Auckland City Gallery Quarterly 513: 492: 307:(OAM) for service to the arts. 215:Queen Elizabeth II Arts Council 1047:University of Melbourne alumni 477: 456: 441: 420: 405: 379: 317: 290:Art Gallery of New South Wales 39:Art Gallery of New South Wales 1: 662:"Changes At Auckland Gallery" 310: 44: 22:Gilbert (Gil) Charles Docking 16:Australian arts administrator 798:"Space Problem At Gallery". 728:Moore, Marcus T. G. (2012). 683:. Sydney: Reed. p. 24. 392:The Daily Telegraph (Sydney) 98:National Gallery of Victoria 49:Docking was born in 1919 in 7: 668:. 16 June 1970. p. 12. 416:. Sydney: AH & AW Reed. 108:Mt Scopus Memorial College. 10: 1073: 1042:New Zealand art historians 944:. 30 July 1974. p. 10 802:. 14 July 1970. p. 8. 536:"Portrait of Betty Curnow" 71:Royal Australian Air Force 938:"New job for Mr. Docking" 864:"Colin McCahon: a Survey" 773:"'Pleasure Garden' Again" 428:"Woollahra Plaque Scheme" 298: 130:Auckland City Art Gallery 35:Auckland City Art Gallery 1037:New Zealand art curators 965:"Playing to the Gallery" 942:The Press (Christchurch) 800:The Press (Christchurch) 779:. 27 May 1969. p. 8 777:The Press (Christchurch) 666:The Press (Christchurch) 147:Portrait of Betty Curnow 578:"The Marys at the Tomb" 247:Colin McCahon: A Survey 120:Portrait of a strapper 888:Docking, Gil (1971). 620:"The Pumping Station" 599:"Rocks with Mountain" 486:Art Monthly Australia 373:Sydney Morning Herald 344:"Who You Should Know" 161:The Marys at the Tomb 113:Newcastle Art Gallery 31:Newcastle Art Gallery 751:Auckland Art Gallery 269:New Zealand Painting 83:Melbourne University 1052:People from Bendigo 1032:Australian curators 814:"Ten Big Paintings" 175:The Pumping Station 168:Rocks with Mountain 75:Bristol Beaufighter 305:Order of Australia 266:An Introduction to 33:, director of the 690:978-0-589-01364-6 234:Ten Big Paintings 93:Art museum career 87:Anglo-Catholicism 1064: 1001: 1000: 998: 996: 986: 980: 979: 977: 975: 969:Newcastle Herald 960: 954: 953: 951: 949: 934: 928: 927: 919: 913: 912: 900: 894: 893: 885: 879: 878: 876: 874: 868: 860: 854: 853: 851: 849: 843: 835: 829: 828: 826: 824: 818: 810: 804: 803: 795: 789: 788: 786: 784: 769: 763: 762: 760: 758: 748: 740: 734: 733: 725: 719: 718: 716: 714: 709: 701: 695: 694: 676: 670: 669: 658: 652: 651: 649: 647: 637: 631: 630: 628: 626: 616: 610: 609: 607: 605: 595: 589: 588: 586: 584: 574: 568: 567: 565: 563: 553: 547: 546: 544: 542: 532: 526: 525: 517: 511: 510: 508: 506: 496: 490: 489: 481: 475: 474: 472: 470: 460: 454: 453: 445: 439: 438: 436: 434: 424: 418: 417: 409: 403: 402: 400: 398: 383: 377: 376: 368: 359: 358: 348: 339: 330: 329: 326:Newcastle Herald 321: 213:. New Zealand's 209:Frances Hodgkins 28: 1072: 1071: 1067: 1066: 1065: 1063: 1062: 1061: 1007: 1006: 1005: 1004: 994: 992: 988: 987: 983: 973: 971: 961: 957: 947: 945: 936: 935: 931: 920: 916: 901: 897: 886: 882: 872: 870: 866: 862: 861: 857: 847: 845: 841: 837: 836: 832: 822: 820: 816: 812: 811: 807: 797: 796: 792: 782: 780: 771: 770: 766: 756: 754: 746: 742: 741: 737: 726: 722: 712: 710: 707: 703: 702: 698: 691: 677: 673: 660: 659: 655: 645: 643: 639: 638: 634: 624: 622: 618: 617: 613: 603: 601: 597: 596: 592: 582: 580: 576: 575: 571: 561: 559: 557:"Painting No 1" 555: 554: 550: 540: 538: 534: 533: 529: 518: 514: 504: 502: 498: 497: 493: 482: 478: 468: 466: 462: 461: 457: 446: 442: 432: 430: 426: 425: 421: 410: 406: 396: 394: 384: 380: 369: 362: 346: 340: 333: 322: 318: 313: 301: 292: 259:Gordon H. Brown 165:Michael Smither 132: 115: 100: 95: 47: 24: 17: 12: 11: 5: 1070: 1060: 1059: 1054: 1049: 1044: 1039: 1034: 1029: 1024: 1019: 1003: 1002: 981: 955: 929: 914: 895: 880: 855: 830: 805: 790: 764: 735: 720: 696: 689: 671: 653: 641:"Henry Fuseli" 632: 611: 590: 569: 548: 527: 512: 491: 476: 455: 450:The Australian 440: 419: 404: 378: 360: 331: 315: 314: 312: 309: 300: 297: 291: 288: 263:Hamish Keith's 251: 250: 243: 229: 222: 219:E.H. McCormick 204: 199:Marcel Duchamp 151:Gordon Walters 136:Eric Westbrook 131: 128: 124:Brett Whiteley 114: 111: 99: 96: 94: 91: 65:, an historic 46: 43: 15: 9: 6: 4: 3: 2: 1069: 1058: 1055: 1053: 1050: 1048: 1045: 1043: 1040: 1038: 1035: 1033: 1030: 1028: 1025: 1023: 1020: 1018: 1015: 1014: 1012: 991: 985: 970: 966: 959: 943: 939: 933: 926:. p. 18. 925: 918: 910: 906: 899: 891: 884: 865: 859: 840: 834: 815: 809: 801: 794: 778: 774: 768: 752: 745: 739: 731: 724: 706: 700: 692: 686: 682: 675: 667: 663: 657: 642: 636: 621: 615: 600: 594: 579: 573: 558: 552: 537: 531: 523: 516: 501: 495: 487: 480: 465: 459: 451: 444: 429: 423: 415: 408: 393: 389: 382: 374: 367: 365: 356: 352: 345: 338: 336: 327: 320: 316: 308: 306: 296: 287: 284: 279: 278: 274: 270: 267: 264: 260: 256: 248: 244: 241: 237: 235: 230: 227: 223: 220: 216: 212: 210: 205: 202: 200: 195: 194: 193: 190: 186: 184: 180: 176: 173: 169: 166: 162: 159: 158:Colin McCahon 155: 154:Painting No 1 152: 148: 145: 141: 137: 127: 125: 121: 110: 109: 105: 90: 88: 84: 80: 76: 72: 68: 64: 60: 56: 52: 42: 41:(1972–1982). 40: 36: 32: 27: 23: 19: 993:. 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Retrieved 391: 381: 372: 354: 350: 325: 319: 302: 293: 283:Alan Brunton 280: 276: 272: 268: 265: 254: 252: 246: 239: 232: 225: 207: 197: 191: 187: 183:Henry Fuseli 181:37 works by 178: 174: 172:Doris Lusk's 167: 160: 153: 146: 144:Rita Angus's 140:Peter Tomory 133: 119: 116: 104:Shay Docking 101: 48: 21: 20: 18: 1022:2015 deaths 1017:1919 births 500:"Directors" 351:AGMANZ News 1011:Categories 909:Eyecontact 524:(34): 3–5. 311:References 170:1968, and 45:Early life 488:(270): 6. 464:"History" 67:Gippsland 59:Methodist 357:(11): 3. 924:Salient 257:joined 51:Bendigo 995:1 July 974:1 July 948:1 July 873:1 July 869:. 1972 848:1 July 844:. 1971 823:1 July 819:. 1971 783:1 July 757:1 July 753:. 1969 713:1 July 687:  646:1 July 625:1 July 604:1 July 583:1 July 562:1 July 541:1 July 505:1 July 469:1 July 433:1 July 397:1 July 299:Awards 179:  163:1947, 156:1965, 149:1942, 867:(PDF) 842:(PDF) 817:(PDF) 747:(PDF) 708:(PDF) 347:(PDF) 245:1972 231:1971 224:1970 206:1969 196:1967 997:2024 976:2024 950:2024 875:2024 850:2024 825:2024 785:2024 759:2024 715:2024 685:ISBN 648:2024 627:2024 606:2024 585:2024 564:2024 543:2024 507:2024 471:2024 435:2024 399:2024 275:and 261:and 138:and 79:here 63:Omeo 26:OAM 1013:: 967:. 940:. 907:. 775:. 749:. 664:. 390:. 363:^ 353:. 349:. 334:^ 185:. 999:. 978:. 952:. 911:. 877:. 852:. 827:. 787:. 761:. 717:. 693:. 650:. 629:. 608:. 587:. 566:. 545:. 509:. 473:. 452:. 437:. 401:. 375:. 355:2 328:. 249:. 236:. 228:.

Index

OAM
Newcastle Art Gallery
Auckland City Art Gallery
Art Gallery of New South Wales
Bendigo
Royal Melbourne Institute of Technology
Methodist
Omeo
Gippsland
Royal Australian Air Force
Bristol Beaufighter
here
Melbourne University
Anglo-Catholicism
Shay Docking
Mt Scopus Memorial College.
Brett Whiteley
Eric Westbrook
Peter Tomory
Rita Angus's
Gordon Walters
Colin McCahon
Michael Smither
Doris Lusk's
Henry Fuseli
Marcel Duchamp
Frances Hodgkins
Queen Elizabeth II Arts Council
E.H. McCormick
Ten Big Paintings

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