22:
251:
they stayed away from Italy from 1939 to 1946. In
Chicago, they decided to concentrate their time to teaching the next generation of opera singers. They had opened a voice/opera school in Chicago which they ran for two decades. As a part of the school, students would travel to Italy with Rimini and
214:
Although Rimini primarily worked in
Chicago, he and his wife did occasionally travel to other parts of the United States and in South America for performances, usually performing together. They also maintained a villa in Verona where they would spend their summers and occasionally appear in operas.
144:. Rimini had been married once previously to a woman from Rome, Raffaella Bettei. Rimini and Raisa married in 1920 after moving to Chicago and became naturalized citizens of the United States in 1923. Rimini and Raisa had one daughter, Rosa Giulietta (Jolly) Segala, who was born in July 1931.
239:
In the following years, while Raisa preferred to concentrate on her
Chicago engagements, Rimini appeared frequently in Italy having the opportunity to sing with many of the Italian operatic luminaries of the time.
236:'s singers, which included a one-week series of performances at the Städtische Oper in Berlin, Germany. It was controversial due to the Jewish Raisa’s participation, and Rimini’s half-Jewish ‘racial’ status.
55:, Italy. His father, Riccardo Rimini, descended from Sephardic Jews long resident in Verona; his mother, Giulia Sottopera, was Catholic. Rimini studied at the Verona Music Conservatory with
229:
in 1926 opposite his wife in the title role. He also was the first person to completely record the role of
Falstaff, which he also did with La Scala forces in 1932.
463:
56:
538:
106:
543:
523:
533:
558:
553:
201:
among others. In addition to frequently singing opposite his wife on the operatic and concert stage, Rimini also performed frequently with
548:
343:
309:
288:
513:
448:"Giacomo Rimini, 63, Operatic Baritone; Celebrated Chicagoan Who Had Been Selected by Toscanini Dies--U. S. Debut in '16",
518:
528:
508:
133:
59:. He began his operatic career in Italy in his early twenties. His first lead role was as Escamillo in
118:
147:
In addition to
Falstaff and Escamillo, Rimini was admired for his portrayals of the title role in
207:
181:
243:
Rimini and his wife both announced their retirement from the operatic stage in 1937. Due to the
287:, originally recorded in 1932, Naxos label, current edition released on September 17, 2002,
503:
498:
332:
171:
84:
83:. He sang with many notable Italian opera houses over the next several years including the
8:
202:
197:
192:
137:
432:
394:
450:
244:
233:
129:
280:
275:
248:
141:
101:
92:
468:
355:
317:
322:
40:
412:
492:
255:
Giacomo Rimini died in his sleep on March 6, 1952, at his home in
Chicago.
21:
481:
376:
347:
313:
292:
211:
together with the
Chicago Opera Company among many other performances.
125:
252:
his wife to study in Verona, often staying at their teacher's villa.
187:
153:
80:
132:
in 1916 where they would both establish a long association with the
91:, and at the Teatro Costanzi in Rome. In 1915, Rimini was chosen by
284:
226:
221:
114:
70:
36:
216:
176:
88:
75:
128:
and the two of them fell in love with each other. They moved to
359:
159:
124:
Also in 1915, Rimini met in
Bologna Polish Jewish opera singer
65:
52:
39:. He was most admired for his interpretations of the works of
351:
327:
270:
148:
110:
96:
60:
33:
389:
165:
350:. Rimini appears on over a dozen tracks singing works by
113:. He reprised the role later that year with Toscanini at
32:(March 22, 1887 – March 6, 1952) was an Italian-American
205:. The two of them sang their first Figaro and Rosina in
69:
at the age of 22. In 1910 he sang the role of Albert in
232:
In 1933 the
Riminis appeared in a European tour with
215:
Most notably, Rimini originated the role of Ping in
413:March 22 Classicalmanac 'today in classical music'
308:, Symposium label, released on January 14, 1997,
490:
444:
442:
440:
316:. Rimini sings on only two tracks: an aria from
437:
342:, Marston label, released August 11, 1998,
539:American people of Italian-Jewish descent
428:
426:
424:
422:
420:
544:20th-century American male opera singers
20:
524:20th-century Italian male opera singers
534:Italian emigrants to the United States
491:
417:
51:Giacomo Rimini was born and raised in
373:Selection from Act IV of Il Trovatore
559:20th-century American Sephardic Jews
554:19th-century American Sephardic Jews
366:
299:
263:
13:
14:
570:
549:Classical musicians from Illinois
379:. Vitaphone production reel #524.
375:(1927), with Giacomo Rimini and
475:
457:
433:A Biography by Charles Mintzer
406:
395:A Biography by Charles Mintzer
340:Rosa Raisa Complete Recordings
258:
1:
400:
79:at the municipal theater of
46:
7:
514:American operatic baritones
464:"Milestones, Mar. 17, 1952"
10:
575:
519:Italian operatic baritones
383:
134:Chicago City Opera Company
95:to sing the title role in
119:King Victor Emmanuel III
87:, the Teatro Massimo in
306:Opera in Chicago, Vol.2
208:Il barbiere di Siviglia
182:Il barbiere di Siviglia
163:, Amonasro in Verdi's
26:
25:Giacomo Rimini in 1918
24:
16:American opera singer
529:Singers from Chicago
509:Jewish opera singers
333:Un Ballo In Maschera
172:Un ballo in maschera
169:, Renato in Verdi's
85:Teatro Regio (Turin)
245:Fascist Racial Laws
203:Amelita Galli-Curci
193:Amilcare Ponchielli
138:Chicago Civic Opera
117:in the presence of
57:Amelia Conti Foroni
451:The New York Times
157:, Iago in Verdi's
27:
472:. March 17, 1952.
326:and an aria from
234:Teatro alla Scala
130:Chicago, Illinois
566:
484:
479:
473:
461:
455:
454:. March 6, 1952.
446:
435:
430:
415:
410:
367:Video recordings
300:Other recordings
281:Lorenzo Molajoli
264:Opera recordings
249:Second World War
142:Ravinia Festival
107:Teatro del Verme
93:Arturo Toscanini
574:
573:
569:
568:
567:
565:
564:
563:
489:
488:
487:
480:
476:
462:
458:
447:
438:
431:
418:
411:
407:
403:
386:
369:
318:Ambroise Thomas
302:
266:
261:
49:
17:
12:
11:
5:
572:
562:
561:
556:
551:
546:
541:
536:
531:
526:
521:
516:
511:
506:
501:
486:
485:
474:
456:
436:
416:
404:
402:
399:
398:
397:
392:
390:Operissimo.com
385:
382:
381:
380:
368:
365:
364:
363:
337:
301:
298:
297:
296:
265:
262:
260:
257:
48:
45:
41:Giuseppe Verdi
30:Giacomo Rimini
15:
9:
6:
4:
3:
2:
571:
560:
557:
555:
552:
550:
547:
545:
542:
540:
537:
535:
532:
530:
527:
525:
522:
520:
517:
515:
512:
510:
507:
505:
502:
500:
497:
496:
494:
483:
478:
471:
470:
465:
460:
453:
452:
445:
443:
441:
434:
429:
427:
425:
423:
421:
414:
409:
405:
396:
393:
391:
388:
387:
378:
374:
371:
370:
361:
357:
353:
349:
345:
341:
338:
335:
334:
329:
325:
324:
319:
315:
311:
307:
304:
303:
294:
290:
286:
282:
278:
277:
272:
268:
267:
256:
253:
250:
246:
241:
237:
235:
230:
228:
224:
223:
218:
212:
210:
209:
204:
200:
199:
194:
191:, Barnaba in
190:
189:
184:
183:
178:
174:
173:
168:
167:
162:
161:
156:
155:
150:
145:
143:
139:
135:
131:
127:
122:
120:
116:
112:
108:
104:
103:
98:
94:
90:
86:
82:
78:
77:
72:
68:
67:
62:
58:
54:
44:
42:
38:
35:
31:
23:
19:
477:
467:
459:
449:
408:
372:
339:
331:
321:
305:
274:
269:Falstaff in
254:
242:
238:
231:
220:
213:
206:
196:
186:
180:
175:, Figaro in
170:
164:
158:
152:
146:
123:
100:
74:
64:
50:
29:
28:
18:
504:1952 deaths
499:1887 births
259:Discography
198:La Gioconda
185:, Tonio in
493:Categories
401:References
377:Rosa Raisa
348:B00000AE0L
314:B000001XWZ
293:B00006B1K9
140:, and the
126:Rosa Raisa
188:Pagliacci
154:Rigoletto
81:Desenzano
47:Biography
356:Mascagni
285:La Scala
276:Falstaff
247:and the
227:La Scala
222:Turandot
115:La Scala
102:Falstaff
71:Massenet
37:baritone
34:operatic
384:Sources
217:Puccini
177:Rossini
105:at the
89:Palermo
76:Werther
360:Mozart
358:, and
346:
323:Hamlet
312:
291:
160:Otello
136:, the
66:Carmen
53:Verona
352:Verdi
328:Verdi
279:with
271:Verdi
149:Verdi
111:Milan
97:Verdi
61:Bizet
482:IMDb
469:Time
344:ASIN
310:ASIN
289:ASIN
283:and
166:Aida
330:'s
273:'s
225:at
219:'s
195:'s
179:'s
151:'s
121:.
109:in
99:'s
73:'s
63:'s
495::
466:.
439:^
419:^
354:,
320:'
43:.
362:.
336:.
295:.
Text is available under the Creative Commons Attribution-ShareAlike License. Additional terms may apply.
