Knowledge

Galliane

Source 📝

83:
he sought to improve upon the limitations of the Baroque bow by lengthening it, strengthening its tip, and introducing a curvature that allowed for greater flexibility and improved the springing action of the bow. Tourte’s craftsmanship led to the development of the modern bow, with a design that has
91:
introduced a significant innovation in the history of bow making with a new frog design in which the underside is angled. This frog was named "Galliane", and is a trademark with patent. Throughout history, bow makers have crafted frogs that were visually appealing. Galliane follows this tradition by
66:
is the part at the end of the bow that encloses the mechanism responsible for tightening and holding the bow hair ribbon. The name ‘frog’ may derive from the use of the frock, the small device that bow makers use to shape it. It is also referred to as the heel of the bow.
119:
Galliane facilitates stability and ease, allowing more natural bowing on the part of the player. This allows the player’s hand to relax, preserving ligaments and joints, thus helping to prevent performance-related injuries.
110:
twist to the bow hair; this allows the performer to play with a fuller hair ribbon from frog to tip.“To achieve this, the frog (the usually ebony, block-shaped part of the bow, where it is held) is offset by 15 degrees.”
92:
presenting a different original outline. One of these designs includes a geometrical ferrule for the first time in history. While Galliane has been noted for its design, the technical elements outweigh the aesthetics.
87:
With Tourte’s design the bow hair is set parallel to the longitudinal axis of the bow stick, requiring players to adapt the natural movement of their arm to the constraint of the shape.
309: 366: 304: 216: 247: 371: 319: 106:, with Galliane the hair ribbon has more contact with the strings, producing increased traction. These frogs give a slight 314: 202: 188: 281: 261: 168: 79:, a French master bowmaker from the late 18th and early 19th century. With the help of virtuoso violinist 123:
Since its introduction, many renowned string players have played with the Galliane Frog, including
80: 25: 223: 8: 286: 266: 173: 30: 124: 76: 241: 144: 88: 35: 282:"Perfect Graphs and Perfect Harmony: Meet 2 of the 2012 MacArthur "Genius" Fellows" 262:"Perfect Graphs and Perfect Harmony: Meet 2 of the 2012 MacArthur "Genius" Fellows" 169:"Perfect Graphs and Perfect Harmony: Meet 2 of the 2012 MacArthur "Genius" Fellows" 128: 28:
that sets the hair ribbon at an angle. This kind of frog was first described in
148: 136: 360: 324: 140: 132: 351: 51: 102: 346: 107: 63: 21: 334: 39: 47: 43: 329: 315:
The Violin Shop, Why a Frog? Why Are There Frogs on Bows?
320:
Musical America Press Release, A Revolution in Bowmaking
358: 34:in October 2012. It was invented by bow maker 70: 305:The Strad, January 2013 Issue: Innovations 203:"Why a Frog? Why Are There Frogs on Bows?" 189:"Why a Frog? Why Are There Frogs on Bows?" 367:Musical instrument parts and accessories 114: 359: 246:: CS1 maint: archived copy as title ( 95: 325:Solange Chivas, Archetière Bowmaker 75:The classical bow was pioneered by 13: 84:remained fundamentally unchanged. 14: 383: 298: 335:Benoît Rolland Official Website 372:String instrument construction 274: 254: 209: 195: 181: 161: 1: 154: 7: 340: 57: 10: 388: 330:Galliane Official Website 71:The evolution of the bow 24:for stringed instrument 77:François Xavier Tourte 115:Musical functionality 310:NPR Radio Interview 287:Scientific American 267:Scientific American 174:Scientific American 147:, Malcom Lowe, and 31:Scientific American 125:Anne-Sophie Mutter 96:Technical elements 145:Aleksey Igudesman 379: 292: 291: 278: 272: 271: 258: 252: 251: 245: 237: 235: 234: 228: 222:. Archived from 221: 213: 207: 206: 199: 193: 192: 185: 179: 178: 165: 387: 386: 382: 381: 380: 378: 377: 376: 357: 356: 343: 301: 296: 295: 280: 279: 275: 260: 259: 255: 239: 238: 232: 230: 226: 219: 217:"Archived copy" 215: 214: 210: 201: 200: 196: 187: 186: 182: 167: 166: 162: 157: 129:Kim Kashkashian 117: 98: 73: 60: 12: 11: 5: 385: 375: 374: 369: 355: 354: 349: 342: 339: 338: 337: 332: 327: 322: 317: 312: 307: 300: 299:External links 297: 294: 293: 273: 253: 208: 194: 180: 159: 158: 156: 153: 149:Jean-Luc Ponty 137:Julian Rachlin 116: 113: 97: 94: 89:Benoît Rolland 72: 69: 59: 56: 36:Benoît Rolland 9: 6: 4: 3: 2: 384: 373: 370: 368: 365: 364: 362: 353: 350: 348: 345: 344: 336: 333: 331: 328: 326: 323: 321: 318: 316: 313: 311: 308: 306: 303: 302: 289: 288: 283: 277: 269: 268: 263: 257: 249: 243: 229:on 2013-10-29 225: 218: 212: 204: 198: 190: 184: 176: 175: 170: 164: 160: 152: 150: 146: 142: 138: 134: 130: 126: 121: 112: 109: 105: 104: 100:According to 93: 90: 85: 82: 78: 68: 65: 55: 53: 49: 45: 41: 37: 33: 32: 27: 23: 19: 285: 276: 265: 256: 231:. Retrieved 224:the original 211: 197: 183: 172: 163: 141:Lynn Harrell 133:Miriam Fried 122: 118: 101: 99: 86: 74: 61: 29: 17: 15: 352:Bow (music) 81:G.B. Viotti 52:double bass 361:Categories 233:2013-10-23 155:References 108:helicoidal 103:The Strad 347:Bow Frog 341:See also 242:cite web 58:The frog 22:bow frog 18:Galliane 54:bows. 50:, and 40:violin 227:(PDF) 220:(PDF) 48:cello 44:viola 20:is a 248:link 64:frog 62:The 38:for 26:bows 363:: 284:. 264:. 244:}} 240:{{ 171:. 151:. 143:, 139:, 135:, 131:, 127:, 46:, 42:, 16:A 290:. 270:. 250:) 236:. 205:. 191:. 177:.

Index

bow frog
bows
Scientific American
Benoît Rolland
violin
viola
cello
double bass
frog
François Xavier Tourte
G.B. Viotti
Benoît Rolland
The Strad
helicoidal
Anne-Sophie Mutter
Kim Kashkashian
Miriam Fried
Julian Rachlin
Lynn Harrell
Aleksey Igudesman
Jean-Luc Ponty
"Perfect Graphs and Perfect Harmony: Meet 2 of the 2012 MacArthur "Genius" Fellows"
Scientific American
"Why a Frog? Why Are There Frogs on Bows?"
"Why a Frog? Why Are There Frogs on Bows?"
"Archived copy"
the original
cite web
link
"Perfect Graphs and Perfect Harmony: Meet 2 of the 2012 MacArthur "Genius" Fellows"

Text is available under the Creative Commons Attribution-ShareAlike License. Additional terms may apply.