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1753:, says a Spanish proverb. Well! yes. It is necessary that affection blinds reason. So do not try here to discriminate against efforts divergent from sensibility and sensuality. Look and choose, or rather let yourself be taken, stop in front of what captures you, because we never choose. love does not choose, it takes what it finds. So do not try to compare and therefore do not label. Only true love has to make comparisons, and the elective character we would like to bestow upon it is only a pleasant fantasy around its power. Breathe nature only with all the pores of your sensitivity, contemplate the universe through your window or in your own mirror if you prefer. This one tell you: "This is what nature has shown me". That one will affirm: "That is what I showed nature". Just remember that we only have at home the painting that we deserve. (Maurice Raynal, 1920)
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1400:, by Vilanova i la Geltrú, 5 January, in which J.F. Ràfols wrote a detailed account of van Dongen work, although not without some reticence, as he described a "believer exceeded by the artificiality of the type of woman, make-up and frivolous, portrayed by the artist. In Vell i Nou, Romà Jori wrote: "from the union between symbolist poets and impressionist painters this painting is born, which has Van Dongen as one of its most solid representatives".
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2023:" Indeed, the work no longer resides in the more or less successful combination of colors, in the game of lines that approaches more or less high degree the reality. There is no similarity, not even distant. The joke of representation has lasted too long giving way to compositions where the plastic values, exempt of all representative or symbolic intent, may not play as significant a role as the signature or title. "
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1535:) hot and exuberant (as well as in a lost Sailboat painting, more consonant with the general course of his development in synthetic abstraction) and few of his paintings are as sensual and immediate as those of Bermuda in which a Cezannesque concern for light-modified forms and his consistent diagonal brushwork overcome any conceptual efforts.
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707:), but not under a group banner or name. The term "Cubisme" was enunciated for the first time for the occasion of the first exhibition to include Cubism outside France: at the Brussels Indépendants, June 1911. And now, the second exhibition beyond the French border was about to take place; the first devoted entirely to Cubism.
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Galeries Dalmau, all recent (produced within months of the show) and previously unpublished. The works were an eclectic mix of figurative art, abstract and mechanical representations ("late machinist"). This was a transition period between Dada and
Surrealism. The subjects of the work included was reflected in the titles:
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attitude of Josep Dalmau, "the almost absolute disappearance of that eagerness of selection that presided over his old galleries." He also pointed out, "Galleries Dalmau lost all their ingenuity when moving from the intensity of the Gothic
Quarter of Barcelona—Portaferrissa—to the dilapidated Passeig de Gràcia."
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Dalmau opened an antiques gallery in 1906, Carrer del Pi, 10, becoming his first showroom, lasting from 1906 to 1911. The establishment basically dealt with antique objects, and later extended with a section of modern art. The first documented exhibition of modern art was in 1908, with the exhibition
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attacking the
Cubists with a series of caricatures laced with text, showing people shaped like cones standing in front of the works. Another depicted Adam and Eve in crude cubic form (Agero presented a sculpture of the subject). Others still interpreted the paintings as cubic scribbles, or an artist
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The exhibition space of the gallery was located in the inner courtyard of a house, with a glass ceiling, typical of photography studio or industrial warehouse. It had a threaded mechanism that regulated the light coming in through the skylight. The space was divided by wooden partitions that did not
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This exhibition included a group of
Catalan artist, and a group of European artists. Josep Dalmau exhibited three of his own works, along with Miró, Dalí, Torres-García, Sunyer, Junyer, Mompou, Cassanyes, and others. Also present were the works by Gleizes, Laurencin, Picabia, Weber, Vlaminck, Dufy,
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Nayral then cites
Metzinger's 1910 concept that their attempt is to realize a "total image" (depicting the subject from a multitude of viewpoints to represent the subject in a greater context), giving "a plastic consciousness to our instinct", and leading to a more profound truth—a "truth that only
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the artist must no longer cling to servile imitations, that artistic joy is not produced by the observance of an exact reproduction of appearance, but that it is born of the interaction of our sensibility and our intelligence, that the deeper the artist leads us into the unknown, the more talent he
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To overcome the difficulties of the home market, Dalmau introduced contemporary
Catalan art to foreign markets. This strategy, together with the arrival of numerous avant-garde artists in Barcelona during the First World War, served to consolidate the modern image of the Galeries Dalmau. The dealer
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transpired at Les
Galeries Dalmau 26 October through 15 November 1920. The exhibition of avant-garde French art was one of the most important exhibitions organized by Dalmau, in which the dealer's intention was to offer a representative sample of artists who worked in France, both French and other
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in Paris (1921). Aware of the difficulty and marginality of the innovative art sectors, their cultural diffusion, and promotion criterion beyond any stylistic formula, Dalmau made these experiences the center of the gallery's programming. Dalmau is credited for having introduced avant-garde art to
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Francis
Picabia presented his first and only solo exhibition in Barcelona at the Galleries Dalmau, from 18 November to 8 December 1922. Picabia, by this time, had already transited through a Cubist phase (in Paris) and a proto-Dada phase (New York City). Picabia exhibited forty-seven works at the
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It is lyrical poetry... that one would have to express those profound feelings. No, not even that: in exchange for a supreme and marvelous selfish joy, it would be better not to try to analyze that divine sensation of mystery, that communion with the great unknown, which the contemplation of pure
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By 1917 the young Joan Miró, appreciably affected by the Cubist works exhibited at
Galeries Dalmau, became involved in the gallery efforts, and soon applied his own personal interpretation to the Cubist approach. 16 February through 3 March 1918 Dalmau presented Miró's first solo exhibition, and
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The negative reviews from the
Catalan cultural and artistic institutions following the first publications of 391, appeared to have interfered in Picabia's exhibition at Dalmau, despite the fact that tendencies were flowing inexorably toward the avant-garde, Dada included. Neither André Breton's
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This spirit does come to us without enthusiasm, and this is another characteristic. We are engulfed in flame, we vibrate; our spirit is vibratory, agile; it covers immense spaces in seconds; we feel in ourselves the conviction that we can achieve extraordinary things. Good things fall to us; we
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From 20 April to 10 May 1912, Josep Dalmau exhibited, for the first time in Spain, in his new space located at Carrer de Portaferrissa, 18, a repertoire of Cubist artworks. This was the first worldwide group exhibition solely dedicated to Cubism. Some of the paintings had been shown at the 1911
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The closing of Galeries Dalmau was possibly due to several factors: the use of operational procedures obsolete in the art market of the twenties, expenses, increasing competition, and the low profitability obtained from the sales. Sebastià Gasch, attributed the demise of Galeries Dalmau to the
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This was the backdrop upon which the Barcelona exhibition of Cubist art was set. Josep Dalmau had travelled to Paris to see the 1911 Salon d'Automne. He also visited a Cubist exhibition at Galerie d'Art Ancien et d'Art Contemporain (20 November – 16 December 1911), 3 rue Tronchet, where he met
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motifs, Cubism, and a preoccupation with sexual identity. Several drawings consisted of superimposed dreamlike faces (or shadows). He later described the double faces as self-portraits, showing "man's capacity for crying as well as winning", inline with his conviction that sorrow and joy were
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Josep Casamartina, "Serge Charchoune y su arabesco," in: Serge Charchoune, 1889-1975. Entre Dadá y la abstracción, Madrid 2004, 51-97; Pascal Rousseau, "La Galería Dalmau. La introducción de la abstracción en Cataluña y la vanguardia durante la primera Guerra Mundial," in: París – Barcelona,
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Art historian Jaime Brihuega writes of the Dalmau Cubist show: "No doubt that the exhibition produced a strong commotion in the public, who welcomed it with a lot of suspicion. Cubism subsequently became one of the most influential art movements of the 20th century; impacting developments in
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1416:. While in Paris he met the sculptor Hélène Grunhoff (or Helena Grünhoff) (1880-?), with whom he would live for ten years. In 1915, with the outset of World War I, Charchoune and Grunhoff took refuge in Mallorca and Barcelona. The two exhibited again at Galeries Dalmau in 1917.
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at Carrer de Portaferrissa, 18, was baptized with the name "Galeries Dalmau" with the goal of combining exhibitions of old masters, modern art, and new art. Dalmau was poised to import foreign avant-garde art into the city of Barcelona, widening the city's cultural horizons.
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To his credit, writes Elisenda Andrés Pàmies, since 1912 Josep Dalmau had been the first and only Catalan dealer to have established relationships with the creators of the diaspora and welcomed them into Les Galleries Dalmau. Picabia's exhibition solidified that continuity.
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Lorca's exhibition attracted less attention than Dalí's, though there was some favorable press coverage, mainly by his friends, Dalí included. To Lorca's surprise, he did sell four drawings. Once the exhibition completed he gave the rest of the drawings to his friends.
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At this exhibition, featuring Joaquim Torres i García, Rafael Barradas y Serge Charchoune, Vibrationism was exhibited publicly for the first time. In a conference held at Galeries Dalmau, 22 February 1917, Torres-García delivered a lecture in which he cites:
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at Les Galeries Dalmau began at 6pm on 20 April 1912. Entrance was strictly by personal invitation. Jacques Nayral's association with Gleizes led him to write the Preface for the Cubist exhibition, which was fully translated and reproduced in the newspaper
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writes that Dalmau's initiative was not at random, nor the result of chance. 'The presentation of the Cubists in Barcelona came preceded by the interest of the Catalan artists and critics for that movement, from the moment they had first heard news.'
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Mid-1911 announced of expansion of the gallery. It was made possible by the revenue obtained in the market of antiques, especially through the import and export from France. It was also made possible from the proceeds of an exhibition of modern and
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exhibited at Galeries Dalmau 26 December 1915 - mid-January 1916. By the time this solo exhibition made it to the walls of Sala Dalmau, van Dongen was already known in Catalonia. Eugenio d'Ors had written about his work in the newspaper
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The gallery presented native pre-avant-garde artists, tendencies and manifestations new to the Catalan art scene, while also exporting Catalan art abroad, through exhibition-exchange projects, such as promoting the first exhibition by
302:. Dalmau is largely credited for having introduced avant-garde art to Barcelona, and more generally, to Spain. His exhibitions, while promoting international artists, connected Catalan artists with the world of art outside of Spain.
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style for which he would later become famous. The exhibition among the public and critics was well received. The following year he exhibited again at Dalmau, 31 December 1926 to 14 January 1927, with support of the art critic
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Cubists artists consisted of Jean Metzinger, Albert Gleizes, Marcel Duchamp, Juan Gris, Marie Laurencin, August Agero, with works by Henri Le Fauconnier and Fernand Léger listed in the supplement of the catalogue.
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reach the ceiling, and divided into two or three interconnected spaces, and one office. Access to the gallery passed through a long corridor adorned with anonymous unrestored old master landscapes and still lifes.
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poem by Josep Maria Junoy. Listed are a total of 64 works: 2 dated 1914; 7 dated 1915; 25 from 1916; and 30 works from 1917. Reports are that the show was not a success, his work was ridiculed and defaced.
1618:), as well as the influence of van Dongen and Gleizes. The reaction among critics was mixed, and Miró only managed to sell one work, a still life of a coffee grinder, which was purchased by Catalan artist
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Armory show entry form for Marcel Duchamp's painting Nude descending a staircase, not after 1913. Walt Kuhn, Kuhn family papers, and Armory Show records, Archives of American Art, Smithsonian Institution.
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Torres-García, "Conferència a Can Dalmau" (originally published in La Veu de Catalunya, Barcelona, 19 March and 9 and 16 April 1917), in: idem, Escrits sobre art, ed. Francesc Fontbona, Barcelona 1980,
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become altruistic, sincere, indulgent, cordial. The world is beautiful, exuberant with life, with heat, with light. Serenity, like a sovereign, reigns over everything. The world enjoys perpetual peace.
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and Helene Grunhoff took place 29 April through 14 May 1916. Charchoune attended academies in Moscow before his 1912 arrival in Paris, where he studied Cubism under Jean Metzinger and Le Fauconnier at
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By 1916 the Galeries Dalmau had become a focal point for abstract art and Cubist activities. Albert and Juliette Gleizes, Robert and Sonia Delaunay, Francis Picabia, Marie Laurencin and her husband
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at his easel with a cube-like animal head; all with derogatory captions. Others mocked the works, referring to them as "hieroglyphs". Among artists reactions were mixed, sparking a debate among
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Extensive media coverage (in newspapers and magazines) before, during and after the exhibition launched the Galeries Dalmau as a force in the development and propagation of modernism in Europe.
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Spain remained neutral during World War I, between July 1914 and November 1918. Despite domestic economic difficulties, many artists chose to reside in Spain (and Barcelona in particular).
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Josep Dalmau, Salvador Dalí, J. V. Foix, Josep Carbonell, M. A. Cassanyes, Lluís Góneora, R. Saínz de la Maza Lluís Montanyà, Rafael Barradas, and J. Gutiérrez Gílí-Sebastià Gasch invited
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1657:. He had exhibited works by Francis Picabia, Raoul Dufy, and many others at the Galerie Georges Bernheim. Virtually all of the Cubists in the show had already exhibited at Rosenberg's
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the Iberian Peninsula. Due to Dalmau's activities and exhibitions at the gallery, Barcelona became an important international center for innovative and experimental ideas and methods.
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and Miró met for the first time. Dalmau had organized the show with the help of Rosenberg and of Georges Bernheim, the gallery owner and international art expert during the Parisian
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His work was always directly engaged with environment, especially an unfamiliar one. Thus, his 1916 voyage to Spain resulted in a number of obviously Spanish paintings, (
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15 December 1915 it was written that the artist "has managed to interpret with a sweet smile the hell of vice and the perversity of life in the underworld of Paris", and
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During the mid-1920s, the gallery scene in Barcelona was very sophisticated, organized and complex. Dalmau was faced with competition in 1925 when the Maragall brothers—
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resulted is a public scandal that brought Cubism to the attention of the general public for the second time. The first was the organized group showing by Cubists in
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portraits and drawings, organized by the City Council of Barcelona the previous year, in which Dalmau participated as an antique dealer with some valuable works by
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11 December recalled of his work "the especially preeminent place that it occupies among the most advanced pictorial schools". The exhibition was well received by
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2019:, who once wrote that "Paris is bigger than Picabia, but Picabia is the capital of Paris." He also wrote the preface published in the catalogue for the occasion:
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has. A multiple enigma, which does not reveal itself in its integrity and in a single stroke, but gradually and step by step—just as we read a book page by page.
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Catàleg de l'exposició d'Helene Grunhoff i Serge Charchoune, organitzada a les Galeries Dalmau del carrer Portaferrisa, del 29 d'abril al 14 de maig. Barcelona
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86:
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conference or the exhibition catalog were particularly successful. However, there was published an extensive article on Picabia and Breton's conference in
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The Exhibition of Modern National and Foreign Art took place at Galeries Dalmau, Passeig de Gràcia, 31 October through 15 November 1929. Artists included
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1373:(19 August 1905), and Joan Sacs (Feliu Elias) had already dedicated an article to him in Magazine Nova (4/7/1914). Seven works by van Dongen were shown:
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78:, from 1906 to 1930 (also known as Sala Dalmau, Les Galeries Dalmau, Galería Dalmau, and Galeries J. Dalmau). The gallery was founded and managed by the
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Miró's submissions reflected the influence of French movements, Impressionism, Fauvism, and Cubism, with colors akin to van Gogh and Cézanne (such as
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as "monstrous", because the artist renounced form and a sensual appearance of reality, contradicting the efforts of other Cubists. The following year
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3576:, Published by The Solomon R. Guggenheim Foundation, New York, in collaboration with Musée National d'Art Moderne, Paris, Museum am Ostwall, Dortmund
256:. Dalmau's painting were included in several salon exhibitions in Catalonia. In 1899 (8-28 July) he was given his first and only solo exhibition, at
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Dalmau was the first gallery in Spain to exhibit works by Juan Gris, the first to host solo exhibitions of works by Albert Gleizes, Francis Picabia,
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Catàleg de l'exposició d'Helene Grunhoff, organitzada a les Galeries Dalmau del carrer Portaferrisa, del 17 al 31 de març 1917. Barcelona. (Catalan)
851:, four untitled oils, and five drawings. Marie Laurencin showed two watercolors, two oils, two drawings and six etchings. August Agero, presented a
672:". This article generated controversy, reflection and discussion between Joan Sacs, Joaquim Folch i Torres, and Joaquín Torres-García.(p. 39)
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paved the way for many young people in the tough world of advanced art, having a decisive influence, for example, on the early career of Joan Miró.
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Tradición y vanguardia en la pintura española de paisaje entre 1915 y1926 a través de la obra "El año artístico" del crítico de arte José Francés
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1841:), oil on canvas, 81.3 x 99.1 cm, Annonciade Museum, Saint Tropez. Exposició d'Art francès d'Avantguarda, Galeries Dalmau, Barcelona, 1920
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wrote of the salon two months before the Dalmau show, 1 February 1912, "Pel cubisme a l'estructuralisme" published in "Pàgines Artístiques de
4594:, Index of Historic Collectors and Dealers of Cubism, 1918-1941, Leonard A. Lauder Research Center for Modern Art, Metropolitan Museum of Art
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were among the artists to adopt Barcelona as their new home; others included the film theoretician and publisher of the avant-garde magazine
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in Paris. The news of this salon had already spread across Europe, and numerous article had been written about the new art. In Catalonia,
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Victoria Combalia, "Miró's Strategies: Rebellious in Barcelona, Reticent in Paris", from Joan Miró: Snail Woman Flower Star, Prestel 2008
3559:, 1985, Jean Metzinger in Retrospect, The University of Iowa Museum of Art, J. Paul Getty Trust, University of Washington Press, pp. 9-23
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Exposició de Salvador Dalí, Galeries Dalmau, Passeig de Gràcia, 31 December 1926 – 14 January 1927, exhibition catalogue (other version)
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1860:, oil on canvas, 92.1 x 60.3 cm. Exposició d'Art francès d'Avantguarda, Galeries Dalmau, Barcelona, 1920 (page from the catalogue)
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Maurice Raynal delivered a surreal preface laced with philosophy, theology, seemingly geared towards the collectors inner sensibility:
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Gleizes' solo exhibition at Dalmau took place 29 November – 12 December 1916, generating considerable press coverage, for example in
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1883:), oil on canvas, 81.4 x 65.4 cm, private collection. Exposició d'Art francès d'Avantguarda, Galeries Dalmau, Barcelona, 1920
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260:, a popular meeting place for artists throughout the modernist period. He continued exhibiting his works throughout his lifetime.
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1137:, oil on canvas, 146.4 x 114.4 cm. Exhibited at Salon des Indépendants, 1911, Bruxelles, 1911, Exposició d'Art Cubista, 1912
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In 1906, after having finished his studies in restoration, Dalmau returned to Barcelona. He worked as a technical restorer for
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4625:, Francis Picabia, Exposició Antològica Barcelona 1985 (Barcelona: Fundació Caixa de Pensions; Madrid: Ministerio de Cultura)
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743:, Gleizes, Metzinger, and Le Fauconnier in planning to publish a review dedicated to the plastic arts. As editor-in-chief of
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several Cubists, including Metzinger. The Dalmau exhibition comprised 83 works by 26 artists, including the Salon Cubists of
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1967:
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Francis Picabia, Galeries Dalmau, del carrer Portaferrisa, 18 November – 8 December 1922, Barcelona (exhibition catalogue)
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This was large exhibition of Polish artists living in France transpired at Dalmau during the months of May and June 1912.
4575:, Volume 3 of Secció d'Estampes, Mapes i Gravats, Amadeu-J. Soberanas, Francesc Fontbona, Biblioteca de Catalunya, 1993,
2437:, which was printed a month prior to the exhibition. Both his poetry and drawings reflected the influence of traditional
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Exposició de Salvador Dalí, Galeries Dalmau, Passeig de Gràcia, 31 December 1926 – 14 January 1927, exhibition catalogue
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Exposició de Modernisme Pictòric Català, Galeries Dalmau, Passeig de Gràcia, 16 October – 6 November 1926 (catalogue)
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2352:, from 14 to 27 November 1925, was the artists first solo exhibition. At the time Dalí was not yet immersed in the
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1448:, oil on board, 98.5 x 76 cm, private collection. Exhibited Galeries Dalmau, Barcelona, 1916, n. 11 or 12, titled
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248:, 1867, Josep Dalmau early on devoted himself to painting. In 1884, he moved to Barcelona where he discovered the
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668:", within which Ors depicted Cubism as a provisional stage, a consciousness or rational apprenticeship to build "
4869:, Vida Artística, La Veu de Catalunya, Any 39, núm. 10438-10451 (16-30 nov. 1929), Sunday 16 November 1929, p. 4
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959:. while Constructivism was influenced by Picasso's technique of constructing sculpture from separate elements.
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Francis Picabia : exposition, Galeries Dalmau..., Barcelona, 18 oct.-8 déc. 1922 / préf. par André Breton
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Joan Miró, Galerie La Licorne, 29 April – 14 May 1921, Paris, exhibition catalogue, Preface by Maurice Raynal
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1818:, oil on canvas, 73.1 x 91.8 cm. Exposició d'Art francès d'Avantguarda, Galeries Dalmau, Barcelona, 1920
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Lorca's works were a blend of popular and avant-garde styles, complementing the artists poetry collection,
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as a "sad case, a case of unconsciousness and disorientation". In another article he referred to Duchamps
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While press coverage was extensive, it was not always positive. Articles were published in the newspapers
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and some Japanese prints. The following year Dalmau hosted a joint exhibition of Joan Colom i Agustí, and
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Van Dongen: exposa set obres a les Galeríes Dalmau 18 Portaferriça, Barcelona: December 1915-January 1916
3835:, Glosari, La Veu de Catalunya (Barcelona) Monday, 29 April 1912, no. 4,651, p. 1 (original publication)"
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List of works exhibited by Gleizes, Dossier de premsa de la presentació del fons de les Galeries Dalmau
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Exposició de dibuixos i pintures de Joaquim Torres García, Galeries Dalmau, 1912 (exhibition catalogue)
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807:(1911), which was printed on an advertising poster for the Cubist show at Dalmau, and two paintings,
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The preface of the catalogue was written by French art critic and an ardent propagandist of Cubism
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nationalities. The sheer number of artists was vast, and so too the range of periods covered; from
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4287:"Exposició Albert Gleizes, 29 November – 12 December 1916, Galeries Dalmau, Barcelona (catalogue)"
3963:, Universidad de Murcia. Facultad de Letras. Departamento de Historia del Arte. Murcia, 2013 (PDF)
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Tanger, Vacances, Cousine, Le chrysanthème, Intérieur, Portrait of the Princesse Salomé Andreeif
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1008:
803:
512:
3434:, Cleveland Museum of Art, Metropolitan Museum of Art (New York), Yale University Press, 2006,
2478:
1902:, Exposició d'Art francès d'Avantguarda, Galeries Dalmau, Barcelona, 1920 (page from catalogue)
1263:), oil on canvas, 30 x 58 cm, private collection. Exposició d'Art Cubista, Barcelona, 1912
326:
Galeries Dalmau, Joaquín Torres-García exhibition, 1912, Carrer de Portaferrissa, 18, Barcelona
4699:
4634:
3626:
3274:
1938:
4234:
2404:
1482:
771:
322:
268:
83:
5026:
L'avant-garde plastique à Barcelone, le vibracionisme, Barradas et Torres-García (1916–1920)
4992:
4059:
3540:
1467:
5053:
4648:
2494:
2482:
948:
55:, encre, aquarelle et mine de plomb sur papier, 72 x 60 cm. Reproduced in Galeries Dalmau,
3307:
Troços, digitalization available in the ARCA Portal (archive of antique Catalan magazines)
2363:
1921:, Exposició d'Art francès d'Avantguarda, Galeries Dalmau, Barcelona, 1920 (catalogue page)
8:
4864:
1791:
1729:
1312:
Between 1913 and 1915 the gallery held a series of exhibitions by local artists, such as
1077:
760:
740:
700:
665:
578:
525:
499:
4181:
1650:
1313:
4969:
Associació d'Artistes Independents. Primer Saló 1936. Exposició del 30 Abril Al 25 Maig
2466:
1811:
1665:
1643:
1601:
would later arrange his first Parisian solo exhibition, at Galerie la Licorne in 1921.
657:
4371:
2550:
Josep Dalmau, in his office at the Galeries Dalmau, carrer Portaferrisa, 18, 1911-1923
1725:
1717:
1294:, wood sculpture, Exposició d'Art Cubista, Galeries Dalmau, Barcelona, 1912, catalogue
445:
437:
5007:
4822:
4732:
4705:
4576:
4525:
4501:
4482:
4434:
4165:
3890:
3711:
Joaquim Folch y Torres, "El cubisme", Pàgina Artística de La Veu, La Veu de Catalunya
3633:
3611:
3501:
3435:
3280:
3272:
3224:
2486:
1947:, Exposició d'Art francès d'Avantguarda, Galeries Dalmau, Barcelona, 1920 (catalogue)
800:
Jean Metzinger was considered the most representative of the Cubists. He exhibited a
44:
3317:
1774:, Barcelona. Exposició d'Art francès d'Avantguarda, Galeries Dalmau, Barcelona, 1920
4748:
Exposició Salvador Dalí, Galeries Dalmau, 14–28 November 1925, exhibition catalogue
4603:
4521:
4497:
3586:
3276:
The Oxford Critical and Cultural History of Modernist Magazines: Europe 1880 - 1940
1689:
1487:
1409:
661:
376:
For the coming years, this became the platform featuring pioneering exhibitions of
79:
2349:
1914:
1604:
The Galeries Dalmau exhibition of Joan Miró was accompanied by a catalogue with a
704:
421:
286:, 1862–64. In 1915 he restored the altarpieces for the Board of Museums, known as
279:
188:
100:
artistic talent. Dalmau is credited for having launched avant-garde art in Spain.
5018:
4957:
4048:
4026:
4004:
3983:
3960:
3717:
3698:
2518:
2490:
2312:
2076:
1984:
1830:
1654:
1574:
1477:
1365:
1275:
1157:, dated 1910) catalogue Galeries Dalmau, Exposició d'Art Cubista, Barcelona, 1912
696:
638:
554:
517:
393:
257:
148:
120:
48:
4840:, Galeries Dalmau del Passeig de Gràcia, del 31 October through 15 November 1929
2016:
1092:
413:
4390:, Biography, Works, Fundació Joan Miró, Premi Joan Miró, Text and image sources
4199:
2535:
2512:
by Sebastià Gasch, particularly on the Cubist aspect of the exhibition, and by
2502:
2302:), watercolor, gouache and pencil on paper, 72 x 51 cm, private collection
2056:
1959:
1895:
1853:
1740:
1713:
1701:
1473:
1423:
1192:
1169:
1128:
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1058:
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692:
642:
628:
602:
590:
536:
507:
417:
409:
405:
354:
344:
192:
161:
124:
112:
108:
23:
5035:, Leonard A. Lauder Research Center for Modern Art, Metropolitan Museum of Art
4798:, Galeries Dalmau, 25 June – 2 July 1927, Barcelona (invitation and catalogue)
3864:, Glosari, La Veu de Catalunya (Barcelona) 29 April 1912 (edició vespre), 2009
2498:
2470:
2328:, 62, where is remained until 1930, when the gallery would close permanently.
875:
and two landscapes of Brittany. Fernand Léger had three drawings in the show.
739:. Previously, Jacques Nayral (pseudonym for Jacques Huot), joined forces with
425:
5042:
4164:, CNRS Éditions via OpenEdition, 2016 (published in France in 1965), p. 163,
2474:
2383:
1786:
1771:
1693:
1629:
and in 1920 moved to Paris, but continued to spend his summers in Catalonia.
1625:
Miró subsequently was drawn towards the arts community gathering momentum in
1491:
669:
479:
429:
401:
381:
299:
152:
144:
132:
4312:
Albert Gleizes, 29 November – 12 December 1916, Galeries Dalmau (invitation)
3663:, Galeries Dalmau, Barcelona, 20 April – 10 May 1912. Illustrated catalogue"
3629:
Cubism in the Shadow of War: The Avant-garde and Politics in Paris 1905-1914
2387:
1220:, Exposició d'Art Cubista, Galeries Dalmau, Barcelona, 1912 (catalogue page)
3349:
M. Lluïsa Faxedas Brujats, "Barradas' Vibrationism and its Catalan Context"
3273:
Peter Brooker; Sascha Bru; Andrew Thacker; Christian Weikop (19 May 2013).
1872:
1721:
1705:
1685:
1681:
1626:
1619:
986:, Sweden. Exhibited at the first Cubist manifestation, Room 41 of the 1911
433:
389:
237:
Josep Dalmau i Rafel, c.1900, Self Portrait (Autorretrato), oil on canvas,
140:
36:, Sweden. Exhibited at the first Cubist manifestation, Room 41 of the 1911
3720:, 25 April 1912 (includes numerous articles on the artists and exhibition)
1585:
200:
184:
103:
In 1912, Galeries Dalmau presented the first declared group exhibition of
2438:
2395:
2244:
1970:, Exposició d'Art francès d'Avantguarda, Galeries Dalmau, Barcelona, 1920
1799:. Exposició d'Art francès d'Avantguarda, Galeries Dalmau, Barcelona, 1920
1709:
1596:. Exposició d'Art francès d'Avantguarda, Galeries Dalmau, Barcelona, 1920
1513:
1354:
940:
928:
912:
475:
340:
97:
67:
2324:
In 1923 the gallery relocated to one of the major avenues in Barcelona,
3407:
Les Galeries Dalmau, un projecte de modernitat a la ciutat de Barcelona
2430:
to exhibit drawing at the Galeries Dalmau, from 25 June – 2 July 1927.
2353:
1673:
1559:
1495:
1278:, Exposició d'Art Cubista, Galeries Dalmau, Barcelona, 1912 (catalogue)
332:
253:
249:
225:
3254:
2538:
was a surrealist painter. This was the artists first solo exhibition.
2434:
847:(1912) was exhibited for the first time. Juan Gris was represented by
2391:
1669:
1605:
1516:, who under another pseudonym, Apa, drew a caricature of Gleizes, in
1232:
1217:
754:
publications, he went on to launch as series under the umbrella name
620:
598:
566:
546:
116:
71:
4981:
Inauguració del I Saló de l'Associació d'Artistes Independents, 1936
1153:, oil on canvas, 71 x 91.5 cm. Reproduced frontispiece (titled
166:
3701:(Barcelona) 18 April 1912, Any 22, núm. 4637-4652 (16-30 abr. 1912)
2462:
2004:. Before the opening, a lecture on modern art was delivered at the
1116:, oil on canvas, 93.5 x 66.5 cm. Exposició d'Art Cubista, 1912
978:
956:
952:
936:
894:
Cubist caricatures referencing the Dalmau exhibition, published in
815:
633:
441:
385:
336:
136:
28:
5023:
4009:
1736:. In all, 45 artists participated with 87 works of art displayed.
882:
Cubist caricature referencing the Dalmau exhibition, published in
40:, Paris. Exposició d'Art Cubista, Galeries Dalmau, Barcelona, 1912
4430:
El arte español del siglo XX: su perspectiva al final del milenio
3363:
El arte de vanguardia en Barcelona (Avant-Garde Art in Barcelona)
1632:
611:. Published on the front page of El Correo Catalán, 25 April 1912
377:
245:
128:
59:, exhibition catalogue, Barcelona, November 18 - December 8, 1922
5033:
Josep Dalmau, Index of Historic Collectors and Dealers of Cubism
3770:(1911), Agence Photographique de la Réunion des musées nationaux
2412:
1987:
exhibition opening, Galeries Dalmau, Barcelona, 18 November 1922
155:, in both collective and solo exhibitions. Dalmau published the
4558:
Exposición de Arte francés de Vanguardia, Galeries Dalmau, 1920
1688:, Auguste Herbin, Marie Laurencin, Fernand Léger, André Lhote,
1046:, Centre Georges Pompidou, Paris. Exposició d'Art Cubista, 1912
104:
4388:
Joan Miró a la Viquipèdia, Estat de la qüestió el juny de 2016
4073:
4071:
3240:
Commemoració del centenari del cubisme a Barcelona. 1912-2012
264:
127:. The gallery featured pioneering exhibitions which included
75:
5059:
Art museums and galleries disestablished in the 20th century
3592:, Barcelona Metròpolis Mediterrània, Ajuntament de Barcelona
1768:
Desemparats (Maternité, Mère et enfant au fichu, Motherhood)
1622:(who exhibited at Galeries Dalmau in 1908) for 250 pesetas.
1539:
4264:, Cambridge: MIT Press, pp. 546–577, retrieved 8 March 2015
4182:"RKD Netherlands Institute for Art History, Jean Metzinger"
4068:
2051:
1704:, Henri Matisse, Jean Metzinger, Joan Miró, Pablo Picasso,
1649:
It was at this exhibition, in all probability, that dealer
944:
156:
3909:
The Armory Show, Gallery I, French Paintings and Sculpture
3410:, 2012-13, Facultat d'Humanitats, Universitat Pompeu Fabra
1646:
to abstract art, Fauvism, Cubism and De Stijl in passing.
1403:
871:(copper plate) and five drawings. Le Fauconnier exhibited
4993:
Artists who exhibited their works in the Dalmau Galleries
758:, which published the first two seminal books on Cubism:
195:. It was also the first gallery to exhibit Vibrationism.
4701:
Barcelona and Madrid: Social Networks of the Avant-Garde
4065:, Galeries Dalmau, Focus of avant-garde art in Catalonia
3802:, Crónica de Arte, El Noticiero Universal, 25 April 1912
2456:
318:
exhibition, 1912, Carrer de Portaferrissa, 18, Barcelona
4697:
4042:, MoMA, Grove Art Online, Oxford University Press, 2009
4020:, MoMA, Grove Art Online, Oxford University Press, 2009
3497:
Salvador Dalí: The Construction of the Image, 1925-1930
2562:
and drafted its manifesto. He died the following year.
2243:, ink, crayon, watercolor on paper, 79.9 x 54 cm,
2159:
Francis Picabia, Molèculaire, 391, No. 8, February 1919
1016:), Exposició d'Art Cubista, Galeries Dalmau (catalogue)
963:
Selected works exhibited and/or reproduced in the press
837:, and three more untitled works. Marcel Duchamp showed
4341:, La Publicidad, Thursday 30 November 1916. Front page
4276:, Biblioteca de Rafael i María Teresa Santos Torroella
3977:, from Grove Art Online, Oxford University Press, 2009
3793:
3791:
3574:
Albert Gleizes 1881 – 1953, A Retrospective Exhibition
3567:
3565:
3480:
El Poble Català, Barcelona, núm. 694, gener 1908, p. 2
3456:, Museu Nacional d'Art de Catalunya, Wikimedia Commons
3429:
William H. Robinson, Jordi Falgàs, Carmen Belen Lord,
3332:(Primera serie), Barcelona, Llibreria de L'Avenç, 1912
1071:. Exhibited at the 1911 Salon d'Automne. Published in
5028:, Presses Sorbonne Nouvelle, 1996, p. 91-113 (French)
4884:. Biography of Angel Planells in english: pp. 258-275
3607:
L'Exposició d'Art Cubista de les Galeries Dalmau 1912
724:
L'Exposició d'Art Cubista de les Galeries Dalmau 1912
687:. Cubist paintings had already been exhibited at the
4983:, Catàleg en línia de l'Arxiu Municipal de Barcelona
4971:, Catàleg en línia de l'Arxiu Municipal de Barcelona
4687:
Sobre l'exposició Picábia i la conferencia de Breton
1134:
Le Chemin, Paysage à Meudon, Paysage avec personnage
826:
Le Chemin, Paysage à Meudon, Paysage avec personnage
448:
and others in both collective and solo exhibitions.
4947:
Associació d'Artistes Independents, 1936, catalogue
4635:
Francis Picabia, Purple Magazine, S/S 2010 issue 13
4617:
4615:
3788:
3735:: The plans for this publication were discussed in
3562:
3520:, Edicions Polígrafa, S.A., Barcelona, 1975, p. 196
3431:
Barcelona and Modernity: Picasso, Gaudí, Miró, Dalí
3203:
A Cubism Reader, Documents and Criticism, 1906-1914
3197:
3195:
3193:
3191:
3189:
3187:
3185:
3183:
3181:
1577:. Exhibited Galeries Dalmau, 1918, catalogue no. 46
1239:, black crayon on laid paper, 55.9 x 41.9 cm,
1113:
Nature morte (Compotier et cruche décorée de cerfs)
810:
Nature morte (Compotier et cruche décorée de cerfs)
608:
Nature morte (Compotier et cruche décorée de cerfs)
4676:, Barcelona, Galeries Dalmau, 1922, cote RLPF 8100
4500:, Joan Miró, Edicions 62, Barcelona, 1992, p. 20,
3946:
3944:
3747:
3745:
2505:, along with large contingent of Catalan artists.
1664:Artists included María Blanchard, Georges Braque,
774:. In his Dalmau catalogue Preface, Nayral writes:
542:Nature morte, Compotier et cruche décorée de cerfs
470:In 1912 two exhibitions took place consecutively:
4644:
4642:
4451:"Joan Miró images in Barcelona - Europe - Travel"
4326:, Vell i Nou. Any 2, núm. 38 (1 des. 1916) p. 301
4262:Women in Dada: Essays on Sex, Gender and Identity
3907:"American Studies at the University of Virginia,
3424:
3422:
3420:
3418:
3416:
3365:, Destino. Año 1962, No. 1287-1290 (Abril), p. 48
3344:
3342:
3340:
3338:
3220:Manuel de Falla and Modernism in Spain, 1898-1936
2571:This list does not include Polish artists of the
1502:, and art critic Max Goth (Maximilien Gauthier).
451:Art historian Fèlix Fanés writes of the gallery:
5064:Educational organizations disestablished in 1930
5040:
4731:Rosa Maria Malet, Joan Miró, Edicions 62, 1993,
4612:
4423:
4421:
4419:
4196:"Waterhouse & Dodd Fine Art, Jean Metzinger"
3998:, The Metropolitan Museum of Art, New York, 2014
3205:, University of Chicago Press, 2008, pp. 293–295
3178:
1743:. 28 Artworks were reproduced in the catalogue.
1299:
931:where it became the subject of endless scandal.
489:
4553:
4551:
4549:
4547:
4095:Sobre l'exposició Van Dongen a Barcelona (1915)
3941:
3742:
3213:
3211:
1042:), graphite and ink on paper, 19 x 15 cm,
465:
4796:Exposició de dibuixos de Federico García Lorca
4639:
4609:, Solomon R. Guggenheim Museum, New York, 1970
4570:Joan Miró, José F. Ráfols, Francesc Fontbona,
3936:Las Vanguardias Artísticas en España 1909-1936
3549:
3490:
3488:
3486:
3413:
3335:
2421:
2050:Dalmau published the first four issues of the
1839:Femme a la balustrade, Woman on the balustrade
1633:1920: Exposición de Arte francés de Vanguardia
1095:dubbed this painting "The Mona Lisa of Cubism"
767:Les Peintres Cubistes, Méditations Esthétiques
5049:Art museums and galleries established in 1906
4416:
4413:, 16 February - 3 March 1918, Galeries Dalmau
4352:1888-1937, Barcelona/ Paris 2005, pp. 327-337
3250:
3248:
3242:, Associació Catalana de Crítics d'Art – ACCA
2413:1926: Exposició de Modernisme Pictòric Català
1994:Aviation, Astrolab, Thermometer for the blind
1201:, oil on canvas, 147 cm × 89.2 cm,
4924:, L'Amic de les arts, núm. 30, December 1928
4544:
4383:
4381:
4379:
3223:, University of Chicago Press, 2001, p. 76,
3208:
2386:, and Raimon Maragall—purchased the gallery
2344:, Turó Park de la Guineueta, Barcelona, 1925
2282:), Galeries Dalmau exhibition catalogue 1922
2262:, Galeries Dalmau exhibition catalogue, 1922
1307:
96:. The aim was to promote, import and export
4838:Exposició d'Art Modern Nacional i Estranger
4811:
4809:
4807:
4805:
4650:Francis Picabia. Machines and Spanish Women
4473:
4471:
3732:Cubism, A History and an Analysis 1907-1914
3483:
2331:
2191:, No. 6, New Series, Paris, 1 November 1922
1498:; poet, painter, playwright, choreographer
1360:
867:, a series of dishes, including one titled
651:. Published in La Publicidad, 26 April 1912
107:worldwide, with a controversial showing by
4188:
3653:
3651:
3649:
3647:
3645:
3400:
3398:
3396:
3394:
3392:
3245:
2319:
1527:writes of the Barcelona works of Gleizes:
1429:Les Joueurs de football (Football Players)
1205:. Exposició d'Art Cubista, Barcelona, 1912
1180:. Exposició d'Art Cubista, Barcelona, 1912
789:beauty elicits in the depths of our souls.
278:. In 1914 he restored the complex work of
267:where he lived for six years, and studied
4910:Museo Nacional Centro de Arte Reina Sofía
4867:Exposicio Art Modern Nacional i Estranger
4698:Aránzazu Ascunce Arenas (15 March 2012).
4535:
4376:
3692:, Pàgina artística de La Veu de Catalunya
3390:
3388:
3386:
3384:
3382:
3380:
3378:
3376:
3374:
3372:
2311:Galeries Dalmau, during an exhibition of
2113:Ce numéro et entouré d'une deníelle rose.
1540:1917: Torres-García, Barradas, Charchoune
4802:
4790:
4788:
4468:
3996:Cubism: The Leonard A. Lauder Collection
3610:, Edicions Universitat Barcelona, 1996,
3600:
3598:
3589:Les grans exposicions d'art del segle XX
3279:. Oxford University Press. p. 398.
2558:In 1936, Dalmau became president of the
2545:
2335:
2306:
1979:
1975:
1639:Exposición de Arte francés de Vanguardia
1580:
1558:
1439:
1418:
1176:, oil on canvas, 145.1 x 113.3 cm,
889:
877:
831:Study for the portrait of Jacques Nayral
614:
584:
531:
493:
321:
309:
232:
224:
216:
165:created by Picabia, and gave support to
43:
18:
4585:
3820:Edició Vespre, Barcelona, 27 April 1912
3642:
3557:Jean Metzinger: At the Center of Cubism
2541:
2530:
2315:, Passeig de Gràcia, Barcelona, 1925-26
1795:, oil on canvas, 101.3 x 82.9 cm,
1456:
1436:, Washington D.C. Galeries Dalmau, 1916
1404:1916: Serge Charchoune, Helene Grunhoff
460:
5069:Art museums and galleries in Catalonia
5041:
4958:Josep Dalmau i Rafel, Enciclopèdia.cat
3369:
1770:, pastel on paper, 47.5 x 41 cm,
1067:, oil on canvas, 75.9 x 70.2 cm,
990:, Paris. Exposició d'Art Cubista, 1912
305:
263:At the age of thirty, he emigrated to
5010:Focus of avant-garde art in Catalonia
4785:
3889:, Henry Holt and Company, 1996, Inc.
3595:
3471:, 2009-2010, Universitat de Barcelona
3268:
3266:
2508:Reviews included a lengthy exposé in
2457:1929: Art Modern Nacional i Estranger
2442:inseparable, just as life and death.
764:(1912) by Metzinger and Gleizes, and
715:. He later attended the Indépendants
364:The new establishment located in the
4854:, La Gaceta Literaria, November 1920
4337:Barcelona, Joan Sacs (Feliu Elias),
4119:Francesc Fontbona, Kees van Dongen,
4018:Cubism, Meanings and interpretations
3973:Christopher Green, MoMA collection,
3755:, Pan (Paris), October–November 1910
3201:Mark Antliff and Patricia Leighten,
2565:
1966:, oil on canvas, 59 x 71.5 cm,
1396:, 14 January 1916, and the magazine
819:(1910-11). Albert Gleizes exhibited
4852:La Inaugural de las Galerías Dalmau
4653:, Fundació Antoni Tàpies, Barcelona
4481:, Debate, Madrid, 1992, pp. 48-54,
4258:"Recollecting Dada: Juliette Roche"
3468:El comerç d'art japonès a Barcelona
2523:, under the pseudonym Baiarola, in
2398:), formerly promoted by Dalmau and
13:
4222:Charchoune: The Exhibition in Open
4040:Constructivism, Formation, 1914–21
3800:Los pintores cubistas en Barcelona
3263:
3033:Portusach de Mascareñas, Josefina
2560:Associació d'Artistes Independents
1554:
1198:Nude Descending a Staircase, No. 2
982:, oil on canvas, 92 x 66 cm,
925:Nude Descending a Staircase, No. 2
844:Nude Descending a Staircase, No. 2
675:In Paris, the Cubist works at the
14:
5100:
5074:Defunct art museums and galleries
5001:
4144:Daniel Abadie, Patrick Waldberg,
3351:, RIHA Journal 0135, 15 July 2016
3259:, several issues available online
3060:Ràfols Fontanals, Josep Francesc
1968:Museu Nacional d'Art de Catalunya
1592:, oil on canvas, 82.6 x 74.9 cm,
1432:, oil on canvas, 225.4 x 183 cm,
4986:
4974:
4962:
4951:
4940:
4927:
4922:Inaugural de les Galeries Dalmau
4914:
4704:. Lexington Books. p. 116.
4592:Effort Moderne, Galerie L, Paris
2287:
2267:
2251:
2232:
2212:
2196:
2180:
2164:
2152:
2136:
2120:
2104:
2088:
2069:
2064:(1914-1917) created by Picabia.
1952:
1926:
1907:
1888:
1865:
1846:
1823:
1804:
1779:
1759:
1573:), oil on canvas, 104 x 113 cm,
1283:
1268:
1248:
1225:
1210:
1185:
1162:
1151:Paysage (Landscape, Les Maisons)
1142:
1121:
1100:
1051:
1021:
995:
969:
821:Paysage (Landscape, Les Maisons)
4899:
4888:
4874:
4858:
4843:
4831:
4821:, Bloomsbury Publishing, 2013,
4774:
4763:
4752:
4741:
4725:
4691:
4679:
4667:
4656:
4628:
4597:
4572:Cartes a J.F. Ràfols, 1917/1958
4563:
4510:
4491:
4443:
4433:, Editorial CSIC, 2001, p. 91,
4404:
4393:
4365:
4355:
4345:
4330:
4316:
4305:
4279:
4267:
4250:
4239:
4228:
4213:
4174:
4152:
4137:
4126:
4112:
4100:
4086:
4053:
4031:
3988:
3966:
3928:
3899:
3879:
3868:
3853:
3823:
3806:
3773:
3758:
3723:
3704:
3681:
3632:, Yale University Press, 1998,
3620:
3580:
3534:
3523:
3510:
3500:, Yale University Press, 2007,
3474:
3459:
3444:
3354:
2115:Page from 391, n. 13, July 1920
1243:. Exposició d'Art Cubista, 1912
979:Deux Nus (Two Nudes, Two Women)
816:Deux Nus (Two Nudes, Two Women)
212:
29:Deux Nus (Two Nudes, Two Women)
16:Spanish art gallery (1906-1930)
4411:Joan Miró exhibition catalogue
4149:, Palace Editions, 2006, p. 14
3951:D. José Luis Antequera Lucas,
3322:
3311:
3300:
3233:
2175:, 391, n. 2, February 10, 1917
2034:Magí Albert Cassanyes i Mestre
516:, Philadelphia Museum of Art;
1:
3172:
2173:Peigne, Miroir de l'Apparence
1684:, Albert Gleizes, Juan Gris,
1452:, 1915. Galeries Dalmau, 1916
1300:1912: Exposició d'art polonès
915:. Eugenio d'Ors saw Duchamps
490:1912: Exposició d'Art Cubista
271:in Bruges and Gant, Belgium.
207:
32:, oil on canvas, 92 × 66 cm,
5089:1906 establishments in Spain
4935:Comiat a les Galeries Dalmau
3063:Ricart Nin, Enric Cristòfor
2032:, written by the art critic
1044:Musée National d'Art Moderne
637:, Gothenburg Museum of Art;
627:; August Agero (sculpture);
466:1912: Picasso, Torres-García
288:Junta de Museus de Catalunya
221:Josep Dalmau i Rafel, c.1910
7:
4937:, El Matí, 28 November 1930
4623:Francis Picabia i Barcelona
4121:Kees Van Dongen i Barcelona
2853:Hermann-Paul, René Georges
2736:Dunoyer de Segonzac, André
2422:1927: Federico García Lorca
2382:, youngest son of the poet
2099:, 391, n. 14, November 1920
1659:Galerie de L'Effort Moderne
1615:Portrait of Vincent Nubiola
1571:Portrait de Vincenç Nubiola
1566:Portrait of Vincent Nubiola
917:Nude Descending a Staircase
717:1912 Salon des Indépendants
561:; August Agero, sculpture,
341:Feliu Elias (aka Joan Sacs)
10:
5105:
4524:, Barcelona, 2003, p. 34,
4518:Miró, la vida d'una passió
4260:in Sawelson-Gorse, Naomi,
3318:Archive of Troços magazine
3087:Sermaise Perillard, Louis
2946:Marquès Puig, Josep Maria
2931:Malagarriga Ormat, Elvira
2667:Cénac Bercciartu, Enrique
2147:, 391, n. 3, March 1, 1917
2131:, 391, n. 3, March 1, 1917
2083:, 391, n. 3, March 1, 1917
1964:La sandía (The Watermelon)
1797:Metropolitan Museum of Art
1594:Philadelphia Museum of Art
1590:Horse, Pipe and Red Flower
1241:Philadelphia Museum of Art
1203:Philadelphia Museum of Art
1178:Philadelphia Museum of Art
1069:Philadelphia Museum of Art
784:the intelligence grasps."
4895:Angel Planells Foundation
4871:, Biblioteca de Catalunya
4865:Rafael Benet (Baiarola),
4621:Rafael Santos Torroella,
4109:, Biblioteca de Catalunya
4016:Christopher Green, 2009,
3831:"Eugenio d'Ors (Xenius),
3690:Els Cubistes a cân Dalmau
2943:Maristany de Trias, Luís
2787:Gérardin, Marthe-Antoine
2781:Gausachs Armengol, Josep
2634:Boussingault, Jean-Louis
2607:Basiana Arbiell, Evarist
2280:Thermometer for the Blind
2276:Thermomètre pour aveugles
1678:André Dunoyer de Segonzac
1394:L'Esquella de la Torratxa
1308:1913–1915: Divers artists
1237:Study for "Man in a Café"
1149:Albert Gleizes, 1910–11,
976:Jean Metzinger, 1910-11,
486:(February - March 1912).
239:Museu Comarcal de Manresa
5024:Elisée Trenc Ballester,
4038:Christina Lodder, 2009,
3860:Eugenio d'Ors (Xenius),
3814:Poch a poch, poch a poch
3784:, Núm 1740 (3 maig 1912)
3688:Joaquim Folch i Torres,
3405:Elisenda Andrés Pàmies,
3030:Planells Cruañas, Àngel
3000:Ortiz de Zárate, Manuel
2952:Matilla Marina, Segunda
2811:Gómez dela Serna, Ramón
2748:Espinal Armengol, Marià
2715:De Togores Llach, Josep
2703:Dalí Domènech, Salvador
2616:Beltran Sanfeliu, Josep
2595:Badrinas Escudé, Antoni
2332:1925–1927: Salvador Dalí
2300:Espagnole à la cigarette
1500:Valentine de Saint-Point
1361:1915–16: Kees van Dongen
1318:Josep Aragay i Blanchart
984:Gothenburg Museum of Art
506:, Haags Gemeentemuseum;
350:Portrait of Manuel Godoy
296:Josep Mompou i Dencausse
171:Josep Maria Junoy i Muns
34:Gothenburg Museum of Art
4818:Lorca - a Dream of Life
4685:Magí Albert Cassanyes,
4256:Burke, Carolyn (1999),
4079:Exposició d'art polonès
4061:Exposició d'art polonès
3782:Esquella de La Torratxa
3661:Exposició d'Art Cubista
3117:Torres García, Joaquim
3099:Sucre, Josep Maria del
2796:Gimeno Arasa, Francesc
2778:García Maroto, Gabriel
2775:García Lorca, Federico
2757:Fernández Peña, Manuel
2745:Enguiu Malaret, Ernest
2658:Carles Rosich, Domingo
2619:Benet Vancells, Rafael
2601:Bardas, Nicolau Isidro
2573:Exposició d'art polonès
2418:Delaunay, and Grunoff.
2320:1923: Passeig de Gràcia
2294:Francis Picabia, 1922,
2239:Francis Picabia, 1922,
1563:Joan Miró, April 1917,
1514:Joan Sacs (Feliu Elias)
1476:, Serge Charchoune and
1434:National Gallery of Art
904:Esquella de La Torratxa
884:Esquella de La Torratxa
732:Exposició d'Art Cubista
722:Mercè Vidal, author of
551:Study for Man in a Café
5012:, Ajuntament de Girona
4995:, Ajuntament de Girona
4428:Miguel Cabañas Bravo,
4372:Joan Miró - Guggenheim
3767:Etude pour "le gouter"
3587:Josep Bracons Clapés,
3572:Daniel Robbins, 1964,
3466:Bru i Turull, Ricard,
3150:Villà Bassols, Miquel
3138:Velásquez Cueto, Lola
3057:R.de Pujulà, Germaine
3024:Pichot Gironès, Ramon
2862:Humbert Esteve, Manel
2832:Guàrdia Esturí, Jaume
2688:Coscolla Plana, Feliu
2551:
2345:
2316:
2207:, 391, n. 6, July 1917
2189:Phosphate, Littérature
2062:Cinquante-deux miroirs
2025:
1988:
1755:
1734:Manuel Ortiz de Zárate
1597:
1578:
1552:
1537:
1453:
1444:Albert Gleizes, 1915,
1437:
1414:Académie de La Palette
988:Salon des Indépendants
908:El Noticiero Universal
899:
896:El Noticiero Universal
887:
791:
781:
685:Salon des Indépendants
652:
612:
582:
529:
458:
392:with Francis Picabia,
327:
319:
241:
230:
222:
60:
41:
38:Salon des Indépendants
4604:William A. Camfield,
4225:, Talbot Rice Gallery
3516:Josep Palau i Fabre,
3045:Pujol Montané, Josep
2919:López Morella, Ramón
2904:Le Fauconnier, Henri
2766:Flores Garcia, Pedro
2742:Elias Bracons, Feliu
2631:Bosch Canals, Andreu
2549:
2428:Federico García Lorca
2342:Federico García Lorca
2339:
2310:
2097:Francis chante le Coq
2021:
1983:
1976:1922: Francis Picabia
1766:Pablo Picasso, 1903,
1748:
1584:
1562:
1547:
1529:
1443:
1422:
1340:Laura Albéniz Jordana
1292:Jeune fille à la rose
1084:Les Peintres Cubistes
927:was exhibited at the
893:
881:
865:Jeune fille à la rose
833:, a drawing entitled
786:
776:
772:Guillaume Apollinaire
618:
588:
535:
497:
472:Joaquín Torres-García
453:
398:Joaquín Torres-García
325:
316:Joaquín Torres-García
313:
269:painting conservation
236:
228:
220:
47:
22:
5084:Culture in Barcelona
5079:History of Barcelona
3975:Cubism, Introduction
3938:, Madrid. Istmo.1981
3887:Duchamp: A Biography
3753:Note sur la peinture
3739:, 17–30 October 1911
3452:The Battle of Tetuan
3111:Torné Esquius, Pere
3084:Ruth Cahn, Fräulein
3075:Roussel, Ker-Xavier
3048:Pujol Ripoll, Josep
2994:Obiols Palau, Josep
2982:Moya Ketterer, José
2859:Homs Ferrés, Elvira
2820:Gosé Rovira, Xavier
2769:Friesz, Emile-Othon
2739:Dunyach Sala, Josep
2706:Dalmau Rafel, Josep
2697:Cross, Henri-Edmond
2580:Acín Aquilué, Ramón
2542:1930: Gallery closes
2531:1930: Àngel Planells
2495:Georges Vantongerloo
2373:Joan-Antoni Maragall
1457:1916: Albert Gleizes
1329:Pere Torné i Esquius
1064:Le goûter (Tea Time)
689:1910 Salon d'Automne
677:1911 Salon d'Automne
513:Le goûter (Tea Time)
482:, drawings from his
461:Selected exhibitions
284:The Battle of Tetuan
229:Josep Dalmau, c.1896
87:Josep Dalmau i Rafel
4159:Michel Sanouillet,
4093:Francesc Fontbona,
3818:La Veu de Catalunya
3780:Cubist caricature,
3518:Picasso a Catalunya
3330:Arte & Artistas
3328:Josep Maria Junoy,
3012:Pascual Vicent, J.
3009:Pascual Rodés, Ivo
3006:Palau Oller, Josep
2976:Moreau, Luc-Albert
2928:Maeztu, Gustavo de
2877:Jujol, Josep Maria
2676:Clapés Puig, Aleix
2525:La Veu de Catalunya
2510:La Gaceta Literaria
2445:In a sketch titled
2409:(founded in 1915).
1816:La Pleine de Bormes
1792:The Young Sailor II
1751:Afición ciega razón
1730:Maurice de Vlaminck
1728:, Kees van Dongen,
1490:; artist and boxer
1390:La Veu de Catalunya
1091:, 1 February 1912.
1089:La Veu de Catalunya
1075:, 15 October 1911,
873:Portrait d'un Poète
741:Alexandre Mercereau
737:La Veu de Catalunya
730:The opening of the
701:Henri Le Fauconnier
666:La Veu de Catalunya
634:Deux Nus, Two Nudes
579:La Veu de Catalunya
526:La Veu de Catalunya
500:Henri Le Fauconnier
474:, a painter of the
353:, valued at 15,000
306:Les Galeries Dalmau
5017:2018-04-22 at the
4882:Planellsurrealista
4477:Georges Raillard,
4339:Exposicion Gleizes
4047:2008-10-24 at the
4025:2015-07-02 at the
4003:2015-05-17 at the
3982:2014-08-13 at the
3959:2018-04-22 at the
3716:2016-03-04 at the
3697:2018-04-22 at the
3669:on 9 February 2019
3627:David Cottington,
3168:Ysern Alié, Pere
3159:Vlaminck, Maurice
3081:Rusiñol, Santiago
3015:Pérez Moro, Julio
2916:Lipchitz, Jacques
2886:Labarta, Francesc
2865:Jack, Georges (?)
2823:Gottlieb, Leopold
2790:Gernez, Paul-Élie
2763:Figueras, Llàtzer
2724:Donskaia, Tatiana
2712:De Regoyos, Darío
2670:Charchoune, Serge
2664:Castanys, Valentí
2586:Amat Pagès, Josep
2552:
2467:Sophie Taeuber-Arp
2400:Galeries Laietanes
2348:The exhibition of
2346:
2340:Salvador Dalí and
2317:
1989:
1812:Henri-Edmond Cross
1682:Emile-Othon Friesz
1666:Henri-Edmond Cross
1644:post-Impressionism
1598:
1579:
1454:
1438:
1408:The exhibition of
1379:Danseuse orientale
1261:Guitar and Glasses
1174:La sonate (Sonata)
1040:Study for Tea Time
1014:Study for Tea Time
900:
888:
839:La sonate (Sonata)
653:
648:Paysage, Landscape
613:
595:Paysage, Landscape
583:
571:Guitar and Glasses
530:
328:
320:
276:Museu de Barcelona
242:
231:
223:
61:
42:
5008:Galeries Dalmau,
4933:Josep F. Ràfols,
4816:Leslie Stainton,
4711:978-1-61148-425-0
4516:Lluís Permanyer,
4293:on 13 August 2020
4083:, Galeries Dalmau
3286:978-0-19-965958-6
3255:Francis Picabia,
3144:Vila Pujol, Joan
3132:Van Dongen, Kees
3126:Vallotton, Félix
3120:Traz, Georges de
3105:Survage, Léopold
3054:Pujols, Francesc
3039:Pretzfelder, Max
3036:Prat Ubach, Pere
3018:Picabia, Francis
2985:Mutermilch, Mela
2898:Laurencin, Marie
2856:Hoffmann, Robert
2829:Grunhoff, Helene
2817:González Sevilla
2805:Gol, Josep Maria
2751:Estivill, Ricard
2679:Climent, Enrique
2625:Blanchard, María
2622:Bergnes, Guillem
2610:Bechini, Gabriel
2604:Barradas, Rafael
2598:Ballesté, Jacint
2566:Artists exhibited
2487:Theo van Doesburg
2326:Passeig de Gràcia
2274:Francis Picabia,
2258:Francis Picabia,
2227:), 391, July 1917
2219:Francis Picabia,
2203:Francis Picabia,
2187:Francis Picabia,
2171:Francis Picabia,
2143:Francis Picabia,
2127:Francis Picabia,
2111:Francis Picabia,
2095:Francis Picabia,
2006:Ateneu Barcelonès
1708:, Gino Severini,
1450:Broadway New York
1351:Gustavo de Maeztu
1255:Juan Gris, 1912,
575:Banjo and Glasses
361:, 8,000 pesetas.
343:and two works by
314:Galeries Dalmau,
5096:
4996:
4990:
4984:
4978:
4972:
4966:
4960:
4955:
4949:
4944:
4938:
4931:
4925:
4920:Sebastià Gasch,
4918:
4912:
4906:Work of Planells
4903:
4897:
4892:
4886:
4878:
4872:
4862:
4856:
4850:Sebastià Gasch,
4847:
4841:
4835:
4829:
4813:
4800:
4792:
4783:
4778:
4772:
4767:
4761:
4756:
4750:
4745:
4739:
4729:
4723:
4722:
4720:
4718:
4695:
4689:
4683:
4677:
4671:
4665:
4660:
4654:
4646:
4637:
4632:
4626:
4619:
4610:
4601:
4595:
4589:
4583:
4567:
4561:
4555:
4542:
4539:
4533:
4522:Edicions de 1984
4514:
4508:
4498:Rosa Maria Malet
4495:
4489:
4475:
4466:
4465:
4463:
4462:
4447:
4441:
4425:
4414:
4408:
4402:
4397:
4391:
4385:
4374:
4369:
4363:
4359:
4353:
4349:
4343:
4334:
4328:
4320:
4314:
4309:
4303:
4302:
4300:
4298:
4289:. Archived from
4283:
4277:
4271:
4265:
4254:
4248:
4243:
4237:
4235:Serge Charchoune
4232:
4226:
4217:
4211:
4210:
4208:
4207:
4198:. Archived from
4192:
4186:
4185:
4178:
4172:
4156:
4150:
4146:Serge Charchoune
4141:
4135:
4130:
4124:
4116:
4110:
4104:
4098:
4090:
4084:
4075:
4066:
4057:
4051:
4035:
4029:
4013:
4007:
3992:
3986:
3970:
3964:
3948:
3939:
3934:Jaime Brihuega,
3932:
3926:
3925:
3923:
3922:
3913:. Archived from
3903:
3897:
3885:Calvin Tomkins,
3883:
3877:
3872:
3866:
3857:
3851:
3850:
3848:
3846:
3841:on 22 April 2018
3837:. Archived from
3827:
3821:
3810:
3804:
3795:
3786:
3777:
3771:
3765:Jean Metzinger,
3762:
3756:
3751:Jean Metzinger,
3749:
3740:
3727:
3721:
3708:
3702:
3685:
3679:
3678:
3676:
3674:
3665:. Archived from
3655:
3640:
3624:
3618:
3602:
3593:
3584:
3578:
3569:
3560:
3555:Daniel Robbins,
3553:
3547:
3543:Veu de Catalunya
3538:
3532:
3527:
3521:
3514:
3508:
3492:
3481:
3478:
3472:
3463:
3457:
3454:by Marià Fortuny
3448:
3442:
3426:
3411:
3402:
3367:
3361:Sebastià Gasch,
3358:
3352:
3346:
3333:
3326:
3320:
3315:
3309:
3304:
3298:
3297:
3295:
3293:
3270:
3261:
3252:
3243:
3237:
3231:
3215:
3206:
3199:
3153:Violet, Gustave
3114:Torné, Trinitat
3102:Sunyer, Joaquím
3066:Rincón, Vicente
2961:Metzinger, Jean
2949:Marquet, Albert
2940:Marès, Frederic
2925:Lotiron, Robert
2895:Laprade, Pierre
2883:Kammerer, Ernst
2850:Herbin, Auguste
2841:Gusef, Kallinic
2802:Gleizes, Albert
2793:Gilberto, Lluís
2784:Genover, Ignasi
2727:Duchamp, Marcel
2718:Delaunay, Sònia
2682:Cochet, Gustavo
2661:Cassanyes, Magí
2649:Camps, Francesc
2637:Braque, Georges
2613:Begué, Hortense
2522:
2435:"Canción" (Song)
2408:
2381:
2367:
2291:
2271:
2255:
2236:
2216:
2200:
2184:
2168:
2156:
2145:Marie, Barcelone
2140:
2124:
2108:
2092:
2073:
2060:(1917-1924) and
2042:
2014:
1956:
1942:
1934:Paul-Élie Gernez
1930:
1911:
1892:
1881:Nu sur fond rose
1869:
1850:
1827:
1808:
1783:
1763:
1690:Jacques Lipchitz
1676:, André Derain,
1651:Léonce Rosenberg
1488:Ricciotto Canudo
1471:
1410:Serge Charchoune
1348:
1337:
1326:
1314:Darío de Regoyos
1287:
1272:
1252:
1229:
1214:
1189:
1166:
1146:
1125:
1104:
1055:
1025:
999:
973:
753:
179:
95:
5104:
5103:
5099:
5098:
5097:
5095:
5094:
5093:
5039:
5038:
5019:Wayback Machine
5004:
4999:
4991:
4987:
4979:
4975:
4967:
4963:
4956:
4952:
4945:
4941:
4932:
4928:
4919:
4915:
4904:
4900:
4893:
4889:
4879:
4875:
4863:
4859:
4848:
4844:
4836:
4832:
4814:
4803:
4793:
4786:
4779:
4775:
4768:
4764:
4757:
4753:
4746:
4742:
4730:
4726:
4716:
4714:
4712:
4696:
4692:
4684:
4680:
4672:
4668:
4661:
4657:
4647:
4640:
4633:
4629:
4620:
4613:
4606:Francis Picabia
4602:
4598:
4590:
4586:
4568:
4564:
4556:
4545:
4540:
4536:
4515:
4511:
4496:
4492:
4476:
4469:
4460:
4458:
4455:The Independent
4449:
4448:
4444:
4426:
4417:
4409:
4405:
4398:
4394:
4386:
4377:
4370:
4366:
4360:
4356:
4350:
4346:
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4317:
4310:
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4280:
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4205:
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4157:
4153:
4142:
4138:
4131:
4127:
4117:
4113:
4105:
4101:
4091:
4087:
4076:
4069:
4063:catalogue cover
4058:
4054:
4049:Wayback Machine
4036:
4032:
4027:Wayback Machine
4014:
4010:
4005:Wayback Machine
3993:
3989:
3984:Wayback Machine
3971:
3967:
3961:Wayback Machine
3949:
3942:
3933:
3929:
3920:
3918:
3905:
3904:
3900:
3884:
3880:
3873:
3869:
3862:El cas DU CHAMP
3858:
3854:
3844:
3842:
3833:El cas DU CHAMP
3829:
3828:
3824:
3811:
3807:
3796:
3789:
3778:
3774:
3763:
3759:
3750:
3743:
3728:
3724:
3718:Wayback Machine
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3165:Xarraga, Angel
3147:Vilà, Salvador
3141:Vèrgez, Eduard
3135:Van Rees, Otto
3090:Severini, Gino
3072:Roqueta, Ramon
3021:Picasso, Pablo
2991:Nonell, Isidre
2988:Natali, Renato
2979:Moreno, Arturo
2958:Mercadé, Lluís
2955:Matisse, Henri
2937:Marchand, Jean
2934:Manguin, Henri
2922:Losada, Manuel
2907:Léger, Fernand
2808:Goller, Joseph
2760:Ferrer, Agustí
2652:Canals, Ricard
2628:Blanes, Camilo
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1718:Léopold Survage
1655:interwar period
1635:
1575:Folkwang Museum
1557:
1555:1918: Joan Miró
1542:
1478:Rafael Barradas
1465:
1463:Otto von Wätjen
1459:
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1371:El Poble Català
1366:Kees van Dongen
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898:, 25 April 1912
857:Statue of woman
747:
745:Eugène Figuière
697:Robert Delaunay
658:Salon d'Automne
639:Marie Laurencin
581:, 25 April 1912
577:. Published in
559:Testa ab plechs
555:Marie Laurencin
528:1 February 1912
524:. Published in
518:Robert Delaunay
492:
468:
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446:María Blanchard
438:Félix Vallotton
394:Kees van Dongen
359:Retrato de niño
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258:Els Quatre Gats
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121:Marie Laurencin
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64:Galeries Dalmau
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3003:Öström, Folke
2997:Olivé, Jacint
2973:Mompou, Josep
2871:Jönzen, Hadar
2847:Hayden, Henri
2838:Güell, Xavier
2814:Gómez, Helios
2799:Gimeno, Martí
2754:Fabrés, Júlia
2721:Derain, André
2700:Cueto, Germán
2691:Costa, Miquel
2640:Bréton, André
2589:Aragay, Josep
2583:Agero, August
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1702:Albert Marquet
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1525:Daniel Robbins
1523:Art historian
1494:, his brother
1474:Olga Sacharoff
1458:
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1424:Albert Gleizes
1405:
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949:Constructivism
813:(1910-11) and
693:Jean Metzinger
643:Albert Gleizes
629:Jean Metzinger
603:Jean Metzinger
591:Albert Gleizes
537:Jean Metzinger
522:La Tour Eiffel
508:Jean Metzinger
491:
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418:Auguste Herbin
410:Georges Braque
406:Juliette Roche
366:Gothic Quarter
345:Francisco Goya
307:
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193:Angel Planells
125:Marcel Duchamp
113:Albert Gleizes
109:Jean Metzinger
51:, c. 1921-22,
24:Jean Metzinger
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4202:on 2012-04-08
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3917:on 2019-10-23
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3895:0-8050-5789-7
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3798:Juan de Dos,
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2911:
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2899:
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2890:
2889:Lagar, Celso
2887:
2884:
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2880:Junyer, Joan
2878:
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2866:
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2030:La publicitat
2024:
2020:
2018:
2012:
2007:
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1998:Spanish Woman
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1982:
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1961:
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1518:La Publicidad
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1492:Arthur Cravan
1489:
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756:Tous les arts
751:
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719:(March–May).
718:
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708:
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705:Fernand Léger
702:
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678:
673:
671:
670:structuralism
667:
663:
662:Eugenio d'Ors
659:
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619:Paintings by
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480:Pablo Picasso
477:
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430:Gino Severini
427:
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422:Fernand Léger
419:
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402:Henri Matisse
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4715:. Retrieved
4700:
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4478:
4459:. Retrieved
4457:. 2011-04-13
4454:
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4295:. Retrieved
4291:the original
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4204:. Retrieved
4200:the original
4190:
4176:
4161:Dada à Paris
4160:
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4128:
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3919:. Retrieved
3915:the original
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3843:. Retrieved
3839:the original
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3671:. Retrieved
3667:the original
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3290:. Retrieved
3275:
3256:
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3202:
3167:
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3162:Weber, Otto
3161:
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3078:Ruiz, Diego
3077:
3074:
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3062:
3059:
3056:
3053:
3050:
3047:
3044:
3042:Pujó, Josep
3041:
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3035:
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3029:
3027:Planas, Pau
3026:
3023:
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3017:
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2909:
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2772:Garay, Luis
2771:
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2741:
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2730:Dufy, Raoul
2729:
2726:
2723:
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2717:
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2711:
2709:Dam, Bertil
2708:
2705:
2702:
2699:
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2694:Costa, Pere
2693:
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2685:Colom, Joan
2684:
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2559:
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2553:
2534:
2524:
2514:Rafael Benet
2509:
2507:
2460:
2451:
2446:
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2432:
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2370:
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2323:
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2240:
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2096:
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2061:
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2045:
2029:
2026:
2022:
2017:André Breton
2001:
1997:
1993:
1990:
1963:
1945:Saint-Claude
1944:
1918:
1900:Nature morte
1899:
1880:
1876:
1873:Louis Valtat
1857:
1838:
1834:
1815:
1790:
1767:
1750:
1749:
1745:
1738:
1722:Louis Valtat
1706:Diego Rivera
1686:Henri Hayden
1663:
1648:
1638:
1636:
1627:Montparnasse
1624:
1620:Josep Mompou
1613:
1611:
1603:
1599:
1589:
1570:
1564:
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1291:
1260:
1256:
1236:
1196:
1173:
1154:
1150:
1132:
1111:
1093:André Salmon
1088:
1082:
1078:Du "Cubisme"
1076:
1072:
1062:
1039:
1033:Étude pour "
1032:
1013:
1007:Étude pour "
1006:
977:
962:
961:
933:
924:
920:
916:
907:
903:
901:
895:
886:, 3 May 1912
883:
872:
869:Adam and Eva
868:
864:
860:
856:
852:
848:
842:
838:
834:
830:
824:
820:
814:
808:
801:
799:
795:
792:
787:
782:
777:
765:
761:Du "Cubisme"
759:
755:
736:
731:
729:
723:
721:
712:
709:
683:of the 1911
680:
674:
654:
646:
632:
624:
606:
594:
574:
570:
562:
558:
550:
540:
521:
511:
503:
478:period; and
469:
454:
450:
434:Louis Valtat
414:André Derain
390:abstract art
375:
371:
363:
358:
348:
329:
292:
287:
283:
273:
262:
243:
213:Josep Dalmau
197:
182:
160:
141:abstract art
102:
82:painter and
63:
62:
56:
52:
27:
5054:1930 in art
4717:15 November
4560:(catalogue)
3816:. Glosari.
2970:Miró, Joan
2874:Jou, Lluís
2826:Gris, Juan
2733:Dufy, Jean
2517: [
2499:Jean Hélion
2471:André Lhote
2403: [
2396:Noucentisme
2376: [
2362: [
2245:RISD Museum
2037: [
2009: [
1937: [
1835:En la plaza
1814:, 1907–08,
1710:Paul Signac
1466: [
1426:, 1912-13,
1355:Celso Lagar
1343: [
1338:(1913–14),
1332: [
1321: [
1316:(1913–14),
1155:Les Maisons
1110:, ca 1911,
941:Suprematism
929:Armory Show
913:Noucentists
861:Bust of man
841:(1911) and
823:(1910-11),
802:Study for "
748: [
641:(acrylic);
631:, 1910-11,
601:(drawing);
593:, 1910-11,
520:, 1910-11,
504:L'Abondance
502:, 1910-11,
484:Blue Period
476:Noucentista
426:André Lhote
174: [
98:avant-garde
90: [
68:art gallery
53:Optophone I
26:, 1910–11,
5043:Categories
4827:1448213444
4581:8478451196
4461:2014-08-08
4439:8400079353
4206:2018-04-22
4170:2271091276
3921:2018-04-22
3638:0300075294
3616:8447513831
3506:0300091796
3440:0300121067
3292:31 January
3229:0226330389
3173:References
2844:Guyás, An
2483:Otto Weber
2439:Andalusian
2388:Sala Parés
2354:surrealist
2223:(English:
2205:Américaine
1962:, c.1920,
1898:, c.1917,
1674:Raoul Dufy
1510:Vell i Nou
1496:Otho Lloyd
1386:Vell i Nou
1257:La Guitare
1035:Le Goûter"
1009:Le Goûter"
804:Le Goûter"
770:(1913) by
605:, c.1911,
557:, c.1911,
539:, c.1911,
333:old master
254:Joan Brull
250:Modernisme
208:Background
4081:catalogue
3541:Picasso,
2392:Modernism
2260:Astrolabe
2002:Optophone
1858:Les roses
1670:Jean Dufy
1606:calligram
1586:Joan Miró
1512:, and by
1483:Montjoie!
1233:Juan Gris
1218:Juan Gris
621:Juan Gris
599:Juan Gris
567:Juan Gris
547:Juan Gris
201:Joan Miró
185:Joan Miró
117:Juan Gris
80:Symbolist
72:Barcelona
5015:Archived
4297:30 April
4045:Archived
4023:Archived
4001:Archived
3980:Archived
3957:Archived
3845:22 April
3812:Xenius,
3714:Archived
3695:Archived
3673:30 April
2463:Hans Arp
2447:The Kiss
2241:Aviation
2081:Flamenca
1917:, 1919,
1875:, 1913,
1856:, 1912,
1833:, 1911,
1789:, 1906,
1588:, 1920,
1446:Broadway
1357:(1915).
1353:(1914),
1349:(1914),
1327:(1913),
1235:, 1911,
1195:, 1912,
1172:, 1911,
1131:, 1911,
1081:, 1912,
1073:Fantasio
1061:, 1911,
1031:, 1911,
1005:, 1911,
957:Art Deco
953:De Stijl
937:Futurism
829:(1911),
713:Salle 41
681:Salle 41
645:, 1911,
569:, 1912,
549:, 1911,
510:, 1911,
442:Hans Arp
386:De Stijl
337:El Greco
252:painter
244:Born in
137:De Stijl
84:restorer
4908:in the
4362:179-185
2054:review
2052:Dadaist
625:Bodegón
382:Orphism
378:Fauvism
355:pesetas
246:Manresa
159:review
157:Dadaist
133:Orphism
129:Fauvism
66:was an
57:Picabia
4825:
4735:
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4579:
4528:
4504:
4485:
4437:
4168:
3893:
3636:
3614:
3504:
3438:
3283:
3227:
2575:, 1912
2225:Donkey
1732:, and
1398:Themis
835:El año
388:, and
167:Troços
151:, and
139:, and
105:Cubism
3129:Vaño
2521:]
2407:]
2380:]
2366:]
2041:]
2013:]
1941:]
1470:]
1347:]
1336:]
1325:]
752:]
573:, or
265:Paris
178:]
143:with
94:]
76:Spain
4823:ISBN
4733:ISBN
4719:2014
4706:ISBN
4577:ISBN
4526:ISBN
4502:ISBN
4483:ISBN
4479:Miró
4435:ISBN
4299:2018
4166:ISBN
3891:ISBN
3847:2018
3675:2018
3634:ISBN
3612:ISBN
3502:ISBN
3436:ISBN
3294:2015
3281:ISBN
3225:ISBN
2394:and
2000:and
1637:The
1377:and
955:and
945:Dada
921:Nude
906:and
703:and
691:(by
563:Bust
357:and
191:and
123:and
3257:391
2221:Âne
2057:391
2015:by
1384:In
294:by
169:by
162:391
70:in
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