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Fyodor Petrovich Komissarzhevsky

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242: 33: 106: 212:, who had originally hoped to become an opera singer. When Stanislavski founded the Society of Art and Literature in 1888, Komissarzhevsky became the first head of the operatic and musical section of its school. He parted company with the Society after a year and then spent some years at the conservatory in 332:
According to Borovsky (2001) p. 1, his birth year has been erroneously given as variously 1830, 1834, and 1838. The 1832 date is taken from one of Komissarzhevski's own letters. The spelling of his surname used in this article is that used in the current standard English reference works. However, it
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By the late 1880s Komissarzhevsky's second marriage had also foundered, and he was to spend the rest of his life essentially alone, although he frequently corresponded with his first wife and with his daughter Vera, who would also visit him as much as she could. Towards the end of his life he wrote
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worked in the Russian Department of Taxation. However, after three years and against the wishes of his father, he gave up his career as a lawyer to study singing in Italy with Pietro Repetto. He then sang, under the name "Teodoro di Pietro", in Milan, Rome, Florence and Genoa, as well as in Odessa,
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in 1910, while on a theatrical tour. Olga lived in Paris for a while and became a sculptor of some note. She returned to Russia in 1910 and after 1914 disappeared while serving as a missionary. Nadezhda also became an actress. Known as Nadezhda Skarskaya, she and her husband, the actor Pavel
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Vera!? To say that she is often in my thoughts... would be an understatement, for never a moment passes without my thinking of her! My whole being rests on my feelings and my thoughts about her. She is to my spirit what air is to physical existence! Human being, friend, daughter, sister,
290:, who like his first wife had been one of his pupils. By 1882, she was pregnant with their son, Fyodor. His first wife agreed to a divorce as the guilty party so that he and his mistress could marry and their child could be 414:"Teodoro Komisarjevsky di Pietro. Artista lirico dell'opera italiana e dell'opera imperiale a Pietroburgo, professore al conservatorio di Mosca e combattente nelle legioni garibaldine, morì sul suolo della sua amata Italia" 127:
Madrid, Barcelona, and even Rio de Janeiro. In 1863, while in St. Petersburg with a touring Italian opera company, his success with the audiences brought him to the attention of the inspectors of the
298:. He emigrated to Britain in 1921 and later lived in the United States, where he died in 1954. Fyodor's younger brother Nikolai, who became a writer, remained in Russia and was executed during 131:, who offered him a position as leading tenor with the company. He took up his appointment with the theatre in November 1863 and went on to create many roles there, most notably, Don Juan in 260:, born in 1864 and her father's favourite, was to become a leading Russian actress. Three more children followed, Olga, Nadezhda, and a son Grisha. Grisha drowned when he was six years old. 89:
as small but with a "velvety timbre" and as a singer was known for not only for his clear diction and beautiful phrasing but also for his skill as an actor. He was the father of the actress
608: 171:(1876). Later Tchaikovsky would dedicate one of his songs to him ("Say of What, in the Shade of Branches" Op. 57, No. 1). At the Mariinsky, he also sang the title role of 216:
where he taught singing as well as writing reviews. After Tbilisi he went to Italy, travelling around the country until he finally settled in the coastal town of
228:"Teodoro Komisarjevsky di Pietro, artist of the Italian opera and the Imperial Opera of St. Petersburg, professor at the Moscow Conservatory, and a soldier in 603: 287: 593: 256:. The couple met when Mariya Nikolaevna took singing lessons from Komissarzhevsky and married despite her father's opposition. Their first child 613: 252:
Komissarzhevsky's first wife was Mariya Nikolaevna Shulgina, the daughter of General Nikolai Shulgin, a war hero and officer in the
204:(an opera hitherto unknown in Moscow). Following his retirement from the stage, Komissarzhevsky taught singing and acting at the 85: 17: 566: 550: 534: 520: 504: 279:
Gaideburov, ran a travelling theatre troupe and a successful theatre in Moscow. She also acted in several early
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Komissarzhevsky remained at the Mariinsky Theatre until 1880 and then moved to Moscow where he sang at the
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In Russia at that time, the guilty party in a divorce could not remarry. See Borovsky (2001) p. 33.
51:) (1832 – 14 March 1905) was a Russian opera singer and teacher of voice and stagecraft. A leading 291: 253: 241: 209: 295: 257: 246: 94: 90: 556: 510: 375:
Pietro Repetto (1824–1870) was an Italian singer, composer, and voice teacher. He was born in
540: 494: 147: 111: 69: 588: 583: 417:) For a photograph of Komissarzhevsky's grave see the plate facing p, 66 of Borovsky (2001) 283:
films and remained in the Soviet Union all her life, dying there in 1958 at the age of 89.
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in the Piedmont region of Italy and died in St. Petersburg where he had taught at the
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The account of Komissarzhevsky's family in this section is based on Borovsky (2001).
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A Triptych from the Russian Theatre: An Artistic Biography of the Komissarzhevskys
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In 1880, Komissarzhevsky had abandoned the family for his mistress, Princess
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later incorporated a fictionalised account of the tragedy in his 1904 play
132: 105: 376: 303: 162: 74: 294:. Fyodor became a famous theatre director, known outside Russia as 275: 271: 217: 213: 529:, Laura Macy (ed), Oxford University Press, 2008, p. 253. 172: 52: 119: 609:
19th-century male opera singers from the Russian Empire
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Semeonoff, Boris, "Komissarzhevsky, Fyodor Petrovich",
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as well as directing several operas there, including
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has also been transcribed in non-Russian sources as
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from 1883 to 1888. Amongst his private students was
315:family—everything is concentrated in her alone... 575: 224:where the inscription on his gravestone reads: 542:Popular Theater and Society in Tsarist Russia 412: 59:in St. Petersburg, he created many roles in 604:Emigrants from the Russian Empire to Italy 391: 389: 232:, died on the soil of his beloved Italy." 545:, University of California Press, 2002. 429: 409:Protestant Cemetery Database: Stone 1576 240: 104: 31: 594:Operatic tenors from the Russian Empire 499:, C. Hurst & Co. Publishers, 2001. 319: 14: 576: 386: 614:Academic staff of Moscow Conservatory 403: 401: 109:Komissarzhevsky as the Pretender in 24: 561:, Indiana University Press, 2004. 181:for its Russian premiere in 1873. 83:. He had a voice described in the 25: 625: 512:Wagner and the Art of the Theatre 398: 41:Fyodor Petrovich Komissarzhevsky 36:Fyodor Petrovich Komissarzhevsky 527:The Grove Book of Opera Singers 515:, Yale University Press, 2006. 480:quoted in Borovsky (2001) p. 65 474: 465: 456: 447: 438: 420: 369: 360: 326: 161:(1875), and the title role in 118:Komissarzhevsky was born near 49:Фёдор Петрович Комиссаржевский 13: 1: 63:, including the Pretender in 558:Tchaikovsky's Complete Songs 426:Sylvester (2004) pp. 192–193 100: 7: 381:St. Petersburg Conservatory 245:Komissarzhevsky's daughter 222:Protestant Cemetery in Rome 86:Grove Book of Opera Singers 10: 630: 487: 407:Academy of Denmark, Rome, 151:(1874), Prince Sinodal in 122:and after studying law at 435:Borovsky (2001) pp. 66–67 236: 141:(1872), the Pretender in 124:St. Petersburg University 48: 555:Sylvester, Richard D., 539:Swift, Eugène Anthony, 366:Semeonoff (2008) p. 253 254:Preobrazhensky regiment 210:Konstantin Stanislavski 413: 317: 296:Theodore Komisarjevsky 258:Vera Komissarzhevskaya 249: 234: 115: 95:Theodore Komisarjevsky 91:Vera Komissarzhevskaya 73:and the title role in 37: 18:Fyodor Komissarzhevsky 444:Borovsky (2001) p. 28 411:. (Original Italian: 395:Carnegy (2006) p. 211 312: 244: 226: 108: 35: 320:Notes and references 27:Russian opera singer 230:Garibaldi's legions 206:Moscow Conservatory 599:Russian Christians 509:Carnegy, Patrick, 493:Borovsky, Victor, 453:Swift (2002) p. 73 267:The Cherry Orchard 250: 116: 38: 355:Komissartschevsky 201:The Water Carrier 129:Mariinsky Theatre 93:and the director 57:Mariinsky Theatre 16:(Redirected from 621: 481: 478: 472: 469: 463: 460: 454: 451: 445: 442: 436: 433: 427: 424: 418: 416: 405: 396: 393: 384: 373: 367: 364: 358: 351:Kommissarievskij 335:Kommissarzhevsky 330: 288:Maria Kurtsevich 168:Vakula the Smith 80:Vakula the Smith 50: 21: 629: 628: 624: 623: 622: 620: 619: 618: 574: 573: 490: 485: 484: 479: 475: 470: 466: 461: 457: 452: 448: 443: 439: 434: 430: 425: 421: 406: 399: 394: 387: 374: 370: 365: 361: 343:Komissarzhevski 331: 327: 322: 310:to her mother: 270:. Vera died of 239: 191:The Magic Flute 186:Bolshoi Theatre 138:The Stone Guest 103: 28: 23: 22: 15: 12: 11: 5: 627: 617: 616: 611: 606: 601: 596: 591: 586: 570: 569: 553: 537: 523: 507: 489: 486: 483: 482: 473: 464: 455: 446: 437: 428: 419: 397: 385: 368: 359: 339:Komisarzhevsky 324: 323: 321: 318: 238: 235: 102: 99: 61:Russian operas 26: 9: 6: 4: 3: 2: 626: 615: 612: 610: 607: 605: 602: 600: 597: 595: 592: 590: 587: 585: 582: 581: 579: 572: 568: 567:0-253-21676-1 564: 560: 559: 554: 552: 551:0-520-22594-5 548: 544: 543: 538: 536: 535:0-19-533765-4 532: 528: 524: 522: 521:0-300-10695-5 518: 514: 513: 508: 506: 505:1-85065-412-3 502: 498: 497: 492: 491: 477: 468: 459: 450: 441: 432: 423: 415: 410: 404: 402: 392: 390: 382: 378: 372: 363: 356: 352: 348: 347:Komisarjevsky 344: 340: 336: 329: 325: 316: 311: 307: 305: 301: 300:Joseph Stalin 297: 293: 289: 284: 282: 277: 273: 269: 268: 263: 262:Anton Chekhov 259: 255: 248: 243: 233: 231: 225: 223: 219: 215: 211: 207: 203: 202: 197: 193: 192: 187: 182: 180: 179: 174: 170: 169: 164: 160: 159: 154: 150: 149: 148:Boris Godunov 144: 140: 139: 134: 130: 125: 121: 114: 113: 112:Boris Godunov 107: 98: 96: 92: 88: 87: 82: 81: 76: 72: 71: 70:Boris Godunov 66: 62: 58: 54: 46: 42: 34: 30: 19: 571: 557: 541: 526: 511: 495: 476: 467: 458: 449: 440: 431: 422: 371: 362: 354: 350: 346: 342: 338: 334: 328: 313: 308: 285: 265: 251: 227: 199: 189: 183: 176: 166: 156: 146: 136: 133:Dargomyzhsky 117: 110: 84: 78: 68: 40: 39: 29: 589:1905 deaths 584:1838 births 377:Alessandria 304:Great Purge 292:legitimised 163:Tchaikovsky 75:Tchaikovsky 578:Categories 383:from 1863. 153:Rubinstein 143:Mussorgsky 65:Mussorgsky 306:in 1938. 196:Cherubini 178:Lohengrin 158:The Demon 101:Biography 276:Tashkent 272:smallpox 488:Sources 218:Sanremo 214:Tbilisi 55:at the 45:Russian 565:  549:  533:  519:  503:  353:, and 281:Soviet 237:Family 173:Wagner 53:tenor 563:ISBN 547:ISBN 531:ISBN 517:ISBN 501:ISBN 247:Vera 194:and 120:Kyiv 302:'s 274:in 198:'s 175:'s 165:'s 155:'s 145:'s 135:'s 77:'s 67:'s 580:: 400:^ 388:^ 349:, 345:, 341:, 337:, 97:. 47:: 357:. 43:( 20:)

Index

Fyodor Komissarzhevsky
Monochrome head and shoulders portriat of a man, about 45, slightly bald with a mustache, wearing a jacket, white shirt, and tie
Russian
tenor
Mariinsky Theatre
Russian operas
Mussorgsky
Boris Godunov
Tchaikovsky
Vakula the Smith
Grove Book of Opera Singers
Vera Komissarzhevskaya
Theodore Komisarjevsky
Monochrome photograph of a man standing, wearing leather books, knee-length tunic and feathered hat
Boris Godunov
Kyiv
St. Petersburg University
Mariinsky Theatre
Dargomyzhsky
The Stone Guest
Mussorgsky
Boris Godunov
Rubinstein
The Demon
Tchaikovsky
Vakula the Smith
Wagner
Lohengrin
Bolshoi Theatre
The Magic Flute

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