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393:. It was here that he received his first commissioned piece of art, a portrait that he was paid $ 75 upon its completion. An active and successful painter, Bartlett was committed to promoting the work of fellow contemporary artists, beginning in 1905, as a member of the Art Institute's Art Committee, and later, in 1916, as a founding member of the Arts Club of Chicago, a pioneering organization dedicated to the advancement of modern art.
840:, established in 1910 as the first organization in any museum to purchase current work by American artists for the collection. This group, which lasted into the 1940s, provided the Art Institute with the substance of its collection of twentieth-century American painting and sculpture but it tended to overlook the work of the American avant-garde.
836:, respectively, the Bartletts acquired in 1924. (While the present whereabouts of most of these works is not known, the aforementioned watercolors are in the Art Institute.) The Bartletts' lack of interest in collecting modern American art occurred despite the fact that Frederic was a founding member of the Art Institute's
714:. This purchase was made specifically with the museum in mind, at a time when the artist was not yet represented in any American or French public collection. Over the next several years, with the intention of placing La Grande Jatte in an appropriate artistic context, the Bartletts purchased major paintings by key
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has been permanently displayed in the museum continuously since the donation. During the 1920s and 30's, Bartlett would swap-out paintings in order to add pieces that would be a better representation or example of the work or artists displayed. The twenty-five paintings in the collection are still
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and their studio in the Fine Arts
Building and moved to Massachusetts while wintering at the Bonnet House in Florida. They opened a studio in Munich, Germany and, with her husband's encouragement, Evelyn took up painting. She moved quickly from watercolors to oils and developed her own style. Her
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In 1932, Toulouse-Lautrec's "Ballet
Dancers" was the final addition to the Helen Birch Bartlett Memorial Collection as well as the last painting acquired by Frederic Bartlett. Bartlett would continue to gift institutions with artwork, although none was comparable to the collection given to the Art
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On
January 22, 1919, Bartlett would marry his second wife, Helen Louise Birch, a close friend of Dora. Birch, born February 27, 1883, was thirty-six years old, compared to her husband who was forty-five. Prior to her marriage, Helen Birch was both a published composer and poet. She studied music
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On March 3, 1917, Bartlett's wife, Dora, died after nineteen years of marriage. Prior to Dora's death, Bartlett's son, Frederic Clay
Bartlett Jr., was born on November 20, 1907. Bartlett Jr., who would be known as "Clay", would grow-up and become a talented artist and musician, however; he would
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In May 1954, the Art
Institute staged a memorial exhibition comprising nearly twenty of his paintings. In subsequent years, Evelyn Bartlett would donate many paintings and sculptures to the Art Institute. Her interest in Chicago's art scene continued even after her husband's death. In 1982, the
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The
Bartletts were a dynamic couple. From like upbringings, they had similar interests and played off each other's strengths. They were fixtures of Chicago's civic-minded elite during the early 1900s. Prior to their marriage, Frederic's art collection focused on a variety of sources, including
415:", a combination of the names Dora and Fred. Constructed just two blocks away from his boyhood home on historic Prairie Avenue, the home boasted a studio measuring forty feet by twenty-five feet with a twenty foot high ceiling. Beyond the studio, the home offered a reception room known as the
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In the last decade of his life, Bartlett focused his attention to the beautification of his
Florida estate. He suffered a partially disabling stroke in 1949 and four years later on June 25, 1953, he died due to complications from his stroke. He was buried at
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During his marriage to Evelyn, Frederic
Bartlett's eyesight began to fail based on cataracts he had contracted. This affected his ability to paint, however; it heightened Evelyn's desire to create works of art. The couple gave up their Chicago apartment on
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during their enrollment at Ecole Collin. They would study drawing under Collin and
Painting under Aman-Jean for two years while in Paris. Allerton and Bartlett enjoyed a romantic friendship that had begun in childhood and ended only when Bartlett married.
895:, were one-time friends. The Lillys had two sons, one born in 1908 and the other in 1910, both of whom died in infancy. Their only surviving child was a daughter, Evelyn "Evie" (Lilly) Lutz (1918–70). Eli and Evelyn Lilly divorced in 1926.
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After only six-and-one-half years of marriage, Helen Birch
Bartlett died of cancer on October 24, 1925. To honor his wife, Frederic presented their unique art collection to the Art Institute of Chicago in May 1926. A portion of the
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funded the construction of the facility while being a trustee for the university. In 1909 Barlett completed a series of individual paintings that covered over fifty ceiling panels of the Michigan Room in the
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interests included vividly colored portraits, still lifes and flower paintings. Her creations bore little resemblance to her husband's murals, landscapes and figurative works, executed in muted tones.
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unfortunately die at the age of forty-eight in 1955, only two years after the death of his father. Through his son Bartlett Jr., Frederic Clay Bartlett became the great grandfather of the TV actress,
580:, the Bonnet House was intended to be the location for the Bartlett family to spend their winters. However, due to their constant travels in Europe, the family would spend summer days in
868:. Her father was president of a group of independent telephone companies that included the Indianapolis Telephone Company; a member of the board of directors of the pharmaceutical firm
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In addition to the paintings in the Helen Birch Bartlett Memorial Collection, the Bartletts' private collection contained paintings by other modern European artists, among them
325:, and the Harvard School for Boys in Chicago. However, at the age of nineteen, instead of pursuing a college degree, Bartlett traveled to Europe from Chicago to study art
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576:. Construction of the Bonnet House, a plantation-style home, began in 1920 on land that was given to the Bartletts as a wedding gift from her father. Currently on the
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During his marriage to Dora, Bartlett was more active with his creativity regarding art, especially the creation of murals. In 1900, he was commissioned to create a
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560:. Helen's maternal great uncle, Frank Spencer, ran the hardware company, Hibbard, Spencer & Bartlett in which Frederic's father became a partner in 1882.
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800:, which were not part of the final donation to the Art Institute. Still others were by artists whose names are no longer easily recognized, such as
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Between May 1, 1893, and March 1920, Hugh Birch and Helen Birch Bartlett purchased hundreds of acres of Floridian land that would eventually become
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626:, the former Delia Spencer, both cousins of Birch. For their honeymoon, the couple traveled throughout Asia, traveling to Japan, China and the
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On October 4, 1898, Bartlett and Tripp would get married in upstate New York and spend the next year in Paris, studying under American painter
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dining room, laundry and servants rooms in the basement along with the upstairs private chambers, including bedrooms and powder rooms.
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378:. After Whistler's school closed, Bartlett enhanced his painting prowess by studying mural art with the direction of French master,
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704:. The following year, less than one year after Frederic succeeded his father as a trustee of the Art Institute, they acquired
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630:. It was during this trip that Bartlett would be inspired to create twenty-one paintings that would be exhibited in the
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487:. The gym was a memorial to Bartlett's younger brother, Frank, who died of an appendicitis in 1900. Bartlett's father,
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in Munich, an honor that very few Americans would earn. It was during his time in Germany that Bartlett would meet
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art. Bartlett was committed to promoting the work of fellow contemporary artists and was a founding member of the
1296:"William Fortune (1863–1942): A Hoosier Biography by Charles Latham, Jr. – Barrows – Indiana Magazine of History"
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of 1893 as his main source of inspiration regarding fine art. In 1894, Bartlett, along with fellow Chicagoan,
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1150:"CHICAGO CITY HALL DAMAGED BY FIRE; No One Injured as Firemen Rescue Trapped Women-- Loss Set at $ 200,000"
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528:, a music theorist and teacher of harmony and composition in Chicago. She was an avid supporter of the
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864:. Bartlett was 58 years old; Lilly was 44. Evelyn Fortune was the oldest daughter of May (Knubbe) and
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Frederic Clay and Helen Birch Bartlett: The Collectors by Courtney Graham Donnell, FortuneArchive.com
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organized a retrospective exhibition of the Bartletts' work that also traveled to the Art Institute.
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Great Houses of Chicago (1871–1921) by Susan Benjamin and Stuart Cohen, Acanthus Press, 2008, p. 218
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in the possession of the Art Institute as well as other works from the same historical time-frame.
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382:. The following year, Bartlett and his wife would return to Munich to complete his art education.
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In 1900, at the age of twenty-seven, Bartlett moved to Chicago where he rented a studio in the
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1183:"Family relationship of Frederick Clay Bartlett and Ali Wentworth via Frederick Clay Bartlett"
887:(1885–1977), on August 29, 1907. Evelyn Fortune's father and Eli Lilly's grandfather, Colonel
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manner. Bartlett followed this mural with a more personal endeavor in 1904. He completed a
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496:. Soon after he painted a series of murals—which were destroyed in a fire in 1957—for the
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860:, in June 1931. Following Helen Bartlett's death, the one-time acquaintances reunited in
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lifestyle, the couple traveled regularly to Europe, where they acquired a collection of
987:"Bartlett, Frederic Clay, 1873–1953 – Archives Directory for the History of Collecting"
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American Exhibitions of 1919 and 1920, as well as in his one-man exhibition at the
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666:. In the early 1920s, their collecting activities became more focused. Leading a
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1321:(2nd ed.). Indianapolis: Indiana Historical Society Press. pp.
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1236:"Ft. Lauderdale Bonnet House Museum and Gardens Historic Estate History"
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in Chicago. After a fire destroyed the church, Bartlett and his friend,
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An Open Secret: The Family Story of Robert and John Gregg Allerton
1280:. Indianapolis: Guild Press of Indiana. pp. 24, 73–78, 157.
940:. These would be the final museum gifts Bartlett would produce.
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from 1919 to 1927; a founder of the Indianapolis chapter of the
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in 1916; and served as the first president of the Indianapolis
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734:, as well as important works by other modern masters, such as
820:. Among the few Americans represented in the collection were
1394:"Evelyn Bartlett, Patron of Art And Ornament, Dies at 109"
1341:"Evelyn Bartlett, Patron of Art And Ornament, Dies at 109"
281:(June 1, 1873 – June 25, 1953) was an American artist and
401:
In 1902, the Bartletts moved into their new home at 2901
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Bartlett was born in Chicago to Mary Pitkin Bartlett and
536:. Helen Birch was the daughter of Maria Root Birch and
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Institute of Chicago. In 1942, Bartlett presented the
544:, Hugh Birch became a named partner in the law firm of
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The Prairie Avenue home of Frederic Clay Bartlett 2901
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Leonard, John William; Marquis, Albert Nelson (1908).
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Members of the American Academy of Arts and Letters
1064:. Chicago: University of Chicago Press. p. 3.
479:depicting a medieval tournament procession for the
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610:Helen Birch and Frederic Bartlett were married in
556:and eventually move to the area that currently is
711:Sunday Afternoon on the Island of La Grande Jatte
1409:
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1278:William Fortune (1863–1942): A Hoosier Biography
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614:at a private ceremony attended only by Senator
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1130:. America's City Halls. National Park Service
16:American artist and art collector (1873–1953)
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922:with a bust of Senator Beveridge created by
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883:Evelyn married her high school sweetheart,
674:. Concentrating on the contemporary French
481:Frank Dickinson Bartlett Memorial Gymnasium
31:
37:Frederic Clay Bartlett at his easel, 1906
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753:Helen Birch Bartlett Memorial Collection
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313:, the company that originated the label
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1119:Viehe-Naess, Ivan (September 1, 1981).
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694:. In the spring of 1923, they acquired
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952:Bartlett's grave at Graceland Cemetery
745:
548:. In 1872, he would become the first
311:Hibbard Spencer Bartlett & Company
1339:Judith H. Dobrzynski (July 3, 1997).
1294:Barrows, Robert G. (September 1995).
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1208:"Hibbard, Spencer, Bartlett & Co"
1001:"Hibbard, Spencer, Bartlett & Co"
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584:while maintaining their apartment in
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1448:People from Fort Lauderdale, Florida
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578:National Register of Historic Places
285:known for his collection of French
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1453:People from Beverly, Massachusetts
1443:People from Concord, New Hampshire
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405:, Chicago. This home, designed by
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1108:ChicagoTribune.com March 11, 1906
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1433:20th-century American artists
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372:James Abbott McNeill Whistler
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1317:Eli Lilly: A Life, 1885–1977
1058:Syrett, Nicholas L. (2021).
913:Memorial collection addition
570:Hugh Taylor Birch State Park
360:
330:World's Columbian Exposition
7:
1382:– via Newspapers.com.
1374:. June 26, 1953. p. 14
1300:Indiana Magazine of History
336:, would be admitted to the
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920:Indianapolis Museum of Art
898:
678:, they purchased works by
638:in New York City in 1921.
530:Chicago Symphony Orchestra
494:University Club of Chicago
449:Second Presbyterian Church
268:Eleanor Collamore Bartlett
225:Frederic Clay Bartlett Jr.
1313:James H. Madison (2006).
944:Later life, death, legacy
732:Henri de Toulouse-Lautrec
684:André Dunoyer de Segonzac
502:City Hall-County Building
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1366:"Frederic Clay Bartlett"
1266:Art Institute of Chicago
928:The Museum of Modern Art
701:Woman Before an Aquarium
620:Catherine Eddy Beveridge
601:Fort Lauderdale, Florida
558:Fort Lauderdale, Florida
328:Bartlett attributed the
261:Florence Dibell Bartlett
254:Frank Dickinson Bartlett
1428:American art collectors
1276:Charles Latham (1985).
1254:"Interpretive Resource"
967:Smithsonian Institution
838:Friends of American Art
1458:Académie Carmen alumni
1027:"Who's who in America"
953:
862:Beverly, Massachusetts
602:
532:and the Chicago-based
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346:White Plains, New York
323:Concord, New Hampshire
307:Adolphus Clay Bartlett
279:Frederic Clay Bartlett
79:Beverly, Massachusetts
1323:20, 23, 73–76, and 83
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870:Eli Lilly and Company
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554:Cook County, Illinois
485:University of Chicago
483:on the campus of the
453:Howard Van Doren Shaw
429:
1438:Artists from Chicago
850:Evelyn Fortune Lilly
844:Evelyn Fortune Lilly
828:, whose watercolors
546:Galt, Birch and Galt
500:chambers in the new
498:Chicago City Council
295:Arts Club of Chicago
238:Mary Pitkin Bartlett
235:Adolphus C. Bartlett
199:Evelyn Fortune Lilly
185:; died
154:; died
25:Frederic C. Bartlett
1128:Library of Congress
1121:"Chicago City Hall"
893:Josiah K. Lilly Sr.
878:Chamber of Commerce
746:Memorial collection
434:, Chicago, Illinois
407:Frost & Granger
309:, the president of
247:Maie Bartlett Heard
1398:The New York Times
1156:. March 22, 1957.
1154:The New York Times
959:Graceland Cemetery
954:
874:American Red Cross
760:Private collection
716:Post-Impressionist
624:Marshall Field Sr.
603:
542:Great Chicago Fire
516:Helen Louise Birch
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409:, would be named "
387:Fine Arts Building
380:Puvis de Chavannes
287:Post-Impressionist
168:Helen Louise Birch
92:Graceland Cemetery
1095:"House Beautiful"
932:Amedeo Modigliani
848:Bartlett married
692:Amedeo Modigliani
538:Hugh Taylor Birch
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1400:. July 3, 1997.
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852:(1887–1997) of
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590:Columbus Circle
572:as well as the
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467:painted in the
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459:depicting the
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1423:1953 deaths
1418:1873 births
1350:January 11,
1337:. See also:
1292:See also:
1010:January 12,
688:André Lhôte
676:avant-garde
653:Renaissance
642:Collections
628:Philippines
582:Lake Geneva
98:Nationality
1412:Categories
1332:0871951975
1192:August 14,
973:References
930:was given
790:Marcoussis
672:modern art
523:expatriate
366:Dora Tripp
342:Dora Tripp
319:St. Paul's
315:True Value
301:Early life
137:Dora Tripp
49:1873-06-01
1162:0362-4331
889:Eli Lilly
830:The Brook
822:John Mann
810:Waroquier
622:and Mrs.
586:Manhattan
469:Byzantine
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361:Marriages
350:Aman-Jean
291:modernist
257:(brother)
243:Relatives
231:Parent(s)
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766:Vlaminck
718:artists
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457:frescoes
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271:(sister)
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109:Artist,
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1066:ISBN
1012:2016
832:and
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