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Freddie Records

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578:. The album was released on June 18, 1979, and continued to be a lucrative recording for Freddie Records for two decades. The concert faced opposition from residents who complained of noise violations to the city council, which banned future events in the area. In the same year, Martinez began providing music contracts to his artists, with a standard three-year contract exclusively with the label and two one-year contracts with an average return in royalties. Martinez's house engineer West, had departed to make competitor Hacienda Records. The two labels were the two most influential record labels in the Tejano music market during the 1970s and 1980s. Freddie Records, along with Hacienda, recorded most of the music from major Tejano recording artists who helped shaped the genre during the 20th century. The label was receiving 10-20 demo tapes every week from Tejano music hopefuls, and Martinez would press 1,500 singles for a musician he was interested in, with 400-450 sent out to radio stations and the remainder sold to stores. Martinez considered a successful recording in the Tejano music market to be 20,000 units sold. 423:, with $ 400 (1970 USD), and the company accepted his offer in March 1970. Martinez allowed West to continue working as a music engineer, renaming the recording studio to Freddie Records. After purchasing the company, he installed a new MCI board and upgraded the technology already installed by Studio B Recording. Martinez invested $ 15,000 in renovating the studio and carpeted the building to prevent external sounds from interfering with recordings while adding a singer's booth to avoid the override of instruments. The renovation of the studio persisted until the autumn of 1972. Despite the initial intention of using the studio solely for his own music, music journalist Charlie Brite that the acquisition of Studio B Recording could open doors for entertainers in South Texas and reinvigorate the music market in the region. The acquisition was lauded as the first bank loan granted for a music venture in South Texas. Freddie Records withstood 676:(1993) a platinum award, and in July 1994, Martinez unveiled the newly built multimillion-dollar headquarters of Freddie Records, which made the company the largest indie music label in Texas. Martinez expanded his label's reach with a promotional office in Hollywood and expanded his staff to over 30 employees. The newly built headquarters opened its doors in November 1994. The headquarters had an in-house recording studio, and most operations such as creating artwork, tape manufacturing, packaging, and shipment throughout the United States and Mexico were performed in-house, with CD manufacturing being the only operation done off-site. The company reported $ 2 million (1995 USD) in sales for 1994, and emphasized new and young talent. Ayala and Los Terribles del Norte, artists from Freddie Records, received a nomination for 656:. Martinez Jr. Together, they produced or co-produced albums for their artists, signed new acts, and oversaw the company's publishing business. Martinez Sr. also brought on his other son, John Martinez, to help run the business. Despite major record companies offering to buy Freddie Records, citing the company's impressive catalog, music critics speculated that this marked the end of the era of indie music labels, with the future of the genre appearing to be with major labels. In November 1991, the label opened its subsidiary Freddie Discos Mexico in 384:(IRS) of unpaid income tax. In June 2000, the charges were dismissed after prosecutors reviewed the evidence against the accused trio. On June 5, 2002, Martinez, Sr. inaugurated the recently renovated three-story headquarters building of Freddie Records. The construction of the building, designed by Russ Berger, incurred a cost of $ 4.5 million. The opening ceremony was followed by a night-long celebration featuring the label's roster and the unveiling of the company's Walk of Fame for its artists. In June 2006, 542:, who became the first artist to sign an exclusive contract with Freddie Records in 1973. Ayala became the company's top-selling act, allowing Freddie Records to remain commercially viable throughout the 1970s and 1980s. The label expected their artists to excel in the company's return exchange formula, requiring them to be self-promoting and put on exceptional concerts to secure bookings for future events. Martinez had to delay plans for further developments in the company, such as a 803:(IRS) of $ 99,637 of unpaid income tax from June 1991 to February 1995. The indictment also alleges that the three understated their sales receipts and revenues of $ 389,446. However, the charges were later dismissed in June of the following year after prosecutors reviewed the evidence against them. Martinez recognized the potential of the internet as a tool for promoting new artists and included audio and video archives, music news, and message boards on the label's website. 328:. In July 1994, Martinez unveiled Freddie Records' 2.38-acre headquarters, outfitted with a recording studio, which aided in making Freddie Records the largest indie music label in the state of Texas, reporting $ 2 million in sales. Its staff could undertake most tasks in-house, including designing artwork, producing tapes, packaging, and distributing merchandise across the United States and Mexico, while CD manufacturing had to be contracted out. At the 29: 212: 195: 508: 784: 497: 814:. WEA Latina owns Infante's catalog, after the label's acquisition of Mexico's Peerless Records. Both labels financed the project and marketed the album through a direct-TV campaign. The labels shipped 100,000 units throughout the United States in its initial production run. Ayala released his 100th album with Freddie Records, 633:'s Cara Records, beginning the golden age of Tejano music. Martinez reflected on the era in an interview that he believed the major labels saw the rise of the Tejano music market and wanted to do what the indie music labels were already doing saying that the major labels were "expecting too much too soon". 613:" (1980). The company was planning on releasing an album featuring Texan musicians singing country music songs in Spanish. In 1985, Freddie Records had become one of the most successful indie music labels in the US. However, major record labels started entering the Tejano music market in 1985 and by 1989, 591:
a month, near their recording studio and office in Corpus Christi. The Tejano music market in Corpus Christi was "booming with popularity". Freddie Records expanded its base with an additional 6,000 square feet for a second studio and production facility with updated MCI equipment capable of handling
471:, Joe Nick Patoski observed that most Tejano musicians who ventured into business had failed. Patoski listed Martinez among the select few who had succeeded. To avoid his company's failure if he were no longer commercially viable as a musician, Martinez signed a few acts to Freddie Records, including 435:
policy on distributors known to delay payments. Due to his policy, Martinez was dubbed the "golden haired boy" among his contemporaries. Martinez's wife, Joann, also contributed to the company's success by accepting orders from distributors and shipping them across the country. Freddie Records' first
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series, a double-disc 30-track retrospective budget series in 2006, which initially had slow sales. However, after a promotional campaign by the company, sales skyrocketed, reaching nearly 400,000 units sold by the end of the year. Martinez wanted to capitalize on the catalog music market, following
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By 1996, Freddie Records had been the leading supplier of top regional Mexican music for three decades, with Ayala as its best-selling artist. Although the company had limited video production due to the high cost, it purchased a plot of land to unite its office, warehouse, duplication, and studios.
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formats, and began averaging two releases per month. However, by 1986, the Tejano music market began to slow down and suffer, with underperforming sales for Freddie Records. The label began suing small record stores that were knowingly selling counterfeited albums and imports from Mexican artists in
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In the 1980s, Freddie Records had great sales in Texas and reported sales in other states like Arizona, New Mexico, Colorado, Florida, Hawaii, California, and Nevada, and even in Germany, mostly due to the US Army personnel stationed there. They had a distribution facility that was capable of making
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in 1997, Martinez found that radio stations were predominantly dominated by veteran Tejano musicians, and emphasized the importance of new Tejano musicians as the lifeblood and future of the genre. Despite the decline of Tejano music, Freddie Records posted a 14% sales gain in the first quarter of
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in 2002. On June 5, 2002, Martinez unveiled the newly renovated three-story headquarters building of Freddie Records. The building was designed by Russ Berger and cost $ 4.5 million to build. The opening ceremony was followed by an all-night celebration from the label's roster as well as the
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Freddie Records was known for having employees who were also musicians themselves, with Lee Martinez revealing that 99% of their staff belonged to the music industry. The label also discovered talent from within their own company, such as Zandra, who worked as a secretary for Freddie Records from
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report found Freddie Records to be "highly profitable" during a music report on the growth of Tejano music. Martinez's original intentions for Freddie Records were to become the most prosperous studio in South Texas, rival Los Angeles studios, and revitalize the stagnant music business in Corpus
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In 1976, songwriter Johnny Herrera sued Martinez for $ 1 million in royalties (1976 USD) alleging that he was not compensated for his works that he provided for the company. On May 1, 1978, Freddie Records sponsored a concert at Cole Park in Corpus Christi, which was initially expected to
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album. It led to a ban on future events in the area, though the album remained a lucrative live recording for Freddie Records for two decades. As Tejano music's popularity surged, Freddie Records augmented its foundation by incorporating an additional 6,000 square feet for a second studio and
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In November 1969, Freddie Martinez founded Freddie Records after he surmised that many of the independent labels he collaborated with did not promote his band, the Freddie Martinez Orchestra, adequately. Despite recording several albums with indie music labels, his band struggled to achieve
396:, and Fonovisa. On February 14, 2011, Freddie Records filed for bankruptcy, citing $ 700,000 in debt with $ 1,200 in assets. In October 2019, the city council of Corpus Christi released a proclamation announcing a month-long celebration commemorating the 50th anniversary of Freddie Records. 418:
for the studio. West had previously departed from another recording studio after they rejected his and music engineer Mike Taylor's Tejano sound production, citing the studio's lack of comprehension of Tejano music. Martinez approached Studio B Recording, which was situated near the
538:, and artists could purchase their own albums at a reduced price and resell them at concerts. This was standard practice for Tejano musicians before major department stores started selling Tejano albums. The exception to this practice was the label's first artist, 446:. The album also went gold, which was an infrequent occurrence in the Tejano music industry at that time. Eventually, it sold one million copies in the United States and Mexico. By 1974, it was commonplace for albums produced by Freddie Records to rank on the 701:
1997. The label's top-selling artists that year were Ayala, Jaime y Los Chamacos, and Fandango USA. In September 1997, Martinez planned to build a 32-channel "state-of-the-art studio" in South Corpus Christi, and that year he was inducted into the
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Martinez's first recording as the proprietor of Freddie Records was "Necesito Tu Amor" which became a regional success, followed by "Botancito de Carino". Martinez partnered with distributors he knew before founding Freddie Records and enforced a
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ballots followed a special survey it conducted in 1991 for possible recommendations on the program's voting process which president of Sony Discos Frank Welzer participated in, as did radio programmers, distributors, and other industry experts.
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attract 1,000 people but swelled to 10,000 after Martinez promised free records to attendees and expanded the roster of bands. The park's permit was issued to the Johnny Rodriguez Cerebral Palsy Organization that was co-sponsored by
711:, praised Freddie Records' commercial success and longevity under Martinez's leadership, which helped it to become the "premier independent Latin record label". In 1998, Freddie Records had "a prosperous year" due to Ayala's 529:
Freddie Records, like most independent music labels in Texas, did not rely on contracts with recording artists. Instead, they negotiated a price with musicians based on their popularity. The label would sell albums to
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In October 2019, the Corpus Christi city council proclaimed a month-long celebration of Freddie Records' 50th anniversary. In December 2019, the company commemorated its 50th anniversary in the Anchor Ballroom at
343:. Despite the genre's descent, Freddie Records exhibited a 14% sales growth during the first quarter of 1997 in comparison to the same period in 1996. Tejano music journalist, Rene Cabrera, writing for the 410:
significant success. Martinez believed that establishing his own enterprise was the sole means of achieving triumph. Prior to founding Freddie Records, Martinez had selected Studio B Recording to record a
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due to concerns over the voting process. A fourth label, TH-Rodven, joined the company's boycott of the awards by December 1992. Executive director for the program, Rudy Trevino, revealed that the
2632: 775:'s announcement. By 1999, Ayala continued to be the label's best-selling act, with an average of 100,000 units sold per studio album, while Los Terribles del Norte sold 75,000 units per album. 4874: 349:, attributed Freddie Records' commercial triumphs and its endurance under Martinez's stewardship, which helped it to establish itself as the "premier independent Latin record label". While 830:
In 2004, Martinez believed that Freddie Records had the most impressive roster in its history after signing several renowned artists who were previously signed to major labels. At the
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By 1985, Freddie Records had attained the status of one of the most prosperous independent music labels in the United States. The label awarded gold and platinum certifications to
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the area. Latin music in Texas was a decade behind the American music industry in terms of development, marketing, and production capabilities. In 1989, Jesus Guterrez wrote for
4396: 652:(1990). Martinez Sr., began running the company with his son, Freddie Martinez, Jr., who had previously worked in the warehouse of the company as a child, after graduating from 272:, and Joe Bravo. Ayala became the best-selling act of the label, sustaining the financial stability of Freddie Records throughout the 1970s and 1980s. The label sponsored a 256:
on November 1, 1969, by musician Freddie Martinez. Originally functioning as a recording studio and distributor for Martinez, the label expanded its roster to include other
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Despite the increased competition, Freddie Records continued to achieve commercial success and awarded gold and platinum plaques to their artists for their album sales;
566:, Marvin Townsend, believed the event was instead turned into "a birthday party" for Freddie Records. The concert was recorded by Freddie Records for their artist 605:
1978 to 1981 and was later discovered by Lee Martinez for her singing talent. Lee was searching for a female backing vocalist for the Spanish-language cover of
601:, stating that the Tejano music genre still had a long way to go before it could attain any significant gains, despite its steady climb in popularity in Texas. 791:
In December 1999, Martinez was indicted by a federal grand jury for allegedly failing to report the label's sales revenues. On January 4, 2000, federal judge
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charges to June 12, after the defense attorney requested one with no objections. All pleaded not guilty to the charges of conspiring to defraud the
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deemed Martinez as being conservative when seeking out new talent, the label remained vigilant in searching for musicians who can appeal to both
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found Martinez to be conservative when scouting for new acts, but the label actively searched for musicians who could appeal to both
4430: 868: 4282: 4889: 4854: 684:, marking the first time Freddie Records' artists made the shortlist. Jaime y Loos Chamacos also received a gold award for 414:
song and paid under $ 200 to utilize the studio's equipment. When Martinez recorded his song, Jim West was the resident
2645: 838:, a double-disc retrospective 30-track budget series for Freddie Records' artists was released. The label released the 740: 358: 339:
By 1996, Freddie Records had experienced thirty years of being the foremost purveyor of the most significant names in
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musicians to avoid financial failure. The label commenced producing albums for an array of artists, including
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In 2000, Martinez Sr., his son Martinez .Jr, and Martinez Sr's brother, Lee Martinez, faced charges of
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Latin albums chart for the state of Texas. Albums produced by the company also attained spots on
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extolled Freddie Records as Tejano music's "most successful independent label ever", upon the
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hailed Freddie Records as Tejano music's "most successful independent label ever" following
1106: 834:, Freddie Records dominated with 12 artist nominations across several categories. In 2006, 593: 442: 286: 8: 1073: 1040: 831: 661: 610: 606: 567: 317: 273: 657: 4783: 4747: 4689: 4521: 4485: 4341: 4123: 4087: 4029: 3993: 3935: 3877: 3841: 3805: 3769: 3733: 3653: 3617: 3515: 3450: 3435: 3399: 3363: 3327: 3291: 3255: 2637: 1165: 736: 681: 660:, and the following year, Freddie Records, along with Sony and Fonovisa, boycotted the 420: 362: 329: 2960:"Mexican Music Market is Booming Due to Diverse Talent and a Loyal Immigrant Audience" 823:, who became the company's marketing director, announced that the label began singing 354: 67: 4449: 4415: 3479: 3472: 3456: 2944: 2641: 2616: 543: 370: 622: 535: 432: 4263:"Pio Treviño Y Magic sign with Freddie Records, new album slated for fall release" 427:
in August 1970, which had a bleak outlook for businesses in the area at the time.
4302:"Freddie Records to release '40 Éxitos' from Elida Reyna Y Avante on November 17" 3155: 3134: 3099: 3064: 3029: 2994: 2959: 2905: 2870: 2831: 2796: 2761: 2726: 2691: 2656: 2571: 2550: 1175: 934: 547: 424: 336:, marking the first time Freddie Records' artists had received such recognition. 155: 148: 4835: 550:
market, and expanding Freddie's Studio B with a 16-track acquisition, following
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ranked Freddie Records as the leading regional Mexican album imprint, outpacing
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production facility replete with updated MCI equipment capable of accommodating
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s Latin album charts in Chicago, Los Angeles, and Miami. Country music artists
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formats and instigated a release schedule of two albums per month on average.
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and marketed as the first live album to be recorded at a local park, titled
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in 1998, five albums created under Freddie Records were shortlisted for the
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Música norteña : Mexican migrants creating a nation between nations
554:. These plans were being handled by his brother and promotions manager. 4376:"Freddie Records Artists Nominated for 16th Annual Latin Grammy Awards" 1126: 807: 630: 618: 309: 4323:"Lucky Joe extends contract with Freddie Records, buys RV for touring" 1068: 912: 796: 748: 645: 614: 516: 458: 377: 321: 301: 28: 2941:
Música tejana : the cultural economy of artistic transformation
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This is a list of artists currently signed to Freddie Records.
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Companies that have filed for bankruptcy in the United States
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so that Martinez's contemporaries took him seriously. A 1974
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utilized Freddie Records for their albums. In an article for
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introduction of the company's Walk of Fame for its artists.
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and Tejano enthusiasts. Following the establishment of the
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Tejano proud : Tex-Mex music in the twentieth century
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1969—1979: Creating Freddie Records and first signed acts
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The Billboard Guide to Tejano and Regional Mexican Music
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was awarded a platinum and gold plaque for their album
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In 2002, Freddie Records entered a joint venture with
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Elida Reyna signed with Freddie Records in the 2000s.
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Texas A & M University Press. p. 239. 2200: 2164: 2147: 640:was awarded a gold certification for their album 582:1980—1999: Golden age and decline of Tejano music 552:a recession in the United States in the mid-1970s 4846: 4045:"Federal Charges Against Record Execs Dismissed" 4582:"Chicano Music, Big Changes in the Music Scene" 3750:"Freddie Records Puts Emphasis On Young Talent" 3598:"Trevino: Tejano Awards Situation Not Hopeless" 3028:Lannert, John; Burr, Ramiro (August 17, 1996). 2657:"Latin Potential: The Next Great Growth Market" 523:have utilized Freddie Records in the mid-1970s. 3818: 2698:. Vol. Billboard, no. 86. p. 36 2569: 1631: 1607: 1218: 705:. Tejano music journalist Rene Cabrera of the 4797:Maria Cortes, Gonzalez (September 16, 1994). 2869:Silva, Lupe; Brite, Charlie (July 27, 1974). 4644: 4578: 4534: 4158: 3692:"Bands to Perform at Local, Area Nightspots" 2397: 2290: 2242: 2057: 779:2000—present: Continued success and lawsuits 479:, and Joe Bravo. Ramirez's album was titled 4622: 4600: 3890: 3688: 3666: 3572: 3027: 2409: 2367: 2332: 1871: 1806: 1772: 1733: 1528: 1300: 672:Freddie Records granted Fandango USA album 4535:Hinojosa, Cassandra (September 14, 2006). 4428: 4280: 4260: 4240: 4220: 4140:"Freddie Records Leads Tejano Nominations" 3819:Galindo-Mendez, Mary (February 11, 1995). 2868: 2604: 2532: 2508: 2278: 2254: 2194: 2129: 2117: 2105: 2093: 1567: 1407: 546:into English-language music, entering the 276:concert in 1978 and recorded it for their 27: 4702: 4666: 4261:Medina, John Henry (September 13, 2019). 4200: 4180: 4137:Hinojosa, Cassandra (December 14, 2014). 4100: 3912: 3854: 3594: 3528: 3376: 3268: 3210: 3188: 2433: 2421: 2081: 2069: 1990: 1842: 1748: 1721: 1516: 1504: 1383: 1353: 1271: 4870:Companies based in Corpus Christi, Texas 4796: 4538:"Freddie Records Signs Dilley's Masizzo" 4136: 3232: 3132: 2548: 2520: 2320: 2033: 2002: 1978: 1487: 782: 4724: 4498: 4223:"Gary Hobbs signs with Freddie Records" 4104:"New Lawsuit Filed Against Record Firm" 3782: 3448: 3377:Mortensen, Eleanor (December 6, 1979). 3097: 2992: 2903: 2829: 2654: 2629: 2493: 2481: 2469: 2445: 2230: 1930: 1906: 1830: 1697: 1658: 1588: 1436: 1419: 1395: 869:Texas A&M University-Corpus Christi 4860:American companies established in 1969 4847: 4788:: CS1 maint: ref duplicates default ( 4760: 4752:: CS1 maint: ref duplicates default ( 4694:: CS1 maint: ref duplicates default ( 4604:"La Sombra Fever Heats Up Yellow Rose" 4526:: CS1 maint: ref duplicates default ( 4490:: CS1 maint: ref duplicates default ( 4462: 4454:: CS1 maint: ref duplicates default ( 4429:Carrizales, Sylvia M. (May 23, 2022). 4420:: CS1 maint: ref duplicates default ( 4395:Torres, Vanessa (September 24, 2019). 4394: 4346:: CS1 maint: ref duplicates default ( 4320: 4128:: CS1 maint: ref duplicates default ( 4092:: CS1 maint: ref duplicates default ( 4034:: CS1 maint: ref duplicates default ( 4010:"Freddie Records Tax Trial is Delayed" 4006: 3998:: CS1 maint: ref duplicates default ( 3970: 3951:"Freddie Records Get 5 Shot at Grammy" 3940:: CS1 maint: ref duplicates default ( 3882:: CS1 maint: ref duplicates default ( 3846:: CS1 maint: ref duplicates default ( 3810:: CS1 maint: ref duplicates default ( 3774:: CS1 maint: ref duplicates default ( 3738:: CS1 maint: ref duplicates default ( 3658:: CS1 maint: ref duplicates default ( 3622:: CS1 maint: ref duplicates default ( 3520:: CS1 maint: ref duplicates default ( 3496:"Tejanos Not Just Another Awards Show" 3492: 3440:: CS1 maint: ref duplicates default ( 3404:: CS1 maint: ref duplicates default ( 3368:: CS1 maint: ref duplicates default ( 3332:: CS1 maint: ref duplicates default ( 3304: 3296:: CS1 maint: ref duplicates default ( 3260:: CS1 maint: ref duplicates default ( 3180:: CS1 maint: ref duplicates default ( 3124:: CS1 maint: ref duplicates default ( 3089:: CS1 maint: ref duplicates default ( 3054:: CS1 maint: ref duplicates default ( 3019:: CS1 maint: ref duplicates default ( 2984:: CS1 maint: ref duplicates default ( 2930:: CS1 maint: ref duplicates default ( 2895:: CS1 maint: ref duplicates default ( 2860:: CS1 maint: ref duplicates default ( 2821:: CS1 maint: ref duplicates default ( 2786:: CS1 maint: ref duplicates default ( 2751:: CS1 maint: ref duplicates default ( 2724: 2716:: CS1 maint: ref duplicates default ( 2689: 2681:: CS1 maint: ref duplicates default ( 2596:: CS1 maint: ref duplicates default ( 2457: 2218: 2182: 2141: 1942: 1709: 1555: 1475: 1448: 1368: 1332: 1259: 4556: 4499:Pena, Dan; Leo, Barbi (May 5, 2006). 4374: 4354: 4321:Medina, John Henry (August 3, 2017). 4300: 4243:"Stevie D signs with Freddie Records" 4241:Medina, John Henry (April 20, 2022). 4221:Medina, John Henry (April 20, 2022). 4101:Hendricks, Dave (December 14, 2014). 4064: 4042: 3948: 3710: 3576:"La Mafia Steals into Alice Saturday" 3550: 3340: 3189:Brite, Charlie (September 30, 1972). 3156:"Norteno Iconos Los Tigres del Norte" 2904:Agudela, Carlos (December 14, 1985). 2655:Forrest, Ricardo (October 24, 1981). 2266: 2206: 2170: 2158: 1954: 1918: 1787: 1543: 1315: 1230: 1004:Conjunto Madrigal de Salmone Gonzales 4626:"Garza Headlines Ingleside Festival" 4601:Cabrera, Rene (September 20, 1991). 4579:Gonzalez, Guille (August 14, 1977). 4281:Medina, John Henry (July 15, 2019). 4159:Hinojosa, Cassandra (July 6, 2006). 3746: 3670:"Selena Tapes New Album at Coliseum" 3630: 3469: 3455:. Boston: Little Brown and Company. 3412: 3305:Gilpin, Linda (September 16, 1979). 3233:Gonzalez, Guile (October 24, 1976). 3211:Brite, Charlie (November 25, 1972). 3153: 3062: 2957: 2938: 2794: 2759: 2382: 2355: 2305: 2045: 2021: 1966: 1883: 1859: 1818: 1760: 1685: 1673: 1619: 743:. Among the nominees was Martinez's 4725:Cabrera, Rene (November 20, 1998). 4667:Maldonado, Vilma (March 18, 1994). 3913:Maldonado, Vilma (March 20, 1998). 3595:Maldonado, Vilma (March 29, 1992). 3341:Spies, Michael (December 2, 1979). 13: 4880:Latin American music record labels 4645:Gonzalez, Guille (July 31, 1977). 3891:Cabrera, Rene (January 24, 1997). 3783:Cabrera, Rene (January 13, 1995). 3747:Burr, Ramiro (September 2, 1994). 3667:Cabrera, Rene (February 5, 1993). 3631:Burr, Ramiro (December 17, 1992). 3308:"Hacienda: Home-Cooked Recordings" 3269:Mortensen, Eleanor (May 3, 1978). 2690:Sippel, John (September 7, 1974). 2572:"Billboard Spotlight: Texas Music" 741:Grammy Award for Best Tejano Album 359:Grammy Award for Best Tejano Album 14: 4906: 4895:Record labels established in 1969 4820: 4761:Romero, Linda (August 11, 2000). 4623:Cabrera, Rene (October 3, 1997). 4463:Jaimez, Eladio (April 14, 2011). 4068:"Freddie Records Says It's Broke" 3971:Ferman, Dave (January 17, 1999). 3855:Maldonado, Vilma (May 26, 1995). 3493:Suarez, Carmen (March 16, 1990). 3154:Cobo, Leila (November 18, 2006). 3098:Lannert, John (January 8, 2000). 2993:Lannert, John (August 28, 1999). 1123:Leonard Gonzales y Los Magnificos 851:named Freddie Records as the top 320:following their observation that 198:US$ 2 million (FY 1994) 16:American independent record label 3573:Cabrera, Rene (August 9, 1991). 3272:"Council Silences Cole Concerts" 3063:Burr, Ramiro (August 26, 2000). 2613:Texas A & M University Press 2549:Cobo, Leila (December 7, 2002). 506: 495: 211: 210: 194: 193: 4007:Parker, Dan (January 5, 2000). 3714:"Businesses Flock to Southside" 654:Corpus Christi State University 4502:"Siggno Signs Record Contract" 3711:Stein, Steve (July 10, 1994). 3689:Cabrera, Rene (July 2, 1993). 3413:Burr, Ramiro (March 1, 1987). 2958:Burr, Ramiro (July 25, 1998). 2830:Patoski, Joe Nick (May 1978). 2795:Burr, Ramiro (July 19, 1997). 2605:San Miguel, Guadalupe (2002). 2541: 1154:Rene Zapata y Grupo Presidente 810:for Ayala's tribute album for 763:, and Los Terribles del Norte 1: 4564:The Seguin Gazette-Enterprise 2725:Zuniga, Joe (July 20, 1974). 1203: 987:Cha Cha Jiminez (Los Chachos) 316:embarked on a boycott of the 4890:Record labels based in Texas 4855:1969 establishments in Texas 3162:. Vol. 118, no. 46 3141:. Vol. 114, no. 23 3133:Cobo, Leila (June 8, 2002). 3071:. Vol. 112, no. 35 3036:. Vol. 108, no. 33 3001:. Vol. 111, no. 35 2966:. Vol. 110, no. 30 2803:. Vol. 109, no. 29 2768:. Vol. 116, no. 19 2760:Burr, Ramiro (May 8, 2004). 2557:. Vol. 114, no. 49 1111:Los Rancheritos de Topochico 964:Agapito Zuniga y su Conjunto 7: 4814:– via Newspapers.com. 4778:– via Newspapers.com. 4742:– via Newspapers.com. 4733:Corpus Christi Caller-Times 4720:– via Newspapers.com. 4684:– via Newspapers.com. 4662:– via Newspapers.com. 4653:Corpus Christi Caller-Times 4640:– via Newspapers.com. 4631:Corpus Christi Caller-Times 4618:– via Newspapers.com. 4609:Corpus Christi Caller-Times 4596:– via Newspapers.com. 4587:Corpus Christi Caller-Times 4574:– via Newspapers.com. 4552:– via Newspapers.com. 4543:Corpus Christi Caller-Times 4516:– via Newspapers.com. 4507:Corpus Christi Caller-Times 4480:– via Newspapers.com. 4176:– via Newspapers.com. 4167:Corpus Christi Caller-Times 4154:– via Newspapers.com. 4145:Corpus Christi Caller-Times 4118:– via Newspapers.com. 4109:Corpus Christi Caller-Times 4082:– via Newspapers.com. 4073:Corpus Christi Caller-Times 4065:Foley, Sara (May 5, 2011). 4060:– via Newspapers.com. 4050:Corpus Christi Caller-Times 4024:– via Newspapers.com. 4015:Corpus Christi Caller-Times 3988:– via Newspapers.com. 3966:– via Newspapers.com. 3956:Corpus Christi Caller-Times 3930:– via Newspapers.com. 3908:– via Newspapers.com. 3899:Corpus Christi Caller-Times 3872:– via Newspapers.com. 3836:– via Newspapers.com. 3827:Corpus Christi Caller-Times 3800:– via Newspapers.com. 3791:Corpus Christi Caller-Times 3764:– via Newspapers.com. 3728:– via Newspapers.com. 3719:Corpus Christi Caller-Times 3706:– via Newspapers.com. 3697:Corpus Christi Caller-Times 3684:– via Newspapers.com. 3675:Corpus Christi Caller-Times 3648:– via Newspapers.com. 3634:"Label Boycott Mars Awards" 3612:– via Newspapers.com. 3590:– via Newspapers.com. 3581:Corpus Christi Caller-Times 3568:– via Newspapers.com. 3558:Corpus Christi Caller-Times 3546:– via Newspapers.com. 3536:Corpus Christi Caller-Times 3510:– via Newspapers.com. 3430:– via Newspapers.com. 3421:Corpus Christi Caller-Times 3394:– via Newspapers.com. 3385:Corpus Christi Caller-Times 3358:– via Newspapers.com. 3349:Corpus Christi Caller-Times 3322:– via Newspapers.com. 3313:Corpus Christi Caller-Times 3286:– via Newspapers.com. 3277:Corpus Christi Caller-Times 3250:– via Newspapers.com. 3241:Corpus Christi Caller-Times 3228:– via Newspapers.com. 3219:Corpus Christi Caller-Times 3206:– via Newspapers.com. 3197:Corpus Christi Caller-Times 3106:. Vol. 112, no. 2 2912:. Vol. 97, no. 50 2906:"Widening Latino Influence" 2877:. Vol. 86, no. 30 2733:. Vol. 86, no. 29 2663:. Vol. 93, no. 42 2578:. Vol. 93, no. 47 1191: 1099:Los Invasores de Nuevo Leon 995:Cindy Garza y Grupo Huracan 984:Cecilio Garza y Los Kasinos 769:Corpus Christi Caller-Times 727:, which sold 80,000 units. 708:Corpus Christi Caller-Times 678:Best Mexican-American Album 367:Corpus Christi Caller-Times 346:Corpus Christi Caller-Times 334:Best Mexican-American Album 10: 4911: 3449:Patoski, Joe Nick (1996). 1632:Guterrez & Wilson 1989 1608:Guterrez & Wilson 1989 1117:Los Sultanes de Nuevo Leon 879: 855:album imprint, surpassing 843:Sony's success with their 399: 4710:Austin American-Statesman 4648:"Concert to Ring at Noon" 3639:Austin American-Statesman 2692:"Texas Racks Competitive" 1045:Jesse Marroquin y Calidad 957: 874: 755:, Jaime y Los Chamacos's 735:and Tejano audiences. In 703:Tejano Roots Hall of Fame 324:'s artists dominated the 229: 219: 202: 189: 172: 127: 117: 107: 99: 81: 73: 59: 45: 35: 26: 3979:Fort Worth Star-Telegram 3755:Fort Worth Star-Telegram 3531:"Freddie Records Notice" 2939:Peña, Manuel H. (1999). 832:2004 Tejano Music Awards 801:Internal Revenue Service 382:Internal Revenue Service 250:independent record label 4865:Christian record labels 4836:Freddie Records channel 2630:Ragland, Cathy (2009). 2410:Lannert & Burr 1996 2398:Gonzalez & 1977 (b) 2291:Gonzalez & 1977 (a) 2243:Hinojosa & 2006 (b) 2058:Hinojosa & 2006 (a) 1807:Lannert & Burr 1996 1180:Xplosivo (or Explosivo) 1171:Sunny and the Sunliners 1089:Los Terribles del Norte 1065:Los Huracanes del Norte 1054:Jody Farias y Increible 972:Arturo Montes y Ternura 721:En Las Alas de Un Angel 642:Straight from the Heart 519:(pictured in 1977) and 363:inaugural 1999 ceremony 298:Straight from the Heart 143:Freddie Martinez, Jr. ( 136:Freddie Martinez, Sr. ( 2368:Cabrera & 1997 (b) 2333:Cabrera & 1991 (b) 1872:Cabrera & 1997 (a) 1773:Cabrera & 1993 (b) 1734:Cabrera & 1991 (a) 1529:Cabrera & 1993 (a) 1408:Silva & Brite 1974 1301:Cabrera & 1997 (a) 847:series. In June 2006, 793:Hayden Wilson Head Jr. 788: 690:Como Te Llamas Paloma? 438:Te Traiga Estas Flores 341:regional Mexican music 87:; 54 years ago 3501:Abilene Reporter-News 3470:Burr, Ramiro (1999). 2130:Medina & 2019 (b) 2118:Medina & 2019 (a) 2106:Medina & 2022 (b) 2094:Medina & 2022 (a) 1198:List of record labels 889:Freddie Martinez, Sr. 786: 773:the Recording Academy 767:. Dave Ferman of the 696:In an interview with 365:. Dave Ferman of the 254:Corpus Christi, Texas 215:US$ 1,200 (2011) 112:Corpus Christi, Texas 103:Freddie Martinez, Sr. 85:November 1, 1969 4705:"Top Tejano Singles" 4382:. September 24, 2015 3452:Selena: Como La Flor 2995:"Latin Music 6 Pack" 2727:"Freddie in Chicago" 2434:Anon. & 1990 (b) 2082:Anon. & 2019 (b) 2070:Anon. & 2019 (a) 1722:Anon. & 1990 (a) 1384:Brite & 1972 (b) 1354:Brite & 1972 (a) 1120:Leticia y Xperiencia 1107:Los Baron de Apodaca 1051:Jaime y Los Chamacos 753:Live...En Concierto! 686:Se Cansaron?... Otra 650:Good Boys Wear White 576:Schlitz beer company 306:Good Boys Wear White 4208:. December 10, 2019 3974:"All in the Family" 3538:. November 18, 1990 3478:. Billboard books. 3065:"Viva Los Dot-Coms" 2321:Cobo & 2002 (a) 2231:Pena & Leo 2006 2003:Cobo & 2002 (b) 1979:Cobo & 2002 (a) 1219:Galindo-Mendez 1995 1103:Los Hermanos Barron 1016:Delores y Esperanza 903:Pio Treviño y Majic 765:Colgado de un Arbol 662:Tejano Music Awards 481:Numero Uno Orta Vez 318:Tejano Music Awards 221:Number of employees 23: 4712:. November 8, 1990 4308:. October 19, 2017 4188:. October 29, 2019 2638:Temple Univ. Press 1809:, pp. 40, 42. 1166:Selena y Los Dinos 789: 682:1995 Grammy Awards 592:cassette tape and 421:Corpus Christi Bay 330:1995 Grammy Awards 77:Studio B Recording 21: 4885:Pop record labels 4362:. October 4, 2019 3958:. January 6, 1999 3380:"Around the City" 1233:, pp. 1, A6. 1141:Pantera del Norte 745:Leyendas y Raices 536:mom and pop shops 373:'s announcement. 371:Recording Academy 326:1992 awards event 243: 242: 4902: 4832: 4829: 4815: 4813: 4811: 4802: 4793: 4787: 4779: 4777: 4775: 4766: 4757: 4751: 4743: 4741: 4739: 4730: 4721: 4719: 4717: 4707: 4699: 4693: 4685: 4683: 4681: 4672: 4663: 4661: 4659: 4650: 4641: 4639: 4637: 4628: 4619: 4617: 4615: 4606: 4597: 4595: 4593: 4584: 4575: 4573: 4571: 4561: 4559:"Sister, Sister" 4553: 4551: 4549: 4540: 4531: 4525: 4517: 4515: 4513: 4504: 4495: 4489: 4481: 4479: 4477: 4468: 4459: 4453: 4445: 4443: 4441: 4425: 4419: 4411: 4409: 4407: 4391: 4389: 4387: 4371: 4369: 4367: 4351: 4345: 4337: 4335: 4333: 4317: 4315: 4313: 4297: 4295: 4293: 4277: 4275: 4273: 4257: 4255: 4253: 4237: 4235: 4233: 4217: 4215: 4213: 4197: 4195: 4193: 4177: 4175: 4173: 4164: 4155: 4153: 4151: 4142: 4133: 4127: 4119: 4117: 4115: 4106: 4097: 4091: 4083: 4081: 4079: 4070: 4061: 4059: 4057: 4047: 4039: 4033: 4025: 4023: 4021: 4012: 4003: 3997: 3989: 3987: 3985: 3976: 3967: 3965: 3963: 3953: 3945: 3939: 3931: 3929: 3927: 3918: 3909: 3907: 3905: 3896: 3887: 3881: 3873: 3871: 3869: 3860: 3851: 3845: 3837: 3835: 3833: 3824: 3815: 3809: 3801: 3799: 3797: 3788: 3779: 3773: 3765: 3763: 3761: 3752: 3743: 3737: 3729: 3727: 3725: 3716: 3707: 3705: 3703: 3694: 3685: 3683: 3681: 3672: 3663: 3657: 3649: 3647: 3645: 3636: 3627: 3621: 3613: 3611: 3609: 3600: 3591: 3589: 3587: 3578: 3569: 3567: 3565: 3560:. April 19, 1991 3555: 3547: 3545: 3543: 3533: 3525: 3519: 3511: 3509: 3507: 3498: 3489: 3477: 3466: 3445: 3439: 3431: 3429: 3427: 3418: 3416:"Hispanic Music" 3409: 3403: 3395: 3393: 3391: 3382: 3373: 3367: 3359: 3357: 3355: 3346: 3344:"For the Record" 3337: 3331: 3323: 3321: 3319: 3310: 3301: 3295: 3287: 3285: 3283: 3274: 3265: 3259: 3251: 3249: 3247: 3238: 3229: 3227: 3225: 3216: 3207: 3205: 3203: 3194: 3185: 3179: 3171: 3169: 3167: 3150: 3148: 3146: 3129: 3123: 3115: 3113: 3111: 3094: 3088: 3080: 3078: 3076: 3059: 3053: 3045: 3043: 3041: 3024: 3018: 3010: 3008: 3006: 2989: 2983: 2975: 2973: 2971: 2954: 2935: 2929: 2921: 2919: 2917: 2900: 2894: 2886: 2884: 2882: 2865: 2859: 2851: 2849: 2847: 2826: 2820: 2812: 2810: 2808: 2791: 2785: 2777: 2775: 2773: 2756: 2750: 2742: 2740: 2738: 2721: 2715: 2707: 2705: 2703: 2686: 2680: 2672: 2670: 2668: 2651: 2626: 2601: 2595: 2587: 2585: 2583: 2566: 2564: 2562: 2536: 2530: 2524: 2518: 2512: 2506: 2497: 2491: 2485: 2479: 2473: 2467: 2461: 2455: 2449: 2443: 2437: 2431: 2425: 2419: 2413: 2407: 2401: 2395: 2386: 2380: 2371: 2365: 2359: 2353: 2336: 2330: 2324: 2318: 2309: 2303: 2294: 2288: 2282: 2276: 2270: 2264: 2258: 2252: 2246: 2240: 2234: 2228: 2222: 2216: 2210: 2204: 2198: 2192: 2186: 2180: 2174: 2168: 2162: 2156: 2145: 2139: 2133: 2127: 2121: 2115: 2109: 2103: 2097: 2091: 2085: 2079: 2073: 2067: 2061: 2055: 2049: 2043: 2037: 2031: 2025: 2019: 2006: 2000: 1994: 1988: 1982: 1976: 1970: 1964: 1958: 1952: 1946: 1940: 1934: 1928: 1922: 1916: 1910: 1904: 1887: 1881: 1875: 1869: 1863: 1857: 1846: 1840: 1834: 1828: 1822: 1816: 1810: 1804: 1791: 1785: 1776: 1770: 1764: 1758: 1752: 1746: 1737: 1731: 1725: 1719: 1713: 1707: 1701: 1695: 1689: 1683: 1677: 1671: 1662: 1656: 1635: 1629: 1623: 1617: 1611: 1605: 1592: 1591:, p. LA-55. 1586: 1571: 1565: 1559: 1553: 1547: 1541: 1532: 1526: 1520: 1514: 1508: 1502: 1491: 1485: 1479: 1473: 1452: 1446: 1440: 1434: 1423: 1417: 1411: 1405: 1399: 1393: 1387: 1381: 1372: 1366: 1357: 1351: 1336: 1330: 1319: 1313: 1304: 1298: 1275: 1269: 1263: 1257: 1234: 1228: 1222: 1216: 1041:Johnny Hernandez 1028:Grupo Centenario 1013:Delia y Culturas 863:, and Fonovisa. 853:regional Mexican 658:León, Guanajuato 611:Lookin' for Love 572:Live for Schlitz 510: 499: 456: 433:cash-on-delivery 278:Live for Schlitz 239: 236: 214: 213: 207: 197: 196: 95: 93: 88: 31: 24: 20: 4910: 4909: 4905: 4904: 4903: 4901: 4900: 4899: 4845: 4844: 4826: 4823: 4818: 4809: 4807: 4781: 4780: 4773: 4771: 4745: 4744: 4737: 4735: 4715: 4713: 4687: 4686: 4679: 4677: 4657: 4655: 4635: 4633: 4613: 4611: 4591: 4589: 4569: 4567: 4566:. March 7, 1997 4547: 4545: 4519: 4518: 4511: 4509: 4483: 4482: 4475: 4473: 4447: 4446: 4439: 4437: 4413: 4412: 4405: 4403: 4385: 4383: 4365: 4363: 4339: 4338: 4331: 4329: 4311: 4309: 4291: 4289: 4271: 4269: 4251: 4249: 4231: 4229: 4211: 4209: 4191: 4189: 4171: 4169: 4149: 4147: 4121: 4120: 4113: 4111: 4085: 4084: 4077: 4075: 4055: 4053: 4052:. June 15, 2000 4027: 4026: 4019: 4017: 3991: 3990: 3983: 3981: 3961: 3959: 3933: 3932: 3925: 3923: 3903: 3901: 3875: 3874: 3867: 3865: 3839: 3838: 3831: 3829: 3803: 3802: 3795: 3793: 3767: 3766: 3759: 3757: 3731: 3730: 3723: 3721: 3701: 3699: 3679: 3677: 3651: 3650: 3643: 3641: 3615: 3614: 3607: 3605: 3585: 3583: 3563: 3561: 3541: 3539: 3513: 3512: 3505: 3503: 3486: 3463: 3433: 3432: 3425: 3423: 3397: 3396: 3389: 3387: 3361: 3360: 3353: 3351: 3325: 3324: 3317: 3315: 3289: 3288: 3281: 3279: 3253: 3252: 3245: 3243: 3223: 3221: 3201: 3199: 3173: 3172: 3165: 3163: 3144: 3142: 3117: 3116: 3109: 3107: 3082: 3081: 3074: 3072: 3047: 3046: 3039: 3037: 3012: 3011: 3004: 3002: 2977: 2976: 2969: 2967: 2951: 2923: 2922: 2915: 2913: 2888: 2887: 2880: 2878: 2853: 2852: 2845: 2843: 2814: 2813: 2806: 2804: 2779: 2778: 2771: 2769: 2744: 2743: 2736: 2734: 2709: 2708: 2701: 2699: 2674: 2673: 2666: 2664: 2648: 2640:. p. 268. 2623: 2615:. p. 192. 2589: 2588: 2581: 2579: 2560: 2558: 2544: 2539: 2533:San Miguel 2002 2531: 2527: 2519: 2515: 2509:San Miguel 2002 2507: 2500: 2492: 2488: 2484:, p. M-20. 2480: 2476: 2468: 2464: 2456: 2452: 2444: 2440: 2432: 2428: 2424:, p. E-24. 2420: 2416: 2408: 2404: 2396: 2389: 2381: 2374: 2366: 2362: 2354: 2339: 2331: 2327: 2319: 2312: 2304: 2297: 2289: 2285: 2279:San Miguel 2002 2277: 2273: 2265: 2261: 2255:San Miguel 2002 2253: 2249: 2241: 2237: 2229: 2225: 2217: 2213: 2205: 2201: 2195:Carrizales 2022 2193: 2189: 2181: 2177: 2169: 2165: 2157: 2148: 2140: 2136: 2128: 2124: 2116: 2112: 2104: 2100: 2092: 2088: 2080: 2076: 2068: 2064: 2056: 2052: 2044: 2040: 2032: 2028: 2020: 2009: 2001: 1997: 1989: 1985: 1977: 1973: 1965: 1961: 1953: 1949: 1941: 1937: 1929: 1925: 1917: 1913: 1905: 1890: 1882: 1878: 1870: 1866: 1858: 1849: 1841: 1837: 1829: 1825: 1817: 1813: 1805: 1794: 1786: 1779: 1771: 1767: 1759: 1755: 1747: 1740: 1732: 1728: 1720: 1716: 1708: 1704: 1696: 1692: 1684: 1680: 1672: 1665: 1661:, p. M-18. 1657: 1638: 1634:, p. T-40. 1630: 1626: 1618: 1614: 1610:, p. T-28. 1606: 1595: 1587: 1574: 1568:San Miguel 2002 1566: 1562: 1554: 1550: 1542: 1535: 1527: 1523: 1515: 1511: 1503: 1494: 1486: 1482: 1478:, p. T-22. 1474: 1455: 1447: 1443: 1435: 1426: 1418: 1414: 1406: 1402: 1394: 1390: 1382: 1375: 1367: 1360: 1352: 1339: 1335:, p. FM-3. 1331: 1322: 1314: 1307: 1299: 1278: 1270: 1266: 1258: 1237: 1229: 1225: 1221:, p. E-18. 1217: 1210: 1206: 1194: 1189: 1176:Tony de la Rosa 968:Agustin Ramirez 960: 955: 944:Grupo Zamorales 935:Michael Salgado 882: 877: 781: 761:Casas de Madera 584: 548:film production 527: 526: 525: 524: 513: 512: 511: 502: 501: 500: 473:Agustin Ramirez 454: 425:Hurricane Celia 407: 402: 266:Agustin Ramirez 248:is an American 246:Freddie Records 233: 222: 203: 185: 168: 156:project manager 154:John Martinez ( 149:general manager 130: 120: 91: 89: 86: 52: 22:Freddie Records 17: 12: 11: 5: 4908: 4898: 4897: 4892: 4887: 4882: 4877: 4872: 4867: 4862: 4857: 4843: 4842: 4833: 4822: 4821:External links 4819: 4817: 4816: 4794: 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1911: 1888: 1876: 1864: 1847: 1843:Maldonado 1995 1835: 1823: 1821:, p. 118. 1811: 1792: 1790:, p. 105. 1777: 1765: 1753: 1749:Maldonado 1992 1738: 1726: 1714: 1702: 1690: 1678: 1676:, p. 189. 1663: 1636: 1624: 1612: 1593: 1572: 1560: 1548: 1533: 1521: 1517:Mortensen 1979 1509: 1505:Mortensen 1978 1492: 1480: 1453: 1441: 1439:, p. 134. 1424: 1422:, p. 129. 1412: 1400: 1398:, p. 212. 1388: 1373: 1358: 1337: 1320: 1305: 1276: 1272:Maldonado 1998 1264: 1235: 1223: 1207: 1205: 1202: 1201: 1200: 1193: 1190: 1188: 1187: 1184: 1181: 1178: 1173: 1168: 1163: 1160: 1158:Roberto Pulido 1155: 1152: 1147: 1142: 1139: 1134: 1132:Oscar Martinez 1129: 1124: 1121: 1118: 1115: 1112: 1109: 1104: 1101: 1096: 1093: 1090: 1087: 1082: 1081:Lennie Salinas 1079: 1076: 1071: 1066: 1063: 1060: 1058:Jimmy Gonzalez 1055: 1052: 1049: 1046: 1043: 1038: 1035: 1032: 1029: 1026: 1025:Grupo Estrella 1023: 1020: 1019:Eddie Olivares 1017: 1014: 1011: 1008: 1005: 1002: 999: 996: 993: 991:Cornelio Reyna 988: 985: 982: 979: 976: 975:Alfredo Zuniga 973: 970: 965: 961: 959: 956: 954: 953: 950: 945: 942: 937: 932: 929: 926: 923: 918: 915: 910: 907: 904: 901: 898: 895: 890: 886: 881: 878: 876: 873: 857:Sony BMG Norte 816:El Numero Cien 780: 777: 725:El Ultimo Paso 717:Cornelio Reyna 589:cassette tapes 583: 580: 515: 514: 505: 504: 503: 494: 493: 492: 491: 490: 477:Oscar Martinez 406: 403: 401: 398: 390:Sony BMG Norte 270:Oscar Martinez 241: 240: 231: 227: 226: 225:25 (1999) 223: 220: 217: 216: 208: 200: 199: 191: 187: 186: 184: 183: 180: 176: 174: 170: 169: 167: 166: 161:Lee Martinez ( 159: 152: 141: 133: 131: 128: 125: 124: 121: 118: 115: 114: 109: 105: 104: 101: 97: 96: 83: 79: 78: 75: 71: 70: 61: 57: 56: 47: 43: 42: 37: 33: 32: 15: 9: 6: 4: 3: 2: 4907: 4896: 4893: 4891: 4888: 4886: 4883: 4881: 4878: 4876: 4873: 4871: 4868: 4866: 4863: 4861: 4858: 4856: 4853: 4852: 4850: 4841: 4837: 4834: 4831: 4825: 4824: 4806: 4805:El Paso Times 4801: 4795: 4791: 4785: 4770: 4765: 4759: 4755: 4749: 4734: 4729: 4723: 4711: 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2898: 2892: 2891:cite magazine 2876: 2872: 2867: 2863: 2857: 2841: 2837: 2836:Texas Monthly 2833: 2828: 2824: 2818: 2817:cite magazine 2802: 2798: 2793: 2789: 2783: 2782:cite magazine 2767: 2763: 2758: 2754: 2748: 2747:cite magazine 2732: 2728: 2723: 2719: 2713: 2712:cite magazine 2697: 2693: 2688: 2684: 2678: 2677:cite magazine 2662: 2658: 2653: 2649: 2643: 2639: 2635: 2634: 2628: 2624: 2618: 2614: 2610: 2609: 2603: 2599: 2593: 2592:cite magazine 2577: 2573: 2568: 2556: 2552: 2547: 2546: 2534: 2529: 2523:, p. 72. 2522: 2521:Gonzalez 1994 2517: 2510: 2505: 2503: 2495: 2490: 2483: 2478: 2471: 2466: 2460:, p. 51. 2459: 2454: 2448:, p. 74. 2447: 2442: 2435: 2430: 2423: 2418: 2412:, p. 40. 2411: 2406: 2400:, p. 75. 2399: 2394: 2392: 2385:, p. 52. 2384: 2379: 2377: 2370:, p. 70. 2369: 2364: 2357: 2352: 2350: 2348: 2346: 2344: 2342: 2335:, p. 71. 2334: 2329: 2323:, p. 60. 2322: 2317: 2315: 2308:, p. 67. 2307: 2302: 2300: 2293:, p. 58. 2292: 2287: 2280: 2275: 2268: 2263: 2256: 2251: 2245:, p. 41. 2244: 2239: 2233:, p. 45. 2232: 2227: 2220: 2215: 2208: 2203: 2196: 2191: 2184: 2179: 2172: 2167: 2160: 2155: 2153: 2151: 2143: 2138: 2131: 2126: 2119: 2114: 2107: 2102: 2095: 2090: 2083: 2078: 2071: 2066: 2060:, p. 33. 2059: 2054: 2048:, p. 37. 2047: 2042: 2036:, p. 16. 2035: 2034:Hinojosa 2004 2030: 2024:, p. 19. 2023: 2018: 2016: 2014: 2012: 2005:, p. 60. 2004: 1999: 1993:, p. 10. 1992: 1987: 1981:, p. 57. 1980: 1975: 1969:, p. 70. 1968: 1963: 1957:, p. 13. 1956: 1951: 1945:, p. 13. 1944: 1939: 1933:, p. 37. 1932: 1927: 1920: 1915: 1909:, p. 52. 1908: 1903: 1901: 1899: 1897: 1895: 1893: 1886:, p. 54. 1885: 1880: 1874:, p. 59. 1873: 1868: 1862:, p. 44. 1861: 1856: 1854: 1852: 1845:, p. 66. 1844: 1839: 1833:, p. 33. 1832: 1827: 1820: 1815: 1808: 1803: 1801: 1799: 1797: 1789: 1784: 1782: 1775:, p. 90. 1774: 1769: 1763:, p. 96. 1762: 1757: 1751:, p. 48. 1750: 1745: 1743: 1736:, p. 73. 1735: 1730: 1724:, p. 45. 1723: 1718: 1712:, p. 16. 1711: 1706: 1700:, p. 84. 1699: 1694: 1688:, p. 15. 1687: 1682: 1675: 1670: 1668: 1660: 1655: 1653: 1651: 1649: 1647: 1645: 1643: 1641: 1633: 1628: 1622:, p. 54. 1621: 1616: 1609: 1604: 1602: 1600: 1598: 1590: 1585: 1583: 1581: 1579: 1577: 1570:, p. 16. 1569: 1564: 1558:, p. 33. 1557: 1552: 1546:, p. 57. 1545: 1540: 1538: 1531:, p. 65. 1530: 1525: 1518: 1513: 1506: 1501: 1499: 1497: 1490:, p. 76. 1489: 1488:Gonzalez 1976 1484: 1477: 1472: 1470: 1468: 1466: 1464: 1462: 1460: 1458: 1451:, p. 38. 1450: 1445: 1438: 1433: 1431: 1429: 1421: 1416: 1410:, p. 29. 1409: 1404: 1397: 1392: 1386:, p. 16. 1385: 1380: 1378: 1371:, p. 36. 1370: 1365: 1363: 1356:, p. 29. 1355: 1350: 1348: 1346: 1344: 1342: 1334: 1329: 1327: 1325: 1318:, p. 51. 1317: 1312: 1310: 1303:, p. 61. 1302: 1297: 1295: 1293: 1291: 1289: 1287: 1285: 1283: 1281: 1274:, p. 52. 1273: 1268: 1262:, p. 65. 1261: 1256: 1254: 1252: 1250: 1248: 1246: 1244: 1242: 1240: 1232: 1227: 1220: 1215: 1213: 1208: 1199: 1196: 1195: 1185: 1182: 1179: 1177: 1174: 1172: 1169: 1167: 1164: 1161: 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Retrieved 2554: 2528: 2516: 2494:Ragland 2009 2489: 2482:Agudela 1985 2477: 2470:Ragland 2009 2465: 2453: 2446:Cabrera 1998 2441: 2429: 2417: 2405: 2363: 2328: 2286: 2274: 2269:, p. 5. 2262: 2250: 2238: 2226: 2214: 2202: 2190: 2178: 2166: 2137: 2125: 2113: 2101: 2089: 2077: 2065: 2053: 2041: 2029: 1998: 1986: 1974: 1962: 1950: 1938: 1931:Lannert 2000 1926: 1921:, p. 2. 1914: 1907:Lannert 1999 1879: 1867: 1838: 1831:Cabrera 1995 1826: 1814: 1768: 1756: 1729: 1717: 1705: 1698:Patoski 1996 1693: 1681: 1659:Agudela 1985 1627: 1615: 1589:Forrest 1981 1563: 1551: 1524: 1519:, p. 3. 1512: 1507:, p. 1. 1483: 1444: 1437:Ragland 2009 1420:Ragland 2009 1415: 1403: 1396:Patoski 1978 1391: 1267: 1226: 1150:Patsy Torres 1114:Los Playboys 1085:Los Donnenos 1078:Los Bandidos 1037:Grupo Sierra 1022:Fandango USA 928:David Farias 906:David Farias 883: 865: 861:EMI Televisa 848: 844: 839: 835: 829: 815: 805: 790: 768: 764: 760: 756: 752: 744: 728: 724: 720: 706: 697: 694: 689: 685: 673: 671: 649: 644:(1989), and 641: 635: 603: 598: 585: 571: 564:city manager 556: 534:vendors and 528: 521:Don Williams 484: 480: 466: 463:Don Williams 451: 447: 441: 437: 429: 408: 394:EMI Televisa 385: 375: 366: 350: 344: 338: 305: 297: 291: 277: 245: 244: 235:freddiestore 205:Total assets 108:Headquarters 64:Tejano music 36:Company type 18: 4769:The Monitor 4675:The Monitor 4471:The Monitor 4206:KRIS 6 News 4186:KRIS 6 News 3921:The Monitor 3863:The Monitor 3603:The Monitor 2542:Works cited 2458:Romero 2000 2219:Jaimez 2011 2183:Torres 2019 2142:Medina 2017 1943:Parker 2000 1710:Suarez 1990 1556:Gilpin 1979 1476:Sippel 1974 1449:Zuniga 1974 1369:Zuniga 1974 1333:Zuniga 1974 1260:Ferman 1999 1162:Ram y Henry 1095:Latin Breed 981:Alma Tejana 940:Elida Reyna 925:Grupo Vidal 893:Ramón Ayala 845:La Historia 827:musicians. 825:banda music 540:Ramon Ayala 532:flea market 300:(1989) and 262:Ramón Ayala 252:founded in 119:Area served 74:Predecessor 4849:Categories 2950:0890968888 2622:1585441880 2267:Anon. 1997 2207:Anon. 2017 2171:Anon. 2019 2159:Anon. 2015 1955:Anon. 2000 1919:Anon. 1999 1788:Stein 1994 1544:Spies 1979 1316:Anon. 1991 1231:Foley 2011 1204:References 1127:La Tropa F 1074:Little Joe 1001:Cana Verde 897:Gary Hobbs 821:Luis Silva 808:WEA Latina 759:, Ayala's 631:Bob Grever 619:WEA Latina 607:Johnny Lee 574:, for the 568:Little Joe 488:Christi. 274:Little Joe 129:Key people 92:1969-11-01 4784:cite news 4748:cite news 4690:cite news 4522:cite news 4486:cite news 4342:cite news 4124:cite news 4088:cite news 4030:cite news 3994:cite news 3936:cite news 3878:cite news 3842:cite news 3806:cite news 3770:cite news 3734:cite news 3654:cite news 3618:cite news 3516:cite news 3436:cite news 3400:cite news 3364:cite news 3328:cite news 3292:cite news 3256:cite news 3160:Billboard 3139:Billboard 3104:Billboard 3069:Billboard 3034:Billboard 2999:Billboard 2964:Billboard 2910:Billboard 2875:Billboard 2801:Billboard 2766:Billboard 2731:Billboard 2696:Billboard 2661:Billboard 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Index


Private
Music
Entertainment
Tejano music
Norteño
Corpus Christi, Texas
CEO
president
general manager
project manager
SVP
Total assets
freddiestore.com
independent record label
Corpus Christi, Texas
Tejano
Ramón Ayala
Agustin Ramirez
Oscar Martinez
Little Joe
cassette tape
8-track
Mazz
La Sombra
Sony
Fonovisa
Tejano Music Awards
EMI Latin
1992 awards event

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