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311:. He also played in London, where he liked neither the language nor the weather. There is a story about his visit to England: after a concert, some people saw that the musician was in low spirits. "What is the matter, maestro?" they asked him. "Do you miss home? Your family, perhaps?" They advised him to capture that moment of sadness in his music. Thus he conceived the theme of one of his most memorable works,
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404:, which he first dedicated to Concepción in 1899 with the title "A Granada." He later dedicated a revised published version of this piece to Alfred Cottin, the French guitarist he had met in Paris while participating in a concert on a visit accompanied and almost certainly sponsored by Gómez de Jacoby.
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Tárrega composed music in the romantic style of 19th-century
European masters. His conservatory training and familiarity with contemporary classical genres and techniques are apparent in his compositions and transcriptions; these are more sophisticated than those of Spanish guitarist-composers of the
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Francisco Tárrega and María José (María Josefa) Rizo had three more children: Paquito (Francisco), Maria
Rosatia (María Rosalia) (best known as Marieta) and Concepción. On a concert tour in Valencia shortly afterward, Tárrega met the wealthy Concepción Gómez de Jacoby, who became a valuable patron to
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lessons as well. The guitar was viewed as an instrument to accompany singers, while the piano was quite popular throughout Europe. However, Tárrega had to stop his lessons shortly after, when Arcas left for a concert tour abroad. Although Tárrega was only ten years old, he ran away and tried to start
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and others. Tárrega and his wife moved to Madrid, gaining their living by teaching privately and playing concerts, but after the death of an infant daughter during the winter, Maria Josefa de los
Angeles Tárrega Rizo, they settled permanently in Barcelona in 1885. Among his friends in Barcelona were
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Although only 19 original compositions were published in his lifetime, Francisco Tárrega composed approximately 80 original pieces and 120 transcriptions – mostly for his own use and that of his students. Most of his later published works were edited by others, and often altered. His favored genres
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Enrique Garcia, n°74 (1906) - This instrument was gifted by Tárrega to his friend Alfred Cottin, to whom he dedicated the composition
Recuerdos de la Alhambra. It then became the official guitar of 'Les Amis de la Guitare', a circle of Parisian guitarists, where it was played by Django Reinhardt,
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family. His father looked for him and brought him back home once more, but he ran away a third time, again to
Valencia. By his early teens, Tárrega was proficient on both the piano and the guitar. For a time, he played with other musicians at local engagements to earn money, but eventually he
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and several other music styles on his guitar; when his father was away working as a watchman at the
Convent of San Pascual, Francisco would take his father's guitar and attempt to make the beautiful sounds he had heard. Francisco's nickname as a child was "Quiquet".
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were pupils of his) and giving regular concerts. Tárrega received much acclaim for his playing and began traveling to other areas of Spain to perform. By this time he was composing his first works for guitar, which he played in addition to works of other composers.
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based on that rhythm. In about 1902, he cut his fingernails and created a sound that would become typical of those guitarists later associated with his school. The following year he went on tour to Italy, performing in Rome, Naples, and Milan.
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Diccionario biográfico–bibliográfico—histórico: crítico de guitarras (instrumentos afines), guitarristas (profesores–compositores–concertistas–lahudistas–amateurs), guitarreros (luthiers). Danzas y cantos—terminología
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phones. It appears on these phones in a variety of different styles and instrumentations; for example, phones from 2002 to 2007 include piano-based renditions, while phones released during 2008 to 2010 feature a
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a musical career on his own by playing in coffee houses and restaurants in
Barcelona. He was soon found and brought back to his father, who had to make great sacrifices to advance his son's musical education.
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As a child, he ran away from his nanny and fell into an irrigation channel and injured his eyes. Fearing that his son might lose his sight completely, his father moved the family to
269:. Its superior sonic qualities inspired him both in his playing and in his view of the instrument's compositional potential. At the conservatory, Tárrega studied composition under
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He transcribed many works from the piano (he was a capable keyboard player), violin and the operatic repertory. As with several of his
Spanish contemporaries, such as his friend
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In
January 1906, he was afflicted with paralysis on his right side, and though he would eventually return to performing, he never completely recovered. He finished his last work,
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to attend music classes because as a musician he would be able to earn a living, even if blind. Both his first music teachers, Eugeni Ruiz and Manuel González, were blind.
300:, where, after the concert, an important man in town asked the artist to listen to his daughter, María José Rizo, who was learning to play guitar. Soon they were engaged.
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791:: "Jeff Elliott (left) restored these important guitars by Gonzalez and Torres. They are owned by Shel Urlik (centre) and were played by Kenton Youngstrom (right.)" (
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Tárrega is considered to have laid the foundations for 20th-century classical guitar and for increasing interest in the guitar as a recital instrument.
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in 1874, under the sponsorship of a wealthy merchant named
Antonio Canesa. He had brought along with him a recently purchased guitar, made in
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To enlarge his guitar repertory and to make use of his considerable knowledge of keyboard music, he soon began transcribing piano works of
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From the later 1880s up to 1903, Tárrega continued composing and traveling, but limited his concerts to Spain. In 1900, Tárrega visited
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by Emilio Pujol (Lisboa: Talleres Gráficos de Ramos, Afonso & Moita, L.D.A., 1960/ Valencia: Artes Gráficas Soler. S.A., 1978).
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620:, FE 17 (1869) – This is the guitar that was given to 17 year old Francisco Tárrega by Torres personally after hearing him play.
317:(teardrop). After playing in London he returned to Novelda for his wedding. At Christmas 1882, Tárrega married María José Rizo.
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previous generation and his contemporaries, e.g., Magín Alegre, Tomás Damas, Julián Arcas, José Viñas, and José Ferrer.
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among others. In 2019 Kyuhee Park recorded a video of Recuerdos de la Alhambra on this guitar. (See External Link)
516:(several with Spanish, Moorish and Arabic allusions) including preludes, etudes, caprices, serenades, and dances.
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1013:(with MIDI music files, that are not at all reflective of Tárrega's performance style, but instead of sheetmusic)
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him. She allowed him and his family use of part of her house outside Barcelona. Later she took him to
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of the guitar," although Tárrega preferred small intimate performances over the concert stage.
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895:", published by Excmo. Ayuntamiento de Vila-Real and Instituto Valenciano de la Música
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During the winter of 1880, Tárrega replaced his friend Luis de Soria, in a concert in
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who convinced him to focus on guitar and abandon the idea of a career with the piano.
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by Adrián Rius Espinós (includes CD with historical recordings by Josefina Robledo;
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Concepción Gómez de Jacoby: Tárrega’s Enigmatic Patron and Recuerdos de la Alhambra
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http://michaelorenz.blogspot.com/2020/11/concepcion-gomez-de-jacoby-tarregas.html
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687:"Viola Virtuosa Albéniz, Tárrega, Sor Vier Solo Transkriptionen aus Spanien"
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to study with him. Tárrega's father agreed, but insisted that his son take
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174:(21 November 1852 – 15 December 1909) was a Spanish
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In 1881, Tárrega played in the Opera Theatre in Lyon and then the
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by Adrián Rius Espinós, published by Ayuntamiento de Vila-Real,
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Three years later, in 1865, he ran away again, this time to
2007:
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by Wolf Moser, published by Piles Editorial de Música S.A.
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Francisco Tárrega y la guitarra en Espana entre 1830 y 1960
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from Francisco Tárrega's room in the Vila-real City Museum
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By the end of the 1870s, Tárrega was teaching the guitar (
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Torres, SE 114 (1888); in the collection of Sheldon Urlik
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published his arrangements for solo viola of the Tango,
387:(1904); (right): Monument to Tarrega in Castellón, Spain
1060:"Kyuhee Park | Recuerdos de la Alhambra (F. Tárrega)"
717:"Kyuhee Park | Recuerdos de la Alhambra (F. Tárrega)"
16:
Spanish composer and classical guitarist (1852–1909)
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Estudio Temático Filatélico sobre Francisco Tárrega
852:by Domingo Prat (Buenos Aires: Romero y Fernández
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A virtuoso on his instrument, he was known as the "
214:, Spain. It is said that Francisco's father played
926:by Michel Beauchamp, edited by Productions d'Oz.
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398:, which later inspired the guitarist to write
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645:"FRANCISCO DE ASIS TARREGA EIXEA 1852-1909"
608:Tárrega's guitar, made by "Ribot y Alcañiz"
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745:"Photo of a Torres guitar used by Tárrega"
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974:International Music Score Library Project
950:Francisco Tárrega, Collected Guitar Works
499:List of compositions by Francisco Tárrega
206:Tárrega was born on 21 November 1852, in
69:Learn how and when to remove this message
924:Francisco Tárrega, Complete Guitar Works
603:
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319:
32:This article includes a list of general
836:10.1093/gmo/9781561592630.article.27525
186:period. He is known for such pieces as
2273:Composers from the Valencian Community
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912:, published by Edition Saint-Georges.
885:Francisco Tárrega – Selección de Obras
530:, an excerpt of which was used in the
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899:Francisco Tárrega, Werden und Wirkung
566:The guitars used by Tárrega include:
307:, in the bicentenary of the death of
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2258:20th-century Spanish male musicians
2238:19th-century Spanish male musicians
2081:Tchaikovsky and the Belyayev circle
1017:Tárrega / Walter Leckie Manuscripts
862:Francisco Tárrega Biografía Oficial
816:Heck, Thomas F. (20 January 2001).
507:Sheet music of Tárrega compositions
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2268:Composers for the classical guitar
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254:returned home to help his family.
38:it lacks sufficient corresponding
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172:Francisco de Asís Tárrega y Eixea
104:Francisco de Asís Tárrega y Eixea
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2243:20th-century classical composers
2223:19th-century classical composers
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970:Free scores by Francisco Tárrega
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469:Problems playing this file? See
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461:Performed by Carlo Alberto Boni
2253:20th-century Spanish composers
2233:19th-century Spanish composers
818:"Tárrega (y Eixea), Francisco"
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1:
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546:In 2015, the Italian violist
2283:Spanish classical guitarists
543:-inspired guitar rendition.
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2124:Gothic Revival architecture
1144:Estudio en forma de minueto
1004:Complete work and biography
526:He is also the composer of
229:In 1862, concert guitarist
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2298:Spanish Romantic composers
2065:Neue Zeitschrift für Musik
1240:List of Romantic composers
856:Tárrega. Ensayo biográfico
649:bibliotecavirtualsenior.es
561:
534:, the default ringtone of
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447:"Recuerdos de la Alhambra"
309:Pedro Calderón de la Barca
2263:Blind classical musicians
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999:Free Scores and biography
259:Madrid Royal Conservatory
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2086:Tchaikovsky and The Five
1136:Recuerdos de la Alhambra
798:15 December 2009 at the
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556:Recuerdos de la Alhambra
401:Recuerdos de la Alhambra
324:Tárrega pictured c. 1900
195:Recuerdos de la Alhambra
2293:Spanish male guitarists
2248:20th-century guitarists
2228:19th-century guitarists
828:Oxford University Press
53:more precise citations.
2278:People from Villarreal
2109:Common practice period
1029:by Carmen Copovi Llop
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1042:Monument in Vila-Real
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224:Castellón de la Plana
212:Province of Castellón
2146:Romantic nationalism
2092:War of the Romantics
1105:List of compositions
983:has compositions by
691:partitura-verlag.com
623:Torres, SE 49 (1883)
586:adding missing items
383:(Left): Portrait by
257:Tárrega entered the
2141:Musical nationalism
2059:Musical nationalism
781:on 26 November 2010
653:Universitat Jaume I
180:classical guitarist
2054:Indianist movement
1972:Romantic orchestra
1009:2015-05-18 at the
904:2022-01-18 at the
877:by David J. Buch (
823:Grove Music Online
610:
584:; you can help by
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249:where he joined a
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2071:New German School
1666:Felix Mendelssohn
1661:Fanny Mendelssohn
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1096:Francisco Tárrega
1023:Francisco Tárrega
990:Francisco Tárrega
985:Francisco Tárrega
945:978-84-96814-34-9
932:978-2-89655-079-1
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85:Francisco Tárrega
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1231:Romantic music
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964:External links
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893:Capricho árabe
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749:www.flickr.com
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271:Emilio Arrieta
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189:Capricho Árabe
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1247:Composers and
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958:3-89044-125-4
955:
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948:
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922:
919:
918:3-00-012750-X
915:
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871:
870:84-88331-82-7
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766:
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746:
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725:. 30 Jan 2019
724:
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655:. 10 May 2018
654:
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625:
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619:
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612:
611:
606:
596:
593:February 2011
587:
583:
580:This list is
578:
571:
570:
567:
559:
557:
553:
549:
544:
542:
537:
533:
529:
524:
522:
521:Isaac Albéniz
517:
515:
505:
500:
490:
487:
485:
480:
474:
472:
448:
429:Musical style
426:
424:
423:
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414:
410:
405:
403:
402:
397:
386:
376:
367:
358:
356:
352:
348:
344:
343:Isaac Albéniz
339:
335:
331:
322:
318:
316:
315:
310:
306:
301:
299:
295:
290:
287:
286:Daniel Fortea
283:
282:Miguel Llobet
279:
274:
272:
268:
264:
260:
255:
252:
248:
243:
240:
236:
232:
227:
225:
220:
217:
213:
209:
199:
197:
196:
191:
190:
185:
184:late Romantic
181:
177:
173:
164:
160:
153:
150:
149:
147:
143:
138:
128:
124:
119:
102:
98:
94:
89:
82:
73:
70:
62:
59:December 2015
52:
48:
42:
41:
35:
30:
21:
20:
2167:
2160:
2063:
2047:Other topics
1890:
1871:J. Strauss I
1761:Rachmaninoff
1516:Gretchaninov
1150:
1142:
1134:
1126:
1118:
1095:
1055:(in Spanish)
1031:(in Spanish)
949:
936:
923:
884:
874:
861:
855:
849:
839:. Retrieved
821:
783:. Retrieved
779:the original
775:www.luth.org
774:
765:
753:. Retrieved
751:. April 2005
748:
739:
727:. Retrieved
720:
711:
699:. Retrieved
695:the original
690:
681:
669:
657:. Retrieved
648:
639:
590:
565:
545:
527:
525:
518:
510:
493:Compositions
488:
481:
477:
468:
420:
418:
412:
406:
399:
392:
327:
312:
302:
291:
278:Emilio Pujol
275:
256:
244:
231:Julián Arcas
228:
221:
205:
193:
187:
171:
170:
131:(1909-12-15)
65:
56:
37:
2218:1909 deaths
2213:1852 births
2114:Romanticism
1896:Tchaikovsky
1831:R. Schumann
1826:C. Schumann
1811:Saint-Saëns
1706:Niedermeyer
1596:Leoncavallo
1566:Kalkbrenner
1341:Bortkiewicz
338:Mendelssohn
305:Paris Odeon
145:Occupations
51:introducing
2207:Categories
2102:Background
2003:Intermezzo
1936:Wieniawski
1916:Vieuxtemps
1881:R. Strauss
1806:Rubinstein
1731:Paderewski
1701:Mussorgsky
1696:Moszkowski
1671:Mercadante
1175:Nokia tune
910:Wolf Moser
810:References
582:incomplete
532:Nokia tune
497:See also:
471:media help
413:Danza Mora
355:Pau Casals
208:Villarreal
118:Villarreal
110:1852-11-21
34:references
1716:Offenbach
1691:Moscheles
1686:Moniuszko
1681:Meyerbeer
1636:Marschner
1621:MacDowell
1436:Donizetti
1381:Cherubini
1371:Chaminade
1296:Beethoven
1281:Balakirev
1271:Atterberg
1249:musicians
785:4 January
674:Heck 2001
528:Gran Vals
330:Beethoven
235:Barcelona
202:Biography
165:1874–1909
154:guitarist
137:Barcelona
2182:Category
2159: ←
2038:Symphony
1901:Thalberg
1866:Spontini
1841:Sibelius
1836:Scriabin
1821:Schubert
1816:Sarasate
1781:Respighi
1776:Reinecke
1736:Paganini
1646:Massenet
1641:Masarnau
1626:Madetoja
1571:Kreisler
1561:Kalivoda
1506:J. Gomis
1491:Glazunov
1486:Giuliani
1376:Chausson
1366:Chadwick
1356:Bruckner
1191:Category
1007:Archived
902:Archived
889:example:
796:Archived
755:29 April
729:29 April
701:19 March
659:29 April
484:Sarasate
298:Alicante
247:Valencia
216:flamenco
176:composer
151:Composer
2172:→
2134:Science
2013:Mazurka
1988:Ballade
1921:Voříšek
1891:Tárrega
1886:Taneyev
1846:Smetana
1801:Rossini
1756:Puccini
1751:Prudent
1711:Nielsen
1676:Méreaux
1651:Medtner
1616:Lysenko
1586:Lachner
1551:Joachim
1531:Herbert
1451:Farrenc
1416:Delibes
1391:Crusell
1336:Borodin
1326:Berwald
1316:Berlioz
1306:Bennett
1301:Bellini
1286:Bazzini
1266:Arensky
1120:Lágrima
1049:at the
976:(IMSLP)
972:at the
771:"Photo"
722:YouTube
562:Guitars
409:Algiers
396:Granada
314:Lágrima
294:Novelda
263:Seville
182:of the
139:, Spain
120:, Spain
47:improve
2192:Portal
2129:Poetry
1981:Genres
1926:Wagner
1906:Tobias
1771:Reicha
1746:Popper
1726:Pacini
1721:Onslow
1631:Mahler
1611:Lumbye
1576:Kuhlau
1556:Joplin
1546:Hummel
1536:Hérold
1526:Halévy
1511:Gounod
1496:Glinka
1476:Franck
1471:Foster
1441:Dvořák
1431:d'Indy
1421:Delius
1401:Czerny
1386:Chopin
1361:Busoni
1346:Brahms
1321:Bertin
1311:Bériot
1155:(1909)
1152:Oremus
1147:(1906)
1139:(1896)
1131:(1892)
1036:Photos
1027:Música
956:
943:
930:
916:
868:
841:9 July
793:source
618:Torres
422:Oremus
334:Chopin
284:, and
251:Romani
36:, but
2119:Chess
1951:Ysaÿe
1931:Weber
1911:Verdi
1861:Spohr
1856:Sousa
1741:Paine
1656:Méhul
1606:Loewe
1601:Liszt
1581:Kuula
1541:Holst
1521:Grieg
1501:Gomes
1481:Franz
1466:Foote
1461:Field
1456:Fauré
1446:Elgar
1426:Denza
1351:Bruch
1331:Bizet
1291:Beach
1276:Auber
1261:Alkan
1112:Works
631:Notes
536:Nokia
512:were
239:piano
2008:Lied
1946:Wolf
1796:Rode
1786:Ries
1766:Raff
1591:Lalo
1256:Adam
1025:and
994:IMDb
979:The
954:ISBN
941:ISBN
928:ISBN
914:ISBN
866:ISBN
843:2024
787:2010
757:2023
731:2023
703:2023
661:2023
554:and
541:folk
353:and
192:and
178:and
126:Died
100:Born
1851:Sor
1396:Cui
992:at
908:by
832:doi
588:.
265:by
2209::
830:.
826:.
820:.
773:.
747:.
719:.
689:.
651:.
647:.
558:.
357:.
349:,
345:,
336:,
332:,
296:,
280:,
210:,
198:.
2094:"
2090:"
1223:e
1216:t
1209:v
1088:e
1081:t
1074:v
920:.
891:"
881:)
845:.
834::
802:)
789:.
759:.
733:.
705:.
676:.
663:.
595:)
591:(
473:.
112:)
108:(
72:)
66:(
61:)
57:(
43:.
Text is available under the Creative Commons Attribution-ShareAlike License. Additional terms may apply.
