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288:, who commissioned him the painting of the dome of the chapel of Our Lady of Atocha, and thereafter made him painter to the king and superintendent of royal buildings. Besides his work in still life he painted many portraits, and while these lacked the vigour which characterized his father's work, they exhibit a greater knowledge and use of
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He is said to have been vain, suspicious, hot-tempered, and jealous; at any rate he resented his subordinate post and went to Madrid about 1661 (Cean BermĂşdez). Before leaving his native city he painted two large pictures for the cathedral and a "St. Francis" for the chapel of this saint.
236:("el Viejo"), and began his career under his father's instruction; but the father's violent temper at last became so intolerable that the youth fled to Rome. For six years the younger Herrera devoted himself to the study of architecture, perspective, and the antique, his aim being
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kept him at his Court and made him master of the royal works. For this king
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the
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friars, and a group of frescoes in San Felipe el Real which was appreciated by
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