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Francesca da Rimini

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or, importantly, her lover's, who is silently present at the scene of the testimony." Additionally, Francesca's persuasive power derives from her language, which echoes that of love poetry, especially from Dante's early poems. In this way, Francesca becomes a reflection of Dante himself. At the end of Francesca's testimony, Dante faints and "fell as a dead body falls." The pilgrim's symbolic death parallels Francesca's submission to her desires. Francesca becomes an "avatar of a persona that had been Dante's own." Learning from Francesca's faults allows the pilgrim to rectify his own relationship with literature. Though Dante condemns Francesca, his compassionate literary portrayal gives her a dignity and a historical significance that she was deprived of in real life. In other words, her historical legacy transcends her literary condemnation.
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lovely person that was taken from me; and the manner still injures me." She depicts herself as a passive agent who succumbed to Paolo's love for her. Francesca's description of love "seizing" her implies that she views herself as a helpless victim of her circumstance. She continues that, "Love, which pardons no one loved from loving in return, seized me for his beauty so strongly that, as you see, it still does not abandon me." Here, she affirms that her reciprocation of Paolo's affection was dictated by "Love" itself, rather than a genuine love that came from within. Again, she portrays herself as a passive victim, refusing to recognize her own agency. Finally, Francesca explains that "Love led us on to one death." Francesca does not accept responsibility for the origins nor the consequences of her affair.
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wedding that Francesca discovered the deception. This version of events, however, is very likely a fabrication. It would have been nearly impossible for Francesca not to know who both Giovanni and Paolo were, and that Paolo was already married, given the dealings the brothers had had with Ravenna and Francesca's family. Also, Boccaccio was born in 1313, some 27 years after Francesca's death, and while many Dante commentators after Boccaccio echoed his version of events, none before him had mentioned anything similar.
186:, reserved for the lustful. The couple are buffeted by violent winds in a similar manner that they allowed themselves to be swept away by their passions. Dante approaches Francesca and Paolo. Francesca takes ownership of telling their story while Paolo weeps in the background. She first introduces herself not by name, but by the city in which she was born; Francesca's self-association with the land implies a voluntary detachment from her personhood and a self-objectification. 3912: 618: 1615: 197:. Francesca tells Dante that she "was kissed by so great a lover, he, who will never be separated from me, kissed my mouth, all trembling. Galeotto was the book and he who wrote it: that day we read there no further." Again, Francesca refers to herself as a passive object and assigns agency to literature that 588:
Boccaccio stated that Francesca had been tricked into marrying Giovanni through the use of Paolo as a proxy. Guido, fearing that Francesca would never agree to marry the crippled Giovanni, had supposedly sent for the much more handsome Paolo in Giovanni's stead. It wasn't until the morning after the
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Dante's condemnation of Francesca stems from her complete refusal of agency. In her compelling speech to Dante, Francesca blames love as the agent of her sin. Francesca explaining that Paolo loved her first and describes how "Love, which is swiftly kindled in the noble heart, seized this one for the
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Dante's literary portrayal of Francesca allows her to become a relevant example for moral agency. Dante portrays Francesca compassionately and assigns her a commanding and persuasive voice. Francesca is "never actively interrupted by any authoritative male voice, be it the pilgrim's, the narrator's
167:, where she is the first soul damned in Hell proper to be given a substantive speaking role. Francesca's testimony and condemnation is the first historical record of her, laying the foundation for her remembrance and legacy. Dante's knowledge of Francesca most likely stemmed from her nephew, 260: 1829: 1688: 222: 1798: 241: 279: 393: 502: 1367: 363: 440: 1394: 2074:
Dante Alighieri, Robert M. Durling, Ronald L. Martinez, and Robert Turner. 1996. The divine comedy of Dante Alighieri. Volume 1, Volume 1. Divine Comedy of Dante Alighieri. New York: Oxford University Press.
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Dante Alighieri, Robert M. Durling, Ronald L. Martinez, and Robert Turner. 1996. The divine comedy of Dante Alighieri. Volume 1, Volume 1. Divine Comedy of Dante Alighieri. New York: Oxford University Press.
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Dante Alighieri, Robert M. Durling, Ronald L. Martinez, and Robert Turner. 1996. The divine comedy of Dante Alighieri. Volume 1, Volume 1. Divine Comedy of Dante Alighieri. New York: Oxford University Press.
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Dante Alighieri, Robert M. Durling, Ronald L. Martinez, and Robert Turner. 1996. The divine comedy of Dante Alighieri. Volume 1, Volume 1. Divine Comedy of Dante Alighieri. New York: Oxford University Press.
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Dante Alighieri, Robert M. Durling, Ronald L. Martinez, and Robert Turner. 1996. The divine comedy of Dante Alighieri. Volume 1, Volume 1. Divine Comedy of Dante Alighieri. New York: Oxford University Press.
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Dante Alighieri, Robert M. Durling, Ronald L. Martinez, and Robert Turner. 1996. The divine comedy of Dante Alighieri. Volume 1, Volume 1. Divine Comedy of Dante Alighieri. New York: Oxford University Press.
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It is also important to underscore that Francesca and Paolo's adultery was enabled by literature. Francesca and Paolo's relationship began innocently while reading a tale about
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In the years following Dante's portrayal of Francesca, legends about Francesca began to appear. Chief among them was one put forth by poet
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Barolini, Teodolinda. 2000. "Dante and Francesca da Rimini: Realpolitik, romance, gender". Speculum (Cambridge, Mass.). 1-28.
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Barolini, Teodolinda. 2000. "Dante and Francesca da Rimini: Realpolitik, romance, gender". Speculum (Cambridge, Mass.). 1-28.
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In the 19th century, the story of Paolo and Francesca inspired numerous theatrical, operatic, and symphonic adaptations.
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Barolini, Teodolinda (January 2000). "Dante and Francesca da Rimini: Realpolitik, Romance, Gender".
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reads. Ironically, if Paolo and Francesca had finished reading, they would have learned that
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John Freccero. "The Portrait of Francesca. Inferno V." MLN 124, no. 5S (2009): 7–38.
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at the Centro Internazionale di Studi Francesca da Rimini, Los Angeles (including
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Paolo da Malatesta and Francesca da Rimini surprised by Gianciotto Malatesta
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Dante Meditating the Episode of Francesca da Rimini and Paolo Malatesta
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Francesca da Rimini and Paolo Malatesta Appraised by Dante and Virgil
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Francesca da Rimini and Paolo Malatesta Appraised by Dante and Virgil
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Francesca da Rimini and Paolo Malatesta Appraised by Dante and Virgil
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This article is about the 13th-century person. For other uses, see
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The Wood of the Self-Murderers: The Harpies and the Suicides
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The Ghosts of Paolo and Francesca Appear to Dante and Virgil
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released the single "Francesca" as part of his 2023 album
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Translation and commentary by Robert and Jean Hollander.
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Dante Observing the Soaring Souls of Paolo and Francesca
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Medievalism in the Modern World. Essays in Honour of
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The Death of Francesca da Rimini and Paolo Malatesta
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New York: New American Library. p. 52. 710:, opera, libretto by Paolo Pola (Venice 1828) 406:, oil on canvas, 1883 (MusĂ©e des beaux-arts, 271:Dante e Virgilio incontrano Paolo e Francesca 252:Dante and Virgil in the Second Circle in Hell 2222: 2192: 1263:, oil on canvas (1819;MusĂ©e des Beaux-Arts, 205:and Lancelot's adultery eventually destroys 157:Francesca appears as a character in Dante's 2344:Giornate Internazionali Francesca da Rimini 2339:, Google Books edition of Leigh Hunt's poem 1945:. New York: Anchor Books. pp. 106–107. 1227:Paolo and Francesca Surprised by Gianciotto 622:Costume sketches for the world premiĂšre of 132: 2577: 2563: 2376: 2362: 1931:Translation and commentary by John Ciardi. 1848:Accademia Carrara di Belle Arti di Bergamo 1628:, pen, ink and watercolor on paper, 1805 ( 992:, opera in four acts (St. Petersburg 1902) 910:, tragedy (1901; written for D'Annunzio's 217:Works of art inspired by the Inferno scene 182:meet Francesca and her lover Paolo in the 79:, who portrayed her as a character in the 2294: 2268: 2264:. Reissued 1969, New York: Benjamin Blom. 1940: 1924: 2092: 1956: 1699:Gianciotto Discovers Paolo and Francesca 1081: 617: 254:, pen, ink and watercolor on paper, 1823 139: 38: 3470:Divine Comedy Illustrated by Botticelli 1247:, oil on canvas (1812; Napoleonmuseum, 563: 14: 3931: 1672:The Tragic Love of Francesca da Rimini 1610:The dagger scene and the lovers' death 1287:, Paris), and there are other versions 1245:The Tragic Love of Francesca da Rimini 1138:, Symphonic Poem, Op. 77 (Berlin 1890) 1086:Rachmaninoff with the creators of his 2558: 2357: 2331:, includes images of related artworks 2297:The Divine Comedy, Inferno/Commentary 2250: 2216: 1957:Barolini, Teodolinda (January 2000). 1883: 1874: 1158:, Symphonic Poem (1913, revised 1919) 584:Esposizioni sopra la Comedia di Dante 568: 3531:As I Was Going Down Sackville Street 2186: 1901: 1668:Marie-Philippe Coupin de la Couperie 1283:, London; an 1855 version is in the 1241:Marie-Philippe Coupin de la Couperie 653: 32:Francesca da Rimini (disambiguation) 2269:Hollander, Robert and Jean (2000). 1867: 1865: 1178:, "The Circle of the Lustful" from 592: 558:, watercolor, gouache and ink, 1930 67:, who was murdered by her husband, 24: 2288: 1885:[franˈtʃeskada(p)poˈlɛnta] 1876:[franˈtʃeskada(r)ˈriːmini] 1382:National Museum of History and Art 1068:, based on D'Annunzio (Turin 1914) 1064:, opera in four acts, libretto by 894:, opera in four acts, libretto by 25: 3990: 3427:Dante's Inferno: An Animated Epic 2314: 676:, opera in two acts, libretto by 88: 3911: 3910: 1862: 1828: 1797: 1777: 1758: 1733: 1714: 1687: 1660: 1637: 1614: 1590: 1567: 1539: 1523: 1504: 1481: 1458: 1439: 1416: 1393: 1366: 613: 547: 528: 501: 482: 466: 439: 415: 392: 376:, watercolor and gold on paper, 362: 339: 332:The Souls of Paolo and Francesca 320: 313:The Souls of Paolo and Francesca 301: 278: 259: 240: 221: 3974:Characters in the Divine Comedy 3703:A Place Where the Sun Is Silent 2165: 2129: 2086: 2077: 2068: 2051: 2042: 2033: 1846:, oil on canvas, c. 1887 ( 1772:, Canto 5 (lines 134–135), 1857 1559:, Paris) was originally titled 2709:Gianni Schicchi de' Cavalcanti 2299:. Princeton University Press. 2295:Singleton, Charles S. (1970). 2024: 2015: 2006: 1997: 1950: 1934: 1918: 1148:, Symphonic Poem, Op. 6 (1899) 1106:, Canto 5, lines 126ff., 1848) 385:Galleria d'Arte Moderna, Milan 13: 1: 3949:13th-century Italian nobility 3770:Paolo and Francesca da Rimini 3314:Pape SatĂ n, pape SatĂ n aleppe 2401:Paolo and Francesca da Rimini 1894: 1812: 1695:Jean-Auguste-Dominique Ingres 1314:Paolo and Francesca da Rimini 1255:Jean-Auguste-Dominique Ingres 429: 377: 45:Paolo and Francesca da Rimini 3979:Medieval assassinated people 3411:The Deep and Dreamless Sleep 3321:RaphĂšl mai amĂšcche zabĂŹ almi 1378:Paolo et Francesca da Rimini 1168:, guitar duo from the album 75:. She was a contemporary of 7: 3959:Assassinated Italian people 1297:, several illustrations to 1233:(1805; Thorvaldsen Museum, 475:Dante et Virgile aux Enfers 459:Museum of Fine Arts of Lyon 400:Henri-Jean Guillaume Martin 235:, pen and ink, c. 1800 10: 3995: 3954:13th-century Italian women 3539:The System of Dante's Hell 3167:Constance, Queen of Sicily 2539:Francesca da Rimini (play) 2256: 2144: 1844:Morte di Paolo e Francesca 1353:, marble sculpture (1888; 962:, play in five acts (1902) 427:Group Francesca de Rimini 29: 3906: 3880: 3833: 3796: 3713: 3672: 3597: 3490: 3461: 3362: 3337: 3330: 3305: 3279: 3130: 2992:Bonconte I da Montefeltro 2950: 2883: 2827: 2804:Ugolino della Gherardesca 2644:Cavalcante de' Cavalcanti 2607: 2598: 2523: 2496: 2477: 2442: 2424: 2392: 1941:Alighieri, Dante (2000). 1925:Alighieri, Dante (2003). 1649:La Franceschina di Rimini 1409:Scottish National Gallery 1018:, opera in one act (1907) 636: 577:in his commentary on the 2143:beginning 6 March 1902. 1855: 1784:Francisco DĂ­az Carreño: 1674:, 1812 (Napoleonmuseum, 1110:Pyotr Ilyich Tchaikovsky 1093: 169:Guido Novello da Polenta 163:, the first part of the 3435:La commedia di Amos Poe 3162:Charles Martel of Anjou 3037:Giovanna da Montefeltro 2789:Ruggieri degli Ubaldini 1788:, oil on canvas, 1866 ( 1701:, oil on canvas, 1819 ( 1472:, oil on canvas, 1864 ( 1407:, oil on canvas, 1837 ( 1327:, oil on canvas (1870; 1279:, oil on canvas (1835; 1198: 1118:, symphonic poem (1876) 980:ThĂ©Ăątre Sarah Bernhardt 956:Francis Marion Crawford 734:Giuseppe Fournier-Gorre 353:, oil on canvas, 1875 ( 292:, oil on canvas, 1852 ( 3097:Omberto Aldobrandeschi 3032:Gherardo III da Camino 2729:Guido I da Montefeltro 2348:one more image gallery 1881:Italian pronunciation: 1872:Italian pronunciation: 1309:Dante Gabriel Rossetti 1216: 1090: 633: 600:In 2023, the musician 315:, wood-engraving, 1857 154: 107:Malatesta da Verucchio 53: 50:Dante Gabriel Rossetti 3964:Assassinated nobility 3778:La barca de Aqueronte 3443:Dante's Hell Animated 3227:Mary, mother of Jesus 2987:Bonagiunta Orbicciani 2689:Farinata degli Uberti 1913:Enciclopedia Dantesca 1604:, oil on canvas, 1894 1534:, oil on canvas, 1885 1530:Ludwik WiesioƂowski: 1335:George Frederic Watts 1124:, Symphonic Prologue 1085: 700:, opera (Madrid 1831) 621: 542:, oil on canvas, 1909 347:George Frederic Watts 334:, oil on canvas, 1863 184:second circle of hell 143: 42: 3893:English translations 3850:Devil May Cry series 3633:(Rachmaninoff, 1904) 3147:Bernard of Clairvaux 2137:Sir George Alexander 1512:Charles Edward HallĂ© 930:, opera (Paris 1882) 878:Francesca von Rimini 804:Salvatore Papparlado 790:Johann Arnold-Gruber 782:, opera (Genoa 1840) 564:Reception and legacy 61:Francesca da Polenta 18:Francesca da Polenta 3888:Cultural references 3754:The Barque of Dante 3722:The Barque of Dante 3638:Francesca da Rimini 3630:Francesca da Rimini 3625:(Tchaikovsky, 1876) 3622:Francesca da Rimini 3499:The Story of Rimini 3202:Hierarchy of angels 3187:Folquet de Marselha 2699:Francesca da Rimini 2532:Francesca da Rimini 2486:Francesca da Rimini 2467:Francesca da Rimini 2459:Françoise de Rimini 2451:Francesca da Rimini 2385:Francesca da Rimini 2336:The Story of Rimini 2153:Paolo and Francesca 1909:Francesca da Rimini 1786:Francisca de RĂ­mini 1745:Paolo and Francisca 1602:Paolo and Francesca 1579:Paolo and Francesca 1561:Francesca da Rimini 1516:Paolo and Francesca 1470:Paolo und Francesca 1451:Paolo und Francesca 1432:Kunsthalle Mannheim 1428:Paolo und Francesca 1405:Francesca da Rimini 1339:Paolo and Francesca 1295:Francesca da Rimini 1260:Paolo and Francesca 1211:Raffaello Matarazzo 1190:, "Francesca" from 1188:Andrew Hozier-Byrne 1156:Francesca da Rimini 1146:Francesca da Rimini 1136:Francesca da Rimini 1126:Francesca da Rimini 1115:Francesca da Rimini 1088:Francesca da Rimini 1076:Francesca da Rimini 1061:Francesca da Rimini 1050:Francesca da Rimini 1036:Francesca da Rimini 1001:Francesca da Rimini 996:Sergei Rachmaninoff 990:Francesca da Rimini 971:Francesca da Rimini 960:Francesca da Rimini 949:Paolo and Francesca 938:Francesca da Rimini 927:Françoise de Rimini 907:Francesca da Rimini 902:Gabriele D'Annunzio 896:Antonio Ghislanzoni 892:Francesca da Rimini 868:Francesca da Rimini 858:Francesca di Rimini 848:Francesca da Rimini 838:Francesca da Rimini 828:Francesca da Rimini 818:Francesca da Rimini 808:Francesca da Rimini 794:Francesca da Rimini 780:Francesca da Rimini 776:Gioacchino Maglioni 770:Francesca da Rimini 759:Francesca da Rimini 754:Francesco Morlacchi 748:Francesca da Rimini 738:Francesca da Rimini 728:Francesca da Rimini 718:Francesca da Rimini 708:Francesca da Rimini 698:Francesca da Rimini 688:Francesca da Rimini 674:Francesca da Rimini 670:Feliciano Strepponi 664:Francesca da Rimini 647:The Story of Rimini 629:Francesca da Rimini 624:Sergei Rachmaninoff 556:Paolo and Francesca 554:John Riley Wilmer: 494:Paolo and Francesca 374:Paolo and Francesca 351:Paolo and Francesca 267:Giuseppe Fraschieri 121:families. While in 57:Francesca da Rimini 3898:In popular culture 3507:La ComĂ©die humaine 3454:(2016 documentary) 3451:Botticelli Inferno 3052:Jacopo del Cassero 2972:Beatrice Portinari 2779:Pope Boniface VIII 2769:Pietro della Vigna 2543:George Henry Boker 2251:General references 2141:St James's Theatre 2063:10.1353/mln.0.0224 1768:: Illustration of 1728:, watercolor, 1825 1726:Paolo et Francesca 1653:Thorvaldsen Museum 1645:Bartolomeo Pinelli 1630:Thorvaldsen Museum 1281:Wallace Collection 1091: 1026:Paolo Ă©s Francesca 1006:Modest Tchaikovsky 864:Giuseppe Marcarini 844:Giovanni Franchini 834:George Henry Boker 824:Vincenzo Sassaroli 814:Francesco Cannetti 744:Giuseppe Tamburini 694:Saverio Mercadante 634: 575:Giovanni Boccaccio 569:Giovanni Boccaccio 451:Paolo et Francesca 155: 103:Giovanni Malatesta 95:Guido I da Polenta 69:Giovanni Malatesta 54: 27:Italian noblewoman 3969:Da Polenta family 3926: 3925: 3876: 3875: 3805:The Gates of Hell 3786:La Laguna Estigia 3725:(Delacroix, 1822) 3688:"Dante's Inferno" 3665:(Ronchetti, 2020) 3654:The Divine Comedy 3598:Music (classical) 3395:The Dante Quartet 3275: 3274: 3172:Cunizza da Romano 3092:Oderisi da Gubbio 3057:Giovanna Visconti 2946: 2945: 2784:Pope Nicholas III 2734:Iacopo Rusticucci 2552: 2551: 2173:Paolo e Francesca 2159:Leslie J. Workman 1927:The Divine Comedy 1840:Paolo e Francesca 1805:Alexandre Cabanel 1622:Joseph Anton Koch 1532:Francesca i Paolo 1493:Paolo e Francesca 1321:Alexandre Cabanel 1223:Joseph Anton Koch 1206:Paolo e Francesca 1166:Paolo e Francesca 1100:Gioachino Rossini 1056:Riccardo Zandonai 1016:Paolo e Francesca 934:Antonio Scontrino 766:Emanuele Borgatta 654:Theatre and opera 540:Paolo e Francesca 517:Paolo e Francesca 286:Joseph Noel Paton 248:Joseph Anton Koch 16:(Redirected from 3986: 3914: 3913: 3773:(Rossetti, 1885) 3765:(Rossetti, 1868) 3749:(Flandrin, 1835) 3741:(Scheffer, 1835) 3641:(Zandonai, 1914) 3547:Demon Lord Dante 3355:(Terragni, 1938) 3335: 3334: 3217:John the Apostle 3042:Guido Guinizelli 3007:Conrad Malaspina 3002:Cato the Younger 2825: 2824: 2605: 2604: 2579: 2572: 2565: 2556: 2555: 2378: 2371: 2364: 2355: 2354: 2310: 2284: 2273:. Anchor Books. 2265: 2244: 2243: 2241: 2239: 2224:Luciano Canepari 2220: 2214: 2213: 2211: 2209: 2194:Luciano Canepari 2190: 2184: 2178:Luigi Mancinelli 2169: 2163: 2133: 2127: 2126: 2090: 2084: 2081: 2075: 2072: 2066: 2055: 2049: 2046: 2040: 2037: 2031: 2028: 2022: 2019: 2013: 2010: 2004: 2001: 1995: 1994: 1954: 1948: 1946: 1938: 1932: 1930: 1922: 1916: 1905: 1888: 1887: 1882: 1878: 1873: 1869: 1836:Gaetano Previati 1832: 1817: 1814: 1801: 1781: 1762: 1747:, brush drawing 1737: 1722:EugĂšne Delacroix 1718: 1691: 1664: 1641: 1618: 1594: 1571: 1543: 1527: 1508: 1485: 1466:Anselm Feuerbach 1462: 1447:Anselm Feuerbach 1443: 1424:Anselm Feuerbach 1420: 1397: 1370: 1046:Primo Riccitelli 1012:Luigi Mancinelli 986:Eduard NĂĄpravnĂ­k 944:Stephen Phillips 666:, tragedy (1818) 593:Modern reception 551: 536:Gaetano Previati 532: 509:Umberto Boccioni 505: 486: 470: 443: 434: 431: 419: 396: 382: 379: 366: 343: 324: 305: 282: 263: 244: 225: 115:Malatesta family 21: 3994: 3993: 3989: 3988: 3987: 3985: 3984: 3983: 3929: 3928: 3927: 3922: 3902: 3872: 3858:Dante's Inferno 3829: 3792: 3789:(Hidalgo, 1887) 3781:(Hidalgo, 1887) 3762:Pia de' Tolomei 3709: 3668: 3649:(Puccini, 1918) 3646:Gianni Schicchi 3593: 3571:Jimbo's Inferno 3486: 3457: 3419:Dante's Inferno 3387:Dante's Inferno 3379:Dante's Inferno 3358: 3347:(Palanti, 1923) 3326: 3301: 3271: 3212:James the Great 3126: 3102:Pia de' Tolomei 2977:Beatrice d'Este 2942: 2879: 2828:Circles of Hell 2823: 2754:Paolo Malatesta 2719:Gualdrada Berti 2694:Filippo Argenti 2634:Brunetto Latini 2624:Bertran de Born 2600: 2594: 2583: 2553: 2548: 2519: 2492: 2473: 2438: 2420: 2388: 2382: 2342:Website of the 2317: 2307: 2291: 2289:Further reading 2281: 2258:Mason, A. E. W. 2253: 2248: 2247: 2237: 2235: 2221: 2217: 2207: 2205: 2191: 2187: 2170: 2166: 2134: 2130: 2107:10.2307/2887423 2091: 2087: 2082: 2078: 2073: 2069: 2056: 2052: 2047: 2043: 2038: 2034: 2029: 2025: 2020: 2016: 2011: 2007: 2002: 1998: 1975:10.2307/2887423 1955: 1951: 1939: 1935: 1923: 1919: 1906: 1902: 1897: 1892: 1891: 1880: 1871: 1870: 1863: 1858: 1851: 1833: 1824: 1818: 1815: 1802: 1793: 1782: 1773: 1763: 1754: 1748: 1738: 1729: 1719: 1710: 1692: 1683: 1665: 1656: 1642: 1633: 1619: 1605: 1595: 1586: 1572: 1563: 1544: 1535: 1528: 1519: 1518:, oil on canvas 1509: 1500: 1486: 1477: 1463: 1454: 1444: 1435: 1430:, study, 1864 ( 1421: 1412: 1398: 1389: 1371: 1362:The tĂȘte-Ă -tĂȘte 1219: 1209:, 1950 film by 1201: 1152:Paul von Klenau 1132:Antonio Bazzini 1128:, Op. 24 (1890) 1096: 922:Ambroise Thomas 888:Antonio Cagnoni 724:Giuseppe Staffa 714:Gaetano Quilici 704:Pietro Generali 656: 639: 616: 595: 571: 566: 559: 552: 543: 533: 524: 506: 497: 487: 478: 473:EugĂšne Deully: 471: 462: 444: 435: 432: 420: 411: 397: 388: 380: 367: 358: 344: 335: 325: 316: 306: 297: 294:Bury Art Museum 283: 274: 264: 255: 245: 236: 226: 195:Lancelot du Lac 138: 91: 77:Dante Alighieri 73:Paolo Malatesta 35: 28: 23: 22: 15: 12: 11: 5: 3992: 3982: 3981: 3976: 3971: 3966: 3961: 3956: 3951: 3946: 3941: 3924: 3923: 3921: 3920: 3907: 3904: 3903: 3901: 3900: 3895: 3890: 3884: 3882: 3878: 3877: 3874: 3873: 3871: 3870: 3862: 3854: 3846: 3842:King of Demons 3837: 3835: 3831: 3830: 3828: 3827: 3826: 3825: 3817: 3808:(Rodin, 1917) 3800: 3798: 3794: 3793: 3791: 3790: 3782: 3774: 3766: 3758: 3757:(Manet, 1850s) 3750: 3742: 3734: 3726: 3717: 3715: 3711: 3710: 3708: 3707: 3699: 3691: 3685: 3676: 3674: 3673:Music (modern) 3670: 3669: 3667: 3666: 3658: 3650: 3642: 3634: 3626: 3618: 3614:Dante Symphony 3610: 3601: 3599: 3595: 3594: 3592: 3591: 3587:Gert's Inferno 3583: 3575: 3567: 3563:The Dante Club 3559: 3551: 3543: 3535: 3527: 3519: 3511: 3503: 3494: 3492: 3488: 3487: 3485: 3484: 3474: 3465: 3463: 3459: 3458: 3456: 3455: 3447: 3439: 3431: 3423: 3415: 3407: 3399: 3391: 3383: 3375: 3366: 3364: 3360: 3359: 3357: 3356: 3348: 3345:Palacio Barolo 3341: 3339: 3332: 3328: 3327: 3325: 3324: 3317: 3309: 3307: 3303: 3302: 3300: 3299: 3294: 3289: 3283: 3281: 3277: 3276: 3273: 3272: 3270: 3269: 3264: 3262:Thomas Aquinas 3259: 3254: 3249: 3244: 3239: 3234: 3229: 3224: 3219: 3214: 3209: 3207:Imperial Eagle 3204: 3199: 3194: 3189: 3184: 3179: 3174: 3169: 3164: 3159: 3154: 3149: 3144: 3138: 3136: 3128: 3127: 3125: 3124: 3119: 3114: 3109: 3104: 3099: 3094: 3089: 3084: 3079: 3074: 3072:Marco Lombardo 3069: 3064: 3059: 3054: 3049: 3044: 3039: 3034: 3029: 3027:Garden of Eden 3024: 3022:Gaia da Camino 3019: 3014: 3009: 3004: 2999: 2994: 2989: 2984: 2979: 2974: 2969: 2964: 2962:Alagia Fieschi 2958: 2956: 2948: 2947: 2944: 2943: 2941: 2940: 2935: 2930: 2925: 2920: 2915: 2910: 2905: 2900: 2895: 2889: 2887: 2881: 2880: 2878: 2877: 2872: 2867: 2862: 2857: 2852: 2847: 2842: 2837: 2831: 2829: 2822: 2821: 2816: 2811: 2806: 2801: 2796: 2791: 2786: 2781: 2776: 2771: 2766: 2761: 2756: 2751: 2746: 2741: 2736: 2731: 2726: 2721: 2716: 2711: 2706: 2701: 2696: 2691: 2686: 2681: 2676: 2671: 2666: 2661: 2656: 2651: 2646: 2641: 2636: 2631: 2626: 2621: 2615: 2613: 2602: 2596: 2595: 2582: 2581: 2574: 2567: 2559: 2550: 2549: 2547: 2546: 2536: 2527: 2525: 2521: 2520: 2518: 2517: 2516: 2515: 2500: 2498: 2494: 2493: 2491: 2490: 2481: 2479: 2475: 2474: 2472: 2471: 2463: 2455: 2454:(Rachmaninoff) 2446: 2444: 2440: 2439: 2437: 2436: 2428: 2426: 2422: 2421: 2419: 2418: 2411: 2404: 2396: 2394: 2390: 2389: 2381: 2380: 2373: 2366: 2358: 2352: 2351: 2340: 2332: 2326: 2322:World of Dante 2316: 2315:External links 2313: 2312: 2311: 2305: 2290: 2287: 2286: 2285: 2279: 2266: 2252: 2249: 2246: 2245: 2215: 2185: 2164: 2147:, p. 237. See 2128: 2085: 2076: 2067: 2050: 2041: 2032: 2023: 2014: 2005: 1996: 1949: 1933: 1917: 1911:(in Italian). 1899: 1898: 1896: 1893: 1890: 1889: 1860: 1859: 1857: 1854: 1853: 1852: 1834: 1827: 1825: 1803: 1796: 1794: 1783: 1776: 1774: 1764: 1757: 1755: 1751:British Museum 1739: 1732: 1730: 1720: 1713: 1711: 1693: 1686: 1684: 1666: 1659: 1657: 1643: 1636: 1634: 1620: 1613: 1611: 1607: 1606: 1596: 1589: 1587: 1575:Arnold Böcklin 1573: 1566: 1564: 1545: 1538: 1536: 1529: 1522: 1520: 1510: 1503: 1501: 1487: 1480: 1478: 1464: 1457: 1455: 1453:, sketch, 1864 1445: 1438: 1436: 1422: 1415: 1413: 1399: 1392: 1390: 1374:Antonio Canova 1372: 1365: 1363: 1359: 1358: 1342: 1332: 1318: 1306: 1288: 1268: 1252: 1238: 1218: 1215: 1214: 1213: 1200: 1197: 1196: 1195: 1192:Unreal Unearth 1185: 1176:MediĂŠval BĂŠbes 1173: 1159: 1149: 1142:Pierre Maurice 1139: 1129: 1119: 1107: 1095: 1092: 1080: 1079: 1069: 1053: 1043: 1029: 1019: 1009: 993: 983: 976:Gabriel PiernĂ© 963: 953: 941: 931: 919: 899: 885: 871: 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3755: 3751: 3748: 3747: 3746:Dante in Hell 3743: 3740: 3739: 3735: 3733:(Blake, 1827) 3732: 3731: 3727: 3724: 3723: 3719: 3718: 3716: 3712: 3705: 3704: 3700: 3697: 3696: 3692: 3689: 3686: 3683: 3682: 3678: 3677: 3675: 3671: 3664: 3663: 3659: 3657:(Smith, 1996) 3656: 3655: 3651: 3648: 3647: 3643: 3640: 3639: 3635: 3632: 3631: 3627: 3624: 3623: 3619: 3617:(Liszt, 1857) 3616: 3615: 3611: 3609:(Liszt, 1849) 3608: 3607: 3603: 3602: 3600: 3596: 3589: 3588: 3584: 3581: 3580: 3576: 3573: 3572: 3568: 3565: 3564: 3560: 3557: 3556: 3552: 3549: 3548: 3544: 3541: 3540: 3536: 3533: 3532: 3528: 3525: 3524: 3520: 3517: 3516: 3515:Earth Inferno 3512: 3509: 3508: 3504: 3501: 3500: 3496: 3495: 3493: 3489: 3482: 3478: 3475: 3472: 3471: 3467: 3466: 3464: 3462:Illustrations 3460: 3453: 3452: 3448: 3445: 3444: 3440: 3437: 3436: 3432: 3429: 3428: 3424: 3421: 3420: 3416: 3413: 3412: 3408: 3405: 3404: 3400: 3397: 3396: 3392: 3389: 3388: 3384: 3381: 3380: 3376: 3373: 3372: 3368: 3367: 3365: 3361: 3354: 3353: 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Index

Francesca da Polenta
Francesca da Rimini (disambiguation)

Paolo and Francesca da Rimini
Dante Gabriel Rossetti
Ravenna
Giovanni Malatesta
Paolo Malatesta
Dante Alighieri
Divine Comedy
Guido I da Polenta
Ravenna
Giovanni Malatesta
Malatesta da Verucchio
Rimini
Malatesta family
Polenta
Rimini
Paolo

The Ghosts of Paolo and Francesca Appear to Dante and Virgil
Ary Scheffer
Inferno
Guido Novello da Polenta
Virgil
second circle of hell
Lancelot du Lac
Guinivere
King Arthur
Henry Fuseli: Dante Observing the Soaring Souls of Paolo and Francesca, pen and ink, c. 1800

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