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intimacy of the bodies in the photographs and the angularity of the geometric rules that covered the pages." A 2006 essay described the book as "a three-way game that plays the text and illustrations for an introduction to Euclid against
Woodman's own text and diagrams, as well as the 'geometry' of her formal compositions," while a 2008 article found the book "poetic and humorous, analytical and reflexive." A 2010 article on Woodman called the book "original and enigmatic," and a 2010 review stated of the book that "we are the richer for it." Claire Raymond argues that in
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734:, examined Woodman's life and work, "pos questions about biographical form, history and fantasy, female subjectivity, and issues of authorship and intellectual property." Reviewers noted that the video juxtaposes "formalism, biography, and psychoanalysis" and "hints at conspiracy, calling attention to the Woodman family's unwillingness to make the bulk of her body of photography available…."
329:. Woodman created at least 10,000 negatives, which her parents kept. Woodman's estate, which was managed by Woodman's parents, consists of over 800 prints, of which only around 120 images had been published or exhibited as of 2006. Most of Woodman's prints are 8 by 10 inches (20 by 25 cm) or smaller, which "works to produce an intimate experience between viewer and photograph".
417:. A study of the book notes that Woodman occasionally re-drew a form "for emphasis or delight." A reproduction of the book's original spreads shows purple-pink covers, pages which vary slightly in color, and traces of pink on several pages. Although the published version of the book has purple-pink covers, the interior pages are printed using only black, white, and shades of gray.
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experimented, explored and created together." A critic noted that this exhibition leaves out mention of her suicide. Instead of highlighting that event, which can dominate the discussion around her art output, this exhibition focuses on her early work, including playful and even ordinary moments from her life.
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whilst studying in Rome from 1977 to 1978 and his influence can clearly be seen in many photographic series’, such as Eel Series, Roma (1977–78) and Angel Series, Roma (1977). In combining performance, play and self-exposure, Woodman's photographs create extreme and often disturbing psychological
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was "a distinctively bizarre book… a seemingly deranged miasma of mathematical formulae, photographs of herself and scrawled, snaking, handwritten notes." An acquaintance of
Woodman wrote in 2000 that it "was a very peculiar little book indeed," with "a strangely ironic distance between the soft
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Woodman had only a few exhibitions during her life, some of which have been described as "exhibitions in alternative spaces in New York and Rome." There were no known group or solo exhibitions of her work between 1981 and 1985, but numerous exhibitions each year since then. Among her major solo
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Public opinion has generally been favorable towards
Woodman's work. At the 1998 exhibition in Paris, many people had "strong reactions" to her "interesting" photographs. A number of people have found Woodman's individual photos (for example "Self-portrait at 13") or her photography in general
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Woodman elliptically confronts the problem of the female artist's struggle to claim authority as an artist: by using a student textbook as her signal artist's book (the only book published during
Woodman's lifetime) Woodman exposes the difficulty of the female artist moving beyond the role of
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Woodman worked closely with her friend George Lange, another alumnus from Rhode Island School of Design. During a major exhibition held in honor of
Woodman at the Museum of Contemporary Art, Denver Director Nora Burnett stated “ made photographs together, they shared meals together, they
741:, was released theatrically by Lorber Films on the thirtieth anniversary of her death, 18 January 2011. The director "had unrestricted access to all of Francesca’s photographs, private diaries, and experimental videos". Although the film won "Best New York Documentary" at the
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of New York City. An acquaintance wrote, "Things had been bad, there had been therapy, things had gotten better, guard had been let down". Her father has suggested that
Woodman's suicide was related to an unsuccessful application for funding from the
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Released in
January 1981 shortly before Woodman's death, it is 24 pages in length and is based upon selected pages from an Italian geometry exercise book. On the pages, Woodman had attached 16 photographs and had added handwriting and white
787:. She is reported to have identified with Victorian heroines. Many of the stories feature a female figure who is often forced into solitude, then turns mad. The Gothic style is full of symbols of tombs, mirrors, demons and angels.
244:, she returned to New York "to make a career in photography." She sent portfolios of her work to fashion photographers, but "her solicitations did not lead anywhere". In the summer of 1980, she was an artist-in-residence at the
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and created videotapes related to her photographs in which she "methodically whitewashes her own naked body, for instance, or compares her torso to images of classical statuary." Some of these videos were displayed at the
804:. She studied surrealism immensely and studied the workings of Duane Michals. For example, Woodman "followed the movement's tradition of not explaining work" and demonstrated a "desire to crack the code of appearances."
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Baker, George; Daly, Ann; Davenport, Nancy; Larson, Laura; Sundell, Margaret (2003). "Francesca
Woodman Reconsidered: A Conversation with George Baker, Ann Daly, Nancy Davenport, Laura Larson, and Margaret Sundell".
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Many of
Woodman's images are untitled and are known only by a location and date. She often took photographs indoors, finding abandoned and derelict spaces in which to create her photographic tableaux.
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471:, which was released in 2011. It contains a facsimile of an Italian school exercise book to which Woodman added photographs, as well as an afterword by Woodman's father. This book, also known as
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of 1928. In a 1979 interview with
Roberta Valtorta, Woodman is reported as saying "Vorrei che le parole avessero con le mie immagini lo stesso rapporto che le fotografie hanno con il testo in
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673:. Traveled to Moderna Museet, Stockholm; Foam Photography Museum, Amsterdam; Fondation Henri Cartier-Bresson, Paris; Moderna Museet, Malmo; Finnish Museum of Photography, Helsinki.
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194:, between 1963 and 1971, except for second grade, which she attended in Italy, where the family spent many summers between school years. She began high school in 1972 at
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Among other factors, critics and historians have written that Woodman was influenced by the following literary genre, myth, artistic movement, and photographers:
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198:, a private Massachusetts boarding school. There, she began to develop her photographic skills and became interested in the art form. Abbot Academy merged with
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states. In concealing or encrypting her subjects she reminds the viewer that photographs flatten and distort, never offering the whole truth about a subject.
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183:(née Abrahams). Her mother was Jewish and her father was from a Protestant background. Her older brother, Charles, later became an associate professor of
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In late 1980, Woodman became depressed owing to the failure of her work to attract attention and because of a broken relationship. She survived a
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596:, Stockholm, Sweden; Suomen Valokuvataiteen Museo SĂ„Ă„TIĂ–, Helsinki, Finland; DAAD Galerie, Berlin, Germany; and Galleri F15 Alby, Moss, Norway.
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Tutter, Adele (2011). "Metamorphosis and the aesthetics of loss: II. Lady of the woods – The transformative lens of Francesca Woodman".
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491:. Rizzoli Electa, 2019. Photographs, notes, letters, postcards, and other ephemera. Accompanied an exhibition at MCA Denver, 2019–2020.
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Woodman took her first self-portrait at age thirteen and continued photographing herself until she died. She attended public school in
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625:, London, United Kingdom; Centro Cultural Tecla Sala, L'Hospitalet, Barcelona, Spain; Carla Sozzani Gallery, Milan, Italy; The
229:, she was able to befriend Italian intellectuals and artists. She returned to Rhode Island in late 1978 to graduate from RISD.
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di André Breton" ("I would like words to have the same relationship with my images as the photographs have with the text in
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Her work continues to be the subject of much positive critical attention, years after her death at the age of 22, in 1981.
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Although Woodman used different cameras and film formats during her career, most of her photographs were taken with
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753:, 94% of 17 critics' reviews were positive, and 83% of 793 user ratings were positive. It was broadcast on the
592:(photographic works). Traveled to Shedhalle, Zürich, Switzerland; Westfälischer Kunstverein, Münster, Germany;
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408:. However, the only artist's book containing Woodman's photographs that was published during her lifetime was
280:. A lackluster response to her photography and a failed relationship had pushed her into the deep depression.
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Pictures, perhaps, of her despair: a young photographer's work may or may not hold clues to her suicide.
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510:. Ashgate, 2010. A book examining the relevance of Woodman's photography as a way of understanding
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2128:"Woodman and Cameron: Portraits to Dream In - groundbreaking female photographers a century apart"
840:. Woodman's and Michals's work share features such as blurring, angels, and handwriting in common.
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Almost A Square: The Photographic Books of Francesca Woodman and Their Relationship to Surrealism
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2272:, the Haunting Story of Late Photographer Francesca Woodman and Her Family, Premieres on PBS’s
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846:. Woodman had "admired" Turbeville's work, and had compiled an artist's book for Turbeville (
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Inside the visible: an elliptical traverse of 20th century art in, of, and from the feminine
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Notes for an exhibition at Shirley-Jones Gallery, Yellow Springs, Ohio. Accessed 2007-09-07.
520:. Ashgate, 2016. By Claire Raymond. Woodman's diazotypes and other later works are examined.
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Blessing, Jennifer. "The Geometry of Time: Some Notes on Francesca Woodman's Video". In
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Somerville, Kris (2010). "Clues to a Lost Woman: The Photography of Francesca Woodman".
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Besides catalogues of her solo exhibitions, notable books by and about Woodman include:
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Many of her photographs show women, naked or clothed, blurred (due to movement and long
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Armstrong, Carol, "Francesca Woodman: A Ghost in the House of the 'Woman Artist'." In:
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Six invitation postcards by Francesca Woodman, Libreria Maldoror, Rome, Italy, 1978 (
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Simon, Jane (2010). "An intimate mode of looking: Francesca Woodman's photographs".
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Video works Charles Woodman, photographs Francesca Woodman, May 6 – June 16, 2005.
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Sundell, Margaret. "Vanishing Points: The Photography of Francesca Woodman." In:
2614:"Removing Suicide as the Filter for Experiencing Francesca Woodman's Photography"
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2710:. San Francisco and New York: San Francisco Museum of Modern Art distributed by
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850:) which contained a written request for the older photographer to telephone her.
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629:, Dublin, Ireland; and PhotoEspana, Centro Cultural Conde Duque, Madrid, Spain.
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647:. Traveled to Espacio AV, Murcia, Spain; sms contemporanea, Siena, Italy; and
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1244:"Photographer Francesca Woodman Gets Her Close-Up in a Haunting Family Study"
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749:. Reactions to the film have been largely favorable. On the film review site
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in the autumn of 1980, after which she lived with her parents in Manhattan.
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Surrealism and self-representation in the photography of Francesca Woodman.
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On January 19, 1981, Woodman died by suicide at age 22 by jumping out of a
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2647:. Paris and ZĂĽrich: Fondation Cartier pour l'art contemporain and Scalo.
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A Swimmer Between Two Worlds: Francesca Woodman's Maps of Interior Space.
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between 1977 and 1978 in a RISD honors program. Because she spoke fluent
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in 1975. Through 1975, she spent summers with her family in Italy in the
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Francesca Woodman's dark gaze : the diazotypes and other late works
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times), merging with their surroundings, or whose faces are obscured.
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49th Parallel: an Interdisciplinary Journal of North American Studies
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Cristofovici, Anca (2008). "Chapter 5, Performing Corpo-Realities".
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1968:"Retrospective: Looking Back on Francesca Woodman's Prolific Career"
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Moakley, Paul. Watch closely: Gigi Giannuzzi on Francesca Woodman.
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C. Scott Willis Interview THE WOODMANS – 2010 Tribeca Film Festival
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Francesca Woodman and Julia Margaret Cameron: Portraits to Dream In
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Francesca Woodman: Photographische arbeiten = Photographic works
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2679:(Thesis). Dept. of Art History and Theory, University of Essex.
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1998: "l'artiste et la représentation de soi, Francesca Woodman
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Touching Surfaces: Photographic Aesthetics, Temporality, Aging
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Journal of Surrealism and the Americas 2:2 (2008), 227–252.
2078:"Women on the Edge Tie Together a Trio of MCA Denver Shows"
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1062:"Francesca Woodman - 50 Artworks, Bio & Shows on Artsy"
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2395:"Francesca Woodman Biography, Art, and Analysis of Works"
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537:; photograph is Untitled, Providence, Rhode Island, 1976
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in Finland and the Cisneros Fontanals Art Foundation in
2155:(video). Chicago: Video Data Bank (distributor), 2000.
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Riches, Harriet. Disappearing Act: Francesca Woodman's
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Francesca Woodman's Works at Woodman Family Foundation
2225:. Directed by C. Scott Willis. A Lorber Films Release.
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666:, New York, NY. Many had never been on display before.
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Photography after Photography: Gender, Genre, History
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Gryphon's Feather Studio blog entry, 2005 October 21.
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497:. Marion Goodman Gallery, 2021. Exhibition catalogue.
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Armstrong, Carol; Catherine de Zegher, eds. (2006).
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2023:"Francesca Woodman Exhibit Displays Haunting Beauty"
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countryside, where the family lived on an old farm.
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pictures featuring either herself or female models.
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145:(April 3, 1958 – January 19, 1981) was an American
2970:. In Frederickson, Kristen; Sarah E. Webb (eds.).
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2285:(press release). 2011-09-21. Accessed 2011-11-15.
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1998:"Francesca Woodman's Foreboding Essence Timeless"
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1648:Financial Times, 2010-08-02. Accessed 2011-11-15.
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2305:. Collider.com, 2010-05-10. Accessed 2011-11-15.
2053:Francesca Woodman: Retrospectiva = Retrospective
1917:Francesca Woodman: Retrospectiva = Retrospective
1646:Francesca Woodman, Palazzo della Ragione, Milan.
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1786:. Farnham, Surrey and Burlington, VT: Ashgate.
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1761:. Farnham, Surrey and Burlington, VT: Ashgate.
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1741:"Quaderno Raffaello: Anticipation and Delight"
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745:, Woodman's parents decided not to attend the
236:in 1979. After spending the summer of 1979 in
2968:"Epilogue: Mark Making, Writing, and Erasure"
2889:Encyclopedia of twentieth-century photography
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2824:(Lincoln, University of Nebraska Press, 2013)
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2020:
1965:
1942:"I ritratti e i misteri di Francesca Woodman"
1884:Francesca Woodman: Providence, Roma, New York
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634:Francesca Woodman: Providence, Roma, New York
455:. Marian Goodman, 2004. Exhibition catalogue.
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1228:Davison, Peter. Girl, seeming to disappear.
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853:Woodman was exposed to the symbolic work of
2693:. Wellesley, MA: Wellesley College Museum.
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1715:International Center of Photography Store.
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1399:Women Photographers and Feminist Aesthetics
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678:Francesca Woodman: Portrait of a Reputation
590:Francesca Woodman, photographische arbeiten
579:Institute of Contemporary Art, Philadelphia
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392:(Notebook of Dictations and Compositions),
202:in 1973; Woodman graduated from the public
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1025:"'Francesca Woodman' at Guggenheim Museum"
420:In 1999, a critic was of the opinion that
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3083:20th-century American women photographers
2885:Mellby, Julie. "Francesca Woodman." In:
2861:Francesca Woodman, photographs, 1975–1980
1800:
1759:Francesca Woodman and the Kantian sublime
1568:Dunhill, Alison. Dialogues with Diagrams.
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824:by André Breton". Translated by Dunhill.)
722:including part of "Polka Dots" photograph
611:Fondation Cartier pour l'art contemporain
508:Francesca Woodman and the Kantian sublime
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2317:RottenTomatoes.com. Accessed 2011-11-15.
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1202:"The Long Exposure of Francesca Woodman"
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698:, National Portrait Gallery, London, UK.
567:University of Colorado Fine Arts Gallery
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453:Francesca Woodman: Photographs 1975–1980
213:Beginning in 1975, Woodman attended the
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2421:International Journal of Psychoanalysis
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1200:Gumport, Elizabeth (January 24, 2011).
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2515:Valtorta, Roberta. Francesca Woodman.
2103:"Brilliant Things to Do This November"
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1445:Robinson, Walter (December 12, 2005).
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1102:"Francesca Woodman: On being an angel"
953:
830:(e.g., a series of his photographs of
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2055:. Stockholm, Sweden: Moderna Museet.
999:"Francesca Woodman's haunting vision"
997:MacMillan, Kyle (December 14, 2006).
691:Marian Goodman Gallery, New York, NY.
3128:Suicides by jumping in New York City
3118:Rhode Island School of Design alumni
3027:Francesca Woodman: On Being an Angel
2965:
2863:. New York: Marian Goodman Gallery.
2859:Buchloh, B H D; Betsy Berne (2004).
2691:Francesca Woodman, photographic work
2255:
2126:Jansen, Charlotte (March 20, 2024).
1693:Francesca Woodman: On Being an Angel
689:Francesca Woodman:Alternate Stories.
555:Francesca Woodman, photographic work
410:Some Disordered Interior Geometries.
335:
3078:20th-century American photographers
2739:
2494:, Spring 2005. Accessed 2014-09-03.
2207:Armour, Nicole. Disappearing acts.
1544:Some disordered interior geometries
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427:Some Disordered Interior Geometries
422:Some Disordered Interior Geometries
374:Some Disordered Interior Geometries
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2974:. University of California Press.
2972:Singular Women: Writing the Artist
2836:. Ghent: Les Editions La Chambre.
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2190:Greene, Rachel. Elisabeth Subrin,
1966:Ho, Alexander (November 4, 2011).
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660:San Francisco Museum of Modern Art
533:Front of dust jacket of 2006 book
367:San Francisco Museum of Modern Art
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2989:
1870:Woodman Family Foundation website
1583:Henshall, John. Fatal attraction.
1242:Hoberman, J. (January 19, 2011).
465:, 2006. Edited by Chris Townsend.
16:American photographer (1958–1981)
2996:
2767:Solomon-Godeau, Abigail (2017).
2434:10.1111/j.1745-8315.2011.00457.x
1940:Pelloso, Giovanni (2010-07-13).
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575:University of California, Irvine
3017:Artist Rooms: Francesca Woodman
2920:Women artists at the millennium
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1546:. Philadelphia: Synapse Press.
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1315:Wood, Gaby. The lady vanishes.
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1190:The New York Times, 1998-05-17.
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1023:Johnson, Ken (March 15, 2012).
726:In 2000, an experimental video
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390:Quaderno dei Dettati e dei Temi
278:National Endowment for the Arts
2947:. Amsterdam: Rodopi. pp.
2924:. Cambridge, Mass: MIT Press.
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2276:on Thursday, December 22, 2011
2265:Independent Television Service
2076:Paglia, Michael (2019-11-20).
1882:Oliva, Achille Bonito (2000).
1822:10.1080/00043249.2003.10792158
1397:Raymond, Claire (2017-04-21).
1332:Loos, Ted (December 1, 2011).
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617:, Rotterdam, The Netherlands;
601:, Rencontres d'Arles festival.
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1:
3108:People from Boulder, Colorado
2326:Public Broadcasting Service,
1996:Baker, Kenneth (2011-11-12).
1919:. Murcia, Spain: Espacio AV.
1784:Francesca Woodman's Dark Gaze
1717:Francesca Woodman's Notebook.
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775:
737:A feature-length documentary
518:Francesca Woodman's Dark Gaze
215:Rhode Island School of Design
104:Rhode Island School of Design
36:
2643:Chandès, Hervé, ed. (1998).
2021:Bowman, Cathy (2011-11-07).
1384:10.1016/j.emospa.2010.01.013
1269:"Francesca Woodman | artnet"
871:
834:, and his surrealist works).
664:Solomon R. Guggenheim Museum
649:Palazzo della Ragione, Milan
512:Kant's theory of the sublime
469:Francesca Woodman's Notebook
380:Woodman created a number of
340:At RISD, Woodman borrowed a
271:window of a building on the
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3138:Artists who died by suicide
3093:American surrealist artists
3049:Francesca Woodman Galleries
2887:Warren, Lynne, ed. (2006).
2706:Keller, Corey, ed. (2011).
2670:Dunhill, Alison G. (2012).
2519:, 1979 October;86:10:46-50.
1886:. Roma: Castelvecchi arte.
1691:Woodman, Francesca (2011).
1542:Woodman, Francesca (1981).
1471:Francesca Woodman (Room 8).
1047:September 29, 2007, at the
561:Art Gallery, New York, NY;
550:. Libreria Maldoror, Roma.
485:Moderna Museet/König, 2015.
402:Portraits Friends Equasions
325:-inch (6x6 cm) square
250:Peterborough, New Hampshire
10:
3154:
3103:Boulder High School alumni
3088:20th-century American Jews
2712:Distributed Art Publishers
2590:"Portrait of a Reputation"
2234:2010. Accessed 2011-11-15.
1372:Emotion, Space and Society
1334:"Sharing a Guarded Legacy"
1232:, 2000 May;285(5):108–111.
623:The Photographers' Gallery
240:visiting her boyfriend at
3036:Francesca Woodman Gallery
2771:. Duke University Press.
2281:October 10, 2016, at the
2211:2000 Nov/Dec;36(6):55-57.
1856:www.nationalgalleries.org
718:Poster for the 2011 film
662:, San Francisco, CA; and
638:Palazzo delle Esposizioni
406:Angels, Calendar Notebook
117:
109:
99:
89:
70:
44:
28:
21:
3123:Women surrealist artists
2786:Townsend, Chris (2006).
2567:, pp. 30–31, 39–40.
2168:Video Data Bank page on
1782:Raymond, Claire (2016).
1757:Raymond, Claire (2010).
1658:Raymond, Claire (2016).
1511:Portrait of a Reputation
1206:New York Review of Books
489:Portrait of a Reputation
447:Books of work by Woodman
386:Portrait of a Reputation
351:Helsinki City Art Museum
283:
262:
219:Providence, Rhode Island
2966:Webb, Sarah E. (2003).
2891:. New York: Routledge.
2051:Tellgren, Anna (2015).
2002:San Francisco Chronicle
1915:Tejeda, Isabel (2009).
1573:, 2008 Autumn/Winter;2.
1100:Tellgren, Anna (2016).
565:Museum, Wellesley, MA;
166:
143:Francesca Stern Woodman
49:Francesca Stern Woodman
2822:Surrealist Ghostliness
2101:AnOther (2021-11-01).
2027:San Francisco Examiner
1141:, pp. 26–30, 154.
810:and in particular his
763:on December 22, 2011.
723:
538:
434:Posthumous recognition
365:in 2007–2008; and the
289:Photographs, 1972–1980
3113:Activists from Denver
2744:. ZĂĽrich: Shedhalle.
2689:Gabhart, Ann (1986).
2517:Progresso Fotografico
2245:"The Woodmans (2010)"
1624:10.1353/mis.2010.0043
1407:10.4324/9781315628912
743:Tribeca Film Festival
717:
619:Belém Cultural Center
571:UCI Fine Arts Gallery
532:
242:Pilchuck Glass School
2830:de Zegher, Catherine
2740:Lux, Herman (1992).
2369:Accessed 2007-09-07.
2337:Accessed 2011-11-15.
2315:The Woodmans (2010).
2181:Accessed 2007-09-07.
1726:Accessed 2011-11-16.
627:Douglas Hyde Gallery
621:, Lisbon, Portugal;
238:Stanwood, Washington
171:Woodman was born in
3098:Artists from Denver
3053:Il museo del louvre
2820:Conley, Katharine.
2790:. London: Phaidon.
2474:Conley, Katharine.
2348:Photo District News
2151:Subrin, Elisabeth.
1978:on November 5, 2011
1946:Corriere della Sera
1852:"Francesca Woodman"
1612:The Missouri Review
1485:, pp. 196–203.
1151:Solomon-Godeau 2017
583:Krannert Art Museum
502:Books about Woodman
204:Boulder High School
149:best known for her
94:Boulder High School
3041:2006-11-14 at the
2365:2006-11-26 at the
2301:2011-08-22 at the
2230:2016-03-03 at the
2177:2007-04-30 at the
1722:2012-06-07 at the
1695:. Milan: Silvana.
1517:2004;27(1):95–113.
1515:Oxford Art Journal
1473:Tate Modern, 2007.
1338:The New York Times
1029:The New York Times
848:Quaderno Raffaello
844:Deborah Turbeville
724:
542:exhibitions were:
539:
477:Quaderno Raffaello
430:neophyte/student.
398:Quaderno Raffaello
297:cameras producing
3031:PhotoArts Journal
2958:978-90-420-2513-4
2898:978-1-57958-393-4
2797:978-0-7148-4430-5
2788:Francesca Woodman
2778:978-0-822-37362-9
2721:978-1-935202-66-0
2708:Francesca Woodman
2683:exlibrisgroup.com
2645:Francesca Woodman
2555:, pp. 29–30.
2381:, pp. 20–27.
2062:978-38-63357-50-4
1926:978-84-96898-42-4
1793:978-14-724-5712-7
1768:978-0-7546-6344-7
1702:978-88-366-2117-0
1588:, 1999 August 23.
798:bark on her arms.
792:Apollo and Daphne
671:On Being an Angel
656:Francesca Woodman
645:Francesca Woodman
613:, Paris, France;
607:Francesca Woodman
563:Wellesley College
535:Francesca Woodman
495:Alternate Stories
483:On Being an Angel
459:Francesca Woodman
336:Videos, 1975–1978
232:Woodman moved to
221:. She studied in
192:Boulder, Colorado
140:
139:
23:Francesca Woodman
3145:
3045:by Andrew Heenan
3006:
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585:, Champaign, IL.
415:correction fluid
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772:inspirational.
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767:Popular opinion
751:Rotten Tomatoes
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569:, Boulder, CO;
557:. Traveled to
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1483:Blessing 2011
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2594:www.risd.edu
2593:
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2541:Gabhart 1986
2536:
2531:, p. 8.
2529:Dunhill 2012
2524:
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2504:Chandès 1998
2499:
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2463:Gabhart 1986
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2031:the original
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1976:the original
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1948:(in Italian)
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1527:Dunhill 2012
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1456:December 10,
1454:. Retrieved
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1425:
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1371:
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1353:
1343:December 21,
1341:. Retrieved
1337:
1317:The Observer
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1311:
1299:
1294:, p. 9.
1287:
1276:. Retrieved
1272:
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1253:November 16,
1251:. Retrieved
1247:
1237:
1229:
1211:December 29,
1209:. Retrieved
1205:
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1170:Chandès 1998
1146:
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1134:
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1108:
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1069:. Retrieved
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1006:. Retrieved
1002:
968:, p. 4.
966:Chandès 1998
961:
922:Chandès 1998
888:Gabhart 1986
847:
821:
817:
812:
808:André Breton
790:The myth of
779:
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739:The Woodmans
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147:photographer
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113:Photographer
76:(1981-01-19)
3073:1981 deaths
3068:1958 births
3004:Arts portal
2636:Works cited
2577:Keller 2011
1810:Art Journal
1304:Keller 2011
1003:Denver Post
954:Keller 2011
855:Max Klinger
676:2019-2020:
669:2015–2017:
654:2011–2012:
643:2009–2010:
605:1998–2002:
594:Kulturhuset
588:1992–1993:
553:1986–1989:
525:Exhibitions
376:(1981 book)
359:Tate Modern
3062:Categories
2624:2020-03-08
2599:2020-03-04
2487:Rus, Eva.
2404:2018-04-05
2194:(review).
2112:2022-05-04
2087:2020-01-04
2037:2011-11-12
2007:2011-11-12
1982:2011-11-07
1952:2011-11-07
1678:1082195815
1278:2020-03-04
1071:2018-04-05
867:References
802:Surrealism
776:Influences
703:The films
682:MCA Denver
384:, such as
217:(RISD) in
208:Florentine
110:Occupation
55:1958-04-03
2450:205910961
2192:The Fancy
2170:The Fancy
2153:The Fancy
1838:192135554
1632:162214059
1378:: 28–59.
1117:April 25,
1008:April 25,
872:Citations
728:The Fancy
705:The Fancy
369:in 2011.
327:negatives
273:East Side
90:Education
3039:Archived
2907:60402034
2879:57449808
2852:84213738
2806:76893694
2760:27972302
2699:13474131
2663:40184932
2442:22212040
2363:Archived
2299:Archived
2279:Archived
2228:Archived
2175:Archived
2137:20 April
2132:Guardian
2082:Westword
1902:45108542
1739:(2012).
1720:Archived
1552:11308833
1045:Archived
903:Lux 1992
747:premiere
651:, Italy.
615:Kunsthal
548:Immagini
473:Quaderno
394:Quaderno
158:exposure
133:(mother)
127:(father)
2107:AnOther
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828:Man Ray
757:series
640:, Rome.
581:, and
463:Phaidon
404:, and
320:⁄
306:⁄
227:Italian
118:Parents
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2677:(PDF)
2446:S2CID
1834:S2CID
1826:JSTOR
1744:(PDF)
1628:S2CID
1105:(PDF)
822:Nadja
818:Nadja
813:Nadja
796:birch
730:, by
355:Miami
284:Works
263:Death
3021:Tate
2976:ISBN
2953:ISBN
2926:ISBN
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1458:2016
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1345:2012
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1213:2016
1119:2018
1010:2018
707:and
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269:loft
223:Rome
179:and
167:Life
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