53:, all of whom were also musicians and composers. The brothers played together in a quintet that was modeled on woodwind quintet instrumentation but modified by removing the flute parts to include their brother Jean-Luc, who was a percussionist. The quintet received favorable reviews from critics, who found the music to be "unusually lively for a wind quintet" and "full of earthly elegance".
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He took music lessons first with his brother Michel-Joseph
Gebauer, which ended soon due to artistic differences between the two. He then took lessons with
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in phase shifting patterns and strikingly modern asymmetrical melodies. The most memorable effect he achieved with this piece was the portrayal of
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Ten trios for three bassoons, Op. 33 (also for violin, cello and bassoon)
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in
Versailles as a bassoonist. In 1790 he joined the orchestra of the
87:, Op. 48, for horn and bassoon, which featured repetitive rhythmic
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Quartet in G minor, Op. 41, for flute, clarinet, horn and bassoon
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and the son of a German military musician. He had four brothers,
72:. From 1801 to 1826 he was a bassoonist in the orchestra of the
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60:, which proved to be more successful. In 1788 he joined the
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The Music for
Bassoon and Strings of François-René Gebauer.
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3 quartets, Op. 37, for horn, violin, viola and double bass
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Three quartets, Op. 27, for flute, oboe, horn and bassoon
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Three quartets, Op. 20, for flute, oboe, horn and bassoon
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49:(1763–1812), Pierre-Paul Gebauer, Jean-Luc Gebauer, and
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Variations sur "Au clair de la lune" for two bassoons
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Duos concertants, Op. 48, for horn in F and bassoon
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Three trios for flute, clarinet and bassoon, Op. 42
95:through jarring note patterns in the bassoon line.
185:Six Concert Duos, Op. 8, for clarinet and bassoon
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386:Academic staff of the Conservatoire de Paris
216:and Gioachino Rossini for bassoon and piano
243:Three trios for clarinet, horn und bassoon
237:Duos concertants, Op. 44, for two bassoons
182:Six Concert Duos, Op. 2, for two clarinets
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27:French composer, professor, and bassoonist
41:) was a French composer, professor, and
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270:. Yale University Press. p. 138.
198:by Gioachino Rossini for two Bassoons
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391:19th-century French male musicians
366:18th-century French male musicians
331:The Catholic University of America
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264:Herbert, Trevor (2006-01-01).
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188:"Menuet du Diable" for bassoon
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371:19th-century French composers
361:18th-century French composers
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356:French classical bassoonists
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212:Nocturno Nr. 2 of arias by
116:" for bassoon and orchestra
37:, France – 28 July 1845 in
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381:Musicians from Versailles
297:. Batsford. p. 173.
83:His most famous work was
294:The Oboe and the Bassoon
291:Joppig, Gunther (1988).
174:Zitti zitti, piano piano
155:for two bassoons (1816)
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51:Étienne-François Gebauer
214:Wolfgang Amadeus Mozart
121:Works for wind ensemble
159:Ecco, ridente in cielo
78:Conservatoire de Paris
376:French male composers
201:Ecco ridente in cielo
196:The Barber of Seville
148:The Barber of Seville
47:Michel-Joseph Gebauer
31:François-René Gebauer
18:François René Gebauer
321:Danny Keith Phipps:
177:Di si felice innesto
191:Three wind quintets
114:Au clair de la lune
104:Works for orchestra
68:la garde nationale
33:(15 March 1773 in
304:978-0-7134-5680-6
277:978-0-300-10095-2
207:Largo al factorum
194:Three arias from
164:Largo al factotum
153:Gioachino Rossini
58:François Devienne
16:(Redirected from
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204:Una voce poco fa
168:Una voce poco fa
85:Duos Concertants
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316:Further reading
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145:Six arias from
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133:Pas de manœuvre
127:Pas de manœuvre
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171:Dunque io son
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140:Chamber music
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93:schadenfreude
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267:The Trombone
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351:1845 deaths
346:1773 births
74:Paris Opera
66:Musique de
62:Swiss Guard
340:Categories
329:document,
251:References
110:Variations
43:bassoonist
35:Versailles
70:de Paris
135:(No. 2)
129:(No. 1)
327:D.M.A.
325:1987,
301:
274:
89:motifs
99:Works
39:Paris
299:ISBN
272:ISBN
112:on "
151:by
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307:.
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20:)
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