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Folies Bergere at The Tropicana Hotel Las Vegas

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362:. She described how showgirl lifestyles consistently fell into three categories. The first group consisted of married women with a family. For them, being a showgirl was simply a job. They would go home between twice daily performances to tend to their children and were available for the morning routine of getting the kids ready for school. The second group Leo referred to as “Professional Gypsies.” These women loved show business, traveling and entertaining. The final group Leo described as the “Come and Go” set. They tended to be more transient and were attracted to the glamor of Las Vegas, wanted to encounter movie stars, and desired to betroth a wealthy man. 29: 411: 339: 370: 366:
management's request that showgirls “mix” or mingle with guests after the performance. In fact, former showgirls were generally young when they started performing, and following their Folies Bergere tenure, many pursued university education, obtained professional employment in various fields, and engaged in long-term relationships.
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Many of the productions and individual scenes had themes based on historical periods. The costumes, sets, and dance styles were researched using museum exhibits along with consultations with experts in garment design and construction techniques. The period apparel was then interpreted and modified to
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Showgirls were typically 5’10"-6’2”(178-188 cm) tall, donned 2-4 inch (5-10 cm)high heeled shoes, headdresses nearing 4 feet (120 cm) tall, and backpacks that supported the tropical plumage display up to a 10-foot (3 m) wingspan weighing upwards of 65 pounds (30 kilo). Showgirls needed
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The theater changed direction during World War I, when there was a new focus on the (frontal) nude female. Michel Gyarmathy, a pre-war Hungarian refugee, became artistic director of the most celebrated Folies Bergere in Paris. "Monsieur Michel," as he was known to his staff, designed the production,
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in 1978 created competition for the Las Vegas casinos. By the 1990s, Las Vegas was experiencing an economic downturn. In an effort to attract more visitors, Las Vegas promoted itself as family-friendly. The Las Vegas campaign targeted the family demographic supported by attractions such as the live
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The Tropicana and its parent company filed for bankruptcy during the global financial crisis of 2008. Tropicana was purchased and reorganized under new ownership in 2009, leaving no financial resources to subsidize Folies Bergere and subsequently issue termination notices. On March 28, 2009, cast,
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During this period, ties were cut with Folies Bergere of Paris. Jerry Jackson was promoted to Head Director and Choreographer. The show permanently relocated from the Fountain Theatre to the new Tiffany Theatre within the Tropicana. The revamped version was titled “Le Music Hall”. The period theme
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The Folies Bergere was staged at the Hotel Tropicana’s Fountain Theatre from 1959 to 1975. Featuring pink architectural accents, furniture, and stage curtains, the venue was nicknamed “the pink room.” Raised stage platforms and stairs offered the audience an intimate experience. The open orchestra
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Initially, the costumes were crafted in Paris for importing to Las Vegas. According to US customs laws, after three years, a duty payment of half the value was due if the items were retained. Another option was to return the costumes to Paris. The chosen alternative was to burn the costumes in the
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involving dozens of sets and more than 1,000 costumes from Parisian couturiers. Gyarmathy recruited female talent to perform in the company along with the acrobats, magicians, singers, tightrope walkers, circus animals, and other cabaret acts that provided variation to the nude main attraction.
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Jerry Jackson, Folies Bergere director, donated costume sketches, original music compositions, newspaper clippings, photographs and other memorabilia to the UNLV Special Collections that are cited in this article and are available for public viewing on request. Jackson also contributed several
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The other remaining vintage showgirl presentation with feathered costumes and comedy is BurlesQ: The Classic Vegas Showgirl Show. Presented at the Alexis Park Resort, the revue is directed and produced by Cari Byers utilizing her experience as a showgirl with Folies Bergere from 1998 to 2009.
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management involvement. Considering Agosto's criminal past, he would not otherwise be licensable as a casino employee. It would later be discovered that Agosto was siphoning Folies Bergere and casino profits. Due to the association with Agosto, Briggs was forced to sell the Tropicana Hotel to
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Ordinarily, a show business career does not offer consistent employment. However, Folies Bergere's longevity offered some stability for cast and staff. Notwithstanding, the cast was subject to regular auditions twice annually, so their positions were not guaranteed. Also, showgirl employment
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The Tropicana produced the extravaganza, Folies Bergere, in an age when casinos invested in unprofitable shows to attract tourists and encourage gambling on their gaming floor. Over the years, as corporations took over ownership of casinos and resorts, everything from entertainment, lodging,
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fortune, bought a majority stake in the Tropicana in 1975. At the outset, she was not aware of the uncollectable debt associated with gambling credits. Mob figure Joseph Agosto, owning the rights to Folies Bergere, took advantage of her misfortune by proffering her mob loans in exchange for
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Showgirls had a reputation for lacking intelligence, acting immorally, and not being interested in the more traditional long term goals of more stable careers and/or marriage. However, this perception may not have always been true, and in fact this persona was likely perpetuated by the show
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The prominence of showgirls established their role as one of the most recognizable icons of Las Vegas. In their best years, showgirls acted as Las Vegas ambassadors appearing at openings, store and event promotions, in printed advertisements, and alongside Mayor (and former mob attorney)
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Bally’s Corporation purchased the Tropicana buildings, and subsequently negotiated an agreement with Oakland Athletics baseball organization to build a stadium complex on the current Tropicana site. With the eventual demolition of the Tropicana, Las Vegas will offer its final goodbyes.
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restaurants, and even parking had become independent cost centers that were expected to be self-funded. The over-the-top, expensive showgirl revues had become a historical phenomena, viewable in museum exhibits, and kept alive in the hearts and memories of longtime Las Vegas visitors.
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The Folies Bergere was subject to labor action in 1989 as the orchestra's union elected to strike after unsuccessful contract negotiations. Once the live music had stopped, the musicians were replaced with a recorded soundtrack, vacating the orchestra pit from that point forward.
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Maitre’ds were prepared to show guests to their seats, locating them partially based on the size of the gratuity. Guests frequently wore more formal dress - suits for men and evening dresses for women (with bouffant-styled hair in the 1970s). Hotel flower girls and
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At 50 feet (15 m) high, Las Vegas’ tallest showgirl installation greets visitors as they enter the south end of Las Vegas city gateway (Contrary to popular belief, most of the Las Vegas strip is technically located in the municipality of
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The Folies Bergere spectacular was a cause célèbre depicting frontal nudity and provocative dance moves. It is claimed to have had an annual attendance of over 600,000 guests at the height of its popularity. Entertainment director
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Vegas! The Show celebrates glamorous showgirls, broadway-style singers, dancers and a live big band. Written by show producer and Saxe theater owner David Saxe, whose Folies Bergere showgirl mother brought him backstage.
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covenants stipulated that they maintain their hiring body weight, have no tan lines and no tattoos. Violations to the excess poundage clause were subject to written warnings in the form of a “Personal Appearance Notice.”
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resides the “Folies in Flight” art installation. Terry Ritter, former Las Vegas show entertainer turned artist immortalized showgirls in this mural honoring and celebrating their accomplishments and grandeur.
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Gyarmathy was personally involved in replicating the show for the Tropicana in Las Vegas. Although the show was portrayed as “Direct from Paris,” half of the showgirls were American due to union agreements.
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pit would prove to be so precarious for the performers that, eventually, a preventative net was installed to catch the cast when one of them inadvertently stepped off the stage, slipping into the pit.
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to have both a dancer's gracefulness and athlete's strength as they showcased their poise by descending the grand staircases and circumnavigating the stage effortlessly with an alluring smile.
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of Paris originated in 1869 as a cabaret music hall. The institution is still in business, and remains a strong symbol of French and Parisian life. It is most notably captured in the painting “
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In the early 1970s, the Tropicana did not effectively compete with the bigger hotels in Las Vegas. The property had changed hands a few times before Mitzi Stauffer Briggs, heir to the
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at public appearances. To this day, showgirls define present-day Las Vegas and their influence can be seen in public artwork, marketing campaigns, and sidewalk impressionists.
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Paul Derval was a movie actor and theater manager of Folies Bergere of Paris. He was attributed to founding both the Paris and Las Vegas productions of Les Folies Bergere.
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costumes to the Nevada State Museum. Museum exhibitions have offered a peek behind the velvet curtain presenting costumes, archival photographs, and design renderings.
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J. Kell Housells gained a majority share in the Tropicana in 1959. As owner, one of his first key initiatives was to bring the Folies Bergere to the Tropicana.
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Many buskers mimic showgirl feather and sequin attire, posing for pictures with tourists for gratuities, or distributing pamphlets for time-share promotions.
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recorded an episode Viva Las Vegas. The plot had Anthony attending the Folies Bergere and falling for the lead singer, Etienne Toussaint. Aired Nov 6, 1992.
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in December 1979. "The Folies Bergere is really a symbol of the connection between the mob and the Tropicana, via the Folies Bergere," sums up Karan Feder.
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was an American dancer and choreographer, principally remembered as Fred Astaire's choreographic collaborator in the acclaimed 1930s movie musicals.
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Michel Gyarmathy became scene and costume designer, art director, manager of and designer of the Folies Bergere of Paris and Las Vegas.
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The paucity of ongoing investment was a major factor in longer times between show revisions and less extravagance in the show itself.
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showgirl revue's expansive costume application of the cut glass. The show had ordered all the available rhinestones produced by
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took the remaining girls to Las Vegas to party, Paris Hilton style. Later, the girls competed in a Folies Bergere stage show.
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Scott Roeben, a Las Vegas provocateur and pundit, coined this phrase to describe the multiple show failings at the Tropicana.
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line dance is considered to have made Folies Bergere Paris world renown and was freely adapted for the American audience.
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Albie Berk, Doug Walters, Greg Bosler, Billie Reddie, Jeffrey Silverman, Don Hanna, Billy Tragresser & George Wilkins
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Mary Leo, showgirl and line captain for Folies Bergere, shared her experiences during an oral history interview for the
990: 1407: 1670: 534:. The Tropicana was one of the hotels that did not participate in that promotion, choosing “rollers over strollers.” 1115: 625: 515: 433:"The Trop," as it was affectionately known, was considered the "Tiffany of the Strip," drawing in celebrities like 1558: 355: 1297: 783: 1514: 324: 1317:"'Folies' flashbacks: Former stars, crew revisit past as show prepares for future - Las Vegas Sun Newspaper" 1272: 814:"Rhinestones in the Desert: The Rise and Fall of the Las Vegas Showgirl and the Productions That Shaped Her" 2021: 1164: 691: 1238: 426:
is credited as the individual responsible for securing the rights from Paris for the Tropicana. The Paris
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zipline attraction is flanked by oversized, replica showgirls on either side of its zipline apparatus on
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roamed the aisles plying their wares. Photographers were on hand and ready to commemorate the occasion.
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As a side note, there was a world-wide rhinestone shortage that was supposedly precipitated by the 1981
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desert under the watchful eyes of the federal officials. Those were sad days for Folies Bergere staff.
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was a master at the art of plate spinning, appeared on American television variety and talent shows.
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There was a desire for something new as showgirl revues appeared dated and old-fashioned.
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were a German-American entertainment duo, best known for their appearances with albino “
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Gus Augspurg & His Girl Friends - Comedy with baboons, seen on American television.
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utilized elaborate sets, exquisite wardrobes, and an ageless symbol of luxury, a 1930s
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Proposed reasons for the decline of Folies Bergere and showgirl revues in general:
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Stripclubs and other topless entertainment became ubiquitous in Las Vegas.
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Las Vegas Folies Bergere showgirls at the Tropicana Hotel from matchbook.
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The Mecners - Acrobats, presented on American television variety shows.
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Today, showgirls are a living cultural symbol of Las Vegas' past.
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is an American stage magician performing primarily in Las Vegas.
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was a costume designer for 1975 Edition and Emmy Award nominee.
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of Paris’ successful formula of featuring topless, statuesque
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UNLV University Libraries, University of Nevada, Las Vegas
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Soozi Childers, Tim Shaw; Tango: Miriam LaRici, Hugo Patyn
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A number of shows were available, including five popular
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The Halassys - Teeterboard Family Act, performed on the
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Transition from hotel sponsorship to external financing.
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hosted the progeny production by emulating the original
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including French creative leadership and cast members.
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Produced for the Tropicana & Entertainment Director
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The Folies Bergere revue was imported directly from
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It's (still) 'Jubilee!'" 781: 1481: 479: 342:Tropicana marquee featuring Folies Bergere 220:A & D Scenery and Copper Creek Studios 27: 1695:"Art at Harry Reid International Airport" 1270: 295:, and the cosmopolitan sophistication of 2012:Production shows in the Las Vegas Valley 1508: 1506: 651: 456:, a Folies Bergere magician, concerning 409: 368: 337: 1456: 405: 2002:Theater districts in the United States 1994: 1737: 1537: 1381: 1314: 1298:"Folies Bergere To Close In Las Vegas" 1295: 664: 599: 159:Jerry Jackson, Ron Simone, Greg Bosler 1556: 1512: 1503: 1296:MERAJI, SHEREEN (February 23, 2009). 1029: 980: 518:, the hourly volcano eruption at the 2027:Organized crime in the United States 1030:Brown, Patricia Leigh (2007-07-03). 877: 875: 811: 807: 805: 803: 701: 619: 16:Las Vegas showgirl revue (1959–2009) 84:Created, Directed, Choreographed By 13: 1644: 1348: 14: 2043: 1482:O'Neil, Kirk (October 12, 2022). 1457:Hiltzik, Michael a (1994-09-23). 981:Feder, Karan (11 December 2017). 872: 812:Palm, Diane Marie (May 1, 2016). 800: 720:(NBT), a regional ballet company. 567:Topless became less of a novelty. 542:The Rhinestones Lost Their Luster 452:Another anecdote was imparted by 327:” by French Impressionist artist 1762: 1092:"The Showgirl: A Las Vegas Icon" 626:Harry Reid International Airport 509:The legalization of gambling in 504: 254:was the longest running show in 225:Costume Assistant to Mr. Jackson 1964: 1940: 1916: 1892: 1868: 1847: 1826: 1805: 1781: 1756: 1731: 1711: 1687: 1663: 1638: 1614: 1589: 1550: 1538:Roeben, Scott (July 24, 2018). 1531: 1494: 1475: 1450: 1425: 1400: 1375: 1342: 1333: 1308: 1289: 1271:Greenspun, Brian (2009-03-28). 1264: 1255: 1231: 1206: 1181: 1157: 1133: 1108: 1056: 1023: 999: 983:The Folies Bergere in Las Vegas 782:Kachelriess, Rob (2023-10-03). 1315:Schorr, Melissa (1997-04-04). 974: 949: 924: 899: 848: 824: 775: 356:University of Nevada Las Vegas 140:Original Music & Lyrics By 33:Folies Bergere matchbook cover 1: 1671:"Folies in Flight - CODAworx" 768: 575:"Folies" along with Bally's " 314: 50:Permanent In-house production 1900:"Rhinestones & Feathers" 1814:Viva Las Vegas (1964) - IMDb 1738:Roeben, Scott (2013-09-06). 1557:Staff, News 3 (2023-05-15). 883:"Michel Gyarmathy Interview" 397:for their outfits and sets. 7: 1513:Green, Steve (2009-01-15). 514:pirate ship performance at 382:allow for dance movements. 325:A Bar at the Folies Bergère 10: 2048: 1382:Hawley, Tom (2016-01-20). 400: 291:, the glamor and glitz of 1856:Paris Hilton's My New BFF 692:Paris Hilton's My New BFF 608: 511:Atlantic City, New Jersey 240: 232: 224: 216: 208: 203: 195: 187: 179: 171: 163: 155: 148:Musical Orchestrations By 147: 139: 131: 123: 115: 107: 99: 91: 83: 78: 70: 62: 54: 46: 38: 26: 21: 1601:Las Vegas Review-Journal 1437:Las Vegas Review-Journal 1169:www.lasvegasnvmuseum.org 1011:special.library.unlv.edu 961:Las Vegas Review-Journal 936:Las Vegas Review-Journal 188:Head Electric Technician 164:Assistant Choreographers 648:in downtown Las Vegas. 624:Located at Las Vegas's 583:Faced with competition. 480:Tropicana in Transition 250:Lasting almost 50 years 1193:thelibrarydistrict.org 684:The television series 415: 374: 343: 718:Nevada Ballet Theatre 652:Las Vegas Productions 561:Lack of reinvestment. 532:Fountains of Bellagio 413: 372: 341: 180:Head Sound Technician 1699:harryreidairport.com 406:The Paris Connection 252:, Les Folies Bergere 196:Head Prop Technician 2022:Tropicana Las Vegas 1339:(Feder 2017, 14-15) 724:Siegfried & Roy 665:Film and television 600:Tropicana Goes Dark 589:shows at that time. 555:Lack of innovation. 524:Shark Reef Aquarium 360:Special Collections 270:Tropicana Las Vegas 233:Wardrobe Supervisor 199:Nicolienne Francois 124:Scenery Designed By 74:Tropicana Las Vegas 2017:1959-related lists 1880:The New York Times 1763:SHOW, VEGAS! THE. 1355:The New York Times 1145:lasvegasweekly.com 1120:lasvegasweekly.com 1036:The New York Times 913:. 10 February 2016 836:nevadamagazine.com 416: 375: 344: 236:Diane Bertolaccini 217:Scenic Fabrication 22:Les Folies Bergere 1765:"VEGAS! THE SHOW" 1645:Pappas, Costa B. 1626:Las Vegas Advisor 1463:Los Angeles Times 1349:Ap (1983-09-01). 1218:Los Angeles Times 1195:. 10 January 2019 860:Racing Nellie Bly 702:Notable Personnel 620:Art Installations 486:Stauffer Chemical 458:Siegfried and Roy 248: 247: 204:Other information 156:Musical Arrangers 132:Lighting Designer 58:December 24, 1959 2039: 1986: 1985: 1983: 1982: 1968: 1962: 1961: 1959: 1958: 1944: 1938: 1937: 1935: 1934: 1920: 1914: 1913: 1911: 1910: 1896: 1890: 1889: 1887: 1886: 1872: 1866: 1865: 1864: 1863: 1851: 1845: 1844: 1843: 1842: 1830: 1824: 1823: 1822: 1821: 1809: 1803: 1802: 1800: 1799: 1785: 1779: 1778: 1776: 1775: 1760: 1754: 1753: 1751: 1750: 1735: 1729: 1728: 1726: 1725: 1715: 1709: 1708: 1706: 1705: 1691: 1685: 1684: 1682: 1681: 1675:www.codaworx.com 1667: 1661: 1660: 1658: 1657: 1651:Business Insider 1642: 1636: 1635: 1633: 1632: 1618: 1612: 1611: 1609: 1608: 1593: 1587: 1586: 1580: 1572: 1570: 1569: 1554: 1548: 1547: 1535: 1529: 1528: 1526: 1525: 1510: 1501: 1500:(Feder 2017, 67) 1498: 1492: 1491: 1479: 1473: 1472: 1470: 1469: 1454: 1448: 1447: 1445: 1444: 1429: 1423: 1422: 1420: 1419: 1404: 1398: 1397: 1395: 1394: 1379: 1373: 1372: 1370: 1369: 1346: 1340: 1337: 1331: 1330: 1328: 1327: 1312: 1306: 1305: 1293: 1287: 1286: 1284: 1283: 1268: 1262: 1261:(Feder 2017, 21) 1259: 1253: 1252: 1250: 1249: 1235: 1229: 1228: 1226: 1225: 1210: 1204: 1203: 1201: 1200: 1185: 1179: 1178: 1176: 1175: 1161: 1155: 1154: 1152: 1151: 1137: 1131: 1130: 1128: 1127: 1112: 1106: 1105: 1103: 1102: 1088: 1079: 1078: 1076: 1075: 1060: 1054: 1053: 1051: 1050: 1027: 1021: 1020: 1018: 1017: 1003: 997: 996: 978: 972: 971: 969: 968: 953: 947: 946: 944: 943: 928: 922: 921: 919: 918: 903: 897: 896: 894: 893: 879: 870: 869: 867: 866: 852: 846: 845: 843: 842: 828: 822: 821: 809: 798: 797: 795: 794: 779: 750:Ed Sullivan Show 593:Tropicana curse. 587:Cirque du Soleil 116:Costume Designer 55:Date of premiere 31: 19: 18: 2047: 2046: 2042: 2041: 2040: 2038: 2037: 2036: 2032:Las Vegas shows 1992: 1991: 1990: 1989: 1980: 1978: 1970: 1969: 1965: 1956: 1954: 1946: 1945: 1941: 1932: 1930: 1922: 1921: 1917: 1908: 1906: 1898: 1897: 1893: 1884: 1882: 1874: 1873: 1869: 1861: 1859: 1853: 1852: 1848: 1840: 1838: 1832: 1831: 1827: 1819: 1817: 1811: 1810: 1806: 1797: 1795: 1787: 1786: 1782: 1773: 1771: 1769:VEGAS! 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Index

Foiles Bergere graphic design
Las Vegas
Paris
Tropicana Las Vegas
Folies Bergere
showgirls
rhinestones
Paris
Hollywood
New York City
Oscar Goodman
Folies Bergere
A Bar at the Folies Bergère
Édouard Manet

University of Nevada Las Vegas
Special Collections

Jubilee!
Swarovski

Lou Walters
Can-Can
Sammy Davis Jr.
Frank Sinatra
Dean Martin
Lance Burton
Siegfried and Roy
cheetah
cigarette girls

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