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Florodora

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389: 264:, called "the English Girls" in the score, but soon popularly dubbed the "Florodora Girls". They consisted of a "sextette of tall, gorgeous damsels, clad in pink walking costumes, black picture hats and carrying frilly parasols swished onto the stage and captivated New York for no other reason than they were utterly stunning." More than 70 women, each 5 ft. 4 in. (about 1.63 m) tall and weighing 130 lb (59 kg), played these roles in the first run of the play. These women were also the object of a great deal of popular adoration, and many male admirers persuaded chorines to leave show business and settle down. According to 1107: 335:, the popular fragrance "Florodora" is manufactured from the essence of the Florodora flower. The perfume factory, along with the island itself, is owned by Cyrus W. Gilfain, an American who finagled the business away from Dolores's family and is now the island's reigning sovereign and sole employer. Although Dolores is now forced to work for Gilfain, she remains optimistic. Frank Abercoed, who is really Lord Abercoed in disguise, has arrived on the island to act as Gilfain's manager. He is immediately smitten with Dolores, and she with him. 455: 380:
some confusion, Frank tells Dolores that he is really Lord Abercoed and was unable to return to her in Florodora because he was trying to keep Gilfain from acquiring his ancestral home. Tweedlepunch finally confronts Gilfain and spins a wild ghost yarn that terrifies Gilfain into admitting that he has stolen the perfume business. Gilfain returns the properties he has taken from Dolores and Frank. Frank marries Dolores; Gilfain marries Lady Holyrood; and Angela marries Captain Donegal.
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finally realized that Dolores is the rightful heir to the Florodora fortune. He tells her that her father was his only friend, and that he will help her retrieve her family business. They break into the Abercoed castle but are surprised by a chorus of lords and ladies who demand to know who they are. In desperation they try to convince everyone that they are the evening's entertainment.
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available to marry Angela. By presenting Tweedlepunch as a highly respected phrenologist, Gilfain plots to marry off his clerks to the heads of the Florodora farms (all young island girls), thereby attaining even more control of the island. Tweedlepunch plays along, duly examining everyone's cranial bumps of love to pronounce the proper marriage couples.
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Aboard a ship docked at the Florodora harbor are Lady Holyrood, titled but penniless, who has come to Florodora at Gilfain's suggestion to find a husband – specifically, Frank. She is accompanied by Gilfain, his daughter Angela, who is betrothed to Captain Arthur Donegal, Lady Holyrood's brother, and
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Frank refuses to marry Angela, and Gilfain discharges him. Gilfain, based on the fraudulent pronouncements of Tweedlepunch, has decreed that the clerks will wed the island girls or be discharged. Everyone is upset. Frank must now return to England, and he tells Dolores he must go but will return for
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Six months later, Gilfain has managed to become the owner of Abercoed Castle, Frank's ancestral home in Wales, and everyone has travelled there. Gilfain's clerks, having been discharged rather than marry the island girls, finally meet up with their English girls (Angela's friends). Tweedlepunch has
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Lady Holyrood, with no prospective husbands in sight, decides that Gilfain will become her next husband. Frank, who has been refused entrance to the castle by Gilfain, defies orders and maneuvers his way inside the courtyard. There he sees Dolores for the first time since he left the island. After
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The original London production opened in 1899 where it ran for a very successful 455 performances. The New York production, which opened the following year, was even more popular, running for 552 performances. After this, the piece was produced throughout the English-speaking world and beyond. The
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Gilfain discovers that Frank and Dolores have fallen in love. In an effort to thwart Dolores' rightful claim to the Florodora fortune, Gilfain plans to marry her himself. He hires Tweedlepunch, who he thinks is an actor, to break up the love affair between Dolores and Frank, thereby making Frank
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The original production toured for years in the U.S. and was revived on Broadway in 1902, 1905, and 1920. In addition to the numerous local productions mounted throughout the English-speaking world and beyond, including productions translated into more than a dozen languages, the show toured
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on 14 October 1901 and finally closed on 25 January 1902, a run of 552 performances – the first instance of a London production achieving such a Broadway run, and the third-longest run on Broadway of any theatre piece up to that time. The show was subsequently mounted in Australia in 1900 by
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s famous double sextet, "Tell me pretty maiden", became the most successful show tune of its time. Other songs ranged from traditional waltzes such as "The Silver Star of Love" and "The Fellow Who Might" to the more quirky rhythmic and long-lined dance numbers for which Stuart was known. An
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featured all six original sextet members from the New York Cast: Marie Wilson, Agnes Wayburn, Marjorie Relyea, Vaughn Texsmith, Daisy Green and Margaret Walker. Recorded on a series of six 78 RPM gramophone records with a full libretto enclosed, the album was a first for
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several of Angela's friends (the "English Girls"), who intrigue Gilfain's clerks. Also aboard the ship is Anthony Tweedlepunch, a detective who is searching for the girl who rightfully owns the perfume business. He comes to the island disguised as a traveling showman,
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staged two successful revivals in 1915 and 1931, and several Broadway revivals were staged, the first being mounted only a year after the closing of the original production in 1901 followed by another three years later. Among later revivals, a young
479: 507: 240:. Its original run of 455 performances was unusually long for the time, and it closed in March 1901. The show would prove a training ground for numerous rising stars of the British theatre. After opening at the 477: 505: 478: 506: 726:) is picking sights to see from an out-of-date guidebook and sings, in "Come Up to My Place", that he wants to see a "girly show" called the "Flora Dora Girl". 416:
Gilfain's clerks: Tennyson Sims, Ernest Pym, Max Aepfelbaum and Reginald Langdale – Roy Horniman, Ernest Lambart, Alfred Barron and Frank Hascoll
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Cyrus W. Gilfain – Charles E. Stevens (Proprietor of the perfume factory and holder of the island of Florodora)
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in a production mounted for the 1920–21 Broadway season. More recently, the show was revived once again at the
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No. 2. The Clerks' Song – Sims, Pym, Aepfelbaum, Langdale, Crogan and Scott – "The credit's due to me."
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American Eve: Evelyn Nesbit, Stanford White, the Birth of the 'It' Girl, and the Crime of the Century
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No. 18. English Girls and Clerks – "Tell me, pretty maiden, are there any more at home like you?"
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in January 2006 for the first professional London production that it had enjoyed in many years.
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The piece was popular with amateur theatre groups, particularly in Britain, into the 1950s.
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The Girl on the Velvet Swing: Sex, Murder, and Madness at the Dawn of the Twentieth Century
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Valleda – Nancy Girling (Florodorean maid to Lady Holyrood and head of one of the farms)
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Capt. Arthur Donegal – Edgar Stevens (4th Royal Life Guards – Lady Holyrood's brother)
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musicals of the 20th century. The book was written by Jimmy Davis under the pseudonym
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No. 12. Lady Holyrood, Donegal and Angela – "When an interfering person such as you"
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No. 16. Lady Holyrood – "There are people who have tried to be smart and dignified"
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The famous double sextet, "Tell me pretty maiden", in the New York production, 1900
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Frank Abercoed – Melville Stewart (Manager, for Cyrus, of the island of Florodora)
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show was famous for its double sextet and its chorus line of "Florodora Girls".
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No. 9. Lady Holyrood, Gilfain and Tweedlepunch – "I want to marry a man, I do"
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No. 7. Lady Holyrood – "I'm a lady, don't forget, with a sense of etiquette"
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No. 14. Finale Act I – "Hey! hey! Alack-a-day! Our loving hearts asunder"
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No. 6. English Girls and Clerks – "Come, take us round to see the sights"
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her if she waits patiently. Everyone meets at the dock to see Frank off.
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was the first of a series of successful musicals by Stuart, including
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revolves around the specialty act "The Flory-Dory Sixtet" [
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No. 26. Dolores and Tweedlepunch – "We're both on the stage, we two"
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No. 22. Valleda and Leandro – "A maid's career is skittles and beer"
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No. 19. Lady Holyrood – "Now I've met, in my time, some curious men"
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as a chorus girl playing one of the English girls in the original
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No. 15. Chorus – "Come, lads and lasses, trip your light and airy"
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No. 8. Angela and Donegal – "Love in his youth is a fiery steed"
413:(Detective disguised as a phrenologist, hypnotist & palmist) 268:: "Each member of its original sextette married a millionaire." 260:
A good part of the success of the musical was attributed to its
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No. 10. Angela and Chorus – "There was a maiden decidedly fair"
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No. 4. Dolores and Abercoed – "If you're in love with somebody"
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No. 27. Dolores – "Far away on the ocean of sunshine and foam"
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Edwardian musical comedy by Owen Hall, Leslie Stuart, et al.
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C. 1908 Edison Records recording by the "Edison Sextette" (
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No. 21. Dolores – "In the Philippines lived a maiden fair"
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No. 24. Dolores – "A woman's love is but a tender flow'r"
900: 642:"I Was a Florodora Baby" was a 1920 song with music by 1086:, Spring 2006, pp. 9–14. Editor: Roderick Murray. 1015:"Floradora Cocktail: A Classic Straight From Broadway" 933:"Information from the Finborough Theatre archive page" 862:
Citizen Hearst: A Biography of William Randolph Hearst
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No. 5. Chorus of Welcome – "Hurrah! The master comes!"
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Kenig, Marc. "Reviving a Legend of Musical Theatre",
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List of longest running plays in London and New York
1169:Souvenir of the 100th performance in Melbourne of 1032: 729:The Floradora cocktail is named after the musical. 301:extensively with numerous local touches. London's 224:Upon opening in London on 11 November 1899 at the 570:No. 11. Gilfain – "There is nothing we disparage" 1179: 620:No. 23. Donegal – "I want to be a military man." 1017:, TheSpruceEats.com, accessed October 28, 2019 876: 874: 872: 870: 781:, New Line Theatre, 2008, accessed 7 July 2024 604:No. 20. Finale – "And the nation will declare" 485:First line: "There is a garden fair"; c. 1908 1139:Original program for 1900 New York production 961:, Library of Congress, accessed July 28, 2017 843:, Volume XX, Issue 1106, 10 March 1900, p. 16 595:No. 17. Gilfain – "When you're a millionaire" 576:No. 13. Abercoed – "In the shade of the palm" 546:No. 3. Dolores – "Bright silver star of love" 801:. St. David's Players, accessed 22 July 2010 172:, and the lyrics were by Edward Boyd-Jones, 978:, January 1, 2011, accessed August 30, 2017 867: 540:No. 1. Chorus – "Flowers a-blooming so gay" 285:at that time. The Florodora Girls included 1105: 853: 851: 849: 383: 33: 779:"Curtain Up, Light the Lights: 1874–1900" 342:Souvenir programme cover, Broadway (1900) 773: 771: 769: 626:No. 25. Angela – "Willie was a gay boy." 403:Leandro – Frank Holt (Overseer of Farms) 387: 370: 337: 1030: 1004:, Angelfire.com, accessed June 28, 2017 906: 846: 810: 1180: 957:Carroll, Harry and Ballard MacDonald. 766: 636: 257:, where it enjoyed another long run. 248:on 12 November 1900, it moved to the 331:In Florodora, a small island in the 897:, McBride, Nast, and Company (1913) 13: 1058: 525:Problems playing these files? See 453: 446: 14: 1239: 1090: 1068:(New York: Little, Brown, 2018) 992:, TV.com, accessed June 28, 2017 815:. Ecam Publication. p. 21. 503: 475: 442:Farmers, flower-girls and others 1208:Musicals set in the Philippines 1126:at The Guide to Musical Theatre 1024: 1007: 995: 981: 964: 951: 925: 912: 1173:1901 at State Library Victoria 895:Theatrical and Musical Memoirs 887: 829: 804: 784: 740: 219: 1: 1154:Florodora used in advertising 813:Chronicle of the 20th Century 733: 423:(Rightful heir to the island) 186: 1039:(hardcover) (1st ed.). 7: 1134:: NYPL Musical of the Month 972:"The Girl from 10th Avenue" 690:, a landlady, Mrs. Martin ( 321: 75:(pseudonym for James Davis) 10: 1244: 1103:Internet Broadway Database 922:, December 29, 1901, p. 28 760:Internet Broadway Database 471:"In the shade of the palm" 392:Ada Reeve as Lady Holyrood 351:, hypnotist, and palmist. 1213:Musicals set in factories 1078:Brazier, Nina: "Reviving 864:, Scribner (1961), p. 225 811:Legrand, Jacques (1987). 687:The Girl from 10th Avenue 362: 168:with additional songs by 79: 65: 55: 41: 32: 23: 1144:Midi files and cast list 989:Our Gang Follies of 1936 959:"I Was a Florodora Baby" 704:Our Gang Follies of 1936 326: 154:Edwardian musical comedy 1218:Musicals set in castles 1098:​Florodora​ 1031:Uruburu, Paula (2008). 792:"Rarely Produced Shows" 499:"Tell me pretty maiden" 409:Anthony Tweedlepunch – 384:Roles and original cast 920:San Francisco Examiner 458: 393: 376: 343: 1228:Musicals set in Wales 1223:Musicals set on ships 1159:Analysis and synopsis 1002:"Come Up to My Place" 609:Supplementary numbers 457: 433:(daughter of Gilfain) 391: 374: 341: 939:on 18 September 2007 207:The Belle of Mayfair 278:original cast album 228:, the show starred 164:, the music was by 133:International tour 893:Aronson, Rudolph. 797:2011-07-16 at the 752:(1920 production)" 666:The Florodora Girl 637:In popular culture 459: 394: 377: 344: 316:Finborough Theatre 310:played one of the 196:The Silver Slipper 1198:Original musicals 1188:Broadway musicals 1013:Graham, Colleen. 976:Three Movie Buffs 909:, pp. 87–88. 697:A subplot in the 684:In the 1935 film 663:The musical film 648:Ballard MacDonald 508: 480: 429:Angela Gilfain – 145: 144: 61:Edward Boyd-Jones 1235: 1203:British musicals 1164:Lengthy synopsis 1109: 1054: 1038: 1018: 1011: 1005: 999: 993: 985: 979: 968: 962: 955: 949: 948: 946: 944: 935:. 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Williamson 250:New York Theatre 37: 27: 21: 20: 1243: 1242: 1238: 1237: 1236: 1234: 1233: 1232: 1178: 1177: 1093: 1061: 1059:Further reading 1051: 1041:Riverhead Books 1027: 1022: 1021: 1012: 1008: 1000: 996: 986: 982: 970:Nash, Patrick. 969: 965: 956: 952: 942: 940: 931: 930: 926: 917: 913: 905: 901: 892: 888: 882:The Patter Post 879: 868: 856: 847: 834: 830: 823: 809: 805: 799:Wayback Machine 789: 785: 777:Miller, Scott. 776: 767: 746: 745: 741: 736: 639: 532: 531: 523: 521: 520: 519: 518: 511: 504: 501: 495: 494: 493: 483: 476: 473: 467: 460: 454: 449: 447:Musical numbers 386: 365: 329: 324: 283:musical theatre 272: 222: 201:The School Girl 189: 134: 132: 124: 116: 108: 100: 92: 87: 74: 60: 48: 25: 17: 12: 11: 5: 1241: 1231: 1230: 1225: 1220: 1215: 1210: 1205: 1200: 1195: 1190: 1176: 1175: 1166: 1161: 1156: 1151: 1146: 1141: 1136: 1128: 1120: 1115: 1110: 1092: 1091:External links 1089: 1088: 1087: 1076: 1074:978-0316396653 1064:Baatz, Simon, 1060: 1057: 1056: 1055: 1050:978-1594489938 1049: 1026: 1023: 1020: 1019: 1006: 994: 980: 963: 950: 924: 911: 907:Uruburu (2008) 899: 886: 866: 858:W. 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Index


Leslie Stuart
Paul Rubens
Book
Owen Hall
West End
Broadway
Broadway
revival
Broadway
revival
West End
revival
Broadway
revival
West End
revival
West End
revival
Edwardian musical comedy
Broadway
Owen Hall
Leslie Stuart
Paul Rubens
George Arthurs
The School Girl
The Belle of Mayfair
Havana
Lyric Theatre
Evie Greene

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