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217:, working with gold, silver, platinum, pewter, copper, bronze, titanium, and niobium. She used these different techniques to pursue her lifelong interest in color, employing enamel, patinas, cast resins and more to expand her palette. Her unusual combinations of metals and gemstones are a defining characteristic of her work.
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In the mid-1960s, Resnikoff became interested in other metals and larger forms, leading her to undergo formal training in sculpture. While her jewelry was gaining notoriety, appearing in many shows across the country, Resnikoff moved away from working with precious stones and pursued her development
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Resnikoff's early designs were cast or constructed designs that followed the principles of the modernists‍—‌materials and function defined the character of the piece. However, unlike the modernists, she rejected simplicity and often added embellishments, ornaments, and bright colors. She
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In 1973, Resnikoff began teaching at the
California College of Arts and Crafts in the Jewelry Metal Arts Program, becoming Program Head in 1980. She retired as Professor Emerita in 1989.
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techniques and their application to jewelry and metalsmithing. This led her to concentrate more on metal in combinations with bronze, silver, and copper.
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Resnikoff was married to her husband, George J. Resnikoff, for 50 years before he died in 1994. The family moved in the 1950s to
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478:. Washington, D.C.: Corcoran College of Art & Design, Department of History of Decorative Arts. pp. 24, 35–36.
389:. Washington, D.C.: Corcoran College of Art & Design, Department of History of Decorative Arts. pp. 24, 35–36.
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as a metalsmith. After moving back to
California in 1965, she resumed her education, and received a fellowship from the
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Metal Rising: The
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Metal Rising: The
Forming of the Metal Arts Guild, San Francisco (1929-1964)
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Herman; 1920–2013) was an
American artist and educator in the fields of
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168:(now California College of the Arts); and an M.A. degree in 1973 from
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California design : the legacy of the West Coast craft and style
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Resnikoff's work can be found in the permanent collections of the
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developed as an artist, mastering different techniques such as
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505:"Florence Resnikoff | Smithsonian American Art Museum"
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176:at the California College of Arts and Crafts.
164:(B.F.A.) degree in 1967 in sculpture from the
561:. Vol. 49, no. 4. 1989. p. 12.
302:"Florence Resnikoff papers, circa 1950-2011"
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415:Adell, Carrie; Renk, Merry (Summer 1984).
355:. San Francisco, Calif.: Chronicle Books.
152:In 1951, she was a founding member of the
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574:"In Remembrance: Florence Resnikoff"
284:. She has one son, Carl Resnikoff.
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325:"Remembering: Florence Resnikoff"
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533:. China: Schiffer. p. 166.
451:. China: Schiffer. p. 164.
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172:. She had studied under
143:Art Institute of Chicago
129:Early life and education
559:American Craft Aug/Sept
529:Schon, Marbeth (2004).
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423:. Metalsmith (magazine)
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109:Florence Lisa Resnikoff
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555:"People & Places"
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162:Bachelor of Fine Arts
264:Resnikoff taught at
44:Florence Lisa Herman
160:. She received her
147:Saugatuck, Michigan
75:George J. Resnikoff
694:American jewellers
652:Visual arts portal
509:americanart.si.edu
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67:Jewelry, sculpture
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158:Margaret De Patta
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689:2013 deaths
684:1920 births
610:Arts portal
484:10088/18636
395:10088/18636
214:mokume-gane
174:Bob Winston
678:Categories
583:October 8,
489:October 9,
427:October 7,
400:October 6,
368:October 6,
288:References
282:California
252:, and the
135:Fort Worth
278:Palo Alto
225:to study
199:anodizing
514:March 6,
421:Ganoksin
334:March 5,
260:Teaching
209:keum-boo
80:Children
123:jewelry
88:Website
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248:, the
244:, the
211:, and
180:Career
139:Ox-Bow
119:metals
72:Spouse
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585:2022
578:SNAG
535:ISBN
516:2016
491:2022
453:ISBN
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402:2022
370:2022
357:ISBN
336:2016
236:Work
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52:Died
47:1920
40:Born
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