44:
174:
2065:
1105:
524:
typically expected to form the ability to detect conceptual shifts in film, a vocabulary for the analysis of film form and style, a sense of ideological dimensions of film and an awareness of extra textual domains and possible direction of film in the future. Universities often allow students to participate in film research and attend seminars of specialized topics to enhance their critical abilities.
96:, artistic, cultural, economic, and political implications of the cinema. In searching for these social-ideological values, film studies takes a series of critical approaches for the analysis of production, theoretical framework, context, and creation. Also, in studying film, possible careers include critic or production. Overall the study of film continues to grow, as does the
523:
colleges and universities, as well as
American high schools, contain courses specifically focused on the analysis of film. Modern-day film studies increasingly reflect popular culture and art, and a wide variety of curricula have emerged for analysis of critical approaches used in film. Students are
293:
focused on the production and subjective critique of film rather than on the critical approaches, history and theory used to study academically. The concept of film studies arose as a means of analyzing the formal aspects of film as the films were created. Established in 1919, the
594:
in the United States offer a major program in film studies. This number continues to grow each year with new interest in film studies. Institutions offering film degrees as part of their arts or communications curricula differ from institutions with dedicated film programs.
367:, wrote: "Jerry Lewis is the only one in Hollywood doing something different, the only one who isn't falling in with the established categories, the norms, the principles. Lewis is the only one today who's making courageous films."
649:
play an important role in the study of film and may include discourses on topics such as film style, aesthetics, representation, production, distribution, social impact, history, archival and curation. Major festivals such as the
310:
in film in 1932, but the program lacked many of the distinctions associated with contemporary film study. Universities began to implement cinema-related curricula without separation of the abstract and practical approaches.
598:
The success of the
American film industry has contributed to the popularity of academic film studies in the U.S., and film-related degrees often enable graduates to pursue careers in the production of film, especially
150:
654:
offer extensive programs with talks and panel discussions. They also inform film historiography, most actively through retrospectives and historical sections such as Cannes
Classics.
1277:
1253:
Cahiers du Cinema 1960–1968 New Wave, New Cinema, Re-evalutating
Hollywood (Godard in interview with Jacques Bontemps, Jean-Louis Comolli, Michel Delahaye, and Jean Narboni)
345:, which examines film as the director's vision and art, that broadened the scope of academic film studies to a worldwide presence in the 1960s. In 1965, film critic
370:
A catalyst in the success and stature of academic film studies has been large donations to universities by successful commercial filmmakers. For example, director
658:
1312:
2007:
1519:
1047:
1570:
1287:
303:
2028:
1068:
537:
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Today, film studies are taught worldwide and has grown to encompass numerous methods for teaching history, culture and society. Many
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1061:
1817:
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271:
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282:. Because film became an invention and industry only in the late 19th century, a generation of film producers and
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1368:
836:
1462:
Polan, Dana, and Haidee Wasson. "Young Art, Old
Colleges." Inventing Film Studies. Durham: Duke UP, 2008. Print.
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17:
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2014:
1964:
1909:
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1471:"History of Film Studies in the United States and at Berkeley." Film Studies. Web. 11 Nov. 2010. <
1089:
1054:
462:
302:, established in 1929, was the first cinematic-based school, which was created in agreement with the
274:. Rather than focusing on the technical aspects of film production, film studies are concentrated on
156:
1226:
1984:
1847:
1187:
Gibson, Pamela Church; Dyer, Richard; Kaplan, E. Ann; Willemen, Paul, eds. (2000). "Introduction".
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Film-studies programs at all levels are offered worldwide, primarily in the countries in the
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425:
48:
1393:
330:. Students were required to create films in order to complete their studies at the academy.
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8:
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FILMdrippink.com - Database providing academic & journalist texts about film & TV
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existed significantly before the academic analysis that followed in later generations.
120:
82:
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Film studies as an academic discipline emerged in the 20th century, decades after
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37:
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was the first school in the world to focus on film. In the United States, the
2089:
2083:
1959:
1921:
1904:
1644:
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996:
966:
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826:
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also conduct scholarly projects alongside educational and outreach programs.
624:
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457:
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283:
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78:
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319:
114:
1590:"Rethinking the canon: the role of film festivals in shaping film history"
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1834:
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serves as a major hub for discourse on cinema on the
African continent.
387:
323:
290:
275:
62:
1134:
1129:
1124:
726:
716:
198: in this section. Unsourced material may be challenged and removed.
126:
89:
1544:
640:
608:
353:, declared that Hitchcock's films contained the same complexities of
607:
films. Courses often combine alternate media, such as television or
173:
43:
1743:
1241:. New York: Modern Language Association of America, 1983.15. Print.
871:
278:, which approaches film critically as an art, and the writing of
1770:
1795:
1698:
Scenes of
Instruction: The Beginnings of the U.S. Study of Film
1369:"Film Studies (Media Studies) - GSH - University of Amsterdam"
623:. In many cases, film studies can be found in departments of
88:
Film studies is less concerned with advancing proficiency in
77:
as an art form and a medium. It is sometimes subsumed within
1629:"FESPACO—Promoting African Film Development and Scholarship"
546:
film studies programs often include but are not limited to:
337:
productions in the 1950s turned cinema into a more artistic
1731:
1689:
Polan, Dana, and Haidee Wasson. "Young Art, Old
Colleges."
74:
1760:
1755:
1679:. New York: Modern Language Association of America, 1983.
1440:. University of Southern California. 2010. Archived from
1186:
1765:
1100:
61:is an academic discipline that deals with various
1781:Website dedicated to the introduction to film art
1193:. Oxford: Oxford University Press. pp. 1–8.
2081:
2008:Historical Journal of Film, Radio and Television
1048:Historical Journal of Film, Radio and Television
1811:
1756:Main website for USC School of Cinematic Arts
381:
151:Projections: The Journal for Movies and Mind,
1761:Main website for the Los Angeles Film School
1221:Sikov, Ed. 2010. "Introduction." Pp. 1–4 in
361:, a contributor to the influential magazine
1791:Screensite listing of college film programs
1367:Amsterdam, Universiteit van (2 July 2019).
1250:
304:Academy of Motion Picture Arts and Sciences
1818:
1804:
1744:Main website for the Berkeley film studies
1677:Film Study in the Undergraduate Curriculum
1502:"PhD Programmes in Film Studies in Europe"
1275:
1239:Film Study in the Undergraduate Curriculum
2029:New Review of Film and Television Studies
1366:
1255:. Harvard University Press. p. 295.
1069:New Review of Film and Television Studies
614:
538:List of film schools in the United States
258:Learn how and when to remove this message
2022:Journal of Popular Film & Television
1499:
1315:. Collegeboard.com. 2010. Archived from
1062:Journal of Popular Film & Television
585:
42:
1587:
1307:
1305:
14:
2082:
1182:
1180:
1121:, the use of film in medical education
514:
1799:
1766:Main website for the NYFA Film School
664:
357:'s plays. Similarly, French director
341:endeavor. It was the creation of the
106:publishing film studies work include
27:Academic discipline focused on cinema
1626:
1571:"Cannes International Film Festival"
1386:
1302:
1013:
611:, in combination with film studies.
527:
306:. It was also the first to offer an
196:adding citations to reliable sources
167:
1776:Film Connections in Washington D.C.
1520:"Communication & Media Studies"
1430:
1341:. Durham: Duke UP, 2008. 67. Print.
1177:
139:Journal of Cinema and Media Studies
24:
1655:
1568:
1408:
1337:Grieveson, Lee. "Cinema Studies."
318:was founded during the era of the
25:
2106:
1725:
1269:
1190:Film Studies: Critical Approaches
2063:
1825:
1771:Film Studies in New Delhi, India
1225:. New York: Columbia UP. Print.
1140:Glossary of motion picture terms
1103:
322:in 1938. Its lecturers included
316:Deutsche Filmakademie Babelsberg
272:the invention of motion pictures
172:
1786:List of the Top US Film Schools
1620:
1581:
1562:
1537:
1512:
1493:
1465:
1456:
183:needs additional citations for
1714:. Malden, MA: Blackwell, 2000.
1438:"USC School of Cinematic Arts"
1360:
1344:
1331:
1244:
1231:
1215:
570:Attention to regional creation
92:than it is with exploring the
13:
1:
1705:Film Studies: an Introduction
1686:. London, Zidane Press. 2016.
1606:10.1080/17411548.2020.1765631
1418:. Georgetown University. 2010
1354:. Manchester UP. 2-14. Print.
1223:Film Studies: An Introduction
1170:
374:donated $ 175 million to the
1712:Film Theory: an Introduction
1588:Vallejo, Aida (3 May 2020).
550:Introduction to film studies
376:USC School of Cinematic Arts
300:USC School of Cinematic Arts
7:
1627:Aveh, M. Africanus (2020).
1276:Abramowitz, Rachel (2010).
1096:
10:
2111:
2050:Television & New Media
1900:Psychoanalytic film theory
1721:. London: Routledge, 2007.
1665:. New York: DK Pub., 2006.
1594:Studies in European Cinema
1090:Television & New Media
1017:
581:Methods of film production
531:
497:History of film technology
453:Psychoanalytic film theory
385:
382:Approaches to film studies
163:
31:
2059:
2015:Journal of Film and Video
1983:
1937:
1910:Structuralist film theory
1833:
1684:Film Theory for Beginners
1251:Jim Hillier, ed. (1987).
1055:Journal of Film and Video
463:Structuralist film theory
157:Journal of Film and Video
81:and is often compared to
1719:Film Studies: the Basics
1693:. Durham: Duke UP, 2008.
1416:"Film and Media Studies"
635:and museums such as the
567:Attention to time period
32:Not to be confused with
1749:3 November 2019 at the
1737:3 November 2019 at the
1707:. New York: Columbia UP
1396:. Yale University. 2010
47:Film-screening room at
1858:Linguistic film theory
1691:Inventing Film Studies
1670:Beginning Film Studies
1394:"Film Studies Program"
1352:Beginning Film Studies
1339:Inventing Film Studies
615:Worldwide film studies
562:Analysis with emphasis
556:Close analysis of film
409:Linguistic film theory
55:
2043:The Velvet Light Trap
1873:Formalist film theory
1848:Cognitive film theory
1083:The Velvet Light Trap
1020:List of film journals
629:communication studies
592:tertiary institutions
586:American film studies
576:Attention to creators
559:History of film/media
553:Modes of film studies
426:Formalist film theory
399:Cognitive film theory
349:, in his writings on
333:A movement away from
100:on which it focuses.
49:Georgetown University
46:
1885:Feminist film theory
1675:Grant, Barry Keith.
1313:"Major:Film Studies"
1237:Grant, Barry Keith.
652:Cannes Film Festival
534:List of film schools
438:Feminist film theory
192:improve this article
1895:Marxist film theory
515:Modern film studies
448:Marxist film theory
280:film historiography
1853:Historical poetics
1682:Osborne, Richard.
1575:The New York Times
1290:on 24 January 2010
1278:"LA's Screen Gems"
1160:Philosophy of film
1041:Film & History
887:Jonathan Rosenbaum
797:Teresa de Lauretis
692:Siegfried Kracauer
665:Prominent scholars
573:Attention to genre
542:The curriculum of
502:New cinema history
404:Historical poetics
296:Moscow Film School
121:Film International
83:television studies
56:
2077:
2076:
1985:Academic journals
1955:Sergei Eisenstein
1569:Dargis, Manohla.
1480:on 24 August 2010
1283:Los Angeles Times
1145:Experimental film
1014:Academic journals
942:Francesco Casetti
767:François Truffaut
757:Jean-Louis Baudry
707:Sergei Eisenstein
697:Vsevolod Pudovkin
528:Common curriculum
507:Media archaeology
487:Historiographical
364:Cahiers du Cinéma
268:
267:
260:
242:
109:Sight & Sound
104:Academic journals
16:(Redirected from
2102:
2068:
2067:
2066:
1975:Kristin Thompson
1950:Thomas Elsaesser
1927:Schreiber theory
1917:Critical methods
1820:
1813:
1806:
1797:
1796:
1717:Villarejo, Amy.
1700:(UC Press, 2007)
1672:. Manchester UP.
1661:Bergan, Ronald.
1649:
1648:
1624:
1618:
1617:
1585:
1579:
1578:
1566:
1560:
1559:
1557:
1555:
1541:
1535:
1534:
1532:
1530:
1524:Top Universities
1516:
1510:
1509:
1497:
1491:
1489:
1487:
1485:
1476:. Archived from
1469:
1463:
1460:
1454:
1453:
1451:
1449:
1434:
1428:
1427:
1425:
1423:
1412:
1406:
1405:
1403:
1401:
1390:
1384:
1383:
1381:
1379:
1364:
1358:
1348:
1342:
1335:
1329:
1328:
1326:
1324:
1319:on 19 March 2012
1309:
1300:
1299:
1297:
1295:
1286:. Archived from
1273:
1267:
1266:
1248:
1242:
1235:
1229:
1219:
1213:
1212:
1184:
1113:
1108:
1107:
1106:
972:Kristin Thompson
892:Thomas Elsaesser
877:Peter Bondanella
792:Jeanine Basinger
737:Alexandre Astruc
677:Ricciotto Canudo
672:Hugo Münsterberg
480:Schreiber theory
351:Alfred Hitchcock
263:
256:
252:
249:
243:
241:
200:
176:
168:
53:Washington, D.C.
21:
2110:
2109:
2105:
2104:
2103:
2101:
2100:
2099:
2080:
2079:
2078:
2073:
2070:Film portal
2064:
2062:
2055:
1979:
1933:
1829:
1824:
1751:Wayback Machine
1739:Wayback Machine
1728:
1658:
1656:Further reading
1653:
1652:
1625:
1621:
1586:
1582:
1567:
1563:
1553:
1551:
1543:
1542:
1538:
1528:
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1513:
1498:
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1472:
1470:
1466:
1461:
1457:
1447:
1445:
1444:on 18 June 2010
1436:
1435:
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1414:
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1391:
1387:
1377:
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1311:
1310:
1303:
1293:
1291:
1274:
1270:
1263:
1249:
1245:
1236:
1232:
1220:
1216:
1201:
1185:
1178:
1173:
1165:Outline of film
1155:History of film
1109:
1104:
1102:
1099:
1022:
1016:
1011:
987:Jonathan Beller
982:Elizabeth Cowie
837:Claire Johnston
832:Vivian Sobchack
817:Raymond Bellour
812:Teshome Gabriel
782:Raymond Durgnat
667:
617:
590:A total of 144
588:
540:
530:
517:
390:
384:
359:Jean Luc Godard
328:Heinrich George
264:
253:
247:
244:
201:
199:
189:
177:
166:
90:film production
41:
28:
23:
22:
15:
12:
11:
5:
2108:
2098:
2097:
2092:
2075:
2074:
2060:
2057:
2056:
2054:
2053:
2046:
2039:
2032:
2025:
2018:
2011:
2004:
2001:Film Quarterly
1997:
1994:Cinema Journal
1989:
1987:
1981:
1980:
1978:
1977:
1972:
1967:
1965:Christian Metz
1962:
1957:
1952:
1947:
1945:David Bordwell
1941:
1939:
1935:
1934:
1932:
1931:
1930:
1929:
1924:
1914:
1913:
1912:
1907:
1902:
1897:
1892:
1890:Film semiotics
1887:
1877:
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1768:
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1758:
1753:
1741:
1727:
1726:External links
1724:
1723:
1722:
1715:
1710:Stam, Robert.
1708:
1701:
1694:
1687:
1680:
1673:
1666:
1657:
1654:
1651:
1650:
1639:(1): 117–128.
1619:
1600:(2): 155–169.
1580:
1561:
1549:Eye Filmmuseum
1536:
1511:
1500:Studyportals.
1492:
1474:"Film Studies"
1464:
1455:
1429:
1407:
1385:
1359:
1343:
1330:
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1268:
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1150:Fictional film
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1119:Cinemeducation
1115:
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1058:
1051:
1044:
1037:
1034:Film Quarterly
1030:
1027:Cinema Journal
1018:Main article:
1015:
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989:
984:
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977:Mary Ann Doane
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947:David Bordwell
944:
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932:Linda Williams
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807:Richard Barsam
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789:
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779:
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769:
764:
762:Christian Metz
759:
754:
749:
747:Stanley Cavell
744:
742:Gilles Deleuze
739:
734:
729:
724:
722:Rudolf Arnheim
719:
714:
709:
704:
699:
694:
689:
684:
682:Germaine Dulac
679:
674:
668:
666:
663:
657:Film festival
647:Film festivals
637:Eye Filmmuseum
616:
613:
587:
584:
583:
582:
578:
577:
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571:
568:
564:
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560:
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544:tertiary-level
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443:Film semiotics
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386:Main article:
383:
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308:academic major
266:
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207:"Film studies"
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165:
162:
145:Film Quarterly
73:approaches to
38:film criticism
34:cinematography
26:
18:Film professor
9:
6:
4:
3:
2:
2107:
2096:
2095:Media studies
2093:
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2087:
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1973:
1971:
1968:
1966:
1963:
1961:
1960:Colin MacCabe
1958:
1956:
1953:
1951:
1948:
1946:
1943:
1942:
1940:
1936:
1928:
1925:
1923:
1922:Auteur theory
1920:
1919:
1918:
1915:
1911:
1908:
1906:
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209: –
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203:Find sources:
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181:This section
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1970:Laura Mulvey
1863:Neoformalism
1827:Film studies
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1633:Black Camera
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1552:. Retrieved
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1482:. Retrieved
1478:the original
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1442:the original
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1356:Google Books
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1007:Mark Cousins
992:Geoff Andrew
962:Slavoj Žižek
957:B. Ruby Rich
952:Michel Chion
937:Noël Carroll
922:Annette Kuhn
912:Ian Christie
907:Richard Dyer
902:Hamid Naficy
862:James Monaco
857:Bill Nichols
842:Laura Mulvey
802:Peter Wollen
712:Lev Kuleshov
702:Jean Epstein
656:
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621:Global North
618:
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521:liberal arts
518:
492:Film history
414:Neoformalism
372:George Lucas
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291:film schools
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190:Please help
185:verification
182:
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115:Film Comment
113:
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102:
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59:Film studies
58:
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29:
1880:Continental
1703:Sikov, Ed.
1554:19 December
1529:19 December
1484:11 November
1111:Film portal
1002:David Kipen
897:Serge Daney
847:Robert Stam
732:André Bazin
687:Béla Balázs
433:Continental
388:Film theory
355:Shakespeare
339:independent
324:Willi Forst
320:Third Reich
314:The German
276:film theory
63:theoretical
2084:Categories
1869:Classical
1835:Approaches
1545:"Academic"
1506:PhD Portal
1448:25 October
1422:25 October
1400:25 October
1378:7 February
1373:gsh.uva.nl
1323:18 October
1294:18 October
1171:References
1135:Filmmaking
1130:Film genre
1125:Cinephilia
777:Noël Burch
772:Robin Wood
727:Paul Rotha
717:Jean Mitry
532:See also:
347:Robin Wood
218:newspapers
127:CineAction
67:historical
1645:1947-4237
1614:1741-1548
641:Amsterdam
609:new media
605:producing
601:directing
470:Criticism
421:Classical
378:in 2006.
335:Hollywood
284:directors
248:July 2024
94:narrative
1938:Scholars
1843:Analytic
1747:Archived
1735:Archived
1209:42835361
1097:See also
872:Pam Cook
394:Analytic
98:industry
71:critical
659:FESPACO
232:scholar
164:History
2036:Screen
1643:
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1197:
1076:Screen
289:Early
234:
227:
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133:Screen
75:cinema
69:, and
1490:>.
239:JSTOR
225:books
2090:Film
1663:Film
1641:ISSN
1610:ISSN
1556:2023
1531:2023
1486:2010
1450:2010
1424:2010
1402:2010
1380:2019
1325:2010
1296:2010
1257:ISBN
1205:OCLC
1195:ISBN
603:and
536:and
326:and
211:news
154:and
1602:doi
639:in
627:or
194:by
36:or
2086::
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261:)
255:(
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246:(
236:·
229:·
222:·
215:·
188:.
40:.
20:)
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