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File:Wallace Ford, Johnny Eck, and Leila Hyams in Freaks.jpg

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556: 245:"According to the old copyright act, such production stills were not automatically copyrighted as part of the film and required separate copyrights as photographic stills. The new copyright act similarly excludes the production still from automatic copyright but gives the film's copyright owner a five-year period in which to copyright the stills. Most studios have never bothered to copyright these stills because they were happy to see them pass into the public domain, to be used by as many people in as many publications as possible." 43: 91: 298: 736: 706: 676: 591:"}},"text\/plain":{"en":{"":"depicts"}}},"{\"value\":{\"entity-type\":\"item\",\"numeric-id\":1704485,\"id\":\"Q1704485\"},\"type\":\"wikibase-entityid\"}":{"text\/html":{"en":{"P180":" 587: 57: 53: 47: 70: 102: 592: 340:), Mainland China (50 p.m.a., not Hong Kong or Macao), Germany (70 p.m.a.), Mexico (100 p.m.a.), Switzerland (70 p.m.a.), and other countries with individual treaties. 253: 588: 735: 730: 705: 700: 327: 236:"There is a vast body of photographs, including but not limited to publicity stills, that have no notice as to who may have created them." 177: 173: 199: 621: 675: 670: 61: 42: 808:
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Note that it may still be copyrighted in jurisdictions that do not apply the
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writes in the conclusion of a 1993 conference of cinema scholars and editors
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Wallace Ford, Johnny Eck, and Leila Hyams in publicity still for
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As stated by film production expert Eve Light Honathaner in
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Kristin Thompson, committee chairperson of the Society for
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Add a one-line explanation of what this file represents
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in the United States between 1929 and 1977, inclusive,
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Wallace Ford, Johnny Eck, and Leila Hyams in Freaks.jpg
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File:Wallace Ford, Johnny Eck, and Leila Hyams in Freaks.jpg
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640 × 466 pixels
892 × 649 pixels
Original file
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Cinema and Media Studies

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