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File:Jeff Altman 1980.jpg

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250:"According to the old copyright act, such production stills were not automatically copyrighted as part of the film and required separate copyrights as photographic stills. The new copyright act similarly excludes the production still from automatic copyright but gives the film's copyright owner a five-year period in which to copyright the stills. Most studios have never bothered to copyright these stills because they were happy to see them pass into the public domain, to be used by as many people in as many publications as possible." 572: 280: 302: 599: 362: 67: 262:" expressed the opinion that it is not necessary for authors to request permission to reproduce frame enlargements... some trade presses that publish educational and scholarly film books also take the position that permission is not necessary for reproducing frame enlargements and publicity photographs." 584:
This tag is designed for use where there may be a need to assert that any enhancements (eg brightness, contrast, colour-matching, sharpening) are in themselves insufficiently creative to generate a new copyright. It can be used where it is unknown whether any enhancements have been made, as well as
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because it is a mere mechanical scan or photocopy of a public domain original, or – from the available evidence – is so similar to such a scan or photocopy that no copyright protection can be expected to arise. The original itself is in the public domain for the following reason:
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PINK LADY AND JEFF -- Pink Lady -- Mie (left) and Kei -- the Japanese singing duo that has become one of the most successful recording acts in the world, will star with comedian Jeff Altman in a new NBC-TV variety hour, "Pink Lady and Jeff,"
232:"Publicity photos (star headshots) have traditionally not been copyrighted. Since they are disseminated to the public, they are generally considered public domain, and therefore clearance by the studio that produced them is not necessary." 38: 397:
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record that this was subsequently registered within 5 years of publication. As such, the opportunity for copyright protection on the photo was forfeited and it entered the public domain.
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The source images linked above are mechanical scans of the underlying public domain work. These scans are faithful reproductions of the photograph that do not meet the
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that will have a special preview Saturday, March 1 (10-11 p.m. NYT). It will be presented as a limited-run series, Fridays (9-10 p.m. NYT) starting March 14.
241:"There is a vast body of photographs, including but not limited to publicity stills, that have no notice as to who may have created them." 176: 590: 610: 293: 78: 677: 46: 605:
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because it was published in the United States between 1978 and March 1, 1989 without a
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writes in the conclusion of a 1993 conference of cinema scholars and editors
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https://www.tokyoscope.blog/p/interview-marty-krofft-and-the-making
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As stated by film production expert Eve Light Honathaner in
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Kristin Thompson, committee chairperson of the Society for
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Unless its author has been dead for several years, it is
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For usage, see 319: 7: 733:Usage on ckb.wikipedia.org 723:Usage on arz.wikipedia.org 553: 490: 294:Pink Lady and Jeff 1980.jpg 10: 785: 763:Usage on www.wikidata.org 753:Usage on ko.wikipedia.org 743:Usage on it.wikipedia.org 713:Usage on ar.wikipedia.org 274: 105: 100: 508: 213: 16: 526: 517: 499: 481: 472: 463: 454: 445: 436: 427: 418: 409: 401:for further explanation. 395:rule of the shorter term 255:Cinema and Media Studies 205:threshold of originality 72:This is a file from the 36: 676: 609:may be applicable. See 134: 76:. 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