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reliquary to honor his remains. The shrine of St. Amandus, ornamented with silver columns and gilded apostles, was the focus of a strong local cult, visited by pilgrims who came for healing or in thanks for prayers answered. Given its large size and popularity, the shrine was probably placed upon a platform supported by columns behind the main altar for year-round veneration.
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Mitchell
Gallery, Annapolis; Williams College Museum of Art, Williamstown. 2002. The Special Dead: A Medieval Reliquary Revealed. The Walters Art Museum, Baltimore. 2008-2009. Treasures of Heaven. The Cleveland Museum of Art, Cleveland; The Walters Art Museum, Baltimore; The British Museum, London. 2010-2011.
521:
Reliquaries and Ritual: Medieval
Objects of Devotion. The Walters Art Gallery, Baltimore. 1984-1985. The Book of Kings: Art, War, and the Morgan Library's Medieval Picture Bible. The Walters Art Museum, Baltimore; Academy of the Arts, Easton, Easton; Princeton University Art Museum, Princeton; The
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This large, church-shaped shrine once housed the relics of a 7th-century saint who served as a missionary and bishop to the western regions of present-day
Belgium. St. Amandus (d. 679) also established a monastery at Elnon, near Tournai (western Belgium), where the monks later commissioned this
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In black enamel on gilt copper strips placed along the base of the roof-like lid: IN ISTA CAPSA SVNT SEQVENTES RELIQ(VIA)E B(EATI) AMANDI EP(ISCOPU)S; In this reliquary are the following relics of the blessed Bishop
Amandus; In black enamel on gilt copper strip placed along the base of the
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1261:== {{int:filedesc}} == {{Walters Art Museum artwork |artist = Flemish |title = ''Shrine of Saint Amandus'' |description = {{en|This large, church-shaped shrine once housed the relics of a 7th-century saint who served as a mis...
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