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Fender Harvard

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P10R 10-inch speaker. The amplifier had a very simple circuit and used only a single channel with a two-stage preamp, with just a volume and (treble-cut) tone control. The Harvard was a fixed bias amplifier, using a basic cathodyne phase inverter, but did include a selenium rectifier in the bias
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The "Tweed" 5F10 model, launched in 1955, but not in time for the Fender catalog of that year, was a 10-watt amplifier utilising a 6AV6 (from 1956 a 6AT6) preamplifier tube, 12AX7 phase inverter tube, a pair of 6V6GT power amplifier tubes, and one 5Y3GT rectifier tube, with a
106:. Stephen Stills is also a user of the Harvard particularly for overdubbed solos, the quick compression when used with humbuckers leads to a fluid lyrical single note passages. Stills is also a fan of the related 58~60 Vibrolux for tracks on record and live. 56:-covered "brownface" version. These Harvards sometimes even use old 5F2-A tube charts with the Princeton name scratched out; they can be identified by their Schumacher transformers (the same ones used in the new brown Princeton) and 1960s date stamps. 71:
was essentially identical to the Harvard, but with an added tremolo circuit driven by one side of a dual-triode 12AX7 which replaced the Harvard's single-triode 6AV6/6AT6, and was built into a Deluxe cabinet.
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Unusually for Fender, the Harvard had no predecessor and, although the Harvard name was revived later by Fender, no descendants. The Harvard filled a gap between the student
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from 1955 to 1963. The Harvard appeared only in a tweed covered "narrow-panel" cabinet, but in two very different circuit designs, namely 5F10 (1955–61) and 6G10 (1962–63).
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The extremely rare 1962–63 6G10 Harvard used a single 12AX7, 6V6GT and 5Y3GT; it was simply a way to use up leftover 50's
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The 5F10 Harvard's dimensions were 16.5 × 18 × 8.75 inches (42 × 46 × 22 cm), and it weighed 20 pounds (9 kg).
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Technically, only half of the 12AX7 was the phase inverter; the other triode served as the second preamp gain stage.
324: 768: 599: 95: 52:(5F2-A) chassis and tweed cabinets, after Fender had re-launched an all-new class AB Princeton (6G2) in a 763: 635: 604: 573: 463: 374: 741: 523: 415: 513: 364: 341: 508: 394: 710: 498: 389: 317: 8: 548: 473: 302: 64: 41: 683: 673: 609: 568: 230: 90:, who said that he used the amplifier for most of the classic recordings made with the 640: 563: 533: 478: 458: 384: 292: 291:(Interview). Interviewed by Brian D. Holland. Modern Guitars Magazine. Archived from 206: 155: 79: 578: 518: 450: 333: 49: 553: 425: 399: 359: 310: 269: 538: 488: 468: 435: 83: 757: 698: 493: 369: 87: 688: 678: 543: 483: 354: 99: 91: 60: 705: 558: 151: 29: 528: 440: 379: 349: 583: 16: 78:
The most famous user of the Fender Harvard, in conjunction with a
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The Soul of Tone: Celebrating 60 Years of Fender Amps
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Index


vacuum tube
Fender
Jensen
Princeton
Tolex
Champ
Deluxe
Fender Telecaster
Esquire
Steve Cropper
Stax
Booker T. & the M.G.'s
Green Onions
(Sittin' On) The Dock of the Bay


Hal Leonard
ISBN
0-7935-3733-9
"Fender "Harvard" Schematic Model 5F10"



ISBN
978-0634056130


"Early Fender Tweed Amps"
"Fender "Harvard" Schematic Model 6G10"

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